prejean

Judit Mascó, Clarins Paris.

Vogue Spain, December 2012: Eugenia Silva, wearing a couture gown from Stéphane Rolland, beside Diego Osorio (right). Photo: Mario Testino.

Thank you so much, fender! Regards!!

Vanity Fair (Spain), december 2012: Inés S. by Art Streiber.

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Vogue Spain, December 2012: Inés Sastre by Mario Testino. Scanned by me.

I was confused also. I thought she was referring to the four pictures she posted in post #972. I thought she wasn't sure if those 4 pics were of Anna or not.A case of all-around confusion.

Thank you very much, guys! -a pity that for the general public only has transcended of this great house (Fendi) the symbol of the baguette bag... creation of the early 2000's; I love its leather, like that of Ferragamo... indeed, the creator of the best uniform (IMO) of the London Olympics, San Marino-. I'm not sure but, could be perhaps Anna Bayle? (I upload some pics from her blog to illustrate)

Thanks to all Susan -the 2nd from the right- with Suzanne Lanza (left) & Marie-Sophie Wilson-Carr (center), by Patrick Demarchelier. Vogue Italia, August 1988.

Vogue Italia, November 1983. Photo: Peter Lindbergh.

Suzanne with Marie-Sophie Wilson-Carr & Susan Miner by Patrick Demarchelier (coats: Gianni Versace). Vogue Italia, August 1988.

Marie-Sophie with Suzanne Lanza & Susan Miner (?) by Patrick Demarchelier (coats: Gianni Versace). Vogue Italia, August 1988.

Thanks for the videos &screenshots, spiral: Super Job!! Maureen Gallagher, Hog Ranch 1987, by Peter Beard.

Yes, it´s true that the shows were more playful before & were more ready to spontaneity and interaction with the public, it was all much less rigid. And the girls were either outrageously beautiful & most women, or with a distinct personality and many tables on the catwalk... not comment on the clothes... :wub2:...: it was all much more creative & original than now. Now with Internet, smartphones, fashion blogs and streaming fashion shows, so to speak to the absorption of couture houses with tradition by corporations, we are all overexposed to the subject and until indigested. It´s almost impossible to find the element of surprise, a salutary lesson... so long for those days, perhaps more informal but also more fun & dreamy. Suzanne Lanza, Marie-Sophie Wilson-Carr & Susan Miner (?) by Patrick Demarchelier (coats: Gianni Versace). Vogue Italia, August 1988; Vicky Koulianou. Gianni Versace RTW SS´89; Maureen Gallagher, Hog Ranch 1987, by Peter Beard

RocketQueen: the other model in that editorial -Elle France, February 1988- is Robyn Mackintosh Vogue Italia, September 1988: Rachel by Meisel.

Vogue Italia, December 1988: Isabella with Veruschka von Lehndorff & Lauren Hutton. Photo: Steven Meisel.

Christian Dior by Gianfranco Ferrè RTW S/S 1992:

Heather, 1992, by Gilles Bensimon (Elle magazine).

Lanvin by Claude Montana S/S 1992:

Dolce & Gabbana Spring/Summer 1995 backstage: First row: Carla Bruni & Brandi Quiñones. Second row (from left to right): Trish Goff, Michele Hicks, Karen Mulder, Amber Valletta, Isabella Rossellini, Helena Christensen, Shalom Harlow & Carré Otis. Third row (from left to right): Monica Bellucci, Maria Buccellati-Cabrera, Meghan Douglas, Debbie Deitering & Nadja Auermann.

Yves Saint-Laurent Rive Gauche Autumn/Winter 1992/93: Patricia by Helmut Newton.

Ok, corrected.

Judit, 1992, by Hiromasa (Spanish Elle magazine); Pronovias catalogue SS´91 & SS´92 (brides); Haute Couture AW´92/93 (images on white background; Spanish publication); Vogue Italia, September 1991. Photo: Marco Glaviano; Judit, 1991, by Sylvia Polakov (pics on gray background; Spanish mag).

Vogue Paris, May 1989: "Désir d'Ailes" ("Wings of Desire"; fashion editorial inspired by Wim Wenders film of the same name, 1987). Photography: Peter Lindbergh. Hairdressing: Julien d´Ys. Model: Cordula Reyer.