Jade Bahr

Who said Leo is ESFP? Did he made the test or did someone made the test for him? lol My test result

via deux

via deux

I saw a lot worse movies than TMITIM. I also saw better. But the razzi nomination for Leo here was ridiclious and I will die on that hill. Period. Alone the visuals, costumes, original sets, cast and Leos face are worth the watch. (I also liked the soundtrack).

Agree 💯

Are you guys for real or just naive? People lying all the time on the internet.

KOTFM Update. The movie isn't even done with re shootings it seems 🙈 same article: https://www.worldofreel.com/blog/2022/8/gpa2g8d8lgqypwvhre2h7w1ncbf4jb Me Marty (hopefully this won't be another GONY situation where everything went wrong at some point)

Ok I blame 😁 But I thought more about the passive aggressive stans (mostly on twitter/tiktok etc) turning every of their speculations into nasty speculations since the beginning of twitter lol I still don't understand why a strangers sex life is so important to some people to talk about it in public shamelessly like it's their business. But then calling Leo weird lol

Always wonder how bored people must be to make a fuss over other peoples sex life and don't even feel silly about it lmao

Leo & Demi

Probably old photos (don't follow her much) but for me she's perfect. No way she isn't Leos type. She looks like straight from OUATIH here 🏵️

^Well... Wouldn't consider any of those women as submissive but maybe that's just me.

Didn't Gisele claim she was at her lowest point with Leo very publicity to sell her book? Truly inspiring love.

This will better be good news!

^I think the left one is from the netflix movie BUBA where Leos breakdance story is taken up shortly.

NY sighting

a) how to handle social media b) what social media is really about (life lessons by Charles Hunnam & Rami Malek)

^also find it hilarious how everything is getting a sequel but DLU - which was more successful than most of the other dumb shit together Netflix Announced ‘Gray Man’ Sequel To Distract From Disappointing Ratings Netflix didn’t wait until the opening weekend ratings for The Grey Man went live before announcing a sequel and a spin-off. Now that the first global ratings have come in, they are a little disappointing. Not unlike the conversation concerning Jordan Peele’s Nope and its “in most cases excellent” $44.4 million opening weekend (usually great for an R-rated, star-lite, original live-action horror movie), the notion of The Gray Man only earning 88 million hours on Netflix in the first three days (around 43 million complete views for the 129-minute actioner) “feels” disappointing. Gray Man’s existence as Netflix’s most expensive attempt to craft its own blockbuster franchise. Again, this is all relative, but it's well below what Red Notice (149 million hours) and Don’t Look Up (111 million hours) nabbed in their opening weekends. That’s not to say legs aren’t possible. Don’t Look Up, an Oscar-friendly, all-star Leonardo DiCaprio/Jennifer Lawrence disaster comedy, earned 152 million hours in its first week. Red Notice went from 149 million in weekend one to 129 million in its first Mon-Sun week. However, The Gray Man is based on a popular action spy-lit series, stars Ryan Gosling (as the good spy) and Chris Evans (as the bad spy), and is helmed by the Russos (Avengers: Endgame). It is telling that it earned about as many hours as Sandra Bullock’s action-lite, grimdark post-prison rehabilitation drama The Unforgivable. Suppose it’s only as “leggy” as Red Notice (364 million hours in the first 28 days after a 149 million hour opening weekend). In that case, it’ll end up just over/under The Unforgivable’s first month (214.7 million hours) total. It opened with fewer hours than Ryan Reynolds’ original, $115 million The Adam Project. That family-friendly crowdpleaser opened with 92.4 million hours and legged out to 233 million hours in the first 28 days. Similar legs for The Gray Man (which is PG-13 but not really for kids) will get it at 223 million hours in month one. That is right between The Unforgivable and the $65 million-budgeted Extraction (231.3 million hours). The best-case scenario, however unlikely, is legs like Don’t Look Up. The Adam McKay-directed farce had an advantage of holiday legs (like Bird Box in 2018) and earned 360 million hours from that 111-million-hour debut (and 152 million hours in the first whole Mon-Sun week). That would give The Gray Man 285 million hours, good for third place just above Sandra Bullock’s $20 million-budgeted Bird Box. When you look at the raw opening weekend hours, the film’s debut is high but surprisingly not sky-high, even alongside or below some comparatively much cheaper and lower-profile films. The Russo Bros.’ $200 million spy actioner is a blatant attempt by Netflix to approximate the mega-budget Hollywood actioners. The film has its moments (Julia Butters almost steals the film), and more of the film’s budget is seemingly up on screen versus the likes of Red Notice. It still pales compared to No Time to Die, Mission: Impossible – Fallout and (the $75 million) John Wick: Chapter 3. That’s the problem with Netflix originals. They want to replace the theatrical competition even as most of their original films are trading quality for “push a button and watch it at home” convenience. That’s fine for a one-and-done, especially as Netflix’s greatest weapon is a subscriber base so large that they can pull comparatively massive viewership for the original or new-to-you high-concept star vehicles that used to be Hollywood’s bread and butter. But if you want to build franchises, which can be turned into monetizable IP, those films must be more than just “glad I didn’t see this in theaters” or “It’s fine since it was free on my tv.” While audiences “pressed play” on the abstract concept of Dwayne Johnson, Gal Gadot and Ryan Reynolds in a light action-comedy heist caper, getting them interested in specifically a sequel to Red Notice may be more challenging. Ditto The Gray Man 2 or whatever form that takes, and why Bright 2 was always a bad idea. The announcement of a sequel is a bluff to sell the illusion of success. That’s not a new trick. We’re still waiting on Star Trek 4 (announced days before Star Trek Beyond), Wonder Woman 3 (announced on Wonder Woman 1984’s theatrical and HBO Max opening weekend) and any host of “Studio says a sequel is happening!” follow-ups to Cruella, Jungle Cruise, Green Lantern and more. A sequel was once an (often unplanned) affirmation that audiences saw and liked a movie. Now, in a world where shareholders demand that everything be a franchise and/or a cinematic universe (with no proof that audiences want endless spin-offs to that movie or show they saw and liked), it’s a premature announcement to sell the idea of consumer success. They greenlit a sequel, so it must be a hit! Netflix announced Bright 2, which has yet to materialize, while Red Notice 2 and 3 are still in the “It’s theoretically happening!” stage. We seem to be getting follow-ups to Extraction, Murder Mystery and The Old Guard. Army of the Dead got a near-concurrent Army of Thieves prequel. We’ll see if we get the promised Planet of the Dead. Save for their cheaper and youth-skewing romantic comedies; there’s usually a gulf between a Netflix genre film getting a sequel announcement and that sequel getting made. It’s another example of the streaming giant/disrupter taking a page from the conventional Hollywood playbook. On the other hand, The Sea Beast earned 135 million hours in 17 days from a 33 million hour opening weekend. It might deserve a sequel since audiences are digging it beyond “Hey, it’s what’s new on Netflix this week.” If Netflix were happy with The Gray Man getting opening weekend ratings on par with Adam Sandler’s (exceptionally good) basketball dramedy Hustle (85 million hours) or 365 Days: This Day (77 million hours for the 109-minute Polish erotic sequel to 365 Days), they would have waited until the numbers dropped before announcing a sequel. Instead, they let the word out this morning. The news dominated the media cycle and completely obscured the actual “merely okay in terms of expectations” first ratings. Maybe they know that the Monday ratings are high enough, so it’ll leg out this week. Perhaps they hope word of a franchise will encourage the casually curious to check it out. But make no mistake, announcing a sequel and spin-off for The Gray Man is not an affirmation but rather an illusion of success. Source

Watched the THE GRAY MAN yesterday. What a freakin disaster 🤦‍♀️ The only good thing was Ryan Gosling and his body 👀 (he's welcome doing my laungerie like this any time 🥰) Bad story (really nothing new, nothing original, nothing thrilling), bad dialogs (not smart, not funny, nothing), bad performances (Chris Evans is coming for the Razzi I swear), dumb characters (almost eveything they did was just... stupid and senseless like wth). They even managed to waste gorgeous Ana de Armas. At least she had the only one memorable line. Gosh. I really can't believe this shit took netflix 200 million freakin dollars - also wondered where they spend all this money because almost everything just looked awful. Why I am whining about this here? Because I was curious after watching this mess if it's already beaten DLU. Thank god it's not LOL How well is The Gray Man performing on Netflix? Finally, let’s examine how well The Gray Man is performing and whether it will become Netflix’s most-watched English movie and beat Red Notice. It’s a little too early to know exactly how well The Gray Man has performed but it is expected to break into the most popular English language films based on hours watched in the first 28 days. With that said, based on the first 3 days of performance, it may not be able to top either Red Notice or Don’t Look Up. Source

Not interested in who? 😅

^ Are they playing volleyball... on a yacht? LOL

Can't help but a man in black is giving me some strong sexy vibes. It's probably the Zorro effect aka my first super hero crush LOL But Rickie everyone wants a bite no matter what

^of course sweet innocent Taylor isn't the one to blame here - like always. If Leo would make such a statement people would send him straight to hell. Including freakin Taylor. But he's the "hypocrite"???

^Ok if Idris and Leo will be in I'm all in too