JazzyJas2.0

IG: veronikaloubryphotographie

IG: veronikaloubry

L'Oreal IG: chapuyc

L'Oreal IG: chapuyc

In Corsica IG: thylaneblondeau

**MY GIFS** Original speed Smaller (175 x175) Larger (360x360) Slower Smaller (175 x175) Larger (360x360)

IG: ellenvonunwerth IG: chromeheartsofficial

IG: stellamaxwell

For this edition of ‘My Beauty Routine’, Victoria’s Secret‘s newest angel, Stella Maxwell (Miley’s buddy) shares her beauty routine exclusively with myfashdiary readers. -what are 5 of your favorite beauty products? My five favorite beauty products are oribe shampoo, ysl touche eclat concealer, le labo perfume&moisturizer, neutrogena makeup wipes, bioderma. -what beauty products do you always carry in your handbag? I always carry some chanel lip stick , some Kose skin cream, the new Victoria Secret Body Care collection and some neutrogena skin wipes. -what is your skincare regimen? I find that drinking a lot of water is really the most amazing thing you can do for the skin. For the body I love the Coconut Milk Victoria’s Secret Weightless Body Oil. -how do you keep fit? I love riding bikes and swimming. Those are probably my two favorite forms of exercise but I do train a lot in the gym and I cant say enough about having a great trainer. -what is your fitness routine? My fitness routine consists of a lot of cardio and a lot of stretching. -Do you follow a diet? I wouldn’t say I have a strict diet but I do try and stay away from things that are not natural and that really don’t give any good nutrients to my body. There are so many processed foods and so many unecesarry things we are constantly encouraged to consume. Key is to keep your focus on what your body really needs. -do you take vitamin supplements, if so – which? I do take some vitamin B occasionally but I am not huge into supplements. I find that what i eat and drink really work well with my body. -do you do regular beauty services? I enjoy going to Russian Baths and Koreans spas. -what is your signature fragrance? My signature fragrance is Victoria Secret Tease. http://myfashdiary.com/2015/10/my-beauty-routine-by-vs-angel-stella-maxwell/

VS

^ Love seeing them together IG: elleusa

I'm glad you ike her. Stella has a mysterious allure about her.

IG: hungvanngo IG: ceciliaromerohair

IG: victoriassecret IG: victoriasport

VS from Josephine's thread

She has improved a lot in general ^

OMFG

How Kate Moss, Naomi Campbell, and Christy Turlington Doubled as Runway Makeup Artists BY APRIL LONG APR 9, 2015 Step backstage at virtually any major fashion show in 2015, and this is what you'll see: elbow-to-elbow hair and makeup artists enacting frantic transformations on late-to-arrive models; film crews jostling for space with photographers, manicurists, publicists, scoop-hungry journalists, and bloggers trying to procure an Instagrammable snapshot to fire off to their followers around the globe. It's as if the whole world—if not physically present then virtually so—is desperate for a VIP preview of the coral lip or the blue cat-eye, the wild bouffant or the modest ponytail, before it hits the runway. As Shiseido artistic director Dick Page puts it: "God forbid someone in Illinois should not know the trend by lunchtime!" It was not always like this. There was a time, before designers discovered how lucrative it can be to partner with big beauty brands, when what happened off the runway was considered merely an inconsequential footnote to the main event. In a 1991 episode of MTV's House of Style, Cindy Crawford described the preshow scene as "about as glamorous as a supermarket sale," even as the images flickering on-screen—megastar models drinking champagne, smoking, whispering into cell phones the size of dachshunds, and gazing into compact mirrors while touching up their lipstick—belied her words. "People were used to seeing the girls on the runway, so they didn't think the backstage was interesting, because it was real," says celebrated photographer Roxanne Lowit, who started shooting preshow prep in the 1970s (and who snapped the images on these pages). "People couldn't imagine why I wanted to be there, but I thought it was magical." "There weren't as many people, and because there were fewer shows, it was a much more relaxed atmosphere," says London facialist Nichola Joss, who worked backstage as a manicurist in the early '90s. She remembers Kate Moss, "who has always loved doing her own nails," helping out with pedicures. "It was like girls getting ready together to go out. We would play cards or smoke cigarettes or have a glass of wine. It was less health and safety, more rock 'n' roll." The beautification process was considerably more improvisational. Hair stylist Oribe—by his own admission, in a drug-fueled fit of inspiration—smeared models' faces with a shimmery pomade before sending them out on the runway at Cuban designer Manolo's show in 1993; Joss, who is now a skin expert for St. Tropez, says her early tanning technique involved mixing theater makeup with hairspray "and spraying it on the models' bodies using the kind of guns you'd use for painting cars." Until the mid-'80s, models were often responsible for their own primping (in decades prior, they even provided their own shoes and accessories). Makeup pros, when present, weren't entirely in control. "They tried to give direction," says Stephanie Seymour, who debuted on the catwalk in 1985, "but no one listened." Elle Macpherson remembers feeling daunted by the other girls' dexterity with brushes and wands: "We all had Henri Bendel brown-and-white striped makeup boxes, which was the cool thing to have," she says. "I sat around, trying to copy Linda Evangelista. She would just transform." Some of the techniques Macpherson picked up remain in her regimen today. "I hated doing lipstick because I could never get my lip line right, so I just focused on doing the eyes. I got quite good at doing a black smoky eye, and I still do the same makeup now. I use a soft black eyeliner and a Q-tip, smudge around the rims of my eyes, add mascara, and I'm done." By the mid-'90s, things had changed. Talented hair and makeup pros—including François Nars, Kevyn Aucoin, Page, Mary Greenwell, Linda Cantello, and Oribe—gained megastar status, having risen alongside the supes they beautified. "The supermodels became the first generation to always have someone doing their makeup," Greenwell says. "We were in their glory, and the team became very important." So much so that the models would jostle for face (and hair) time with the top gun backstage. "The girls used to fight over my chair," Nars says. "Linda used to run over and be the first to sit down. She didn't want anyone else on my team to do her makeup, just me." It was Nars who taught Evangelista, whom the other models revered as being a makeup maestro herself ("She saved my life more than once with her skills," Seymour says), how to do her brows, using a photo of Sophia Loren as a template. "It really changed her face," Nars says, "and she became known for her bold eyebrows. She still uses the techniques I taught her, and she's very good." If the lead makeup artist wasn't available, the models would take matters into their own hands rather than get made up by an assistant. Tatjana Patitz, whose first show was Azzedine Alaïa in Paris in 1984 and whose fame was cemented when she appeared in George Michael's "Freedom '90" video alongside Evangelista, Crawford, Christy Turlington, and Naomi Campbell, remembers: "You'd stand in line for the artist you wanted to work with, whether it was Stephane Marais or Dick Page, and if you got an assistant, you'd become a little snobby, like, 'That person's not going to do the foundation right.' We didn't want to risk it, so we'd just do it ourselves."Claudia Schiffer, who recently launched her own hair care line, Essence Ultime, with Schwarzkopf, also intervened with her strands. "I often asked the hairdresser to amend my hairstyle to what suited me better," she says. "Unless it was Oribe or Serge Normant, who I trusted blindly." A pro tip she still uses? "For long-lasting volume, I backcomb at the roots, then flatiron what I teased." "When I started doing shows that Linda, Christy, and Naomi were in, I realized they were just used to doing it themselves," Page says. "And why wouldn't they? They were there because they looked like that. So Linda always wanted to do her little thing, and Naomi would want to do the whole thing—or she'd let you do it and then want to do it all over again. It was like a ritual."At today's fast-moving fashion weeks—when hair and makeup are decided upon in advance of the shows and precise face charts are distributed to armies of talented artists who follow them to a T, using specific shades—you're unlikely to see a model so much as touch up her own lipstick. "Today, it's important for the models to look very uniform with their makeup," Nars says. There may be less room for last-minute improvisation, but having such visionary pros at the helm opens the door to more wildly inspiring moments—think of the vivid green-and-blue crescent-moon eyeliner Page painted on models' lids at Michael Kors for spring 2013, or the gold brows Pat McGrath created at Dior for spring 2014—than could be achieved in the past. Most of all, it means that runway beauty has gotten more democratic. Now it's easy to find out precisely which products, shades, and tools were used at any given show, and exactly how they were applied. Rather than guessing what brow pencil Evangelista might have had in her personal kit, we can know for sure—and make the look our own. http://www.elle.com/beauty/makeup-skin-care/news/a27717/role-models/

90s baby here! ('92) 90s is my favorite era for music in general (especially R&B and alternative rock/grunge) Then the 70s... The style was something else And of course 90s Kate Moss !!

I love face highlighters (makeup)

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