Jade Bahr

Leonardo DiCaprio Needs Just 2 Movies To Set A Movie Record That Will Be Impossible To Beat Leonardo DiCaprio is undoubtedly one of the best actors of his generation, which is further proved by one of his impressive movie facts. Leonardo DiCaprio has an impressive acting career, and one little-known fact is that he has played characters from almost every decade since the 1850s. DiCaprio's filmography showcases his range, with roles spanning from Django Unchained in the 1850s to Don't Look Up in the 2020s, missing only the 1890s and 1900s. It would be challenging for any other actor to beat DiCaprio's 165-year streak, as not many celebrities have the same affinity for period pieces. He could even extend his streak further back to the 1800s. Leonardo DiCaprio is often lauded as one of the best actors in Hollywood, with numerous awards and blockbuster hits to his name. When he finally won an Academy Award for Best Actor in 2016 for The Revenant, after repeatedly being snubbed at the Oscars years prior, the world celebrated, and the internet broke. DiCaprio is undoubtedly a major movie star and is repeatedly recognized as such. But one little-known fact about him makes his already admirable career all the more impressive. DiCaprio began his lengthy film and television career in the late 1980s as a teenager. He got his start in commercials before earning roles in television shows such as The New Lassie, Parenthood, and Growing Pains before moving to the big screen in the 1990s with This Boy's Life, What's Eating Gilbert Grape, and Romeo + Juliet. DiCaprio soon became a household name after starring in Titanic, which is arguably still one of his best roles to this day, and went on to appear in numerous commercially successful movies, like Catch Me If You Can, The Departed, Inception, Django Unchained, The Wolf of Wall Street, and so on. Leonardo DiCaprio Has Almost Played A Character From Every Decade Since The 1850s One of the most impressive details about Leonardo DiCaprio's acting career is that he is two movies away from having played a character from each decade, starting with the 1850s, according to GQ. The actor's filmography is a long list, so it might not be too surprising that DiCaprio has portrayed such a wide range of characters, especially given his talent. But after doing some fact-checking, his streak of playing roles from almost every decade since the 1850s is true. The only time periods that DiCaprio is missing is the 1890s and 1900s. DiCaprio's impressive record, in chronological order, starts with Django Unchained, which took place in 1858. Then, it is followed by Gangs of New York (1860s), Total Eclipse (1870s), The Quick and the Dead (1880s), Titanic (1910s), The Great Gatsby (1920s), The Aviator (1930s and 1940s), Revolutionary Road (1950s), Catch Me If You Can (1960s), J. Edgar (1970s, briefly) The Wolf of Wall Street (1980s), Blood Diamond (1990s), The Departed (2000s), Inception (2010s), and Don't Look Up (2020s). Of course, DiCaprio has other period pieces that fall under these categories, like Shutter Island in the 1950s. But overall, the actor is only missing two decades. Leonardo DiCaprio's 165-Year Streak Would Be Almost Impossible To Beat It wouldn't be difficult for Leonardo DiCaprio to find movie scripts set in the 1890s and 1900s, so if he wanted to, he could achieve the 165-year streak rather easily. Once he theoretically does, it would be very unlikely that any other actor could catch up to his record. Not many celebrities have an affinity for period pieces like DiCaprio does. Leonardo DiCaprio could push himself even further and set his streak back to 1800 — he already has the 1820s under his belt with The Revenant, after all. Source

Lots of up and downs. Hugo Weaving is really good. I like it.

credit to Conor McDonnell

Another day more crypitc posts about the "mystery" project. Clip of Charlie lookin 🔥 https://www.instagram.com/reel/CwELcsYggSQ/

^Loved her in DLU Source

Just bad. Not that I thought it would be good LOL

One of my loves (Timothy Olyphant) gushing about my other love. "BUT DON'T TELL LEO!!!" 😂 He's lovely Can't wait for the new season of JUSTIFIED.

^The only person you should trusted on movies is yourself. Just an idea

^Like mostly Leo knew how to hide lol At least Marty looks like he never partied more proper than now in his 80s LOL

Also coming soon Rebel Moon trailer

I've kept hearing from people who watched the movie Leo is the only lead but Lily's screentime is big enough to switch into lead. I guess it depends on how bad apple wants that oscar for her and how crowded the categories are. Most people seem to assume supporting is the "easier" way to win.

So the embargo of the secret project Charlie's involved in will be lifted next month. Stay tuned and until then enjoy the view: (we already had this pic but with a different filter)

Not a fan of AI but Leo in the GoT universe looking this devilish delicious? 🐺 Damn where's the moon to howl? 🌚

I think this is peak Leo for me. This look was so hot I swear I would have slept with him in that horse cadaver without a blink LOL I think it's the manly rough look having some very strong effect on my panties primal instinct or something like that Also very much into the baby version of that look

He's probably day dreaming of some vacation lol Leo photobombing to the left Source Is Drew hitting on Leo or Cameron? Or both? 😄 Source

Stunning Her Helen is still one of my biggest female crushes ever. Source Source She is drop dead gorgeous Watched OUT OF THE BLUE. It's much better than the medicore reviews. Also: The 355 is underrated. Source Bonus On my watchlist Source

Haha cute. But he's really good as Mercutio. One of my favorite portrays of the character for sure LOL

Don't know if this cover was ever posted before here. This one for sure but whatever. He looks so damn fine

Oscars — Best Director, For Now, is Martin Scorsese vs Christopher Nolan It’s been a weird year at the movies. There’s a writers and actors strike. ‘Barbenheimer’ is saving the box-office. We’re also still not entirely sure what will break out this fall. Of the major titles being released in the fall, I keep hearing mixed things about “Maestro,” “Ferrari,” “Priscilla” and “The Killer.” Whereas Lanthimos’ “Poor Things” hasn’t test screened yet, but has the luxury of screening at Venice, Telluride and New York. Alexander Payne’s “The Holdovers” has had some strong word of mouth, but what’s with it not being part of NYFF and Venice? Ditto “Saltburn,” another test screening winner that is set to only screen at Telluride, and London a month later. As “Barbenheimer” mania continues, the Best Director race seems to be the most fascinating category. According to the predictions of the “experts” at Gold Derby, the category is, for now, a two-way race between Christopher Nolan(“Oppenheimer”) and Martin Scorsese (“Killers of the Flower Moon“). Nolan has the narrative behind him, he’s never won a directing Oscar, and his work on the biographical drama about the father of the atomic bomb is has been beloved by critics and audiences. Whether it’s the best work of his career, or not, “Oppenheimer” might finally get Nolan that golden statuette. Scorsese premiered “Killers of the Flower Moon” at Cannes, where it was rapturously received, and it’s the work of a filmmaker who can still make great cinema. A tour-de-force of directing, ‘Killers’ is the kind of ambitious story that rarely gets told these days in mainstream moviemaking — “Oppenheimer” being the other exception. Nolan’s “overdue” narrative is reminiscent of the one that Scorsese had when he finally won Best Director for 2006’s “The Departed” — though Scorsese waited much longer for his first trophy than Nolan has had to. Celine Song (“Past Lives”) seems to be a cinch for a directing nomination. She directed the most critically acclaimed movie of the year, so far. Her narrative, from playwright to filmmaker, is contagiously infectious and “Past Lives” has been an indie hit, grossing $10 million domestically. Of course, it’s very early. Another director could swoop in and beat both Nolan and Scorsese. Greta Gerwig (“Barbie”) is probably at #3 or 4 and could easily sneak up on her counterparts. Between now and December, given the current fall slate, I just can’t see many other directors crashing the category the way Scorsese, Nolan and Gerwig have thus far. Maybe Denis Villeneuve can grab a nod for his “Dune” sequel, but a win would be out of the ordinary for a franchise that not everyone has warmed up to, but many respect. Don’t get me wrong, “Dune” has its ardent fanbase, but there are definitely many Academy voters who don’t really care for it.

Cami for Wmag

Not sure if all of this is still Margot related so I put my answer into spoiler and leave this here:

Fair enough Or maybe he is just watching the wrong mainstream movies? There is a whole movie world outside the broken big studio system of Hollywood and I claim if you're open minded and look in the right places you even find decent modern stuff there too.

Maybe all of us should stop judging and/or making assumptions about a womans body we know nothing about it. Alone those comments all over the years caused her a lot of pain and trauma. Mischa Barton: The grim truth about growing up in the public eye Sudden Stardom, Partying and a DUI: Mischa Barton's History of Personal Struggles in Her Own Words Mischa Barton's yo-yo weight battle after cruel comments sparked breakdown