Jade Bahr

Not entirely what I expected but still great. Highly recommend 👍

Vogue ItaliaVittoria Ceretti è la nostra nuova cover girl e ha supera...“Go with the flow” è il mantra di Vittoria Ceretti intervistata da Brenda Weischer che ha seguito la “sua” corrente, fatta di viaggi e confidenze con le amiche, film e canzoni tristi, sfilate e con...

Started with primes WE WERE LIARS to get an impression of him as an actor. Well he seems fine but hasn't the charism of Tom Blyth at least not in this show @Lilja K

https://www.empireonline.com/movies/features/nicholas-hoult-focus-interview/

Another great look 🤩 Berlin premiere of Jurassic World: Rebirth June 18, 2025

Stunning 😍

Probably worth the cinematic experience.

https://www.wmagazine.com/culture/aimee-lou-wood-white-lotus-interview

She's gorgeous @Lilja K https://montecristomagazine.com/magazine/summer-2025/hunger-games-whitney-peak-growing-up-in-b-c

He needs a little career boost!

Obsessed 🫶 London photocall for ‘JURASSIC WORLD REBIRTH’

https://www.wmagazine.com/culture/patrick-schwarzenegger-white-lotus-saxon-interview

The 100 Best Movies of the 2020s (So Far) #29 “Killers of the Flower Moon” (dir. Martin Scorsese, 2023)Martin Scorsese may like to think of “Killers of the Flower Moon” as the Western that he always wanted to make, but this frequently spectacular American epic about the genocidal conspiracy that was visited upon the Osage Nation during the 1920s is more potent and self-possessed when it sticks a finger in one of the other genres that bubble up to the surface over the course of its three-and-a-half-hour runtime. The first and most obvious of those is a gangster drama in the grand tradition of the director’s previous work; just when it seemed like “The Irishman” might’ve been Scorsese’s final word on his signature genre, they’ve pulled him back in for another movie full of brutal killings, bitter voiceovers, and biting conclusions about the corruptive spirit of American capitalism. But if the “Reign of Terror” sometimes proves to be an uncomfortably vast backdrop for Scorsese’s more intimate brand of crime saga, “Killers of the Flower Moon” excels as a compellingly multi-faceted character study about the men behind the massacre. Over time, it becomes the most interesting of the many different movies that comprise it: A twisted love story about the marriage between an Osage woman (the indomitable Lily Gladstone) and the white man who — unbeknownst to her — helped murder her entire family so that he could inherit the headrights for their oil fortune (Leonardo DiCaprio, giving the best performance of his career as the dumbest and most vile character he’s ever played). Finding the right balance in this story is a challenge for a filmmaker as gifted and operatic as Scorsese, whose ability to tell any story rubs up against his ultimate admission that this might not be his story to tell. And so, for better or worse, Scorsese turns “Killers of the Flower Moon” into the kind of story that he can still tell better than anyone else: A story about greed, corruption, and the mottled soul of a country that was born from the belief that it belonged to anyone callous enough to take it. —DE https://www.indiewire.com/lists/best-movies-2020s/killers-of-the-flower-moon-dir-martin-scorsese-2023/