Jade Bahr

Still partying.

Recent sighting Also couldn't agree more

Observer Magazine W Magazine

Style Magazine (2023)

interview magazine (february, 2024)

Wonderland Winter, 2022

New Leo in town Leo Vincent Woodall (born 14 September 1996) is an English actor. He is known for his roles in the second season of the HBO series The White Lotus (2022) and his portrayal of Dexter Mayhew in the Netflix series One Day (2024). Early life Woodall was born in Hammersmith, West London. He comes from a family of actors, including his father Andrew, stepfather, and grandmother; his parents met at drama school. He has said he is a descendant of Maxine Elliott. Woodall wanted to go into sports but decided to pursue acting after watching the series Peaky Blinders at age nineteen. He graduated with a Bachelor of Arts in Acting from Arts Educational School (ArtsEd) in 2019. Career After graduating from ArtsEd, Woodall made his television debut with a guest appearance in a 2019 episode of the BBC One medical soap opera Holby City. He also appeared in the short film Man Down. That summer, Woodall was cast in the upcoming feature film Nomad, having been chosen for the role out of 28,000 submissions. Filming took place in over twenty countries. In the meantime, Woodall made his feature film debut in Cherry, directed by the Russo brothers. He played Adrian Ivashkov in the Peacock series Vampire Academy. Woodall joined the main cast of the HBO anthology series The White Lotus for its second season in Sicily as Jack, a young man from Essex. To prepare for the role and adopt the character's accent, Woodall watched videos of television personality Joey Essex. He was named a 2023 Screen International Star of Tomorrow. He had a recurring role in the Amazon Prime series Citadel in 2023. In 2024, Woodall starred in his first lead role as Dexter Mayhew opposite Ambika Mod in the Netflix adaptation of David Nicholls' One Day. The series tells the story of two young people who meet annually for twenty years following a platonic one-night stand together. Along with positive reception for the series, Woodall received critical acclaim for his performance. Writing for IndieWire, Proma Khosla described Woodall as "especially devastating," further praising that he is "a tornado of charisma with a permanent yet never smug smirk and a romcom smolder that should send his forbears cowering at the notion". The role proved to be a major breakthrough in Woodall’s career. Source: wikipedia

So there will be another final round of oscar voting. Still have no clue how the oscar voting system work AT ALL and who's voting and if everyone is allowed to vote for every category every single -so actually multiple- time(s) 😅

Already liked the movie (and the book). Another great adaption. Beautiful and heartbreaking 💔 I cried in the end which is rare.

😻

Congrats!

Also shooting continues still without Leo. Just saying.

More for the PTA/movie nerds but whatever. Michael Bauman is Cinematographer on Paul Thomas Anderson’s New Film It’s been a few weeks since I last wrote about Paul Thomas Anderson’s new film, which is currently shooting in California. I have a brief update. Some of us were wondering who PTA might have hired as cinematographer for this still-untitled film. Well, we just had it confirmed, via a production grid, that Michael Bauman is the DP on this one — if you remember, he also shot “Licorice Pizza.” Before being promoted as DP on “Licorice Pizza,” and this new project, Bauman was originally a chief lighting technician on all of PTA’s films since 2012’s “The Master,” his other notable credits are as a gaffer on major films such as “Vice,” “Munich” “Ray” “Training Day” and “Iron Man.” In 2012, Mihai Mălaimare Jr. took over photography duties for "The Master.” PTA was his own DP on 2017’s “Phantom Thread” and then, as mentioned, Bauman shot 2021’s “Licorice Pizza.” One wishes that a PTA reunion with Robert Elswit can one day occur — their partnership resulted in a historic run of six films, including "Boogie Nights," "Magnolia," "Punch-Drunk Love," and "There Will Be Blood”. However, they seem to have had a falling out of some sorts, at least, according to Elswit. When asked in 2019 whether he could see them collaborating again, Elswit didn’t sound too optimistic. “I don’t know. Probably not. You know, it depends on how he feels. I would do it again…I didn’t enjoy myself on ‘Inherent Vice’…It was a combination of me and Paul just not getting along, and I can be as immature as him.” Elswit went on to describe their working relationship as that of “a bad married couple. Unpleasant.” In a 2020 interview, Elswit also criticized Phantom Thread's cinematography, pointing out Anderson’s use of “haze” and smoke — which he hinted as a very common “amateur” technique. Although Elswit did admit to liking the film, he additionally stated that some of the techniques PTA used on “Phantom Thread” intentionally degraded the image of the film: “if I’d shot that movie I would not be happy with it ending up looking like it looked.”