LITTLE MISS SUNSHINE

Publication: Vogue Spain Issue: April 2012 Title: Atómica Poppy Model: Poppy Delevingne Photography: Matt Irwin Styling: Sara Fernández Castro

Publication: Used Magazine Issue: #2 Spring/Summer 2012 Model: Anastasija Kondratjeva Photography: Brendan & Brendan

Publication: Bon Magazine Issue: #60 Spring/Summer 2012 Title: All Aflutter Model: Theres Alexandersson Photography: Camilla Akrans Styling: Jonas Hallberg

Publication: SZ (Süddeutsche Zeitung) Issue: #8 Spring 2012 Title: Modern Enlightenment Models: Johanna Fosselius and Luisa Bianchin Photography: Ola Rindal Styling: AÏcha Reguieg

Publication: SZ (Süddeutsche Zeitung) Issue: #8 Spring 2012 Title: Modern Enlightenment Models: Johanna Fosselius and Luisa Bianchin Photography: Ola Rindal Styling: AÏcha Reguieg

Sexy Beach – Lily Donaldson is white-hot in a skin revealing bikini for the May cover ofVogue Spain, shot by Alexi Lubomirski. WOW

wow loving the commerical she looks smashing in that bright red hair

Under the Tuscan Sun – Photographer Wee Khim and stylist Johnny Khoo team up once again for the April issue of Nuyou Singapore. This time, the pair highlights Dolce & Gabbana’s spring 2012 collection by capturing model Bara Holotova on a sunny day out in Tuscany. The Italian label’s ladylike designs and bejeweled bodysuits shine on Bara with hair by Dexter Ng and makeup by Peter Khor.

Un Lys Noir – Photographer Helene Bozzi and stylist James V. Thomas team up for a darkly romantic story for our most recent exclusive. Starring Anu Koski as a gown wearing vixen, the photographs highlight the modern yet seductive designs of Hakaan, Anthony Vaccarello and Azzedine Alaïa amongst others. Sleek icy blonde locks by hair stylist Shinichi Nakamura and a dark lip by makeup artist Aya Watanabe add a glam touch to the already haunting images. Photographer: Helene Bozzi Stylist: James V. Thomas Hair Stylist: Shinichi Nakamura Makeup Artist: Aya Watanabe Model: Anu Koski @ Women Management Paris

Marinet – New face Marinet Matthee (DNA Models) has already graced the pages of Vogue Turkey and we can see why with these recent images shot by Nando Esparza. The South African beauty appears all natural in pared down looks. NUDITY WARNING! http://imageupper.com/i/?S0400010100021J13347649992516527 http://imageupper.com/i/?S0400010100031J13347649992516527 ~Please note that nudity must be text-linked and accompanied by a text warning - check the rules here - Edited by Carmelita.~

Rodeo Chic – The May issue of Elle Finland taps photographer Jesse Laitinen for a story of rodeo chic ensembles starring Johanna Wahlberg. Styled by Mia Dillemuth, the brunette sports western looks with a modern flair from labels such as Dries van Noten, H&M and Giambattista Valli. / Makeup by Miika Kemppainen, Hair by Ida Högström

models.com

models.com

models.com

From an Auckland bus stop to Paris Ashleigh Good was waiting at a bus stop in Mairangi Bay on Auckland's North Shore when her life changed forever. The 1.82 metre tall beauty was spotted by model scout Rose Packard-Dube in November and three months later she was on a plane to strut the catwalks of Paris. ''It was like a fairytale,'' Packard-Dube said. Headshots of the 20-year-old were posted on Packard-Dube's Facebook page, Rpd Nz, in January and within two days Ford Models New York was in touch wanting to see more and sign her up. Good, meanwhile, went to casting calls in Auckland for the New Zealand Fashion Festival but wasn't booked for a single show. What those in New Zealand didn't see, the big names in Paris did. Fashion house Givenchy placed her in the catwalk show for its autumn/winter season during Paris Fashion Week earlier this month. Good is the first New Zealand model to be picked for a Givenchy exclusive and flown to Paris after being seen only in photos and a walking video, Packard-Dube says. That's a major break for a complete unknown who had never been on a catwalk before. Good skyped Packard-Dube after her first show. ''She is so excited, she still can't believe this is happening to her,'' Packard-Dube said. ''She got to meet a whole lot of famous people in fashion and stars like Kanye West.'' Good has gone from working in a North Shore cafe to living in an apartment in New York City. She is now signed to Ford Model Agency in the United States, the Storm agency in Britain and has had offer of work from around the world.

Givenchy Givenchy F/W 12 Show client: Givenchy source: givenchy.com published: March 2012

details In one of those whirlwind model moments, Ashleigh has gone from waitressing at an Auckland cafe to the runway at one of the most highly anticipated shows of the season. Scouted while waiting for the bus in Mairangi Bay, Ashleigh’s beauty quickly caught the attention of Ford NY, and was soon whisked off to Paris for the Givenchy S/S ’12 show exclusive. Born in the UK, but a permanent resident of New Zealand for the past ten years, Ashleigh has an oddly aristocratic beauty that is a stand out. Just the right mix of soft and hard edged, Ashleigh is all good! stats Full Name: Ashleigh Good Hair: Auburn Eyes: Blue Height: 183 cm / 6’0″ Bust: 82 cm / 32″ Waist: 61 cm / 24″ Hips: 86 cm / 34″ Place of Origin: New Zealand / UK Date of Birth: November 9 agencies Mother Agency: Rose Packard-Dube NY: Ford Models London: Storm Model Management

his portfolio for Soulartist http://soulartistmanagement.com/men/lucaskerr/all.php

Model: Lucas Kerr |Soul Artist| Photographer: Robert Erdmann Website: www.roberterdmann.com Portrait series featuring model Lucas Kerr at Soul Artist Management photographed by Robert Erdmann.

Ad Campaign: Equinox Model: Lucas Kerr |Soul Artist Management| Photographer: Terry Richardson Website: www.equinox.com Lucas Kerr at Soul Artist Management photographed by the famed Terry Richardson for the new Equinox campaign.

Lucas Kerr & Parker Bagley: Two for the Show

Per­ma­nent Mark–To pro­mote Only The Brave Tat­too, the lat­est addi­tion to the Only The Brave fra­grance line, Diesel enlisted male mod­els Sam Webb and Lucas Kerr to play a short movie, shot in Los Ange­les by Paul Geuse­broek. Run­ning across a chaotic city, the mod­els finally face each other at the end of the com­mer­cial, in a park­ing on the roof of a building