Jade Bahr

for Calvin Klein

He literally said he won't do anything else in the next 20 years. So better prepare yourself seeing him doing the same shit in his 80s lol https://www.worldofreel.com/blog/2023/7/vmil3bhc9cbmvfdb5xxhjlrdmnh1ta

He prefers shooting propaganda war movies (Top Gun) and the 100th part of Mission Impossible until it is impossible for him to run lol

Best actor of his generation with the most impressive filmography imo. Also unbeaten in success for over 30 years. He's the last movie star of Hollywood. Period.

New partnership

Britney’s First Bombshell Justin Timberlake is 'concerned' over what ex Britney Spears will reveal about their romance in upcoming book The Woman In Me I would be concerned too when I behaved like a douchebag and not wanna spread this fact into the world LOL

I'm preparing myself for KOTFM with re watching some Leo movies Yesterday it was Billy Costigan is without a doubt one of my favorite male characters ever written and he deserved better 💔 It's also showing big times how much of an bland actor Matt Damon is compared to... well everyone but especially Leo lol

2024 Oscar Predictions Post New York Film Festival THR's awards expert updates his picks, with only 'The Color Purple,' 'The Iron Claw' and 'Napoleon' still to be unveiled. PLEASE NOTE: This forecast, assembled by The Hollywood Reporter’s executive editor of awards coverage Scott Feinberg, reflects his best attempt to predict the behavior of the Academy of Motion Picture Arts and Sciences, not his personal preferences. He arrives at these projections by drawing upon consultations with voters and industry insiders, analysis of marketing and awards campaigns, results of awards ceremonies that precede the Oscars and the history of the Oscars itself. There will be regular updates to reflect new developments. Best Picture Frontrunners American Fiction (Amazon/MGM) Oppenheimer (Universal) Barbie (Warner Bros.) Killers of the Flower Moon (Apple/Paramount) Poor Things (Searchlight) Past Lives (A24) Maestro (Netflix) The Holdovers (Focus) The Zone of Interest (A24) All of Us Strangers (Searchlight) Major Threats Nyad (Netflix) Anatomy of a Fall (Neon) Origin (Neon) Rustin (Netflix) Spider-Man: Across the Spider-Verse (Sony) Air (Amazon/MGM) May December (Netflix) Possibilities Saltburn (Amazon/MGM) Priscilla (A24) Ferrari (Neon) The Taste of Things (IFC) Dream Scenario (A24) Dumb Money (Sony) American Symphony (Netflix) The Boy and the Heron (GKIDS) Can’t Yet Call The Color Purple (Warner Bros.) The Iron Claw (A24) Napoleon (Apple/Sony) Best Director Frontrunners Greta Gerwig (Barbie) — podcast Christopher Nolan (Oppenheimer) Martin Scorsese (Killers of the Flower Moon) Jonathan Glazer (The Zone of Interest) Cord Jefferson (American Fiction) Major Threats Yorgos Lanthimos (Poor Things) Bradley Cooper (Maestro) Alexander Payne (The Holdovers) Celine Song (Past Lives) Andrew Haigh (All of Us Strangers) Ava DuVernay (Origin) Justine Triet (Anatomy of a Fall) Possibilities Jimmy Chin and Chai Vasarhelyi (Nyad) Todd Haynes (May December) — podcast Michael Mann (Ferrari) Emerald Fennell (Saltburn) Sofia Coppola (Priscilla) Ben Affleck (Air) — podcast Joaquim Dos Santos, Kemp Powers and Justin K. Thompson (Spider-Man: Across the Spider-Verse) Can’t Yet Call Blitz Bazawule (The Color Purple) Sean Durkin (The Iron Claw) Ridley Scott (Napoleon) Best Actor Frontrunners Cillian Murphy (Oppenheimer) Paul Giamatti (The Holdovers) Bradley Cooper (Maestro) Colman Domingo (Rustin) Leonardo DiCaprio (Killers of the Flower Moon) Major Threats Jeffrey Wright (American Fiction) Andrew Scott (All of Us Strangers) Nicolas Cage (Dream Scenario) — podcast Barry Keoghan (Saltburn) Christian Friedel (The Zone of Interest) Adam Driver (Ferrari) Matt Damon (Air) Possibilities Alden Ehrenreich (Fair Play) Teo Yoo (Past Lives) Kôji Yakusho (Perfect Days) Benoît Magimel (The Taste of Things) Gael García Bernal (Cassandro) Paul Dano (Dumb Money) Taron Egerton (Tetris) — podcast Can’t Yet Call Zac Efron (The Iron Claw) Joaquin Phoenix (Napoleon) Best Actress Frontrunners Annette Bening (Nyad) Emma Stone (Poor Things) — podcast Margot Robbie (Barbie) — podcast Lily Gladstone (Killers of the Flower Moon) Carey Mulligan (Maestro) — podcast Major Threats Natalie Portman (May December) — podcast Sandra Hüller (Anatomy of a Fall) Greta Lee (Past Lives) Cailee Spaeny (Priscilla) Aunjanue Ellis-Taylor (Origin) — podcast Possibilities Helen Mirren (Golda) — podcast Eve Hewson (Flora and Son) Leonie Benesch (The Teacher’s Lounge) Phoebe Dynevor (Fair Play) Jodie Comer (The Bikeriders) — podcast Can’t Yet Call Fantasia Barrino (The Color Purple) Best Supporting Actor Frontrunners Robert Downey Jr. (Oppenheimer) Ryan Gosling (Barbie) Mark Ruffalo (Poor Things) Sterling K. Brown (American Fiction) — podcast Charles Melton (May December) Major Threats Robert De Niro (Killers of the Flower Moon) — podcast Jesse Plemons (Killers of the Flower Moon) — podcast Willem Dafoe (Poor Things) — podcast John Magaro (Past Lives) Matt Damon (Oppenheimer) Chris Messina (Air) Possibilities Jacob Elordi (Priscilla) Glenn Howerton (BlackBerry) Jon Bernthal (Origin) Dominic Sessa (The Holdovers) Eddie Marsan (Fair Play) Can’t Yet Call Colman Domingo (The Color Purple) Corey Hawkins (The Color Purple) — podcast Tahar Rahim (Napoleon) Jeremy Allen White (The Iron Claw) Best Supporting Actress Frontrunners Da’Vine Joy Randolph (The Holdovers) Jodie Foster (Nyad) — podcast Julianne Moore (May December) Sandra Hüller (The Zone of Interest) Rosamund Pike (Saltburn) — podcast Major Threats Penélope Cruz (Ferrari) — podcast Leslie Uggams (American Fiction) Erika Alexander (American Fiction) Juliette Binoche (The Taste of Things) Emily Blunt (Oppenheimer) Viola Davis (Air) Possibilities Claire Foy (All of Us Strangers) — podcast Issa Rae (American Fiction) — podcast Tracee Ellis Ross (American Fiction) — podcast America Ferrera (Barbie) Patricia Clarkson (Monica) — podcast Niecy Nash-Betts (Origin) Julianne Nicholson (Dream Scenario) Can’t Yet Call Halle Bailey (The Color Purple) Danielle Brooks (The Color Purple) H.E.R. (The Color Purple) — podcast Taraji P. Henson (The Color Purple) — podcast Lily James (The Iron Claw) — podcast Vanessa Kirby (Napoleon) Maura Tierney (The Iron Claw) Best Adapted Screenplay Frontrunners American Fiction (Cord Jefferson) Oppenheimer (Christopher Nolan) Killers of the Flower Moon (Eric Roth & Martin Scorsese) Poor Things (Tony McNamara) The Zone of Interest (Jonathan Glazer) Major Threats All of Us Strangers (Andrew Haigh) Priscilla (Sofia Coppola) Origin (Ava DuVernay) Spider-Man: Across the Spider-Verse (Dave Callaham, Phil Lord and Chris Miller) Possibilities Nyad (Julia Cox) Dumb Money (Rebecca Angelo and Lauren Schuker Blum) Ferrari (Michael Mann, Troy Kennedy Martin and Brock Yates) The Bikeriders (Jeff Nichols) Are You There God? It’s Me, Margaret (Kelly Fremon Craig) Can’t Yet Call The Color Purple (Marcus Gardley)

Still can't believe I will watch this movie tomorrow. I'll probably faint the moment Leo appears on the screen 😭

2 more poster credit to Noah Kemohah credit to Addie Roanhorse

This show makes me feel A LOT. Season 1 is still my favorite.

^She looks gorgeous 😍

Just found via amazon music lol Sometimes people are really... uhm creative. Almost a bummer Leo isn't looking like this in KOTFM #handsome devil indeed Also the playlist is hilarious Wicked Game is my favorite LMAO What a wicked game you play, to make me feel this way What a wicked thing to do, to let me dream of you What a wicked thing to say, you never felt this way What a wicked thing to do, to make me dream of you The world was on fire and no one could save me but you Strange what desire will make foolish people do I never dreamed that I'd love somebody like you And I never dreamed that I'd lose somebody like you

^did Leo pick that terrible trailer song? I can handle many things. Hip hop however isn't one of them lol

Good to hear because I'm pretty sure I couldn't handle 3,5 hours of straight shocking genocide. My thoughts exactly 😄

Haha love this

This movie is so GOOD. Despite all his tragic Leo is also tremendously funny and charming as Howard Hughes.

Killers of the Flower Moon review: Scorsese’s film’s strength is a shifted perspective 10 Biggest Takeaways From Killers Of The Flower Moon's Glowing Reviews Killers of the Flower Moon: Lily Gladstone shines in Scorsese's epic Movie review: Powerful 'Killers of the Flower Moon' explores banality of evil Killers of the Flower Moon Movie Reviews: Critics Share Strong Reactions Film Review: ‘Killers of the Flower Moon’ is Martin Scorsese Displaying More Epic Mastery of His Art Form Film review: Killers Of The Flower Moon - Scorsese creates another masterpiece Killers of the Flower Moon Review: Martin Scorsese's Latest Shows Incredible Work From DiCaprio ‘Killers of the Flower Moon’ review: Uneven but engrossing drama from Scorsese Killers of the Flower Moon Review: Martin Scorsese's Anti-Western About American Sin Killers of the Flower Moon – Film Review: Cinema at its finest Killers of the Flower Moon review: Scorsese has done it again 'Killers of the Flower Moon' is a simple story of white greed. Martin Scorsese makes it more

Ok this review made me cry 😭 Martin Scorsese’s KILLERS OF THE FLOWER MOON Is a Moving and Timeless Masterpiece (...) Martin Scorsese has made a stunning, timeless work of art about humanity and how we see and treat one another. He made a gorgeous, heartbreaking film that is both intimate and epic in scope. And he did so in a way that is unlike anything else he’s done in his career. It also features a fantastic cast with three commanding leads. Leonardo DiCaprio seems slightly miscast at first through no fault of his own. He’s almost too big a star for the role of a simple man who doesn’t fully understand what it means to love someone and to be a good person. It’s almost an anti-leading man part. But DiCaprio’s so good that by the end of the film you forget he’s “Leo,” a testament to his abilities to fully embrace a character and embody them honestly. Meanwhile, Robert De Niro and Lily Gladstone dominate the screen the second they appear. They represent the two opposing sides of this morality tale, both literally and figuratively. Each is so powerful in their own way that everything they do feels real and authentic. It’s the best De Niro performance in a long time, a reminder why he’s a true industry legends. And if Lily Gladstone doesn’t emerge from this movie as a major A+ star shut down all Hollywood until someone fixes that. She’s truly incredible and the emotional core of the entire film. (...) If that’s all this movie was, it would be one of the year’s best. It would also be one of Scorsese’s best, a huge accomplishment unto itself. But when the credits rolled and the full picture Scorsese painted revealed itself, I knew I’d just seen a true masterpiece. This is a work of art whose genius is impossible to appreciate until it is finished. This isn’t just a heartbreaking story about greed, power, and how we treat one another. This is also a story about whose stories get told and how they are remembered. This is a movie about history and us today just as much as it is about the Osage and the past. It’s a movie about the people we see in old sepia photographs who feel like they were historical figures rather than the living, breathing people they were. The members of the Osage Nation brutally killed for literal oil money were real, just as we are. They laughed, they cried, they had hopes and dreams, and they suffered same as anyone. And other people—people also just as real as you and I—took all of that from them for two reasons. One because they didn’t see the Osage as real people, and two because they could. I wish I could talk specifics about how Scorsese conveys all of that and why this movie shattered me. I want to talk about every aspect of this film with anyone willing to listen. I’d like to tell you exactly why I think this film is important in a way unlike all of his previous films. It has stuck to my ribs since the moment it ended. It will be there for a very long time. This is a movie that makes it impossible for you to forget the humanity of the very real people it’s based on. And it does so in a way that’s so powerful, smart, and effective it really did change how I fee about the possibility of cinema. When the credits at your screening roll, you’ll understand why. And that’s when you’ll also understand what I finally do after all these months. The wisdom and perspective of age opened up the whole world to Martin Scorsese. The result is Killers of the Flower Moon, a truly stunning work of art I don’t think he could have made before now. That’s not sad to think about, it’s beautiful.

Haha thx I share my big day with the queen herself

Got my own copy of the epd film october issue 😍😍😍😍😍😍😍😍😍😍😍 and it says -pay attention it's important- the marriage between Ernest and Mollie was "erotically stimulating". I can't LOL 😄 This alone (plus the cover) is worth the 7 euros I paid for a fuck!ng magazine. Why is everything so expensive these days??? But since it's Leo month he's welcome to have all my money (I'm such a fan girl when it comes to Leo )

Osage members arrive at the premiere https://www.instagram.com/p/Cyezb33gvoV/ Also Lily back in Oklahoma beautiful as ever

New IMAX poster created by the Osage Nation Ambassador Addie Roanhouse Also Cara having some sort of meltdown because the movie can't be properly promoted from the cast https://www.instagram.com/reel/CyeQEQAytmL/

I just bought my movie tickets for thursday. I'm super thrilled (), but let me tell you, cinema has become really expensive holy shit BUT... Leo is worth it.