Jade Bahr

Never underestimate Leo is all I'm saying here Taylor Swift Has No Plans To Shake Off No. 1 As Martin Scorsese’s ‘Killers Of The Flower Moon’ Eyes $20M+ Opening The AMC-distributed Taylor Swift concert movie Taylor Swift: The Eras Tour, which paused weekday play from Monday-Thursday, is looking at a 60%-70% dive in its second weekend with $27M-$37M off its first weekend of $92.3M. Those industry projections are based on the front-loaded nature of female-skewing pics, per sources. (...) Apple Original Films’ big splash into a wide theatrical release with Paramount on Martin Scorsese’s Killers of the Flower Moon has been looking at a $20M-$25M opening with tracking for a while. That would be mind-blowing for a 3 hour, 26-minute western drama that’s getting released in the midst of the actors strike, which has prevented stars from tubthumping their pics. Such conceived tentpoles as New Regency/20th Century Studios/Disney’s $80M The Creator were impacted greatly by the strike; that pic’s promotion was hamstrung sans an awesome San Diego Comic-Con and fall film festival launch, ultimately opening to $14M and currently at a running cume of $33.4M. Another adult-skewing title, 20th/Disney’s A Haunting in Venice, also took a hit with a $14.2M opening. Why so optimistic on Killers of the Flower Moon? Analysts are bullish on the DiCaprio factor of it all in regards to the draw in a marketing campaign that’s been everywhere in TV spots and outdoor. A $20M+ opening here also would be a notable start for Apple’s foray into wide theatrical releases, its next being the Sony-distributed and Ridley Scott-directed Napoleon on November 22. The DiCaprio-Robert De Niro-Lily Gladstone movie has been on fire with critics since its world premiere at Cannes (which was where the stars previously did press back in May before the strike) with a current Rotten Tomatoes critics score of 96% certified fresh. Adapted by Scorsese and Eric Roth from the David Grann book, Killers of the Flower Moon follows the improbable romance of Ernest Burkhart (DiCaprio) and Mollie Kyle (Lily Gladstone) against the suspicious murders of members of the Osage Nation, who became some of the richest people in the world overnight after oil was discovered underneath their land during the 1920s. Given the length of this movie, previews will start as early as 2 p.m. on Thursday. Killers of the Flower Moon is booked in 3,621 theaters and looks to pull in men and women over 25. Working in the Scorsese pic’s advantage is the fact that it will have all the Imax and PLF screens, with little overlap with Eras Tour. In regards to this Apple-financed property, the streamer is handling the marketing and publicity, while Paramount has overseen the distribution and booking of theaters. Overall, the good news between Killers of the Flower Moon and Eras Tour is that neither is cannibalizing the other’s coveted demos. No Apple TV+ streaming date has been set for Killers of the Flower Moon as a guaranteed long theatrical window is being planned due to awards season. DiCaprio’s highest openings with Scorsese are, in order: Shutter Island ($41M in 2010), The Departed ($27M, 2006), The Wolf of Wall Street ($18M, 2013), Gangs of New York ($9.1M, 2002) and The Aviator ($858K first weekend at 40 theaters with a second weekend wide break of $9.1M, 2004). A $20M+ opening for Killers of the Flower Moon would rep the best domestic start for De Niro in a Scorsese film — Cape Fear being the duo’s biggest opening together with $10.2M back in 1991. Cape Fear on a global basis is De Niro’s highest-grossing movie with Scorsese at $182M, while DiCaprio’s is Wolf of Wall Street at $407M.

At least my local cinema has some faith in the movie. It shows KOTFM twice as much as the Taylor concert movie ‘Killers of the Flower Moon’ Tracking at $20-$25 Million Opening Apple and Paramount are giving Scorsese’s “Killers of the Flower Moon” a wide theatrical release in over 3600 theaters this weekend and, according to Deadline, the tracking has it at around $20M-$25M. This would be impressive for a 3 hour, 26-minute western drama, with no actors promoting it during the strike, but I sure as hell hope it’ll gross more. May the cinematic Gods grace ‘Killers’ with a $30 million weekend. Apple spent $200 million on ‘Killers,’ mostly for the prestige, Oscar noms and the fact that it could bring in more subscribers on their streaming platform. Breaking even is just an added bonus. But for the sake of cinema’s survival? I sure would like to see a 206 minute, R-rated, non-IP film pull better numbers. Scorsese’s last two films barely made any money. 2016’s “Silence” grossed $22 million, on a $50 million budget, and 2019’s “The Irishman,” which was produced by Netflix, had only been granted a brief, and limited, 2-week theatrical release by the streamer.

Leonardo DiCaprio Still Very Much in Paul Thomas Anderson’s Next Film Yesterday, I spoke to a source who mentioned that Paul Thomas Anderson’s new film is still very much a go and that, if there’s no strike, a February production is being eyed in California. This same person tells me that Leonardo DiCaprio is still very much involved and should be seen as the lead of PTA’s next film. I decided to double-check this intel with Jeff Sneider, who had originally reported that DiCaprio would be part of this mysterious new film, and his response was, “I don’t think anything’s changed.” This past Spring, an assortment of rumors were circling around this project, with Regina Hall and Rachael Taylor offered lead roles in the film. There was also intel of Viggo Mortensen being a part of it. Joaquin Phoenix’s name had also been mention. It’s still a mystery as to whether or not this is in fact an adaptation of Thomas Pynchon’s “Vineland.” PTA will be working with Warner Bros. in this next, still untitled film.

for Calvin Klein

He literally said he won't do anything else in the next 20 years. So better prepare yourself seeing him doing the same shit in his 80s lol https://www.worldofreel.com/blog/2023/7/vmil3bhc9cbmvfdb5xxhjlrdmnh1ta

He prefers shooting propaganda war movies (Top Gun) and the 100th part of Mission Impossible until it is impossible for him to run lol

Best actor of his generation with the most impressive filmography imo. Also unbeaten in success for over 30 years. He's the last movie star of Hollywood. Period.

New partnership

Britney’s First Bombshell Justin Timberlake is 'concerned' over what ex Britney Spears will reveal about their romance in upcoming book The Woman In Me I would be concerned too when I behaved like a douchebag and not wanna spread this fact into the world LOL

I'm preparing myself for KOTFM with re watching some Leo movies Yesterday it was Billy Costigan is without a doubt one of my favorite male characters ever written and he deserved better 💔 It's also showing big times how much of an bland actor Matt Damon is compared to... well everyone but especially Leo lol

2024 Oscar Predictions Post New York Film Festival THR's awards expert updates his picks, with only 'The Color Purple,' 'The Iron Claw' and 'Napoleon' still to be unveiled. PLEASE NOTE: This forecast, assembled by The Hollywood Reporter’s executive editor of awards coverage Scott Feinberg, reflects his best attempt to predict the behavior of the Academy of Motion Picture Arts and Sciences, not his personal preferences. He arrives at these projections by drawing upon consultations with voters and industry insiders, analysis of marketing and awards campaigns, results of awards ceremonies that precede the Oscars and the history of the Oscars itself. There will be regular updates to reflect new developments. Best Picture Frontrunners American Fiction (Amazon/MGM) Oppenheimer (Universal) Barbie (Warner Bros.) Killers of the Flower Moon (Apple/Paramount) Poor Things (Searchlight) Past Lives (A24) Maestro (Netflix) The Holdovers (Focus) The Zone of Interest (A24) All of Us Strangers (Searchlight) Major Threats Nyad (Netflix) Anatomy of a Fall (Neon) Origin (Neon) Rustin (Netflix) Spider-Man: Across the Spider-Verse (Sony) Air (Amazon/MGM) May December (Netflix) Possibilities Saltburn (Amazon/MGM) Priscilla (A24) Ferrari (Neon) The Taste of Things (IFC) Dream Scenario (A24) Dumb Money (Sony) American Symphony (Netflix) The Boy and the Heron (GKIDS) Can’t Yet Call The Color Purple (Warner Bros.) The Iron Claw (A24) Napoleon (Apple/Sony) Best Director Frontrunners Greta Gerwig (Barbie) — podcast Christopher Nolan (Oppenheimer) Martin Scorsese (Killers of the Flower Moon) Jonathan Glazer (The Zone of Interest) Cord Jefferson (American Fiction) Major Threats Yorgos Lanthimos (Poor Things) Bradley Cooper (Maestro) Alexander Payne (The Holdovers) Celine Song (Past Lives) Andrew Haigh (All of Us Strangers) Ava DuVernay (Origin) Justine Triet (Anatomy of a Fall) Possibilities Jimmy Chin and Chai Vasarhelyi (Nyad) Todd Haynes (May December) — podcast Michael Mann (Ferrari) Emerald Fennell (Saltburn) Sofia Coppola (Priscilla) Ben Affleck (Air) — podcast Joaquim Dos Santos, Kemp Powers and Justin K. Thompson (Spider-Man: Across the Spider-Verse) Can’t Yet Call Blitz Bazawule (The Color Purple) Sean Durkin (The Iron Claw) Ridley Scott (Napoleon) Best Actor Frontrunners Cillian Murphy (Oppenheimer) Paul Giamatti (The Holdovers) Bradley Cooper (Maestro) Colman Domingo (Rustin) Leonardo DiCaprio (Killers of the Flower Moon) Major Threats Jeffrey Wright (American Fiction) Andrew Scott (All of Us Strangers) Nicolas Cage (Dream Scenario) — podcast Barry Keoghan (Saltburn) Christian Friedel (The Zone of Interest) Adam Driver (Ferrari) Matt Damon (Air) Possibilities Alden Ehrenreich (Fair Play) Teo Yoo (Past Lives) Kôji Yakusho (Perfect Days) Benoît Magimel (The Taste of Things) Gael García Bernal (Cassandro) Paul Dano (Dumb Money) Taron Egerton (Tetris) — podcast Can’t Yet Call Zac Efron (The Iron Claw) Joaquin Phoenix (Napoleon) Best Actress Frontrunners Annette Bening (Nyad) Emma Stone (Poor Things) — podcast Margot Robbie (Barbie) — podcast Lily Gladstone (Killers of the Flower Moon) Carey Mulligan (Maestro) — podcast Major Threats Natalie Portman (May December) — podcast Sandra Hüller (Anatomy of a Fall) Greta Lee (Past Lives) Cailee Spaeny (Priscilla) Aunjanue Ellis-Taylor (Origin) — podcast Possibilities Helen Mirren (Golda) — podcast Eve Hewson (Flora and Son) Leonie Benesch (The Teacher’s Lounge) Phoebe Dynevor (Fair Play) Jodie Comer (The Bikeriders) — podcast Can’t Yet Call Fantasia Barrino (The Color Purple) Best Supporting Actor Frontrunners Robert Downey Jr. (Oppenheimer) Ryan Gosling (Barbie) Mark Ruffalo (Poor Things) Sterling K. Brown (American Fiction) — podcast Charles Melton (May December) Major Threats Robert De Niro (Killers of the Flower Moon) — podcast Jesse Plemons (Killers of the Flower Moon) — podcast Willem Dafoe (Poor Things) — podcast John Magaro (Past Lives) Matt Damon (Oppenheimer) Chris Messina (Air) Possibilities Jacob Elordi (Priscilla) Glenn Howerton (BlackBerry) Jon Bernthal (Origin) Dominic Sessa (The Holdovers) Eddie Marsan (Fair Play) Can’t Yet Call Colman Domingo (The Color Purple) Corey Hawkins (The Color Purple) — podcast Tahar Rahim (Napoleon) Jeremy Allen White (The Iron Claw) Best Supporting Actress Frontrunners Da’Vine Joy Randolph (The Holdovers) Jodie Foster (Nyad) — podcast Julianne Moore (May December) Sandra Hüller (The Zone of Interest) Rosamund Pike (Saltburn) — podcast Major Threats Penélope Cruz (Ferrari) — podcast Leslie Uggams (American Fiction) Erika Alexander (American Fiction) Juliette Binoche (The Taste of Things) Emily Blunt (Oppenheimer) Viola Davis (Air) Possibilities Claire Foy (All of Us Strangers) — podcast Issa Rae (American Fiction) — podcast Tracee Ellis Ross (American Fiction) — podcast America Ferrera (Barbie) Patricia Clarkson (Monica) — podcast Niecy Nash-Betts (Origin) Julianne Nicholson (Dream Scenario) Can’t Yet Call Halle Bailey (The Color Purple) Danielle Brooks (The Color Purple) H.E.R. (The Color Purple) — podcast Taraji P. Henson (The Color Purple) — podcast Lily James (The Iron Claw) — podcast Vanessa Kirby (Napoleon) Maura Tierney (The Iron Claw) Best Adapted Screenplay Frontrunners American Fiction (Cord Jefferson) Oppenheimer (Christopher Nolan) Killers of the Flower Moon (Eric Roth & Martin Scorsese) Poor Things (Tony McNamara) The Zone of Interest (Jonathan Glazer) Major Threats All of Us Strangers (Andrew Haigh) Priscilla (Sofia Coppola) Origin (Ava DuVernay) Spider-Man: Across the Spider-Verse (Dave Callaham, Phil Lord and Chris Miller) Possibilities Nyad (Julia Cox) Dumb Money (Rebecca Angelo and Lauren Schuker Blum) Ferrari (Michael Mann, Troy Kennedy Martin and Brock Yates) The Bikeriders (Jeff Nichols) Are You There God? It’s Me, Margaret (Kelly Fremon Craig) Can’t Yet Call The Color Purple (Marcus Gardley)

Still can't believe I will watch this movie tomorrow. I'll probably faint the moment Leo appears on the screen 😭

2 more poster credit to Noah Kemohah credit to Addie Roanhorse

This show makes me feel A LOT. Season 1 is still my favorite.

^She looks gorgeous 😍

Just found via amazon music lol Sometimes people are really... uhm creative. Almost a bummer Leo isn't looking like this in KOTFM #handsome devil indeed Also the playlist is hilarious Wicked Game is my favorite LMAO What a wicked game you play, to make me feel this way What a wicked thing to do, to let me dream of you What a wicked thing to say, you never felt this way What a wicked thing to do, to make me dream of you The world was on fire and no one could save me but you Strange what desire will make foolish people do I never dreamed that I'd love somebody like you And I never dreamed that I'd lose somebody like you

^did Leo pick that terrible trailer song? I can handle many things. Hip hop however isn't one of them lol

Good to hear because I'm pretty sure I couldn't handle 3,5 hours of straight shocking genocide. My thoughts exactly 😄

Haha love this

This movie is so GOOD. Despite all his tragic Leo is also tremendously funny and charming as Howard Hughes.

Killers of the Flower Moon review: Scorsese’s film’s strength is a shifted perspective 10 Biggest Takeaways From Killers Of The Flower Moon's Glowing Reviews Killers of the Flower Moon: Lily Gladstone shines in Scorsese's epic Movie review: Powerful 'Killers of the Flower Moon' explores banality of evil Killers of the Flower Moon Movie Reviews: Critics Share Strong Reactions Film Review: ‘Killers of the Flower Moon’ is Martin Scorsese Displaying More Epic Mastery of His Art Form Film review: Killers Of The Flower Moon - Scorsese creates another masterpiece Killers of the Flower Moon Review: Martin Scorsese's Latest Shows Incredible Work From DiCaprio ‘Killers of the Flower Moon’ review: Uneven but engrossing drama from Scorsese Killers of the Flower Moon Review: Martin Scorsese's Anti-Western About American Sin Killers of the Flower Moon – Film Review: Cinema at its finest Killers of the Flower Moon review: Scorsese has done it again 'Killers of the Flower Moon' is a simple story of white greed. Martin Scorsese makes it more

Ok this review made me cry 😭 Martin Scorsese’s KILLERS OF THE FLOWER MOON Is a Moving and Timeless Masterpiece (...) Martin Scorsese has made a stunning, timeless work of art about humanity and how we see and treat one another. He made a gorgeous, heartbreaking film that is both intimate and epic in scope. And he did so in a way that is unlike anything else he’s done in his career. It also features a fantastic cast with three commanding leads. Leonardo DiCaprio seems slightly miscast at first through no fault of his own. He’s almost too big a star for the role of a simple man who doesn’t fully understand what it means to love someone and to be a good person. It’s almost an anti-leading man part. But DiCaprio’s so good that by the end of the film you forget he’s “Leo,” a testament to his abilities to fully embrace a character and embody them honestly. Meanwhile, Robert De Niro and Lily Gladstone dominate the screen the second they appear. They represent the two opposing sides of this morality tale, both literally and figuratively. Each is so powerful in their own way that everything they do feels real and authentic. It’s the best De Niro performance in a long time, a reminder why he’s a true industry legends. And if Lily Gladstone doesn’t emerge from this movie as a major A+ star shut down all Hollywood until someone fixes that. She’s truly incredible and the emotional core of the entire film. (...) If that’s all this movie was, it would be one of the year’s best. It would also be one of Scorsese’s best, a huge accomplishment unto itself. But when the credits rolled and the full picture Scorsese painted revealed itself, I knew I’d just seen a true masterpiece. This is a work of art whose genius is impossible to appreciate until it is finished. This isn’t just a heartbreaking story about greed, power, and how we treat one another. This is also a story about whose stories get told and how they are remembered. This is a movie about history and us today just as much as it is about the Osage and the past. It’s a movie about the people we see in old sepia photographs who feel like they were historical figures rather than the living, breathing people they were. The members of the Osage Nation brutally killed for literal oil money were real, just as we are. They laughed, they cried, they had hopes and dreams, and they suffered same as anyone. And other people—people also just as real as you and I—took all of that from them for two reasons. One because they didn’t see the Osage as real people, and two because they could. I wish I could talk specifics about how Scorsese conveys all of that and why this movie shattered me. I want to talk about every aspect of this film with anyone willing to listen. I’d like to tell you exactly why I think this film is important in a way unlike all of his previous films. It has stuck to my ribs since the moment it ended. It will be there for a very long time. This is a movie that makes it impossible for you to forget the humanity of the very real people it’s based on. And it does so in a way that’s so powerful, smart, and effective it really did change how I fee about the possibility of cinema. When the credits at your screening roll, you’ll understand why. And that’s when you’ll also understand what I finally do after all these months. The wisdom and perspective of age opened up the whole world to Martin Scorsese. The result is Killers of the Flower Moon, a truly stunning work of art I don’t think he could have made before now. That’s not sad to think about, it’s beautiful.

Haha thx I share my big day with the queen herself