Michael*

The Tweet saying we were back online came out two or three hours ago, the one saying we were having technical issues came out in the early hours of Sunday morning, when the forum was still down.

An announcement was made on the BZ Facebook page on the 18th, which was when I first became aware that we were down, and on the Twitter yesterday I believe. Unless I'm mistaken, the forum came back online just this morning.

Making an announcement ahead of time would have required prior knowledge that the forum was going to go down, which none of us had.

Deep down I think we all knew a result like that one was coming, although most of us would have probably hoped for it to happen with a bit less of a whimper. A tough game to watch and a harsh lesson for all of us, but it's still very early days and Grayson needs all the support he can get.

With regard to the media, there should be rigorous analysis of the statements made from both ends of the spectrum, and exposure of deceit. Most people though, no matter what political or social side of an issue they stand on, are more likely to start throwing ad hominem attacks and figuratively sticking their fingers in their ears like a seven-year-old, than trying and have frank and open dialogue with the other side. Everybody wants their turn on the soapbox, which is fine, but fewer and fewer people seem interested in actually discussing things. Overall, my concern is that there's eventually going to come a point (if there hasn't already) where you can get away with anything simply by shouting "political correctness" and claiming oppression or bullying, when all that's actually happened is that someone has gotten a bit frustrated at the lack of factual evidence in an argument. We seem to have found ourselves in an age where people get to claim that facts don't tell the whole story, which is completely insane. The real question should be “how do we get people to trust in verifiable facts again?”

There's undoubtedly an element of people who seem to treat outrage over anything, no matter how trivial, as their calling in life, but at the same time, there's going to have to come a point where the world finds a way to rationally discuss things without simply pointing the finger at the lunatic fringe of the opposite side. I would agree for example, that it's not racist for a white person to want to braid their hair, but I also think that only the very tiniest number of people ever thought it was or said so. The idea of all these overly sensitive people just being on one side of the argument is ludicrous and shows how easily offended the opposing side must be if they really think their skin isn't just as thin.

Thread cleaned. If I catch anyone making a single comment that remotely resembles baiting, bashing or pointless comparisons between models, I'll be deleting them on the spot and giving out formal warnings.

I've seen bits and pieces in the past, but overall, I remain something of a novice in the ways of Twin Peaks. Although I'm hoping to change that soon, with the plan being to work my way through the old episodes before starting on the new ones. Any new or longstanding fans out there?

Twin Peaks is an American serial drama television series created by Mark Frost and David Lynch that premiered on April 8, 1990, on ABC. It was one of the top-rated series of 1990, but declining ratings led to its cancellation after its second season in 1991. It nonetheless gained a cult following and has been referenced in a wide variety of media. In subsequent years, Twin Peaks has often been listed among the greatest television series of all time. The series follows an investigation headed by FBI Special Agent Dale Cooper (Kyle MacLachlan) into the murder of homecoming queen Laura Palmer (Sheryl Lee) in the fictional town of Twin Peaks, Washington. The narrative draws on elements of crime drama, but its uncanny tone, supernatural elements, and campy, melodramatic portrayal of eccentric characters also draw on American soap opera and horror tropes. Like much of Lynch's work, it is distinguished by surrealism and offbeat humor, as well as distinctive cinematography. The show's acclaimed score was composed by Angelo Badalamenti in collaboration with Lynch. Twin Peaks was followed by a 1992 feature film, Twin Peaks: Fire Walk with Me, that serves as a prequel to the television series. In October 2014, Showtime announced that the show would return as a limited series. Also known as Twin Peaks: The Return, the limited series premiered on May 21, 2017, and was written by Lynch and Frost and directed by Lynch. Many original cast members, including MacLachlan, returned. Cast Kyle MacLachlan - Special Agent Dale Cooper Michael Ontkean - -Sheriff Harry S. Truman Mädchen Amick - Shelly Johnson Dana Ashbrook - Bobby Briggs Richard Beymer - Benjamin Horne Lara Flynn Boyle - Donna Hayward Sherilyn Fenn - Audrey Horne Warren Frost - Dr. Will Hayward Peggy Lipton - Norma Jennings James Marshall - James Hurley Everett McGill - Ed Hurley Jack Nance - Pete Martell Ray Wise - Leland Palmer Joan Chen - Jocelyn Packard Piper Laurie - Catherine Martell Kimmy Robertson - Lucy Moran

Yeah, if you'd like to point me in the direction of the topic you feel is in need of an update, I'd be happy to take care of it.

Based on the ending of the last season, this one might strike people as being a little odd, but it's been confirmed that David Tennant will be returning in S2. Presumably furthering the plot line of Jessica's PTSD-induced flashbacks.

Thread cleaned and re-opened. I'm letting you all know now so that there can be no excuses later, if I catch anyone making direct attacks or see any posts designed to bait others into arguments, I'll be deleting them on the spot and giving out formal warnings.

Until his brace on Saturday, I hadn't realised that Huddersfield had signed Mounie. Given how good he was last season in a fairly moderate side, it seems like a bit of a head scratcher that nobody else was in for him. Overall though, there's an awful lot of dross in the lower reaches of the Premier League, and Huddersfield play a decent brand of possession football. Crystal Palace probably won't be the only team caught out by them this year. The result went down well with Patrick Stewart, too.

Well, there's an exception to most rules. Quite honestly, although you'll hear a lot of people bagging on Sofia Coppola's performance in that, my overriding memory of it was how different Al Pacino's voice sounded from the second movie to the third one. Granted, I watched the trilogy in fairly quick succession, but it just felt so jarring.

I've yet to see it, but I get the feeling it's the kind of thing that the cast, no matter how many accolades they might win thereafter, will still be remembered for knowingly taking part in.

The forcing of the Arsenal narrative was very evident throughout last night's Sky coverage, especially with commentators like Carragher, who seem to have it in for them at the best of times, picking holes in everything. Yet somehow you just know, when Arsene Wenger finally does get around to going and they're stuck watching a Pulis-ball tribute act instead, that the media and the fans will find themselves pining for games like that one.

Let it go Lynn, you're never going to meet him. Steve Buscemi

There were bits of it that I really loved (when Marko first became the Sandman for example, or Harry's fast and creepy exit from the diner), but overall it was far too long and there was too much time spent trying to awkwardly pull all the different strands together. Generally, it seems the third movie in any series is the one you have to be most wary of.

I'm always impressed by Iannucci's work, and this looks like it's very much in his wheelhouse, even though he's presumably only adapting from source material. Powerful people expressing their hypocrisy, vanity and incompetence is his speciality.

That's great news, presumably it's now only a matter of time before it reaches that 800m mark worldwide. My only worry now is that the out of touch suits at Warners somehow manage to twist all this into "Wonder Woman got great reviews, but didn't outgross Batman v Superman or Suicide Squad, and both got terrible reviews. Let's focus on what makes the most money from now on." Because if there's one thing I've learned from Hollywood, it's to always expect them to learn the wrong lesson.

I guess I was late to the party, because it looks like you're well on the way to 11k. Congratulations for this milestone and the next.

Congratulations on the 5k! It's been a pleasure interacting with you here, thanks for your company in such diverse discussions as football, movies, superheroes and celebrity marriages.

Hopefully not. I still think Blade Runner could go either way, but I've more faith in Villeneuve than I had in Sanders, who, although he was clearly very good at creating sci-fi visuals, had a hard time avoiding that slippery slope of homage/pastiche/imitation.

Dunno if anyone saw this at the time, but just in case, here's the three-part Infinity War poster unveiled by Marvel at SDCC. Thanos looking rather like an angry purple version of Bruce Willis, Chris Evans looking a lot like Solid Snake.

A lot of salient points raised there. I felt like the homage scenes in particular were really misguided. They were presumably meant to be included as a concession to the hardcore fans, but the attempt to then wrangle them into another narrative was just so far off-base. I wish they'd captured more of what makes the animated movie compelling, and then changed things around just enough to justify a retelling. Either they didn't analyse the story in full, or didn't have faith in the philosophical stuff. What we were left with wasn't faithful enough to be a straight-up remake, and too derivative to be its own thing.