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Great interview for HFPA. Tks, Osa.

 

Leonardo DiCaprio involved in Formula E entry

 

Hmmm, this is interesting. I remember reading something about this back in June/July... can't remember if was here or somewhere else. Thanks, Kat.

 

Thanks Ox and Calibi for more tweets.

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There are more pics of Leo with Dujardin and Martin on Getty Images. I hope we get those without watermark...

 

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Yes, he is :hehe:...

Nelson Mandela ♥ @sarahmakonde_13

I was at the premiere of "wolf wall street" leonardo dicaprio was in front of us it is so beautiful * - *

 

I still can not believe I saw Leonardo DiCaprio in front of my eyes with @ _Clarification it was magic * - *

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Wolf of Wall Street named to AFI Top Ten 2013 Films make%20it%20clap.gifmake%20it%20clap.gif

The AFI Awards, presented by the American Film Institute, annually highlight 10 films and TV shows "which best advance the art of the moving image, enhance the rich cultural heritage of America's art form, inspire audiences and artists alike and/or make a mark on American society." The selections are determined by a jury of AFI members, scholars, film and television artists, critics and AFI Trustees.

10 film honorees are 12 Years a Slave, American Hustle, Captain Phillips, Fruitvale Station, Gravity, Her, Inside Llewyn Davis, Nebraska, Saving Mr. Banks and The Wolf of Wall Street. The 10 TV programs selected are The Americans, Breaking Bad, Game of Thrones, The Good Wife, House of Cards, Mad Men, Masters of Sex, Orange Is the New Black, Scandal and Veep.

The creative ensembles from each of the productions will be celebrated at a luncheon on Jan. 10 in Los Angeles, at which clips of the honorees will be shown and justifications for their selection will be read.

http://www.hollywoodreporter.com/race/afi-reveals-top-10-films-664151

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Detroit Film Critic Nominations

BEST PICTURE

•12 YEARS A SLAVE

•BEFORE MIDNIGHT

•GRAVITY

•HER

•SHORT TERM 12

BEST DIRECTOR

•ALFONSO CUARÓN - GRAVITY

•PAUL GREENGRASS – CAPTAIN PHILLIPS

•SPIKE JONZE - HER

•DAVID O. RUSSELL – AMERICAN HUSTLE

MARTIN SCORSESE – THE WOLF OF WALL STREET

BEST ACTOR

•LEONARDO DICAPRIO – THE WOLF OF WALL STREET

•CHIWETEL EJIOFOR – 12 YEARS A SLAVE

•TOM HANKS – CAPTAIN PHILLIPS

•MATTHEW MCCONAUGHEY – DALLAS BUYERS CLUB

•ROBERT REDFORD – ALL IS LOST

http://www.examiner.com/article/the-detroit-film-critics-society-has-announced-their-best-of-2013-nominations#sthash.qDKDjBgT.uxf

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From NY Times Carpetbagger blog , boy, would I love to see the dallies that Thelma saw of Leo & Jonah !

Scenes Not Safe for Work, Even for the Film Editor

By MELENA RYZIK

By now most of the Oscar bloggerati have seen “The Wolf of Wall Street,” which means one thing: it is poised to “devour” the Oscar race completely. Or its chances are, at best, “a mixed bag.”

Here’s the one thing that is certain: Martin Scorsese’s epic retelling of the story of Jordan Belfort, the infamous financier who built an ill-gotten empire on penny stocks, clocks in at two hours and 59 minutes — down from his original cut of nearly four hours. That’s two movies’ worth of Leonardo DiCaprio, who plays Mr. Belfort, and Jonah Hill, as his right-hand man, behaving badly — very, very badly, nearly NC-17 badly — often in unscripted ways.

The Bagger caught up with Thelma Schoonmaker, Mr. Scorsese’s longtime editor, at a party recently, and she explained why the movie is Mr. Scorsese’s lengthiest, and why it took so long to finish.

“The improvisations were so brilliant, it muscled up to four hours,” she said. “I love improvisation. I mean, it’s hard to edit, because things don’t necessarily fall together — you have to find ways to give it a dramatic scope, shape. But it’s so much fun. I was roaring, just at the dailies. My assistants came in and said, ‘Are you all right?’”

“There’s still some wonderful improvisations that I wish we had in, but we were able to shave it down,” she continued. “We didn’t have to cut off our legs. In a lot of movies, like ‘After Hours,’ we cut out my favorite scene, Marty’s favorite scene — we had to, to make the film work. But here we didn’t lose too much. We shaved it down, that’s what took so long.”

Though Mr. Scorsese’s recent films — like “Hugo” and “The Aviator” — were faithful to their scripts, it’s not the first time he’s experimented with spur-of-the-moment dialogue. “‘Raging Bull,’ “Goodfellas,” “Casino,” “King of Comedy,” they were all heavily improvised,” said Ms. Schoonmaker, 73, who edited all of them.

What was new for her was the near-pornographic raciness: “This is a lot of sex and a lot of drugs,” she said. “It was a bit of a shock at first. Sometimes people would come in the editing room and there’d be some outrageous image on the screen and I’d say, ‘Wait a minute, let me move that off.’”

The film was recut in part to avoid an NC-17 rating. “Marty wanted to make it very obvious where the censorship is,” Ms. Schoonmaker said, “so when you watch it you’ll see that things feel a little short at certain times,” where Motion Picture Association of America guidelines necessitated a snip to get an R rating.

“But it all works well,” she said, then added of the “Wolf of Wall Street” characters, “These guys were out of their minds.”

http://carpetbagger.blogs.nytimes.com/2013/12/09/scenes-not-safe-for-work-even-for-the-film-editor/?_r=0

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