November 21, 201212 yr Also notice about the pics, hes sitting far away from her on the bench at first, then as the sceen progressed he moved closer and closer yeah
November 21, 201212 yr Ah, in a footnote... last week I watched one episode of Chelsea Lately and they talked about Leo and Erin breakup... hilarious, some dirty jokes of course ... Chelsea met him once at a party, she thought he was a old friend of her and sat on his lap by mistake... my kind of mistake . I don't think Leo would feel uncomfortable cuz of it you're our crazy girl, Nanda! Oh, my. So many new pictures ... of course I'm not complaining about it . Thanks girls . HAPPY BIRTHDAY, AMANDINE!!!
November 21, 201212 yr Ah, in a footnote... last week I watched one episode of Chelsea Lately and they talked about Leo and Erin breakup... hilarious, some dirty jokes of course ... Chelsea met him once at a party, she thought he was a old friend of her and sat on his lap by mistake... my kind of mistake . I don't think Leo would feel uncomfortable cuz of it you're our crazy girl, Nanda!
November 21, 201212 yr filming again Taylor Bedard☀ @TayB_333333 Leonardo Dicaprio is filming his new movie in the house across the street from where I'm staying in Brooklyn. #justdied #bestdayofmylife
November 21, 201212 yr Hello my sweeties!! I'm here! I went through some personal problems, so I stayed away for a while. But dont worry, cause nothing makes me feel better than seeing all these beautiful pics of our beloved Leo! He looks so handsome,his smile is radiant! I need to say that lady is really lucky and I envy her with all my strength. Loved that cover!!! I want that magazine for me! He looks gorgeous! Tks for everything girls!
November 21, 201212 yr sick:thanx 4 da tweets!!! Pami:Nice to hear from you & I missed your sweet posts & hilarious gifs
November 21, 201212 yr I just found that The Leading Man Meet the emancipated Leonardo DiCaprio, a single-name superstar who's broken free of the shackles that constrain other A-listers: Don't accept a supporting role? (Too late.) Never mess with a beloved classic? (Whoops.) Under no circumstances play a bad guy? (Does a virulently racist slave owner count?) "I apologize if my voice is out—I've been screaming all day," Leonardo DiCaprio says from the Long Island set of Martin Scorsese's The Wolf of Wall Street. Taking a respite in his production office, he sounds sleepy, scratchy, and, quite frankly on this late-October afternoon, a little spent. Gone are the days of the biennial, or at best annual, Leo movie. After assiduously turning selectivity into an art form, long exercising the power of saying no, he is tasting the freewheeling joy—and pain—of saying yes: DiCaprio has three big films hitting theaters within the next year, and he's producing three to boot. He's coming off a year straight of wrangling, meetings, and a whole lot of acting. "This has been an exceptional situation," DiCaprio says. "Filming three movies back to back to back, I don't think I've ever done that." Curiously, he gravitated toward a timely theme in all of them. "In a weird way," he says, "I realize these movies are about three different periods in American history, but all have a central character trying to hold on to the privileged life they've been given, by any means necessary." He says this either unaware or unconcerned that it could apply to a 38-year-old movie star who is taking risks like never before. For the first time since appearing in Woody Allen's Celebrity in 1998, he's playing a supporting role—a villain, no less—in Quentin Tarantino's Spaghetti Western–cum–revisionist slave narrative Django Unchained; he's reinterpreting the most iconic character in modern American literature in Baz Luhrmann's high-octane 3-D adaptation of The Great Gatsby; and then he's reportedly going the full monty in a group-sex scene in The Wolf of Wall Street, the no-holds-barred look at the finance world he'd been trying to get made as a producer for years. With so much conduct unbecoming a leading man, it's a wonder Damon, Cruise, et al., haven't staged an intervention. You can almost hear them: "Leo, baby, why don't you find yourself a nice action franchise and settle down?" That's the thing about the Tao of Leo: He's managed to cast a long shadow over Hollywood for two full decades without ever bowing to convention—no big-budget franchises, no rom-coms, not even a true action movie. "I don't know why I choose certain films," he says. "I just gravitate toward them and I don't question that." Perhaps the boldest move in DiCaprio's 20-year career is playing antebellum plantation owner Calvin Candie in Django Unchained. DiCaprio was drawn to him from the moment he read Tarantino's script. He calls Calvin "one of, if not the most, despicable, indulgent, radical characters I've ever read in my life." Naturally, DiCaprio signed on right away, and he promptly presented Tarantino with a gift: an antiquarian book on phrenology, the racist pseudo-science used to rationalize slavery. From there, DiCaprio and Tarantino made some striking modifications. "Writer-directors tend to be very precious about their material and their words," he says, "but Quentin's whole process is getting input from the actors and adding levels to their characters." Perhaps no character evolved as much as Calvin, the master of Candyland plantation. "A lot of the talks we had specifically about phrenology really took him to a completely different level." Adding philosophical underpinnings to Calvin's racism helped unlock the character, informing his affection for his surrogate father, a house slave played by Samuel L. Jackson, and his leering need to possess—as chattel—Django's wife, played by Kerry Washington. Tarantino drew on phrenology to fashion an epic, incendiary monologue on racial superiority. The moment DiCaprio finished delivering the speech, the entire cast gave him a spontaneous standing ovation. "He creates shades and layers and probes and just goes deeper than anybody else ever desires to," says Stacey Sher, one of the film's producers. "The last day, when everyone was saying goodbye to him, Leo was like, 'Yeah, I'm sure happy not to be that guy anymore—it feels good.' You knew he just felt lighter." Yet for the newly liberated Leonardo DiCaprio, there was never any hesitation about letting it all hang out—in Django, in what he calls Scorsese's "really wild, nuts movie," and in a musically charged makeover of F. Scott Fitzgerald's "sacred" American novel. "Of course it's all risky," he says, as a production assistant calls into the office to tell him he's needed for the next scene. "I mean, that's the excitement of doing it, you know?" http://www.details.c...o?currentPage=2
November 21, 201212 yr Thank you SO MUCH for yours Birthday Messages :wub2: I want really to say I'm so happy to know Bellazon cause since I'm here I know just ALL THE SWEETEST PEOPLE OF THE WORLD!!!!! I met just fantastic people, you make me laught and happy all the time, it's always a pleasure to speak with you all, and share with you our passion for Leo! I'm so happy to be here xoxoxoxo Princess: ♥ THANK YOU ♥ SO MUCH ♥ Ox: Thank you Dear Ox BarbieErin: How sweet you are Thank you !!!!! FashionDream: THANK YOU SO MUUUCH 'Shine: THANK YOU HUN Wijn : Thank You So Much My Dear CrazyLady: Thank you (I love your username ) Leo Lover: Dear Leo lover THANK YOUUUUU Margaritka2005: Thank you so much Your edit is so BEAUTIFUL Sick: WOOOOOW THANK YOUUUU SWEETIE Aww sweet, I looove the dance Of course I have a huge Birthday Cake, one big part special for You xD I can't waiiiit for you, We will have fun all together Kat: You Sweetie, Thank you so much Thank you for Members who send me private messages too I will go to answ you xo WOOOW THANK YOU SHINE FOR ALL THE NEWS PICS FABULOUS GIFT FOR ME xD
November 21, 201212 yr "Naturally, DiCaprio signed on right away, and he promptly presented Tarantino with a gift: an antiquarian book on phrenology, the racist pseudo-science used to rationalize slavery." This is so insanely hot to me right now. Ignore me. OH GOD, LEO. stop it. unghgfffff god. eta: thanks for everything that everyone posted.
November 21, 201212 yr welcome, Amandine! nice pic from Details! and loved the article, thanks a lot! let's say you say your thanks with that post! but why there is only one pic! I want more! hope some new pics are inside the mag ( but I don't think so ) wonder who's teh photographer!
November 21, 201212 yr sick:thanx 4 da tweets!!! Pami:Nice to hear from you & I missed your sweet posts & hilarious gifs Tks honey!!
November 21, 201212 yr I just found that The Leading Man Meet the emancipated Leonardo DiCaprio, a single-name superstar who's broken free of the shackles that constrain other A-listers: Don't accept a supporting role? (Too late.) Never mess with a beloved classic? (Whoops.) Under no circumstances play a bad guy? (Does a virulently racist slave owner count?) "I apologize if my voice is out—I've been screaming all day," Leonardo DiCaprio says from the Long Island set of Martin Scorsese's The Wolf of Wall Street. Taking a respite in his production office, he sounds sleepy, scratchy, and, quite frankly on this late-October afternoon, a little spent. Gone are the days of the biennial, or at best annual, Leo movie. After assiduously turning selectivity into an art form, long exercising the power of saying no, he is tasting the freewheeling joy—and pain—of saying yes: DiCaprio has three big films hitting theaters within the next year, and he's producing three to boot. He's coming off a year straight of wrangling, meetings, and a whole lot of acting. "This has been an exceptional situation," DiCaprio says. "Filming three movies back to back to back, I don't think I've ever done that." Curiously, he gravitated toward a timely theme in all of them. "In a weird way," he says, "I realize these movies are about three different periods in American history, but all have a central character trying to hold on to the privileged life they've been given, by any means necessary." He says this either unaware or unconcerned that it could apply to a 38-year-old movie star who is taking risks like never before. For the first time since appearing in Woody Allen's Celebrity in 1998, he's playing a supporting role—a villain, no less—in Quentin Tarantino's Spaghetti Western–cum–revisionist slave narrative Django Unchained; he's reinterpreting the most iconic character in modern American literature in Baz Luhrmann's high-octane 3-D adaptation of The Great Gatsby; and then he's reportedly going the full monty in a group-sex scene in The Wolf of Wall Street, the no-holds-barred look at the finance world he'd been trying to get made as a producer for years. With so much conduct unbecoming a leading man, it's a wonder Damon, Cruise, et al., haven't staged an intervention. You can almost hear them: "Leo, baby, why don't you find yourself a nice action franchise and settle down?" That's the thing about the Tao of Leo: He's managed to cast a long shadow over Hollywood for two full decades without ever bowing to convention—no big-budget franchises, no rom-coms, not even a true action movie. "I don't know why I choose certain films," he says. "I just gravitate toward them and I don't question that." Perhaps the boldest move in DiCaprio's 20-year career is playing antebellum plantation owner Calvin Candie in Django Unchained. DiCaprio was drawn to him from the moment he read Tarantino's script. He calls Calvin "one of, if not the most, despicable, indulgent, radical characters I've ever read in my life." Naturally, DiCaprio signed on right away, and he promptly presented Tarantino with a gift: an antiquarian book on phrenology, the racist pseudo-science used to rationalize slavery. From there, DiCaprio and Tarantino made some striking modifications. "Writer-directors tend to be very precious about their material and their words," he says, "but Quentin's whole process is getting input from the actors and adding levels to their characters." Perhaps no character evolved as much as Calvin, the master of Candyland plantation. "A lot of the talks we had specifically about phrenology really took him to a completely different level." Adding philosophical underpinnings to Calvin's racism helped unlock the character, informing his affection for his surrogate father, a house slave played by Samuel L. Jackson, and his leering need to possess—as chattel—Django's wife, played by Kerry Washington. Tarantino drew on phrenology to fashion an epic, incendiary monologue on racial superiority. The moment DiCaprio finished delivering the speech, the entire cast gave him a spontaneous standing ovation. "He creates shades and layers and probes and just goes deeper than anybody else ever desires to," says Stacey Sher, one of the film's producers. "The last day, when everyone was saying goodbye to him, Leo was like, 'Yeah, I'm sure happy not to be that guy anymore—it feels good.' You knew he just felt lighter." Yet for the newly liberated Leonardo DiCaprio, there was never any hesitation about letting it all hang out—in Django, in what he calls Scorsese's "really wild, nuts movie," and in a musically charged makeover of F. Scott Fitzgerald's "sacred" American novel. "Of course it's all risky," he says, as a production assistant calls into the office to tell him he's needed for the next scene. "I mean, that's the excitement of doing it, you know?" http://www.details.c...o?currentPage=2 You should let us know before posting something like that!
November 21, 201212 yr SicK thanks for pics and tweets shine thanks for tonne of Leo pics ox thanks for that Wolf spoiler, tweet and pics Barbie thanks for more pics and info about The Gatsby premiere Amandine thanks for Details article and... Happy Birthday THANKS EVERYONE FOR UPDATES! I just found that The Leading Man Meet the emancipated Leonardo DiCaprio, a single-name superstar who's broken free of the shackles that constrain other A-listers: Don't accept a supporting role? (Too late.) Never mess with a beloved classic? (Whoops.) Under no circumstances play a bad guy? (Does a virulently racist slave owner count?) "I apologize if my voice is out—I've been screaming all day," Leonardo DiCaprio says from the Long Island set of Martin Scorsese's The Wolf of Wall Street. Taking a respite in his production office, he sounds sleepy, scratchy, and, quite frankly on this late-October afternoon, a little spent. Gone are the days of the biennial, or at best annual, Leo movie. After assiduously turning selectivity into an art form, long exercising the power of saying no, he is tasting the freewheeling joy—and pain—of saying yes: DiCaprio has three big films hitting theaters within the next year, and he's producing three to boot. He's coming off a year straight of wrangling, meetings, and a whole lot of acting. "This has been an exceptional situation," DiCaprio says. "Filming three movies back to back to back, I don't think I've ever done that." Curiously, he gravitated toward a timely theme in all of them. "In a weird way," he says, "I realize these movies are about three different periods in American history, but all have a central character trying to hold on to the privileged life they've been given, by any means necessary." He says this either unaware or unconcerned that it could apply to a 38-year-old movie star who is taking risks like never before. For the first time since appearing in Woody Allen's Celebrity in 1998, he's playing a supporting role—a villain, no less—in Quentin Tarantino's Spaghetti Western–cum–revisionist slave narrative Django Unchained; he's reinterpreting the most iconic character in modern American literature in Baz Luhrmann's high-octane 3-D adaptation of The Great Gatsby; and then he's reportedly going the full monty in a group-sex scene in The Wolf of Wall Street, the no-holds-barred look at the finance world he'd been trying to get made as a producer for years. With so much conduct unbecoming a leading man, it's a wonder Damon, Cruise, et al., haven't staged an intervention. You can almost hear them: "Leo, baby, why don't you find yourself a nice action franchise and settle down?" That's the thing about the Tao of Leo: He's managed to cast a long shadow over Hollywood for two full decades without ever bowing to convention—no big-budget franchises, no rom-coms, not even a true action movie. "I don't know why I choose certain films," he says. "I just gravitate toward them and I don't question that." Perhaps the boldest move in DiCaprio's 20-year career is playing antebellum plantation owner Calvin Candie in Django Unchained. DiCaprio was drawn to him from the moment he read Tarantino's script. He calls Calvin "one of, if not the most, despicable, indulgent, radical characters I've ever read in my life." Naturally, DiCaprio signed on right away, and he promptly presented Tarantino with a gift: an antiquarian book on phrenology, the racist pseudo-science used to rationalize slavery. From there, DiCaprio and Tarantino made some striking modifications. "Writer-directors tend to be very precious about their material and their words," he says, "but Quentin's whole process is getting input from the actors and adding levels to their characters." Perhaps no character evolved as much as Calvin, the master of Candyland plantation. "A lot of the talks we had specifically about phrenology really took him to a completely different level." Adding philosophical underpinnings to Calvin's racism helped unlock the character, informing his affection for his surrogate father, a house slave played by Samuel L. Jackson, and his leering need to possess—as chattel—Django's wife, played by Kerry Washington. Tarantino drew on phrenology to fashion an epic, incendiary monologue on racial superiority. The moment DiCaprio finished delivering the speech, the entire cast gave him a spontaneous standing ovation. "He creates shades and layers and probes and just goes deeper than anybody else ever desires to," says Stacey Sher, one of the film's producers. "The last day, when everyone was saying goodbye to him, Leo was like, 'Yeah, I'm sure happy not to be that guy anymore—it feels good.' You knew he just felt lighter." Yet for the newly liberated Leonardo DiCaprio, there was never any hesitation about letting it all hang out—in Django, in what he calls Scorsese's "really wild, nuts movie," and in a musically charged makeover of F. Scott Fitzgerald's "sacred" American novel. "Of course it's all risky," he says, as a production assistant calls into the office to tell him he's needed for the next scene. "I mean, that's the excitement of doing it, you know?" http://www.details.c...o?currentPage=2 The pic is beautiful, but... Is this the whole Details article or just annonce? I was hoping for an interview, but I was glad to read Leo's comments about Quentin and Calvin. I just can't wait for starting Django promotion (premieres, interviews) and, of course, the film itself
November 21, 201212 yr Amandine thanks for Details article and... Happy Birthday Thank you So Much Girl
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