tiika

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Horrible Bosses 2 is already in post-productionAccording to reports on twitter filming Horrible Bosses 2 has ended, ppl said the wrap party happened yesterday (February 3). Apparently, Chris Pine was also seen on set last Saturday (February 1), someone commented on twitter/instagram.

On Craig Ferguson

On Ellen 16/01/2014

I don't know if its old or new (?)... but Jac just posted this on her instagram!! jacmonika Hace 1 hora "Throwing shapes" in Celine for @bazaaraustralia#paris

I've laught for an hour because of this: Heritage Volkswagen ‏@AtlantaVW Feb 2 But do you have butt rainbows? RT @VictoriasSecret: Imitation is the sincerest form of flattery. Thanks, @VW. #SB48 pic.twitter.com/Js13VCj7FG Victoria's Secret ‏@VictoriasSecret Feb 2 .@AtlantaVW @VW As if these needed rainbows. #AdBowl pic.twitter.com/iLMvzBH24z https://pbs.twimg.com/media/BfhBRu9CIAEfSLc.png Please textlink or upload images onto a host instead of hotlinking. This include images from facebook, instagram, pinterest, tumblr, twitter, VK, etc. For more information click HERE. Thanks! ~post edited by PinkCouture

OMG I love the 212 add, thanks!!

Ouuuus I love him

RADIO-ACTIVE PHOTOSHOOT. (2008).

Tomo Angels Club (2008)

Wait! no-one has post here since 2010? I have to fix it!!! :knives:

Thank you, sir.

She's gorgeous!! I love the new shoot <3!

Jack Ryan: Shadow Recruit London Photocall

USA TODAY - With director Kenneth Branagh Promotional shoot for Jack Ryan

Gracias *-* !!

I love her outfit on Elie Saab!!! :wub2:

I don't know how much time i've been here, but i totally forgot to introduce myself here when I subscribe. My bad. HI! my name is Martha, but people call me Tiika, that's why my nickname. I'm from Colombia, so my mother tongue is spanish (sorry if I make a lot of mistakes when I write in English). I'm not saying my age... because of reasons. I didn't like all the "fashion" thing, since last year... when I started watching editorials and catwalks. My fav models are Jac, Frida, Marlon Teixeira, Sara Sampaio, Elsa, ... and I love some actors as Chris Pine, Alexander Ludwig, etc. And my favorite bands are Mcfly and Imagine Dragons. Erm... here is where I get stuck because I don't know what to say... so... here's a pic of my dog with a scarf to break the ice: Hope I could meet you all <3!

01/09/14 - 'Jack Ryan: Shadow Recruit' Press Conference

New proyect: Chris Pine to Star in Gritty Thriller ‘The Line’HollywoodReporter.com — Chris Pine is attached to star in The Line, a gritty thriller that will be directed by David Gordon Green. Sang Kyu Kim, a writer-producer on The Walking Dead, penned the script, which centers on a patrol agent (Pine) who finds himself in a downward spiral on the job and at home after he loses his wife and young son. He unexpectedly becomes the caretaker of a 10-year-old child who is orphaned after a shootout with a criminal cartel. As he protects the young boy by going on the run, the agent discovers he has enemies on both sides of the law and the border. The project will be introduced to buyers in Berlin by IM Global, which is fully financing the film and handling international rights. CAA is handling domestic rights. - See more at: http://chris-pine.org/#sthash.eLG1Wp6x.dpuf

HOLLYWOOD REPORTER - JANUARY 2014

01/20/14 - European Premiere of 'Jack Ryan: Shadow Recruit' @

Filming Horrible Bosses 2 - 02 de Dic /13 Filming Horrible Bosses 2 - 03 de Dic /13

MEN'S HEALTH - JUNE 2013 MEN'S JOURNAL - JANUARY 2014 ELLE BRAZIL - JANUARY 2014

Chris Pine: The Thinker - OUT MAGAZINE 2013 Chris Pine shows up with a thesis statement. “I think there is a growing homogenization of what masculinity means,” he says. Asked by Pine’s reps a week earlier for a brief outline of the focus for this piece, I’d fired off a vague, pretentious email about how leading men in movies seem ripe for reinterpretation -- especially, say, the kind of characters Pine plays, like Star Trek Into Darkness’s Captain Kirk or, coming later this year, Tom Clancy’s CIA hero Jack Ryan. Maybe he would want to talk about that. He’s read my email. He’s come prepared. Heroes in today’s films all look the same, Pine argues, ticking off a list: “Bare chested. Very tan. White. Brown hair, blue eyes, perfect skin.” He grimaces. “That is so -- not real.” But Pine seems very real, in a very perfect, unreal way. Today, sitting outside a small coffee shop in Los Angeles, he’s wearing a baseball hat, sneakers, slim-fit cargo pants, and a tight white tank top. The California sun glints off his golden-brown shoulders, and, when he lifts his sunglasses, his eyes are most definitely blue. (Indoors, they are a speech-stoppingly bright blue, a shade so intense I’d assumed they only looked that way onscreen because of some post-production magic.) Somehow he doesn’t draw any undue attention sitting smack in the middle of a Sunset Boulevard sidewalk with his iced coffee and chicken sandwich. Maybe it’s because we’re slightly off the city’s center aisle at Intelligentsia, a low-key neighborhood staple in Silver Lake, and he’s dressed more like the well-maintained bro next door than a guy who will star in not one but two massive franchise films in 2013. Or maybe it’s because he doesn’t want to preen for a celebrity puff piece. “Trying to think of new ways to talk about myself is always… odd,” he says. He’d rather wax poetic about masculinity -- and he will, at length. “It really got me thinking,” he says. “I don’t even know where to begin.” *** Pine reminds me that there’s something people always say about a guy like him: “The big joke is, what are you going to do with an English major?” He’s not kidding -- he earned his bachelor’s degree from the University of California, Berkeley’s top-notch English department in 2002 -- but even without the pedigree, it’s obvious this guy is smart. Not just actor smart. Not just wisecracking late-night talk-show smart or charming, control-the-narrative-of-your-own-cover-story smart. He’s the kind of smart you have to hustle to keep up with. The kind of smart that seems unfair, given the fact that he’s also a keenly talented actor who stares at you so sincerely with those blue eyes while spitting out 50-point Scrabble words. It’s possible that Pine’s success is in part a fluke of timing. He’s come into the prime of his leading man potential just as action movies—still the gold standard for a box office–driven industry obsessed with drawing young men into its clutches—seem to be getting more intelligent, even if they cycle through the same archetypal territories of daddy issues, best-buddy bromances, and reluctant heroism. Nerd king Joss Whedon (a feminist film studies major once best known for creating Buffy: The Vampire Slayer) helmed the biggest opening-weekend box-office success of all time with last year’s complex comic supergroup, The Avengers. Sam Mendes (American Beauty) made a new man out of James Bond in the artsy, slick Skyfall. And Pine’s two big tentpole movie directors -- Star Trek’s J.J. Abrams and Jack Ryan’s Kenneth Branagh -- used to be synonymous with critically acclaimed TV (Lost) and William Shakespeare, respectively. Branagh, who also gave us Chris Hemsworth as Thor, has a simple formula for upping the ante: “You just assume at all times that the audience is as smart -- and probably much smarter -- than you are,” he says. “The best action movies are when you feel that there’s a credible motivation behind what’s going on. People like Chris Pine, they go hunting for that. They’ve got this radar for the truth, and they try to apply that—however fantastical the situations may be.” Like those grown-up geeks now let loose in the studios’ big sandbox, Pine is a serious student of the silver screen -- especially its leading men. “You take someone like a Bruce Willis or a Charles Bronson -- the definition of masculinity there becomes about the ability to inflict violence, take revenge, take what’s yours,” he says. “I’m thinking in my mind about Clint Eastwood squinting with the gun in Dirty Harry. Not smiling, squinting -- very cold and cut off.” “But then you have Marlon Brando in The Wild Bunch. In Streetcar Named Desire or Last Tango [in Paris]. Or Tom Hardy, I think, has it -- this ability to inflict incredible violence in the blink of an eye, but then also to cry and to show great vulnerability. Those two polarities are in many ways indicative of the human experience in its most extreme.” None of those are quite the kind of male movie star Pine has become. He carries too much mirth to be stone-cold cruel, too much charisma for the brute force Hardy displays, for example, in Warrior. Branagh cites another blue-eyed antecedent: “It goes back to someone like Paul Newman,” he says. “The character actor in the leading man’s body -- Chris has that.” There’s also a certain softness, sometimes, around Pine’s edges. He has one specific boyhood movie hero memory he can’t quite pin down -- a British romance, maybe something by one of the Brontë sisters. “I just remember this shot of him walking through grass,” Pine says, “with the coattails and the white pants and the riding boots, walking through some English countryside. And I was like -- goddamn. He is such a man! Strong and purposeful and going toward his beloved. I wanted to walk like that.” He throws up his hands, defeated, surrendering in awe. “So what is masculinity?” he asks. “I don’t know. I feel like I haven’t answered anything about it.” READ ALL THE ARTICLE