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Leonardo DiCaprio - (Please Read First Post Prior to Posting)
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moiselles

By moiselles
in Male Actors

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Jade Bahr

Jade Bahr

Posted
Posted

Got my own copy of the epd film october issue

 

😍😍😍😍😍😍😍😍😍😍😍

7277_202300010.jpg

 

and it says -pay attention it's important- the marriage between Ernest and Mollie was "erotically stimulating". I can't LOL 😄

 

This alone (plus the cover) is worth the 7 euros I paid for a fuck!ng magazine. Why is everything so expensive these days??? But since it's Leo month he's welcome to have all my money :thumbsup:

 

Spoiler

@kellybsblover I also got my own Vogue issue to my birthday 😘

OCT23_COVER_CROP1.jpg

 

(I'm such a fan girl when it comes to Leo :rofl:)

Jade Bahr

Jade Bahr

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Ok this review made me cry 😭

 

Martin Scorsese’s KILLERS OF THE FLOWER MOON Is a Moving and Timeless Masterpiece

 

(...) Martin Scorsese has made a stunning, timeless work of art about humanity and how we see and treat one another. He made a gorgeous, heartbreaking film that is both intimate and epic in scope. And he did so in a way that is unlike anything else he’s done in his career.

 

It also features a fantastic cast with three commanding leads. Leonardo DiCaprio seems slightly miscast at first through no fault of his own. He’s almost too big a star for the role of a simple man who doesn’t fully understand what it means to love someone and to be a good person. It’s almost an anti-leading man part. But DiCaprio’s so good that by the end of the film you forget he’s “Leo,” a testament to his abilities to fully embrace a character and embody them honestly.

 

Meanwhile, Robert De Niro and Lily Gladstone dominate the screen the second they appear. They represent the two opposing sides of this morality tale, both literally and figuratively. Each is so powerful in their own way that everything they do feels real and authentic. It’s the best De Niro performance in a long time, a reminder why he’s a true industry legends. And if Lily Gladstone doesn’t emerge from this movie as a major A+ star shut down all Hollywood until someone fixes that. She’s truly incredible and the emotional core of the entire film.

 

(...)

 

If that’s all this movie was, it would be one of the year’s best. It would also be one of Scorsese’s best, a huge accomplishment unto itself. But when the credits rolled and the full picture Scorsese painted revealed itself, I knew I’d just seen a true masterpiece. This is a work of art whose genius is impossible to appreciate until it is finished. This isn’t just a heartbreaking story about greed, power, and how we treat one another. This is also a story about whose stories get told and how they are remembered.

 

This is a movie about history and us today just as much as it is about the Osage and the past. It’s a movie about the people we see in old sepia photographs who feel like they were historical figures rather than the living, breathing people they were. The members of the Osage Nation brutally killed for literal oil money were real, just as we are. They laughed, they cried, they had hopes and dreams, and they suffered same as anyone. And other people—people also just as real as you and I—took all of that from them for two reasons. One because they didn’t see the Osage as real people, and two because they could.

 

I wish I could talk specifics about how Scorsese conveys all of that and why this movie shattered me. I want to talk about every aspect of this film with anyone willing to listen. I’d like to tell you exactly why I think this film is important in a way unlike all of his previous films. It has stuck to my ribs since the moment it ended. It will be there for a very long time. This is a movie that makes it impossible for you to forget the humanity of the very real people it’s based on. And it does so in a way that’s so powerful, smart, and effective it really did change how I fee about the possibility of cinema.

 

When the credits at your screening roll, you’ll understand why. And that’s when you’ll also understand what I finally do after all these months. The wisdom and perspective of age opened up the whole world to Martin Scorsese. The result is Killers of the Flower Moon, a truly stunning work of art I don’t think he could have made before now. That’s not sad to think about, it’s beautiful.

Jade Bahr

Jade Bahr

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Jade Bahr

Jade Bahr

Posted
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Just found via amazon music lol Sometimes people are really... uhm creative. Almost a bummer Leo isn't looking like this in KOTFM :whistle: #handsome devil indeed

 

Screenshot_20231017-152718_AmazonMusic.thumb.jpg.46c5f402618816f86b11b4a101a4a55c.jpg

 

Also the playlist is hilarious :rofl:

Screenshot_20231017-153653_AmazonMusic.thumb.jpg.eb995479d263e522a00c8d71e99480bd.jpg Screenshot_20231017-153659_AmazonMusic.thumb.jpg.2b451bdbe0ee7bc7c08b9e31c4f65e6e.jpg Screenshot_20231017-153705_AmazonMusic.thumb.jpg.ad0052dcda896eb0210437e9a1083c72.jpg Screenshot_20231017-153713_AmazonMusic.thumb.jpg.c3df51e1849615253cb41675f350997b.jpg

 

 

Wicked Game is my favorite LMAO

 
What a wicked game you play, to make me feel this way
What a wicked thing to do, to let me dream of you
What a wicked thing to say, you never felt this way
What a wicked thing to do, to make me dream of you

 

The world was on fire and no one could save me but you
Strange what desire will make foolish people do
I never dreamed that I'd love somebody like you
And I never dreamed that I'd lose somebody like you
Jade Bahr

Jade Bahr

Posted
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2024 Oscar Predictions Post New York Film Festival

 

THR's awards expert updates his picks, with only 'The Color Purple,' 'The Iron Claw' and 'Napoleon' still to be unveiled.

 

PLEASE NOTE: This forecast, assembled by The Hollywood Reporter’s executive editor of awards coverage Scott Feinberg, reflects his best attempt to predict the behavior of the Academy of Motion Picture Arts and Sciences, not his personal preferences. He arrives at these projections by drawing upon consultations with voters and industry insiders, analysis of marketing and awards campaigns, results of awards ceremonies that precede the Oscars and the history of the Oscars itself. There will be regular updates to reflect new developments.

 

Best Picture

Frontrunners
American Fiction (Amazon/MGM)
Oppenheimer (Universal)
Barbie (Warner Bros.)
Killers of the Flower Moon (Apple/Paramount)
Poor Things (Searchlight)
Past Lives (A24)
Maestro (Netflix)
The Holdovers (Focus)
The Zone of Interest (A24)
All of Us Strangers (Searchlight)

 

Major Threats
Nyad (Netflix)
Anatomy of a Fall (Neon)
Origin (Neon)
Rustin (Netflix)
Spider-Man: Across the Spider-Verse (Sony)
Air (Amazon/MGM)
May December (Netflix)

 

Possibilities
Saltburn (Amazon/MGM)
Priscilla (A24)
Ferrari (Neon)
The Taste of Things (IFC)
Dream Scenario (A24)
Dumb Money (Sony)
American Symphony (Netflix)
The Boy and the Heron (GKIDS)

 

Can’t Yet Call
The Color Purple (Warner Bros.)
The Iron Claw (A24)
Napoleon (Apple/Sony)

Best Director

Frontrunners
Greta Gerwig (Barbie) — podcast
Christopher Nolan (Oppenheimer)
Martin Scorsese (Killers of the Flower Moon)
Jonathan Glazer (The Zone of Interest)
Cord Jefferson (American Fiction)

 

Major Threats
Yorgos Lanthimos (Poor Things)
Bradley Cooper (Maestro)
Alexander Payne (The Holdovers)
Celine Song (Past Lives)
Andrew Haigh (All of Us Strangers)
Ava DuVernay (Origin)
Justine Triet (Anatomy of a Fall)

 

Possibilities
Jimmy Chin and Chai Vasarhelyi (Nyad)
Todd Haynes (May December) — podcast
Michael Mann (Ferrari)
Emerald Fennell (Saltburn)
Sofia Coppola (Priscilla)
Ben Affleck (Air) — podcast
Joaquim Dos Santos, Kemp Powers and Justin K. Thompson (Spider-Man: Across the Spider-Verse)

 

Can’t Yet Call
Blitz Bazawule (The Color Purple)
Sean Durkin (The Iron Claw)
Ridley Scott (Napoleon)

Best Actor

Frontrunners
Cillian Murphy (Oppenheimer)
Paul Giamatti (The Holdovers)
Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Leonardo DiCaprio (Killers of the Flower Moon)

 

Major Threats
Jeffrey Wright (American Fiction)
Andrew Scott (All of Us Strangers)
Nicolas Cage (Dream Scenario) — podcast
Barry Keoghan (Saltburn)
Christian Friedel (The Zone of Interest)
Adam Driver (Ferrari)
Matt Damon (Air)

 

Possibilities
Alden Ehrenreich (Fair Play)
Teo Yoo (Past Lives)
Kôji Yakusho (Perfect Days)
Benoît Magimel (The Taste of Things)
Gael García Bernal (Cassandro)
Paul Dano (Dumb Money)
Taron Egerton (Tetris) — podcast

 

Can’t Yet Call
Zac Efron (The Iron Claw)
Joaquin Phoenix (Napoleon)

Best Actress

Frontrunners
Annette Bening (Nyad)
Emma Stone (Poor Things) — podcast
Margot Robbie (Barbie) — podcast
Lily Gladstone (Killers of the Flower Moon)
Carey Mulligan (Maestro) — podcast

 

Major Threats
Natalie Portman (May December) — podcast
Sandra Hüller (Anatomy of a Fall)
Greta Lee (Past Lives)
Cailee Spaeny (Priscilla)
Aunjanue Ellis-Taylor (Origin) — podcast

 

Possibilities
Helen Mirren (Golda) — podcast
Eve Hewson (Flora and Son)
Leonie Benesch (The Teacher’s Lounge)
Phoebe Dynevor (Fair Play)
Jodie Comer (The Bikeriders) — podcast

 

Can’t Yet Call
Fantasia Barrino (The Color Purple)

Best Supporting Actor

Frontrunners
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)
Sterling K. Brown (American Fiction) — podcast
Charles Melton (May December)

 

Major Threats
Robert De Niro (Killers of the Flower Moon) — podcast
Jesse Plemons (Killers of the Flower Moon) — podcast
Willem Dafoe (Poor Things) — podcast
John Magaro (Past Lives)
Matt Damon (Oppenheimer)
Chris Messina (Air)

 

Possibilities
Jacob Elordi (Priscilla)
Glenn Howerton (BlackBerry)
Jon Bernthal (Origin)
Dominic Sessa (The Holdovers)
Eddie Marsan (Fair Play)

 

Can’t Yet Call
Colman Domingo (The Color Purple)
Corey Hawkins (The Color Purple) — podcast
Tahar Rahim (Napoleon)
Jeremy Allen White (The Iron Claw)

Best Supporting Actress

Frontrunners
Da’Vine Joy Randolph (The Holdovers)
Jodie Foster (Nyad) — podcast
Julianne Moore (May December)
Sandra Hüller (The Zone of Interest)
Rosamund Pike (Saltburn) — podcast

 

Major Threats
Penélope Cruz (Ferrari) — podcast
Leslie Uggams (American Fiction)
Erika Alexander (American Fiction)
Juliette Binoche (The Taste of Things)
Emily Blunt (Oppenheimer)
Viola Davis (Air)

 

Possibilities
Claire Foy (All of Us Strangers) — podcast
Issa Rae (American Fiction) — podcast
Tracee Ellis Ross (American Fiction) — podcast
America Ferrera (Barbie)
Patricia Clarkson (Monica) — podcast
Niecy Nash-Betts (Origin)
Julianne Nicholson (Dream Scenario)

 

Can’t Yet Call
Halle Bailey (The Color Purple)
Danielle Brooks (The Color Purple)
H.E.R. (The Color Purple) — podcast
Taraji P. Henson (The Color Purple) — podcast
Lily James (The Iron Claw) — podcast
Vanessa Kirby (Napoleon)
Maura Tierney (The Iron Claw)

Best Adapted Screenplay

Frontrunners
American Fiction (Cord Jefferson)
Oppenheimer (Christopher Nolan)
Killers of the Flower Moon (Eric Roth & Martin Scorsese)
Poor Things (Tony McNamara)
The Zone of Interest (Jonathan Glazer)

 

Major Threats
All of Us Strangers (Andrew Haigh)
Priscilla (Sofia Coppola)
Origin (Ava DuVernay)
Spider-Man: Across the Spider-Verse (Dave Callaham, Phil Lord and Chris Miller)

 

Possibilities
Nyad (Julia Cox)
Dumb Money (Rebecca Angelo and Lauren Schuker Blum)
Ferrari (Michael Mann, Troy Kennedy Martin and Brock Yates)
The Bikeriders (Jeff Nichols)
Are You There God? It’s Me, Margaret (Kelly Fremon Craig)

 

Can’t Yet Call
The Color Purple (Marcus Gardley)

Jade Bahr

Jade Bahr

Posted
Posted

Leonardo DiCaprio Still Very Much in Paul Thomas Anderson’s Next Film

Yesterday, I spoke to a source who mentioned that Paul Thomas Anderson’s new film is still very much a go and that, if there’s no strike, a February production is being eyed in California.

This same person tells me that Leonardo DiCaprio is still very much involved and should be seen as the lead of PTA’s next film. I decided to double-check this intel with Jeff Sneider, who had originally reported that DiCaprio would be part of this mysterious new film, and his response was, “I don’t think anything’s changed.”

This past Spring, an assortment of rumors were circling around this project, with Regina Hall and Rachael Taylor offered lead roles in the film. There was also intel of Viggo Mortensen being a part of it. Joaquin Phoenix’s name had also been mention.

It’s still a mystery as to whether or not this is in fact an adaptation of Thomas Pynchon’s “Vineland.” PTA will be working with Warner Bros. in this next, still untitled film.

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