prejean Posted January 25, 2012 Share Posted January 25, 2012 Hola, @cositas, lo de Weber es muy cierto, de traca... las últimas campañas para Moncler con los perros embutidos en plumones; todo el rollo homoerótico teen (que está muy bien, ojo), pero que, como bien dices, lo ha sobreexplotado hasta la extenuación... Y claro, a estas alturas ya no cuela. La sesión con Lindbergh, sin maquillaje, no la he visto... solo la campaña que fotografió para Tiffany & Co. con Patrick Wilson, una campaña enteramente enfocada al público estadounidense (parecían fotogramas de The Family Man (2000), jeje...). Inés, de joven, tenía un rostro hipnótico... unas redondeces faciales muy bonitas, fotogénicas. Eso, unido a su racialidad y timidez, pues creaban un conjunto con mucho gancho. Ahora luce un aspecto aburguesado, aunque, a su manera, da la impresión de que ha hecho con su vida lo que le ha dado la gana (por supuesto es una impresión personal, sin otro fundamento que la mera observación), y muy bien por ella. Lo de las revistas españolas, con la Carbo, Echevarría y demás... pues patético, no sé a quién pretenden engañar, presentándolas al público como la quintaesencia del estilo... enga, per favore... a otro mono con esos plátanos. Desempolvar poco... desgraciadamente. Tras varias limpiezas y mudanzas, lamentablemente me deshice de muchas revistas que hoy, quién sabe, podría ofertar a precio de oro en ebay. ¿Quién podía imaginar la revalorización que experimentarían dada la mediocridad revisteril de hoy en día? vogue.it sube imágenes muy chulas de editoriales pasados, aunque en baja resolución. La creatividad de Meisel parece fatigada, trata de acometer su antepenúltimo tour de force con cada nuevo editorial, pero no acaba de lograrlo. A pesar de ello, nos ha regalado imágenes icónicas, hay que reconocérselo. No me extiendo más que no quiero ser plasta, un abrazo desde el norte Image credit: De donde no se vuelve (La Fábrica, 2008) Quote Link to comment Share on other sites More sharing options...
FRANCY ITALY Posted January 26, 2012 Share Posted January 26, 2012 elle spain february 2012 inés non stop star: inés sastre photographer: pascal chevallier stylist: inmaculada jimenez hair and make-up: vicky marcos zinio Quote Link to comment Share on other sites More sharing options...
prejean Posted January 26, 2012 Share Posted January 26, 2012 - Cover ‘Fontana Milano’ (Vogue Italia´s supplement), nº 505, september 1992. - With suit of lights, by César Lucas. - In the backstage of Chanel Ready-to-wear spring/summer 1996 with Brandi Quiñones. - With Levi's denim jacket, ‘Blanco & Negro’ magazine (ABC newspaper), 12 march 1989. Photo: Nacho Pinedo. - Fashion editorial photographed by Michel Comte. Vogue Italia, 1992. P.S.: Sorry, @Provolone (I´m also very happy to talk to people so well educated in their aesthetic sense), hereafter I try to write in english (well, with "my" english, which is very limited) to facilitate understanding of all the forum readers or, failing that, write the text of a bilingual: I apologize. A big kiss Quote Link to comment Share on other sites More sharing options...
Chocolate Posted January 26, 2012 Share Posted January 26, 2012 Thanks guys Quote Link to comment Share on other sites More sharing options...
Provolone Posted January 26, 2012 Share Posted January 26, 2012 P.S.: Sorry, @Provolone (I´m also very happy to talk to people so well educated in their aesthetic sense), hereafter I try to write in english (well, with "my" english, which is very limited) to facilitate understanding of all the forum readers or, failing that, write the text of a bilingual: I apologize. @ prejean Thanks for your efforts I was referring especially to this you wrote (from what I can distinguish, a nice description of the very essence of Sastre's beauty - but unsure I did capture evthg. in it): "Inés, de joven, tenía un rostro hipnótico... unas redondeces faciales muy bonitas, fotogénicas. Eso, unido a su racialidad y timidez, pues creaban un conjunto con mucho gancho. Ahora luce un aspecto aburguesado, aunque, a su manera, da la impresión de que ha hecho con su vida lo que le ha dado la gana (por supuesto es una impresión personal, sin otro fundamento que la mera observación), y muy bien por ella. " Best, Quote Link to comment Share on other sites More sharing options...
cositas_buenas Posted January 26, 2012 Share Posted January 26, 2012 Hola, @cositas, lo de Weber es muy cierto, de traca... las últimas campañas para Moncler con los perros embutidos en plumones; todo el rollo homoerótico teen (que está muy bien, ojo), pero que, como bien dices, lo ha sobreexplotado hasta la extenuación... Y claro, a estas alturas ya no cuela. La sesión con Lindbergh, sin maquillaje, no la he visto... solo la campaña que fotografió para Tiffany & Co. con Patrick Wilson, una campaña enteramente enfocada al público estadounidense (parecían fotogramas de The Family Man (2000), jeje...). Inés, de joven, tenía un rostro hipnótico... unas redondeces faciales muy bonitas, fotogénicas. Eso, unido a su racialidad y timidez, pues creaban un conjunto con mucho gancho. Ahora luce un aspecto aburguesado, aunque, a su manera, da la impresión de que ha hecho con su vida lo que le ha dado la gana (por supuesto es una impresión personal, sin otro fundamento que la mera observación), y muy bien por ella. Lo de las revistas españolas, con la Carbo, Echevarría y demás... pues patético, no sé a quién pretenden engañar, presentándolas al público como la quintaesencia del estilo... enga, per favore... a otro mono con esos plátanos. Desempolvar poco... desgraciadamente. Tras varias limpiezas y mudanzas, lamentablemente me deshice de muchas revistas que hoy, quién sabe, podría ofertar a precio de oro en ebay. ¿Quién podía imaginar la revalorización que experimentarían dada la mediocridad revisteril de hoy en día? vogue.it sube imágenes muy chulas de editoriales pasados, aunque en baja resolución. La creatividad de Meisel parece fatigada, trata de acometer su antepenúltimo tour de force con cada nuevo editorial, pero no acaba de lograrlo. A pesar de ello, nos ha regalado imágenes icónicas, hay que reconocérselo. No me extiendo más que no quiero ser plasta, un abrazo desde el norte Image credit: De donde no se vuelve (La Fábrica, 2008) yo, francamente, no la encuentro aburguesada, la encuentro cansada, fatigada................. ha perdido absolutamente toda la frescura de cuando era joven y su expresión es algo lastimosa, sin fuerza ni dulzura, ha perdido todo el charming de antaño en cuanto a meisel, también está fatigado, su época dorada ha finalizado pero siempre recordaremos portadas y editoriales gloriosas, las mejores! soy su fan número uno ¿haces intercambio de material? saludos cordiales desde el sur! Quote Link to comment Share on other sites More sharing options...
cositas_buenas Posted January 26, 2012 Share Posted January 26, 2012 elle spain february 2012inés non stop star: inés sastre photographer: pascal chevallier stylist: inmaculada jimenez hair and make-up: vicky marcos zinio thank you very much very good scans Quote Link to comment Share on other sites More sharing options...
Provolone Posted January 26, 2012 Share Posted January 26, 2012 yo, francamente, no la encuentro aburguesada, la encuentro cansada, fatigada................. ha perdido absolutamente toda la frescura de cuando era joven y su expresión es algo lastimosa, sin fuerza ni dulzura, ha perdido todo el charming de antaño :o I thought I was the only one here to be critical about her recent years. So I was still far off.......; On this one no discussion about fatigue or ageing I guess: Quote Link to comment Share on other sites More sharing options...
prejean Posted January 26, 2012 Share Posted January 26, 2012 Yes, the truth´s that to be the worldwide image of a house Lancôme cosmetics as the appearance of your skin isn´t the height ... remain despite a young woman (37 years), I don´t know, our grandmothers and our mothers to retain enviable skin by age 60 (I promise I will not exaggerate), skin treated only with water and soap ... amazes me that people who have access to more sophisticated beauty treatments and also live not retain their image as good complexion. I don´t know, for example, when Isabella Rossellini Lancôme retired at age 41, she still maintained an amazing charm (in the picture, frame of Immortal Beloved (1994)). «... ha perdido absolutamente toda la frescura de cuando era joven y su expresión es algo lastimosa, sin fuerza ni dulzura, ha perdido todo el charming de antaño». I noticed especially this who comment on her appearance in the Fashion's Nigth Out in Paris I don´t know what may be... but it certainly has slowed as a model. It doesn´t help that his film career has been anecdotal and forgettable. In any case, I wish the best for her, of course. «¿haces intercambio de material?» You mean the exchange of material of S. Meisel? Well, I hope your answer. Steven's still a very smart guy, but it's true he have lost the fresh audacity that made him so charismatic as a photographer, constantly innovating and going one step ahead of other colleagues (with permission of Helmut Newton). Now it seems that he has taken to self-plagiarism, a pity. @Provolone: Very nice photo of Inés when she was little. She, rather than a Vermeer model reminds me of a woman of Spanish painter Julio Romero de Torres. However, considering possible follow similar... Some pictures: Blanco y Negro, 17 january 1993. Photo: Patrick Shaw (reprint of Madame Figaro). A kiss for all you (Provolone, cositas_buenas, FRANCY ITALY, etc), boys and girls, from Spain! Quote Link to comment Share on other sites More sharing options...
cositas_buenas Posted January 26, 2012 Share Posted January 26, 2012 yo, francamente, no la encuentro aburguesada, la encuentro cansada, fatigada................. ha perdido absolutamente toda la frescura de cuando era joven y su expresión es algo lastimosa, sin fuerza ni dulzura, ha perdido todo el charming de antaño :o I thought I was the only one here to be critical about her recent years. So I was still far off.......; On this one no discussion about fatigue or ageing I guess: oh, provolone, no, you are not the only one, i'm afraid......... although i will always be her best fan nothing to say to this little pic, just one word: cute! Quote Link to comment Share on other sites More sharing options...
cositas_buenas Posted January 26, 2012 Share Posted January 26, 2012 Yes, the truth´s that to be the worldwide image of a house Lancôme cosmetics as the appearance of your skin isn´t the height ... remain despite a young woman (37 years), I don´t know, our grandmothers and our mothers to retain enviable skin by age 60 (I promise I will not exaggerate), skin treated only with water and soap ... amazes me that people who have access to more sophisticated beauty treatments and also live not retain their image as good complexion.I don´t know, for example, when Isabella Rossellini Lancôme retired at age 41, she still maintained an amazing charm (in the picture, frame of Immortal Beloved (1994)). «... ha perdido absolutamente toda la frescura de cuando era joven y su expresión es algo lastimosa, sin fuerza ni dulzura, ha perdido todo el charming de antaño». I noticed especially this who comment on her appearance in the Fashion's Nigth Out in Paris I don´t know what may be... but it certainly has slowed as a model. It doesn´t help that his film career has been anecdotal and forgettable. In any case, I wish the best for her, of course. «¿haces intercambio de material?» You mean the exchange of material of S. Meisel? Well, I hope your answer. Steven's still a very smart guy, but it's true he have lost the fresh audacity that made him so charismatic as a photographer, constantly innovating and going one step ahead of other colleagues (with permission of Helmut Newton). Now it seems that he has taken to self-plagiarism, a pity. @Provolone: Very nice photo of Inés when she was little. She, rather than a Vermeer model reminds me of a woman of Spanish painter Julio Romero de Torres. However, considering possible follow similar... Some pictures: Blanco y Negro, 17 january 1993. Photo: Patrick Shaw (reprint of Madame Figaro). A kiss for all you (Provolone, cositas_buenas, FRANCY ITALY, etc), boys and girls, from Spain! wow, i didn't remember this wonderful ed, simply smart and charming.................... thanks for remembering me i saved it with my other old inés' stuff........... when i said exchange stuff i wanted to say paper stuff and, for example, your linda evangelista's stuff instead of...... well, something that interest to you from mine except my old evangelista's stuff.................................. Quote Link to comment Share on other sites More sharing options...
cositas_buenas Posted January 26, 2012 Share Posted January 26, 2012 @Cositas, I have no problem with sharing, the problem is that, as I said, I have virtually all my digital files (ie, in format .JPEG), so I keep little physical format (paper). You asked for photographers, models, eds, etc., and I will look if I have it and upload. No problem.For example, Linda (, & ) I, if I could make a wish, I would ask for this photo (below) or by the H. Newton rare polaroid shot Linda back in 1991 or so. Some pics of Inés: - "Moda Italia" magazine, july 1994. Ph.: Ferdinando Scianna. Many thanks / Muchísimas gracias ahh, ok, I like very much to scan and after upload my material but the fact is that i only collect paper stuff oh, i have this rare chanel pic from el país semanal....... in those times i saved ALL i found in the spanish mags and it's part of my collction this lagerfeld's chanel and that with the nick nigth's campaign for jil sander are my two favourites ever! saludos cordiales! Quote Link to comment Share on other sites More sharing options...
prejean Posted January 26, 2012 Share Posted January 26, 2012 «ahh, ok, I like very much to scan and after upload my material but the fact is that i only collect paper stuff» I wish I would have done the same as you, but back then I was embarrassed "maul" magazines... until by vicissitudes of life had to leave them gradually undoing... What makes me angry bigger! The paper has a special "mystique", it's true: it´s able to transport you to a particular moment in your past life in a snap. So I feel fortunate to have "lived" the era of the supermodels... wonderful productions, high creativity, beautiful compositions... set in the retina. Linda's work is a last. ¡Saludos ! Quote Link to comment Share on other sites More sharing options...
Provolone Posted January 27, 2012 Share Posted January 27, 2012 «ahh, ok, I like very much to scan and after upload my material but the fact is that i only collect paper stuff» Wow, girls ! - I did not know one could take it so seriously about magazines ! Quote Link to comment Share on other sites More sharing options...
prejean Posted January 27, 2012 Share Posted January 27, 2012 Ad published in the Italian Vogue, february 1990: Fabrizio Del Carlo. Found on Ebay. Quote Link to comment Share on other sites More sharing options...
cositas_buenas Posted January 27, 2012 Share Posted January 27, 2012 «ahh, ok, I like very much to scan and after upload my material but the fact is that i only collect paper stuff» Wow, girls ! - I did not know one could take it so seriously about magazines ! LOVE magacines open them, see them, smell them........... it's a passion, like another one and secondly: LOVE linda evangelista all that i've seen about her, i keep it for years , even the smaller pic Quote Link to comment Share on other sites More sharing options...
cositas_buenas Posted January 27, 2012 Share Posted January 27, 2012 «Wow, girls ! - I did not know one could take it so seriously about magazines !»Well, lol, isn´t taken seriously, at least in my case is like a hobby, I always liked fashion and photography (fashion and in general), and like some people, for example, collect stamps, model airplanes or whatever, there are people who like all the "sociological" and cultural fashion -"Fashion isn´t confined to clothes. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what´s happening", Coco Chanel-. This is how I conceive it personally. Big kiss, Provolone - ELLE Spain, november 1996 (I think the pics are from Paco Navarro). like you, the first mag i bougth (too much years ago) was very important for me: the ads, artistically shooted, and the portraits, were what i more liked and after that... i wasn't be able to stop! it's the only thing i spend some money constantly well, you know, this and books, pics, or my paint stuff.............. and it's a hobby, very peculiar, i know, but it's the thing i more like it and, think for a moment, when i begun keeping pics, ads, covers, etc., didn't exist the internet so it was n o possibility of being up to date in each moment, so, for me it's still more valuable a good shoot in paper Quote Link to comment Share on other sites More sharing options...
prejean Posted January 27, 2012 Share Posted January 27, 2012 It's like a relentless search for beauty, beauty that comforts the spirit, the fleeting instant frozen forever, encapsulated... Fashion magazines for me as a child/teenager was an escape and a refuge (aesthetic stimuli could find around me seemed very grotty)... then I couldn´t share my hobby with anyone, not even with my friends, who didn´t understand. Same thing happened to me with readings, music, film... Thanks to the internet we can get those moments. My first fashion magazine "hard" was a Spanish Vogue with Linda on the cover (the image of my avatar): was a real breath of fresh air. After that, I "lived" with much enthusiasm fashion. Treasures you have stored, @Cositas. I, for example, love the pictures of Peter Lindbergh made in the late eighties (Linda, Kristen McMenamy, Kirsten Owen, Cordula Reyer, Marie Sophie Wilson-Carr, Lynne Koester, Charlotte Lewis...). Ads for Comme des Garçons, Mariella Burani, etc... Poetic neo-expressionism! Left (cover): Blanco y Negro, november 1989 Right (clipping): Ragazza (Spain), january 1993 Quote Link to comment Share on other sites More sharing options...
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