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7 Rebecca Donaldson

@Lilja K @Jade Bahr @Matt! haha

Hum... I find this article kinda tragic tbh. I think the movie is going to be amazing, the kind of movie I WANT TO WATCH IN THE THEATER, but I know unfortunally it's not the movie most people are going to watch, I'am not positive for the numbers. I hope I'am wrong, but I feel I'am right... Anyway, It's not Leo's fault cinema is slowly dying...

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Ergi Bardhollari: Face: 2 Body: 1 Fandom: 2 Freya Walton:: Face: 0 Body: 3 Fandom: 0 Mahlagha Jaberi: Face: 4 Body: 4 Fandom: 8 Abigail Olin: Face: 4 Body: 2 Fandom: 0

Leshea Lewis📷\MASHA

Leshea Lewis📷\HARD Swimwear

Reynaldi Haris📷 Spoiler AQOPv3xJBevEkT4e9hMOQiWzA7aqHSJV5PK4XWFAvpgR33sTL87IrhaiZ2reAT_FCr_uTxoVKTEz8BRtJV0oKUxrdHCdEZ7_ITrgVOU.mp4AQPmLxbVHGyS8svsur42AIZUNPeE_Jmw_alB4PrNZPLVaA--DTi52Oiq1MbzkLI-WZd6zI22uy7RvZgk38M_AlJVKqjmoWcofzQXavA.mp4Untitled video.mp4

chichicastelnango

Spoiler Video by chichicastelnangoparis [DObb3c2iNc5].mp4Video by chichicastelnangoparis [DOiMLZoj_jS].mp4Video by chichicastelnangoparis [DOjKhzRiK5j].mp4Video by chichicastelnangoparis [DOfkmujj34T].mp4

Hila Meir Hair Dark Brown Eyes Hazel Height 5'9" / 175 cm Bust 32.5" / 83 cm Waist 25" / 64 cm Hips 36" / 92 cm Shoes 40.0 EU/9.0 US/6.5 UK

Spoiler carmellarose's2025-9-14-2.21.791 story.mp4carmellarose's2025-9-14-2.21.629 story.mp4

. Pascale getting Leo to move🥹🤏🏼❤️via elisa_3025_s.mov

OOSC Clothing model

She’s stunning! ❤️

Birth Name: Olivia Sim Age: 25, Born: 18 November 1999 Country of origin: United Kingdom Height: 5' 10" Listal

"Pole vault is a hard sport to perform." Good comment. At high school the pole vault and the steeplechase were two track and field events they (wisely) never attempted to teach us. Almost everyone can sprint and shot put, but vaulting required the simultaneous application of skill and power. Which reminds me, I should post some video embeds to accompany the still images I posted. It's a bird, it's a plane... No, it's just Embla gracefully vaulting through the sky.

Interesting! Report: Leonardo DiCaprio Meets His Toughest Box Office Challenge in PTA’s $150M Gamble — $20M Opening Currently Projected Puck’s Matt Belloni has a fascinating new study out this week, one that questions whether Leonardo DiCaprio—the last true “prestige movie star”—can still deliver the kind of box office numbers that once made him Hollywood’s most bankable actor. His latest project, Paul Thomas Anderson’s “One Battle After Another,” is shaping up to be the ultimate stress test for DiCaprio’s enduring star power. The $150M+ political satire (Warners insists the budget is closer to $130–140M, but many whisper higher) runs two hours and 40 minutes, is R-rated, and comes from a filmmaker who has never cracked $76M at the box office. The question hanging over the industry: Can even DiCaprio get audiences to show up for this? Belloni paints the scene well: summer’s over, and DiCaprio is heavily doing the publicity rounds for PTA’s priciest gamble yet. He’s notoriously press-averse, but Warner Bros. clearly knows the stakes—he’s already appeared in Esquire (interviewed by Anderson, not a journalist) and the studio gave the film a nearly three-week runway after its Los Angeles premiere before the September 26 release. Still, early tracking has the film opening at just $20M, which would be catastrophic given the investment. That’s where Puck’s study comes in, via Greenlight Analytics. DiCaprio’s awareness remains sky-high at 86 percent (99th percentile among actors), with strong marks for “good actor” (71 percent), “likable” (61 percent), and “authentic” (58 percent). His fandom score is an impressive 60 percent, and 37 percent of respondents said they’d pay to see him in theaters. However, the data also exposes cracks: his “trendy” score sits at 48 percent, and nearly a quarter of respondents consider him overrated. Younger audiences under 35, in particular, are less inclined to see his films theatrically. Compared to peers, DiCaprio remains one of the most respected actors alive—ranking ahead of Denzel Washington and Brad Pitt in “good actor” perception—but he lags behind broader-appeal stars like Dwayne Johnson when it comes to raw theatrical pull. His lack of social media presence and his refusal to touch I.P. or superhero franchises keeps him in a rarefied lane, but also limits his reach with younger moviegoers. This wouldn’t matter as much if DiCaprio’s films were consistently profitable. But recent box office history tells a different story: “Killers of the Flower Moon” topped out at $158M worldwide, despite the Scorsese team-up. A decade earlier, “J. Edgar” barely made $80M worldwide on a $35M budget, despite the Clint Eastwood pairing. Belloni’s takeaway? DiCaprio is still the “unicorn”—arguably the last star whose name alone can carry a prestige non-IP picture—but his box office ceiling has lowered. If “One Battle After Another” performs like “Killers of the Flower Moon,” Warner Bros. could be looking at another “prestige flop.” The larger question is whether DiCaprio needs to recalibrate. Does he continue his one-for-one auteur strategy, or start balancing them with more mainstream genre films (“Inception”) or ensemble projects (“Once Upon a Time… in Hollywood”)? His legacy is secure. But as he turns 50, even DiCaprio may need to rethink how to sustain his drawing power in a theatrical landscape that’s increasingly hostile to expensive, original adult dramas.

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