^

 

OK 

 

Have a good day

3 hours ago, Cult Icon said:

^

Nope, I don't stick up for abusers.  I stick up for objectivity.

 

i think you are slanted against men, but that's acceptable. 

It could have been objective without the cinical addition that her career dried up. 

^

Nope

The problem isn't that Rose wan't already talking. That problem is that no one was listening. 

And we probably only have the NYT story coming out because people sensed that his power wasn't as it once was.The fact is his career in launching movie stars has been pretty dry as of late.

Why do women not talk?

 

Lets see, on the one hand you have a wealthy Hollywood producer/studio exec who would send an army of lawyers after you and accuse you of libel.

So unless you have proof beyond just your word (like witnesses who are willing to come forward) it's a losing proposition to make public accusations.

Or you wait to add your own story if/when other women come forward (which is what happened in Cosby's case).

Or you are the brave/rare individual who goes ahead with your accusation in spite of the fact that you know it will destroy your career and you have very little chance of winning.

 

We live in a world in which Brock Turner, who was caught in the act raping an unconscious woman, got a joke sentence. So unless a woman is very naive, she knows that the criminal justice system is skewed against her in cases of sexual assault, even when the prosecution has a very strong case. Which isn't the case in a he-said-she-said situation.

 

Jessica Valenti does a good job of exposing the problem for those Hollywood actresses who knew of Harvey Weinstein's behavior by reputation or rumors.

 

 

2 hours ago, gotportugal said:

And we probably only have the NYT story

 

NYT is considered holy writ by millions of people- It's the leading SJW paper in the USA and the journalists get book deals.  Other liberal news often copies what it's doing.

1 hour ago, SympathysSilhouette said:

 

Or you are the brave/rare individual who goes ahead with your accusation in spite of the fact that you know it will destroy your career and you have very little chance of winning.

 

 

I've read the posts on this page as assumptions.  No one here has identified precisely why the timing is so off and why it occurred now.  Of course, Rose's career was more important to her than reporting a rape.

JLaw, Clooney and Jessica Chastain, and Kate Winslet have spoken about it. Kate Winslet the same woman who cheered for Woody Allen and Polanski

1 hour ago, Cult Icon said:

 

I've read the posts on this page as assumptions.  No one here has identified precisely why the timing is so off and why it occurred now.  Of course, Rose's career was more important to her than reporting a rape.

 

Perhaps it might not have been had there been a possibility of a positive outcome.

10 hours ago, Cult Icon said:

^^^

 

Rose conveniently waited until her career dried up to make this expose?

 

seen this before with Cosby, Tiger Woods, and other celebs...

 

a pattern is emerging !

A pattern of rapists yes.

3 hours ago, SympathysSilhouette said:

Why do women not talk?

 

Lets see, on the one hand you have a wealthy Hollywood producer/studio exec who would send an army of lawyers after you and accuse you of libel.

So unless you have proof beyond just your word (like witnesses who are willing to come forward) it's a losing proposition to make public accusations.

Or you wait to add your own story if/when other women come forward (which is what happened in Cosby's case).

Or you are the brave/rare individual who goes ahead with your accusation in spite of the fact that you know it will destroy your career and you have very little chance of winning.

 

We live in a world in which Brock Turner, who was caught in the act raping an unconscious woman, got a joke sentence. So unless a woman is very naive, she knows that the criminal justice system is skewed against her in cases of sexual assault, even when the prosecution has a very strong case. Which isn't the case in a he-said-she-said situation.

+1

 

where are the facts concerning Rose and the steps leading up to this some two decades later?   Solid Actions.

5 minutes ago, Cult Icon said:

 

where are the facts concerning Rose and the steps leading up to this some two decades later?   Solid Actions.

 

Not sure what exactly you are asking for.

Harvey Weinstein isn't the only serial abuser who got away with his behavior for years or decades.

Your argument seems to be that this is the fault of their victims?

The main difference is that you and the women here are focused on the victim energy, which is what the accusers want.  I am less interested in the crime, but focused on the possibility that this is a continuation of her celebrity career.  eg. is a desired result an appearance on Oprah, the View? Does she want to become an advocate?  Or was this a recent project by an team of investigative journalists at the New York Times?

 

If that is the case, then action steps were taken to land an expose and move towards mass influence.

19 hours ago, Sanni said:

 

Rose’s parents raised her and her siblings in a sex cult in her early childhood. Predators are good at finding vulnerable people to be their victims. Maybe having a messed-up childhood made her more vulnerable to him.

 

7 hours ago, SympathysSilhouette said:

Why do women not talk?

 

Lets see, on the one hand you have a wealthy Hollywood producer/studio exec who would send an army of lawyers after you and accuse you of libel.

So unless you have proof beyond just your word (like witnesses who are willing to come forward) it's a losing proposition to make public accusations.

Or you wait to add your own story if/when other women come forward (which is what happened in Cosby's case).

Or you are the brave/rare individual who goes ahead with your accusation in spite of the fact that you know it will destroy your career and you have very little chance of winning.

 

We live in a world in which Brock Turner, who was caught in the act raping an unconscious woman, got a joke sentence. So unless a woman is very naive, she knows that the criminal justice system is skewed against her in cases of sexual assault, even when the prosecution has a very strong case. Which isn't the case in a he-said-she-said situation.

 

+1

 

I hope i'm not "off topic" in saying that, but it reminds of Scream 3, the story ... 

Hollywood got that nickname, the Dream Factory ... and as every factory there's material which is used to create the "dream". Sadly, the raw material is human in Hollywood. "The industry". 

How many people got success for how many got a disappointment, or saw their life dammaged, or destroyed. Some, got the success but in paying a huge price, the price of the honour and dignity ...

That's the Weinstein today, that was some others before, and who are the next. 

Hollywood and the artistic world in general make with these sad stories, of these more than murky stories their little world, their own buisiness. The show business. 

Even the name of "Hollywood" is sarcastic i find. 

 

People who historically created that business, made it in purpose to win a big amount of money, the most fastly and easily possible.

(Here we talk about the Hollywood system, so imagine now the porn industry ... The absolut nightmare.)

 

Sadly, the Weinstein and this world think that the job have to have a dark part, a price to pay on the road to fame. They think everybody know that, and this way, try to legitimate and surelly must feel less guilty for that. Think that fame ask some sacrifice. The sacrifice of the honour and the dignity ...The price to give. The system encourage them since the beggining.

 

That system is mirroring in this "indusrty", but once again that problem does exist everywhere. Job, politic etc ... 

 

@Cult Icon, i won't repeat what i already said about your "opinion" ... I just hope those are words, only words, and that your behave is something different. 

When you're a victim, alone, weak and afraid has already said, imagine how much hard it is to break the silent, and fight for your dignity. 

Hoping this will be revealed:

 

 

Includes audio!

 

 

Quote

 

From Aggressive Overtures to Sexual Assault: Harvey Weinstein’s Accusers Tell Their Stories

 

Multiple women share harrowing accounts of sexual assault and harassment by the film executive.

 

By Ronan Farrow

 

10:47 A.M.

 

In the course of a ten-month investigation, thirteen women interviewed said that, between the nineteen-nineties and 2015, Weinstein sexually harassed or assaulted them.

 

Illustration by Oliver Munday; Source photograph by Raymond Hall / GC Images via Getty

 

1.

 

Since the establishment of the first studios a century ago, there have been few movie executives as dominant, or as domineering, as Harvey Weinstein. As the co-founder of the production-and-distribution companies Miramax and the Weinstein Company, he helped to reinvent the model for independent films, with movies such as “Sex, Lies, and Videotape,” “The English Patient,” “Pulp Fiction,” “The Crying Game,” “Shakespeare in Love,” and “The King’s Speech.” Beyond Hollywood, he has exercised his influence as a prolific fund-raiser for Democratic Party candidates, including Barack Obama and Hillary Clinton. Weinstein combined a keen eye for promising scripts, directors, and actors with a bullying, even threatening, style of doing business, inspiring both fear and gratitude. His movies have earned more than three hundred Oscar nominations, and, at the annual awards ceremonies, he has been thanked more than almost anyone else in movie history, just after Steven Spielberg and right before God.

 

For more than twenty years, Weinstein has also been trailed by rumors of sexual harassment and assault. This has been an open secret to many in Hollywood and beyond, but previous attempts by many publications, including The New Yorker, to investigate and publish the story over the years fell short of the demands of journalistic evidence. Too few people were willing to speak, much less allow a reporter to use their names, and Weinstein and his associates used nondisclosure agreements, monetary payoffs, and legal threats to suppress these myriad stories. Asia Argento, an Italian film actress and director, told me that she did not speak out until now––Weinstein, she told me, forcibly performed oral sex on her—because she feared that Weinstein would “crush” her. “I know he has crushed a lot of people before,” Argento said. “That’s why this story—in my case, it’s twenty years old, some of them are older—has never come out.”

 

Last week, the New York Times, in a powerful report by Jodi Kantor and Megan Twohey, revealed multiple allegations of sexual harassment against Weinstein, a story that led to the resignation of four members of his company’s all-male board, and to Weinstein’s firing from the company.

 

The story, however, is more complex, and there is more to know and to understand. In the course of a ten-month investigation, I was told by thirteen women that, between the nineteen-nineties and 2015, Weinstein sexually harassed or assaulted them, allegations that corroborate and overlap with the Times’s revelations, and also include far more serious claims.

 

Three women––among them Argento and a former aspiring actress named Lucia Evans—told me that Weinstein raped them, allegations that include Weinstein forcibly performing or receiving oral sex and forcing vaginal sex. Four women said that they experienced unwanted touching that could be classified as an assault. In an audio recording captured during a New York Police Department sting operation in 2015 and made public here for the first time, Weinstein admits to groping a Filipina-Italian model named Ambra Battilana Gutierrez, describing it as behavior he is “used to.” Four of the women I interviewed cited encounters in which Weinstein exposed himself or masturbated in front of them.

 

Listen: Weinstein admits to groping a woman, in a recording secretly captured during an N.Y.P.D. sting operation.

 

Sixteen former and current executives and assistants at Weinstein’s companies told me that they witnessed or had knowledge of unwanted sexual advances and touching at events associated with Weinstein’s films and in the workplace. They and others describe a pattern of professional meetings that were little more than thin pretexts for sexual advances on young actresses and models. All sixteen said that the behavior was widely known within both Miramax and the Weinstein Company. Messages sent by Irwin Reiter, a senior company executive, to Emily Nestor, one of the women who alleged that she was harassed at the company, described the “mistreatment of women” as a serial problem that the Weinstein Company was struggling with in recent years. Other employees described what was, in essence, a culture of complicity at Weinstein’s places of business, with numerous people throughout the companies fully aware of his behavior but either abetting it or looking the other way. Some employees said that they were enlisted in subterfuge to make the victims feel safe. A female executive with the company described how Weinstein assistants and others served as a “honeypot”—they would initially join a meeting, but then Weinstein would dismiss them, leaving him alone with the woman.

 

Virtually all of the people I spoke with told me that they were frightened of retaliation. “If Harvey were to discover my identity, I’m worried that he could ruin my life,” one former employee told me. Many said that they had seen Weinstein’s associates confront and intimidate those who crossed him, and feared that they would be similarly targeted. Four actresses, including Mira Sorvino and Rosanna Arquette, told me they suspected that, after they rejected Weinstein’s advances or complained about them to company representatives, Weinstein had them removed from projects or dissuaded people from hiring them. Multiple sources said that Weinstein frequently bragged about planting items in media outlets about those who spoke against him; these sources feared that they might be similarly targeted. Several pointed to Gutierrez’s case, in 2015: after she went to the police, negative items discussing her sexual history and impugning her credibility began rapidly appearing in New York gossip pages. (In the taped conversation with Gutierrez, Weinstein asks her to join him for “five minutes,” and warns, “Don’t ruin your friendship with me for five minutes.”)

 

Several former employees told me that they were speaking about Weinstein’s alleged behavior now because they hoped to protect women in the future. “This wasn’t a one-off. This wasn’t a period of time,” an executive who worked for Weinstein for many years told me. “This was ongoing predatory behavior towards women—whether they consented or not.”

 

It’s likely that women have recently felt increasingly emboldened to talk about their experiences because of the way the world has changed regarding issues of sex and power. These disclosures follow in the wake of stories alleging sexual misconduct by public figures, including Bill O’Reilly, Roger Ailes, Bill Cosby, and Donald Trump. In October, 2016, a month before the election, a tape emerged of Trump telling a celebrity-news reporter, “And when you’re a star, they let you do it. You can do anything. . . . Grab ’em by the pussy. You can do anything.” This past April, O’Reilly, a host at Fox News, was forced to resign after Fox was discovered to have paid five women millions of dollars in exchange for silence about their accusations of sexual harassment. Ailes, the former head of Fox News, resigned last July, after he was accused of sexual harassment. Cosby went on trial this summer, charged with drugging and sexually assaulting a woman. The trial ended with a hung jury.

 

On October 5th, in an initial effort at damage control, Weinstein responded to the Times piece by issuing a statement partly acknowledging what he had done, saying, “I appreciate the way I’ve behaved with colleagues in the past has caused a lot of pain, and I sincerely apologize for it.” In an interview with the New York Post, he said, “I’ve got to deal with my personality, I’ve got to work on my temper, I have got to dig deep. I know a lot of people would like me to go into a facility, and I may well just do that—I will go anywhere I can learn more about myself.” Weinstein went on, “In the past I used to compliment people, and some took it as me being sexual, I won’t do that again.” In his statement to the Times, Weinstein claimed that he would “channel that anger” into a fight against the leadership of the National Rifle Association. He also said that it was not “coincidental” that he was organizing a foundation for women directors at the University of Southern California. “It will be named after my mom and I won’t disappoint her.”

 

Sallie Hofmeister, a spokesperson for Weinstein, issued a statement in response to the allegations in this article. It reads in full: “Any allegations of non-consensual sex are unequivocally denied by Mr. Weinstein. Mr. Weinstein has further confirmed that there were never any acts of retaliation against any women for refusing his advances. Mr. Weinstein obviously can’t speak to anonymous allegations, but with respect to any women who have made allegations on the record, Mr. Weinstein believes that all of these relationships were consensual. Mr. Weinstein has begun counseling, has listened to the community and is pursuing a better path. Mr. Weinstein is hoping that, if he makes enough progress, he will be given a second chance.”

 

While Weinstein and his representatives have said that the incidents were consensual, and were not widespread or severe, the women I spoke to tell a very different story.

 

2.

 

Lucia Stoller, now Lucia Evans, was approached by Weinstein at Cipriani Upstairs, a club in New York, in 2004, the summer before her senior year at Middlebury College. Evans wanted to be an actress, and although she had heard rumors about Weinstein she let him have her number. Weinstein began calling her late at night, or having an assistant call her, asking to meet. She declined, but said that she would do readings during the day for a casting executive. Before long, an assistant called to set up a daytime meeting at the Miramax office, in Tribeca, first with Weinstein and then with a casting executive, who was a woman. “I was, like, ‘Oh, a woman, great, I feel safe,’ ” Evans said.

 

When Evans arrived for the meeting, the building was full of people. She was led to an office with exercise equipment and takeout boxes on the floor, where she met with Weinstein alone. Evans said that she found him frightening. “The type of control he exerted, it was very real,” she told me. “Even just his presence was intimidating.”

 

In the meeting, Evans recalled, “he immediately was simultaneously flattering me and demeaning me and making me feel bad about myself.” Weinstein told her that she’d “be great in ‘Project Runway’ ”—the show, which Weinstein helped produce, premièred later that year—but only if she lost weight. He also told her about two scripts, a horror movie and a teen love story, and said one of his associates would discuss them with her.

 

“At that point, after that, is when he assaulted me,” Evans said. “He forced me to perform oral sex on him.” As she objected, Weinstein took his penis out of his pants and pulled her head down onto it. “I said, over and over, ‘I don’t want to do this, stop, don’t,’ ” she said. “I tried to get away, but maybe I didn’t try hard enough. I didn’t want to kick him or fight him.” In the end, she said, “He’s a big guy. He overpowered me.” At a certain point, she said, “I just sort of gave up. That’s the most horrible part of it, and that’s why he’s been able to do this for so long to so many women: people give up, and then they feel like it’s their fault.”

 

Weinstein appeared to find the encounter unremarkable. “It was like it was just another day for him,” Evans said. “It was no emotion.” Afterward, she said, he acted as if nothing had happened. She wondered how Weinstein’s staff could not know what was going on.

 

After the encounter, she met with the female casting executive, who sent her the scripts, and also came to one of her acting-class readings a few weeks later. (Evans does not believe that the executive was aware of Weinstein’s behavior.) Weinstein, Evans said, began calling her again late at night. Evans told me that the entire sequence of events had a routine quality. “It feels like a very streamlined process,” she said. “Female casting director, Harvey wants to meet. Everything was designed to make me feel comfortable before it happened. And then the shame in what happened was also designed to keep me quiet.”

 

Evans said that, after the incident, “I just put it in a part of my brain and closed the door.” She continued to blame herself for not fighting harder. “It was always my fault for not stopping him,” she said. “I had an eating problem for years. I was disgusted with myself. It’s funny, all these unrelated things I did to hurt myself because of this one thing.” Evans told friends some of what had happened, but felt largely unable to talk about it. “I ruined several really good relationships because of this. My schoolwork definitely suffered, and my roommates told me to go to a therapist because they thought I was going to kill myself.”

 

In the years that followed, Evans encountered Weinstein occasionally. Once, while she was walking her dog in Greenwich Village, she saw him getting into a car. “I very clearly saw him, I made eye contact,” she said. “I remember getting chills down my spine just looking at him. I was so horrified. I have nightmares about him to this day.”

 

3.

 

Asia Argento, an actress born in Rome, played the role of a glamorous thief named Beatrice in the crime drama “B. Monkey,” which was released in the U.S. in 1999. The distributor was Miramax. In a series of long and often emotional interviews, Argento told me that Weinstein assaulted her while they worked together.

 

At the time, Argento was twenty-one and a rising actress who had twice won the Italian equivalent of the Oscar. Argento said that, in 1997, one of Weinstein’s producers invited her to what she understood to be a party thrown by Miramax at the Hôtel du Cap-Eden-Roc, on the French Riviera. Argento felt professionally obliged to attend. When the producer led her upstairs that evening, she said, there was no party—only a hotel room, empty but for Weinstein: “I’m, like, ‘Where is the fucking party?’ ” She recalled the producer telling her, “Oh, we got here too early,” before he left her alone with Weinstein. (The producer denies bringing Argento to the room that night.) At first, Weinstein was solicitous, praising her work. Then he left the room. When he returned, he was wearing a bathrobe and holding a bottle of lotion. “He asks me to give a massage. I was, like, ‘Look man, I am no fucking fool,’ ” Argento said. “But, looking back, I am a fucking fool. And I am still trying to come to grips with what happened.”

 

Argento said that, after she reluctantly agreed to give Weinstein a massage, he pulled her skirt up, forced her legs apart, and performed oral sex on her as she repeatedly told him to stop. Weinstein “terrified me, and he was so big,” she said. “It wouldn’t stop. It was a nightmare.”

 

At some point, Argento said, she stopped saying no and feigned enjoyment, because she thought it was the only way the assault would end. “I was not willing,” she told me. “I said, ‘No, no, no.’ . . . It’s twisted. A big fat man wanting to eat you. It’s a scary fairy tale.” Argento, who insisted that she wanted to tell her story in all its complexity, said that she didn’t physically fight him off, something that has prompted years of guilt.

 

“The thing with being a victim is I felt responsible,” she said. “Because if I were a strong woman, I would have kicked him in the balls and run away. But I didn’t. And so I felt responsible.” She described the incident as a “horrible trauma.” Decades later, she said, oral sex is still ruined for her. “I’ve been damaged,” she told me. “Just talking to you about it, my whole body is shaking.”

 

Argento recalled sitting on the bed after the incident, her clothes “in shambles,” her makeup smeared. She said that she told Weinstein, “I am not a whore,” and that he began laughing. He said he’d put the phrase on a T-shirt. Afterward, Argento said, “He kept contacting me.” For a few months, Weinstein seemed obsessed, offering her expensive gifts.

 

What complicates the story, Argento readily allowed, is that she eventually yielded to Weinstein’s further advances and even grew close to him. Weinstein dined with her, and introduced her to his mother. Argento told me, “He made it sound like he was my friend and he really appreciated me.” She said that she had consensual sexual relations with him multiple times over the course of the next five years, though she described the encounters as one-sided and “onanistic.” The first occasion, several months after the alleged assault, came before the release of “B. Monkey.” “I felt I had to,” she said. “Because I had the movie coming out and I didn’t want to anger him.” She believed that Weinstein would ruin her career if she didn’t comply. Years later, when she was a single mother dealing with childcare, Weinstein offered to pay for a nanny. She said that she felt “obliged” to submit to his sexual advances.

 

Argento said that she knew this contact would be used to attack the credibility of her allegation. In part, she said, the initial assault made her feel overpowered each time she encountered Weinstein, even years later. “Just his body, his presence, his face, bring me back to the little girl that I was when I was twenty-one,” she told me. “When I see him, it makes me feel little and stupid and weak.” She broke down as she struggled to explain. “After the rape, he won,” she said.

 

In 2000, Argento released “Scarlet Diva,” a movie that she wrote and directed. In the film, a heavyset producer corners the character of Anna, who is played by Argento, in a hotel room, asks her for a massage, and tries to assault her. After the movie came out, women began approaching Argento, saying that they recognized Weinstein’s behavior in the portrayal. “People would ask me about him because of the scene in the movie,” she said. Some recounted similar details to her: meetings and professional events moved to hotel rooms, bathrobes and massage requests, and, in one other case, forced oral sex.

 

Weinstein, according to Argento, saw the film after it was released in the U.S., and apparently recognized himself. “Ha, ha, very funny,” Argento remembered him saying to her. But he also said that he was “sorry for whatever happened.” The movie’s most significant departure from the real-life incident, Argento told me, was how the hotel-room scene ended. “In the movie I wrote,” she said, “I ran away.”

 

Other women were too afraid to allow me to use their names, but their stories are uncannily similar to these allegations. One, a woman who worked with Weinstein, explained her reluctance to be identified. “He drags your name through the mud, and he’ll come after you hard with his legal team.”

 

Like other women in this article, she said that Weinstein brought her to a hotel room under a professional pretext, changed into a bathrobe, and “forced himself on me sexually.” She said no, repeatedly and clearly. Afterward, she experienced “horror, disbelief, and shame,” and considered going to the police. “I thought it would be a ‘He said, she said,’ and I thought about how impressive his legal team is, and I thought about how much I would lose, and I decided to just move forward,” she said. The woman continued to have professional contact with Weinstein after the alleged rape, and acknowledged that subsequent communications between them might suggest a normal working relationship. “I was in a vulnerable position and I needed my job,” she told me. “It just increases the shame and the guilt.”

 

4.

 

Mira Sorvino, who starred in several of Weinstein’s films, told me that he sexually harassed her and tried to pressure her into a physical relationship while they worked together. She said that, at the Toronto International Film Festival in September, 1995, she found herself in a hotel room with Weinstein, who produced the movie she was there to promote, “Mighty Aphrodite,” for which she later won an Academy Award. “He started massaging my shoulders, which made me very uncomfortable, and then tried to get more physical, sort of chasing me around,” she recalled. She scrambled for ways to ward him off, telling him it was against her religion to date married men. (At the time, Weinstein was married to Eve Chilton, a former assistant.) Then she left the room.

 

A few weeks later, in New York City, her phone rang after midnight. It was Weinstein, saying that he had new marketing ideas for the film and asking to meet. Sorvino offered to meet him at an all-night diner, but he told her he was coming over to her apartment and hung up. “I freaked out,” she told me. She called a friend and asked him to come over and pose as her boyfriend. The friend hadn’t arrived by the time Weinstein rang her doorbell. “Harvey had managed to bypass my doorman,” she said. “I opened the door terrified, brandishing my twenty-pound Chihuahua mix in front of me, as though that would do any good.” When she told Weinstein that her new boyfriend was on his way, Weinstein became dejected and left.

 

Sorvino said that she struggled for years with whether to come forward with her story, partly because she was aware that it was mild compared to the experiences of other women, including another actress she spoke to at the time. (That actress told me that she locked herself in a hotel bathroom to escape Weinstein, and that he masturbated in front of her. She said it was “a classic case” of “someone not understanding the word ‘no’. . . I must have said no a thousand times.”) The fact that Weinstein was so instrumental in Sorvino’s success also made her hesitate: “I have great respect for Harvey as an artist, and owe him and his brother a debt of gratitude for the early success in my career, including the Oscar.” She had professional contact with Weinstein for years after the incident, and remains close friends with his brother and business partner, Bob Weinstein. (She said that she never told Bob about his brother’s behavior.)

 

Sorvino said that she felt afraid and intimidated, and that the incidents had a significant impact on her. When she told a female employee at Miramax about the harassment, the woman’s reaction “was shock and horror that I had mentioned it.” Sorvino appeared in a few more of Weinstein’s films afterward, but felt that saying no to Weinstein and reporting the harassment had ultimately hurt her career. She said, “There may have been other factors, but I definitely felt iced out and that my rejection of Harvey had something to do with it.”

 

5.

 

In March, 2015, Ambra Battilana Gutierrez, who was once a finalist in the Miss Italy contest, met Harvey Weinstein at a reception for “New York Spring Spectacular,” a show that he was producing at Radio City Music Hall. Weinstein introduced himself to Gutierrez, who was twenty-two, remarking repeatedly that she looked like the actress Mila Kunis.

 

Following the event, Gutierrez’s agency e-mailed to say that Weinstein wanted to set up a business meeting as soon as possible. Gutierrez arrived at Weinstein’s office in Tribeca early the next evening with her modelling portfolio. In the office, she sat with Weinstein on a couch to review the portfolio, and he began staring at her breasts, asking if they were real. Gutierrez later told officers of the New York Police Department Special Victims Division that Weinstein then lunged at her, groping her breasts and attempting to put a hand up her skirt while she protested. He finally backed off and told her that his assistant would give her tickets to “Finding Neverland,” a Broadway play that he was producing. He said that he would meet her at the show that evening.

 

Instead of going to the show that night, Gutierrez went to the nearest N.Y.P.D. precinct station and reported the assault. Weinstein telephoned her later that evening, annoyed that she had failed to appear at the play. She picked up the call while sitting with investigators from the Special Victims Division, who listened in on the call and devised a plan: Gutierrez would agree to see the show the following day and then meet with Weinstein. She would wear a wire and attempt to extract a confession or incriminating statement.

 

The next day, Gutierrez met Weinstein at the bar of the Tribeca Grand Hotel. A team of undercover officers helped guide her through the interaction. On the recording, which I have heard in full, Weinstein lists actresses whose careers he has helped and offers Gutierrez the services of a dialect coach. Then he presses her to join him in his hotel room while he showers. Gutierrez says no repeatedly; Weinstein persists, and after a while she accedes to his demand to go upstairs. But, standing in the hallway outside his room, she refuses to go farther. In an increasingly tense exchange, he presses her to enter. Gutierrez says, “I don’t want to,” “I want to leave,” and “I want to go downstairs.” She asks him directly why he groped her breasts the day before.

 

“Oh, please, I’m sorry, just come on in,” Weinstein says. “I’m used to that. Come on. Please.”

 

“You’re used to that?” Gutierrez asks, sounding incredulous.

 

“Yes,” Weinstein says. He later adds, “I won’t do it again.”

 

After almost two minutes of back-and-forth in the hallway, Weinstein finally agrees to let her leave.

 

According to a law-enforcement source, Weinstein, if charged, would have most likely faced a count of sexual abuse in the third degree, a misdemeanor punishable by a maximum of three months in jail. But, as the police investigation proceeded and the allegation was widely reported, details about Gutierrez’s past began to appear in the tabloids. In 2010, as a young contestant in a beauty pageant associated with the former Italian Prime Minister Silvio Berlusconi, Gutierrez had attended one of his infamous Bunga Bunga parties. She claimed that she had been unaware of the nature of the party before arriving, and eventually became a witness in a bribery case against Berlusconi, which is still ongoing. Gossip outlets also reported that Gutierrez, as a teen-ager, had made an allegation of sexual assault against an older Italian businessman but later declined to coöperate with prosecutors.

 

Two sources close to the police investigation said that they had no reason to doubt Gutierrez’s account of the incident. One of them, a police source, said that the department had collected more than enough evidence to prosecute Weinstein. But the other source said that Gutierrez’s statements about her past complicated the case for the office of the Manhattan District Attorney, Cyrus Vance, Jr. After two weeks of investigation, the District Attorney’s office decided not to file charges. The D.A.’s office declined to comment on this story but pointed me to their statement at the time: “This case was taken seriously from the outset, with a thorough investigation conducted by our Sex Crimes Unit. After analyzing the available evidence, including multiple interviews with both parties, a criminal charge is not supported.”

 

“We had the evidence,” the police source involved in the operation told me. “It’s a case that made me angrier than I thought possible, and I have been on the force a long time.”

 

Gutierrez, when contacted for this story, said that she was unable to discuss the incident. According to a source close to the matter, after the D.A.’s office decided not to press charges, Gutierrez, facing Weinstein’s legal team, and in return for a payment, signed a highly restrictive nondisclosure agreement with Weinstein, including an affidavit stating that the acts Weinstein admits to in the recording never happened.

 

Weinstein’s use of such settlements was reported by the Times and confirmed to me by numerous sources. A former employee with firsthand knowledge of two settlement negotiations that took place in London in the nineteen-nineties recalled, “It felt like David versus Goliath . . . the guy with all the money and the power flexing his muscle and quashing the allegations and getting rid of them.”

 

6.

 

Last week’s Times story disclosed a complaint to the Weinstein Company’s office of human resources, filed on behalf of a temporary front-desk assistant named Emily Nestor in December, 2014. Her own account of Weinstein’s conduct is being made public here for the first time. Nestor was twenty-five when she started the job, and, after finishing law school and starting business school, was considering a career in the movie industry. On her first day in the position, Nestor said, two employees told her that she was Weinstein’s “type” physically. When Weinstein arrived at the office, he made comments about her appearance, referring to her as “the pretty girl.” He asked how old she was, and then sent all of his assistants out of the room and made her write down her telephone number.

 

Weinstein told her to meet him for drinks that night. Nestor invented an excuse. When he insisted, she suggested an early-morning coffee the next day, assuming that he wouldn’t accept. He did, and told her to meet him at the Peninsula in Beverly Hills, where he was staying. Nestor said that she had talked with friends in the entertainment industry and employees in the company who had warned her about Weinstein’s reputation. “I dressed very frumpy,” she said.

 

Nestor told me that the meeting was the “most excruciating and uncomfortable hour of my life.” After Weinstein offered her career help, she said, he began to boast about his sexual liaisons with other women, including famous actresses. “He said, ‘You know, we could have a lot of fun,’ ” Nestor recalled. “I could put you in my London office, and you could work there and you could be my girlfriend.” She declined. He asked to hold her hand; she said no. In Nestor’s account of the exchange, Weinstein said, “Oh, the girls always say ‘no.’ You know, ‘No, no.’ And then they have a beer or two and then they’re throwing themselves at me.” In a tone that Nestor described as “very weirdly proud,” Weinstein added “that he’d never had to do anything like Bill Cosby.” She assumed that he meant he’d never drugged a woman. “It’s just a bizarre thing to be so proud of,” she said. “That you’ve never had to resort to doing that. It was just so far removed from reality and normal rules of consent.”

 

“Textbook sexual harassment” was how Nestor described Weinstein’s behavior to me. “It’s a pretty clear case of sexual harassment when your superior, the C.E.O., asks one of their inferiors, a temp, to have sex with them, essentially in exchange for mentorship.” She recalled refusing his advances at least a dozen times. “ ‘No’ did not mean ‘no’ to him,” she said. “I was very aware of how inappropriate it was. But I felt trapped.”

 

Throughout the breakfast, she said, Weinstein interrupted their conversation to yell into his cell phone, enraged over a spat that Amy Adams, a star in the Weinstein movie “Big Eyes,” was having in the press. Afterward, Weinstein told Nestor to keep an eye on the news cycle, which he promised would be spun in his favor. Later in the day, there were indeed negative news items about his opponents, and Weinstein stopped by Nestor’s desk to be sure that she’d seen them.

 

By that point, Nestor recalled, “I was very afraid of him. And I knew how well connected he was. And how if I pissed him off then I could never have a career in that industry.” Still, she told the friend who referred her to the job about the incident, and he alerted the company’s office of human resources, which contacted her. (The friend did not respond to a request for comment.) Nestor had a conversation with company officials about the matter but didn’t pursue it further: the officials said that Weinstein would be informed of anything she told them, a practice not uncommon in smaller businesses. Several former Weinstein employees told me that the company’s human-resources department was utterly ineffective; one female executive described it as “a place where you went to when you didn’t want anything to get done. That was common knowledge across the board. Because everything funnelled back to Harvey.” She described the department’s typical response to allegations of misconduct as, “This is his company. If you don’t like it, you can leave.”

 

Nestor told me that some people at the company did seem concerned. Irwin Reiter, a senior executive who had worked for Weinstein for almost three decades, sent her a series of messages via LinkedIn. “We view this very seriously and I personally am very sorry your first day was like this,” Reiter wrote. “Also if there are further unwanted advances, please let us know.” Last year, just before the Presidential election, he reached out again, writing, “All this Trump stuff made me think of you.” He described Nestor’s experience as part of Weinstein’s serial misconduct. “I’ve fought him about mistreatment of women 3 weeks before the incident with you. I even wrote him an email that got me labelled by him as sex police,” he wrote. “The fight I had with him about you was epic. I told him if you were my daughter he would have not made out so well.” (Reiter declined to comment, but his lawyer, Debra Katz, confirmed the authenticity of the messages and said that Reiter had made diligent efforts to raise these issues to no avail. Katz also said that Reiter “is eager to coöperate fully with any outside investigation.”)

 

Though no assault occurred, and Nestor completed her temporary placement, she was profoundly affected by the incident. “I was definitely traumatized for a while, in terms of feeling so harassed and frightened,” she said. “It made me feel incredibly discouraged that this could be something that happens on a regular basis. I actually decided not to go into entertainment because of this incident.”

 

7.

 

Emma de Caunes, a French actress, met Weinstein in 2010, at a party at the Cannes Film Festival. A few months later, he asked her to a lunch meeting at the Hôtel Ritz in Paris. In the meeting, Weinstein told de Caunes that he was going to be producing a movie with a prominent director, that he planned to shoot it in France, and that it had a strong female role. It was an adaptation of a book, he said, but he claimed he couldn’t remember the title. “But I’ll give it to you,” Weinstein said, according to de Caunes. “I have it in my room.”

 

De Caunes replied that she had to leave, since she was already running late for a TV show she was hosting—Eminem was appearing on the show that afternoon, and she hadn’t written her questions yet. Weinstein pleaded with her to retrieve the book with him, and finally she agreed. As they got to his room, she received a telephone call from one of her colleagues, and Weinstein disappeared into a bathroom, leaving the door open. She assumed that he was washing his hands.

 

“When I hung up the phone, I heard the shower go on in the bathroom,” she said. “I was, like, What the fuck, is he taking a shower?” Weinstein came out, naked and with an erection. “What are you doing?” she asked. Weinstein demanded that she lie on the bed and told her that many other women had done so before her.

 

“I was very petrified,” de Caunes said. “But I didn’t want to show him that I was petrified, because I could feel that the more I was freaking out, the more he was excited.” She added, “It was like a hunter with a wild animal. The fear turns him on.” De Caunes told Weinstein that she was leaving, and he panicked. “We haven’t done anything!” she remembered him saying. “It’s like being in a Walt Disney movie!”

 

De Caunes told me, “I looked at him and I said—it took all my courage—but I said, ‘I’ve always hated Walt Disney movies.’ And then I left. I slammed the door.” She was shaking on the stairs down to the lobby. A director she was working with on the TV show confirmed that she arrived at the studio distraught and that she recounted what had happened. Weinstein called relentlessly over the next few hours, offering de Caunes gifts and repeating that nothing had happened.

 

De Caunes, who was in her early thirties at the time, was already an established actress, but she wondered what would happen to younger and more vulnerable women in the same situation. Over the years, she said, she’s heard similar accounts from friends. “I know that everybody—I mean everybody—in Hollywood knows that it’s happening,” de Caunes said. “He’s not even really hiding. I mean, the way he does it, so many people are involved and see what’s happening. But everyone’s too scared to say anything.”

 

8.

 

One evening in the early nineties, the actress Rosanna Arquette was supposed to meet Weinstein for dinner at the Beverly Hills Hotel to pick up the script for a new film. At the hotel, Arquette was told to meet Weinstein upstairs, in his room.

 

Arquette recalled that, when she arrived at the room, Weinstein opened the door wearing a white bathrobe. Weinstein said that his neck was sore and that he needed a massage. She told him that she could recommend a good masseuse. “Then he grabbed my hand,” she said. He put it on his neck. When she yanked her hand away, she told me, Weinstein grabbed it again and pulled it toward his penis, which was visible and erect. “My heart was really racing. I was in a fight-or-flight moment,” she said. She told Weinstein, “I will never do that.”

 

Weinstein told her that she was making a huge mistake by rejecting him, and named an actress and a model who he claimed had given in to his sexual overtures and whose careers he said he had advanced as a result. Arquette said she told him, “I’ll never be that girl,” and left.

 

Arquette said that after she rejected Weinstein her career suffered. In one case, she believes, she lost a role because of it. “He made things very difficult for me for years,” she told me. She did appear in one subsequent Weinstein film, “Pulp Fiction,” which she attributes to the small size of the role and Weinstein’s deference to the filmmaker, Quentin Tarantino. (Disputes later arose over her entitlement to payment out of the film’s proceeds.) Arquette said that her silence was the result of Weinstein’s power and reputation for vindictiveness. “He’s going to be working very hard to track people down and silence people,” she explained. “To hurt people. That’s what he does.”

 

There are other examples of Weinstein’s modus operandi. Jessica Barth, an actress who met Weinstein at a Golden Globes party in January, 2011, told me that Weinstein invited her to a business meeting at the Peninsula. When she arrived, he asked her over the phone to come up to his room. Weinstein assured her it was “no big deal”—because of his high profile, he simply wanted privacy to “talk career stuff.” In the room, Barth found that Weinstein had ordered champagne and sushi.

 

Barth said that, in the conversation that followed, he alternated between offering to cast her in a film and demanding a naked massage in bed. “So, what would happen if, say, we’re having some champagne and I take my clothes off and you give me a massage?” she recalled him asking. “And I’m, like, ‘That’s not going to happen.’ ”

 

When she moved toward the door to leave, Weinstein lashed out, saying that she needed to lose weight “to compete with Mila Kunis,” and then, apparently in an effort to mollify her, promising a meeting with one of his female executives. “He gave me her number, and I walked out and I started bawling,” Barth told me. (Immediately after the incident, she spoke with two individuals who confirmed to me that she related her account to them at the time.) Barth said that the promised meeting at Weinstein’s office seemed to be purely a formality. “I just knew it was bullshit,” she said. (The executive she met with did not respond to requests for comment.)

 

9.

 

Weinstein’s behavior deeply affected the day-to-day operations of his company. Current and former Weinstein employees described a pattern of meetings and strained complicity that closely matches the accounts of the many women I interviewed. The employees spoke on condition of anonymity, they said, because of fears about their careers in Hollywood and because of provisos in their work contracts.

 

“There was a large volume of these types of meetings that Harvey would have with aspiring actresses and models,” one female executive told me. “He would have them late at night, usually at hotel bars or in hotel rooms. And, in order to make these women feel more comfortable, he would ask a female executive or assistant to start those meetings with him.” She said that she was repeatedly asked to join the meetings but refused.

 

The female executive said that she was especially disturbed by the involvement of other employees. “It almost felt like the executive or assistant was made to be a honeypot to lure these women in, to make them feel safe,” she said. “Then he would dismiss the executive or the assistant, and then these women were alone with him. And that did not feel like it was appropriate behavior or safe behavior.”

 

One former employee said that she was frequently asked to join for the beginning of meetings that, she said, had in many cases already been moved from day to night and from hotel lobbies to hotel rooms. She said that Weinstein’s conduct in the meetings was brazen. During a meeting with a model, the former employee said, he turned to her and demanded, “Tell her how good of a boyfriend I am.” She said that when she refused to join one such meeting, Weinstein became enraged. Often, she was asked to keep track of the women, who, in keeping with a practice established by Weinstein’s assistants, were all filed under the same label in her phone: F.O.H., which stood for “Friend of Harvey.” She said that the pattern of meetings was nearly uninterrupted in her years working for Weinstein. “I have to say, the behavior did stop for a little bit after the groping thing,” she said, referring to Ambra Battilana Gutierrez’s allegation to the police, “but he couldn’t help himself. A few months later, he was back at it.”

 

Two staffers who facilitated these meetings said that they felt morally compromised by them. One male former staffer said that many of the women seemed “not aware of the nature of those meetings” and “were definitely scared.” He said most of the encounters that he saw seemed consensual, but others gave him pause. He was especially troubled by his memory of one young woman: “You just feel terrible because you could tell this girl, very young, not from our country, was now in a room waiting for him to come up there in the middle of the day, and we were not to bother them.” He said that he was never asked to facilitate these meetings for men.

 

None of the former executives or assistants I spoke to quit because of the misconduct, but many expressed guilt and regret about not having said or done more. They spoke about what they believed to be a culture of silence about sexual assault inside Miramax and the Weinstein Company and across the entertainment industry more broadly.

 

10.

 

Weinstein and his legal and public-relations teams have conducted a decades-long campaign to suppress these stories. In recent months, that campaign escalated. Weinstein and his associates began calling many of the women in this story. Weinstein asked Argento to meet with a private investigator and give testimony on his behalf. One actress who initially spoke to me on the record later asked that her allegation be removed. “I’m so sorry,” she wrote. “The legal angle is coming at me and I have no recourse.” Weinstein and his legal team have threatened to sue multiple media outlets, including the New York Times.

 

Several of the former executives and assistants in this story said that they had received calls from Weinstein in which he attempted to determine if they had talked to me or warned them not to. These employees continued to participate in the article partly because they felt there was a growing culture of accountability, embodied in the relatively recent disclosures about high-profile men like Cosby and Ailes. “I think a lot of us had thought—and hoped—over the years that it would come out sooner,” the former executive who was aware of the two legal settlements in London told me. “But I think now is the right time, in this current climate, for the truth.”

 

The female executive who declined inappropriate meetings told me that her lawyer advised her that she could be exposed to hundreds of thousands of dollars in lawsuits for violating the nondisclosure agreement attached to her employment contract. “I believe this is more important than keeping a confidentiality agreement,” she said. “The more of us that can confirm or validate for these women if this did happen, I think it’s really important for their justice to do that.” She continued, “I wish I could have done more. I wish I could have stopped it. And this is my way of doing that now.”

 

“He’s been systematically doing this for a very long time,” the former employee who had been made to act as a “honeypot” told me. She said that she often thinks of something Weinstein whispered—to himself, as far as she could tell—after one of his many shouting sprees at the office. It so unnerved her that she pulled out her iPhone and tapped it into a memo, word for word: “There are things I’ve done that nobody knows.”

 

https://www.newyorker.com/news/news-desk/from-aggressive-overtures-to-sexual-assault-harvey-weinsteins-accusers-tell-their-stories

Quote

Gwyneth Paltrow, Angelina Jolie and Others Say Weinstein Harassed Them

 

“This way of treating women ends now,”

Ms. Paltrow said as she and other actresses

accused the producer of casting-couch abuses.

 

By JODI KANTOR and RACHEL ABRAMSOCT. 10, 2017

 

When Gwyneth Paltrow was 22 years old, she got a role that would take her from actress to star: The film producer Harvey Weinstein hired her for the lead in the Jane Austen adaptation “Emma.” Before shooting began, he summoned her to his suite at the Peninsula Beverly Hills hotel for a work meeting that began uneventfully.

 

It ended with Mr. Weinstein placing his hands on her and suggesting they head to the bedroom for massages, she said.

 

“I was a kid, I was signed up, I was petrified,” she said in an interview, publicly disclosing that she was sexually harassed by the man who ignited her career and later helped her win an Academy Award.

 

She refused his advances, she said, and confided in Brad Pitt, her boyfriend at the time. Mr. Pitt confronted Mr. Weinstein, and soon after, the producer warned her not to tell anyone else about his come-on. “I thought he was going to fire me,” she said.

 

Rosanna Arquette, a star of “Pulp Fiction,” has a similar account of Mr. Weinstein’s behavior, as does Judith Godrèche, a leading French actress. So does Angelina Jolie, who said that during the release of “Playing by Heart” in the late 1990s, he made unwanted advances on her in a hotel room, which she rejected.

 

“I had a bad experience with Harvey Weinstein in my youth, and as a result, chose never to work with him again and warn others when they did,” Ms. Jolie said in an email. “This behavior towards women in any field, any country is unacceptable.”

 

A New York Times investigation last week chronicled a hidden history of sexual harassment allegations against Mr. Weinstein and settlements he paid, often involving former employees, over three decades up to 2015. By Sunday evening, his entertainment company fired him.

 

On Tuesday, The New Yorker published a report that included multiple allegations of sexual assault, including forced oral and vaginal sex. The article also included accounts of sexual harassment going back to the 1990s, with women describing how intimidating Mr. Weinstein was.

 

Several days ago, additional actresses began sharing with The Times on-the-record stories of casting-couch abuses. Their accounts hint at the sweep of Mr. Weinstein’s alleged harassment, targeting women on the way to stardom, those who had barely acted and others in between. Fantasies that the public eagerly watched onscreen, the women recounted, sometimes masked the dark experiences of those performing in them.

 

The encounters they recalled followed a similar narrative: First, they said, Mr. Weinstein lured them to a private place to discuss films, scripts or even Oscar campaigns. Then, the women contend, he variously tried to initiate massages, touched them inappropriately, took off his clothes or offered them explicit work-for-sex deals.

 

In a statement on Tuesday, his spokeswoman, Sallie Hofmeister, said: “Any allegations of non-consensual sex are unequivocally denied by Mr. Weinstein. Mr. Weinstein has further confirmed that there were never any acts of retaliation against any women for refusing his advances. He will not be available for further comments, as he is taking the time to focus on his family, on getting counseling and rebuilding his life.”

 

Even in an industry in which sexual harassment has long persisted, Mr. Weinstein stands out, according to the actresses and current and former employees of the film companies he ran, Miramax and the Weinstein Company. He had an elaborate system reliant on the cooperation of others: Assistants often booked the meetings, arranged the hotel rooms and sometimes even delivered the talent, then disappeared, the actresses and employees recounted. They described how some of Mr. Weinstein’s executives and assistants then found them agents and jobs or hushed actresses who were upset.

 

His alleged behavior became something of a Hollywood open secret: When the comedian Seth MacFarlane announced Oscar nominees in 2013, he joked, “Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein.” The audience laughed. According to a 2015 memo by a former Weinstein Company executive that The Times previously disclosed, the misconduct continued.

 

More established actresses were fearful of speaking out because they had work; less established ones were scared because they did not. “This is Harvey Weinstein,” Katherine Kendall, who appeared in the film “Swingers” and television roles, remembers telling herself after an encounter in which she said Mr. Weinstein undressed and chased her around a living room. Telling others meant “I’ll never work again and no one is going to care or believe me,” she reasoned at the time, she said in a recent interview.

 

Ms. Paltrow, 45, is now an entrepreneur, no longer dependent on securing her next acting role. But she emphasized how much more vulnerable she felt at 22, when Mr. Weinstein had just signed her up for a star-making part. On a trip to Los Angeles, she received a schedule from her agents for the hotel meeting with Mr. Weinstein.

 

There was no reason to suspect anything untoward, because “it’s on the fax, it’s from C.A.A.,” she said, referring to Creative Artists Agency, which represented her.

 

When Mr. Weinstein tried to massage her and invited her into the bedroom, she immediately left, she said, and remembers feeling stunned as she drove away. “I thought you were my Uncle Harvey,” she recalled thinking, explaining that she had seen him as a mentor.

 

After she told Mr. Pitt about the episode, he approached Mr. Weinstein at a theater premiere and told him never to touch Ms. Paltrow again. Mr. Pitt confirmed the account to The Times through a representative.

 

Soon after, Mr. Weinstein called Ms. Paltrow and berated her for discussing the episode, she said. (She said she also told a few friends, family members and her agent.) “He screamed at me for a long time,” she said, once again fearing she could lose the role in “Emma.” “It was brutal.” But she stood her ground, she said, and insisted that he put the relationship back on professional footing.

 

Even as Ms. Paltrow became known as the “first lady of Miramax” and won an Oscar for “Shakespeare in Love” in 1999, very few people knew about Mr. Weinstein’s advances. “I was expected to keep the secret,” she said.

 

Like several of the other women interviewed for this article, she felt she had to suppress the experience. She praised Mr. Weinstein publicly, posed for pictures with him and played the glowing star to his powerful producer. Yet their work relationship grew rockier over the years, she said, and she distanced herself. “He was alternately generous and supportive and championing, and punitive and bullying,” she said.

 

Now, with the process of tallying the size and scope of Mr. Weinstein’s abuse allegations underway, Ms. Paltrow and others said they wanted to support women who had already come forward and help those in similar situations feel less alone.

 

“We’re at a point in time when women need to send a clear message that this is over,” Ms. Paltrow said. “This way of treating women ends now.”

 

Tomi-Ann Roberts

 

In 1984, when Tomi-Ann Roberts was a 20-year-old college junior, she waited tables in New York one summer and hoped to start an acting career. Mr. Weinstein, one of her customers, urged her to audition for a movie that he and his brother were planning to direct. He sent scripts, then asked her to meet him where he was staying so they could discuss the film, she said in an email and a telephone interview.

 

When she arrived, he was nude in the bathtub, she recalled. He told her that she would give a much better audition if she were comfortable “getting naked in front of him,” too, because the character she might play would have a topless scene.

 

If she could not bare her breasts in private, she would not be able to do it on film, Ms. Roberts recalled Mr. Weinstein saying. (Asta Roberts, her mother, said in an interview that Ms. Roberts told her the story shortly after the episode.)

 

Ms. Roberts remembers apologizing on the way out, telling Mr. Weinstein that she was too prudish to go along. Later, she felt that he had manipulated her by feigning professional interest in her, and she doubted that she had ever been under serious consideration. “I was nobody! How had I ever thought otherwise?” she asked.

 

Today she is a psychology professor at Colorado College, researching sexual objectification, an interest she traces back in part to that long-ago encounter. She said that over the years she had had trouble watching Mr. Weinstein’s films. With a new release, “I would always ask, is it a Miramax movie? ”

 

Rosanna Arquette

 

In the early 1990s, Mr. Weinstein asked Rosanna Arquette to stop by the Beverly Hills Hotel to pick up a script for a role.

 

Born into a family of actors, Ms. Arquette had already starred in a hit film, “Desperately Seeking Susan,” and “New York Stories,” and would go on to perform in films including “Crash” and television shows ranging from “Ray Donovan” to “Girls.” (Her account also appeared in The New Yorker.)

 

At the reception desk, she was told to head upstairs, which she found odd.

 

Mr. Weinstein was in a white bathrobe, complaining of neck pain and asking for a massage, according to Ms. Arquette and Maria Smith, a friend she told soon afterward. Ms. Arquette said she tried to recommend a professional masseuse, but Mr. Weinstein grabbed her hand and pulled it toward his crotch. She immediately drew away, she said.

 

He boasted about the famous actresses he had supposedly slept with — a common element of his come-on, according to several other women who had encounters with Mr. Weinstein. “Rosanna, you’re making a big mistake,” he responded, she said.

 

She refused. “I’m not that girl,” she recalled telling him on the way out. “I will never be that girl.”

 

The part went to someone else, and Mr. Weinstein’s representative pointed out that he did not produce the movie. Later, Ms. Arquette was in the Miramax film “Pulp Fiction” but said she avoided Mr. Weinstein.

 

Katherine Kendall

 

“Welcome to the Miramax family,” Mr. Weinstein told Katherine Kendall in 1993, she said. She was 23, and about that time he was selling his small movie company to Disney, which supplied the cash that would turn it into a cultural force.

 

After a meeting set up by her agent, he gave her scripts, including for the film “Beautiful Girls,” and invited her to a screening, which turned out to be a solo trip with Mr. Weinstein to a cinema near Lincoln Center in Manhattan. Afterward, he asked if they could swing by his apartment to pick something up.

 

Ms. Kendall said she was nervous, but it was daytime, and she relaxed when she saw pictures of his wife on the wall. “He’s keeping it professional, he makes me a drink, we talk about movies and art and books for about an hour,” she recalled. “I thought: He’s taking me seriously.”

 

He went to the bathroom, came back in a robe and asked her to give him a massage, she said. “Everybody does it,” he said, according to Ms. Kendall, and mentioned a famous model’s name. She refused; he left the room, and returned nude, she said.

 

“He literally chased me,” she said. “He wouldn’t let me pass him to get to the door.”

 

Ms. Kendall said his advances had a bargaining quality: He asked if she would at least show her breasts, if nothing else.

 

She said no to all of it, she recounted. “I just thought to myself: I can’t believe you’re doing this to me. I’m so offended — we just had a meeting,” she said. (Her mother, Kay Kendall, said in a brief interview that her daughter told her the story at the time.)

 

Ms. Kendall appeared in the film “Swingers,” distributed (but not produced) by Miramax, and has worked on and off as an actor since then. But she said the episode had dampened her enthusiasm for the business.

 

“If this is what it takes, I can’t do it,” she said.

 

Judith Godrèche

 

When Mr. Weinstein invited Judith Godrèche to breakfast at the Cannes Film Festival in 1996, she had no idea who he was. At 24, she was already a star in France, and a new film she was in, “Ridicule,” was opening the festival. He had just acquired the movie and said he wanted to discuss it.

 

They had breakfast at the Hotel du Cap-Eden-Roc, joined by a female Miramax executive. After the executive left, Mr. Weinstein invited Ms. Godrèche up to his suite to see the view, and to discuss the film’s marketing and even an Oscar campaign, she said in an interview.

 

“I was so naïve and unprepared,” she said.

 

Upstairs, he asked to give her a massage, Ms. Godrèche said. She said no. He argued that casual massages were an American custom — he gave them to his secretary all the time, Ms. Godrèche recalled him saying.

 

“The next thing I know, he’s pressing against me and pulling off my sweater,” she said. She pulled away and left the suite. (Alain Godrèche, her father, said in an interview that his daughter told him about the episode the next morning.)

 

Seeking advice, she later called the female Miramax executive, who told her not to say anything, lest she hurt the film’s release. “They put my face on the poster,” she said.

 

“This is Miramax,” she said. “You can’t say anything.”

 

Since then, Ms. Godrèche has starred in films in France and the United States. Like Ms. Paltrow, she felt she had to maintain a rapport with Mr. Weinstein, and sent him friendly emails inquiring about party invitations and potential work. “I tried to negotiate the situation over the years, and negotiate with myself and pretend it kind of never happened, ” she said.

 

“I wish I’d had someone to talk to, to say, ‘How do you deal with this?’”

 

Dawn Dunning

 

In 2003, Dawn Dunning was doing small acting gigs, attending design school and waitressing in a nightclub where she met Mr. Weinstein.

 

The 24-year old was wary, but Mr. Weinstein was friendly, professional and supportive, she said, offering her a screen test at Miramax, inviting her to lunch and dinner to talk about films and even giving her and her boyfriend tickets to see “The Producers” on Broadway.

 

Then his assistant invited her to a meal with Mr. Weinstein at a Manhattan hotel. Ms. Dunning headed to the restaurant, where she was told that Mr. Weinstein’s earlier meeting was running late, so she should head up to his suite.

 

There was no meeting. Mr. Weinstein was in a bathrobe, behind a coffee table covered with papers.

 

He told her they were contracts for his next three films, according to Ms. Dunning. But she could only sign them on a condition: She would have to have three-way sex with him.

 

Ms. Dunning said that she laughed, assuming he was joking, and that Mr. Weinstein grew angry.

 

“You’ll never make it in this business,” she said he told her. “This is how the business works.”

 

Ms. Dunning fled, she said, and when the assistant called her the next day, she hung up. She told her father, Rick Dunning, of the episode within a few months, he said in an interview.

 

“I was like: Maybe this is how the business works,” she said. She left acting soon after and became a costume designer.

 

https://www.nytimes.com/2017/10/10/us/gwyneth-paltrow-angelina-jolie-harvey-weinstein.html