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Series 36 Nudity

Literally he wrote this: @Enrico_sw

Dostoevsky (Brothers Karamazov) on Russian women: " And yet one would have thought the creature standing before him most simple and ordinary, a good-natured, kind woman, handsome certainly, but so like other handsome ordinary women! It is true she was very, very good-looking with that Russian beauty so passionately loved by many men. She was a rather tall woman, though a little shorter than Katerina Ivanovna, who was exceptionally tall. She had a full figure, with soft, as it were, noiseless, movements, softened to a peculiar over-sweetness, like her voice. She moved, not like Katerina Ivanovna, with a vigorous, bold step, but noiselessly. Her feet made absolutely no sound on the floor. She sank softly into a low chair, softly rustling her sumptuous black silk dress, and delicately nestling her milk-white neck and broad shoulders in a costly cashmere shawl. She was twenty-two years old, and her face looked exactly that age. She was very white in the face, with a pale pink tint on her cheeks. The modelling of her face might be said to be too broad, and the lower jaw was set a trifle forward. Her upper lip was thin, but the slightly prominent lower lip was at least twice as full, and looked pouting. But her magnificent, abundant dark brown hair, her sable-coloured eyebrows and charming greyblue eyes with their long lashes would have made the most indifferent person, meeting her casually in a crowd in the street, stop at the sight of her face and remember it long after. What struck Alyosha most in that face was its expression of childlike good nature. There was a childlike look in her eyes, a look of childish delight. She came up to the table, beaming with delight and seeming to expect something with childish, impatient, and confiding curiosity. The light in her eyes gladdened the soul- Alyosha felt that. There was something else in her which he could not understand, or would not have been able to define, and which yet perhaps unconsciously affected him. It was that softness, that voluptuousness of her bodily movements, that catlike noiselessness. Yet it was a vigorous, ample body. Under the shawl could be seen full broad shoulders, a high, still quite girlish bosom. Her figure suggested the lines of the Venus of Milo, though already in somewhat exaggerated proportions. That could be divined. Connoisseurs of Russian beauty could have foretold with certainty that this fresh, still youthful beauty would lose its harmony by the age of thirty, would "spread"; that the face would become puffy, and that wrinkles would very soon appear upon her forehead and round the eyes; the complexion would grow coarse and red perhaps- in fact, that it was the beauty of the moment, the fleeting beauty which is so often met with in Russian women."

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I think I'll have to buy this. I don't like the costume or the pasty/ aggressive look on Geralt's face but this the only Dark Horse Geralt that is anatomically correct with the other statues and has a standing posture. Unlike the other one, it is 8 1/2 inches tall (half inch taller) and has a larger head. The face sculpt looks a lot more like Game Geralt. It is also the most popular Dark Horse Witcher product and their #4 selling statue. The company's lineup is inconsistent with the game heights. The women (Shani, Yennefer, Triss, Ciri) if standing are the same height as default Geralt with the 1.5 inch base (8inches). Ciri has a slightly bigger face than Geralt which is wrong as well. The Dandelion statue is also 8 1/2 inches tall, making him as tall as the Ursine Geralt but taller than the default Geralt. In the game the two men are the around the same height.

I'm settling into the Brothers Karamazov and find it more and more interesting.

Phoebe O'Hanlon (@phoebeohh) • Instagram photos and videos

She has an onlyfans too

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She looks perfect here.

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