prejean

Cositas, el catálogo de Pronovias podría ser, según esta web (y por el atrezzo), de 1996, pero no puedo asegurarlo (Pronovias catalog could be, according to this site (and props), of 1996, but I can not say). THANK U creo recordar que sí......... ha pasado tanto tiempo, y yo por entonces no anotaba revista, mes, año...... nada! por eso tengo tanto material sin clasificar! es más o menos por la misma época que el hola de alta costura, si mi memoria no me falla........ ¡gracias de nuevo! ¡y me alegro de que te haya gustado! la verdad que recordar aquellos momentos en que uno vio una revista por primera vez hace ya tantos años es una experiencia...... extraordinaria! El editorial en Pronto con los vestidos de Pronovias tal vez sí sea, como tú apuntabas, Cositas, de 1994. Pero la verdad es que no he encontrado en la web ninguna otra referencia a los catálogos de la marca, a parte de la página que enlacé y el propio foro de BZ. Creo que fue en el 91 cuando Inés comenzó como portavoz de Pronovias, y después, conjuntamente, le acompañaron Judit Mascó y Carmen San Martín. Como decía, cabe la posibilidad de que el editorial sea efectivamente de 1994 por las tendencias que apuntan los propios vestidos (rococó post-eighties, volantes, arabescos bordados, etc), ...conforme iba avanzando la década los modelos fueron estilizándose. Uf, yo no anotaba nada, excepto en mi cabeza... me acuerdo de las colecciones de la cantidad de veces que las miré y remiré. [The editorial in the magazine Pronto with Pronovias dresses maybe it´s, as you you aimed, Cositas, of 1994. But the truth is that I have found no other reference in the web to the catalogs of the brand, part of the page I linked and BZ own forum. I think it was in 91 when Inés started as spokeswoman for Pronovias, and then, together, they brought her Judit Mascó and Carmen San Martín. As I said, it´s possible that the editorial is actually 1994 by the trends of the own clothes (Rococo post-eighties, frills, arabesque embroidery, etc),... as the decade progressed models were becoming more stylized. Ugh, I wrote down anything, except in my head... I remember the collections of the number of times looked and re-looked.] Thanks for making me happy yesterday! - Comparison with a dress from the Spring/Summer 1992 season (right: Judit Mascó) - Blanco y Negro (Madrid) magazine, 21 February 1993. Photo: José Antonio Beorlegui.

Some/Thing magazine, chapter #004: Violetta Sanchez (in Givenchy Couture), by Taka Mayumi.

Beautiful comeback (but Linda never left), although the stylist Katie Grand don´t like much, Linda continues to be a big one. - Peter Lindbergh, 1988.

Cositas, el catálogo de Pronovias podría ser, según esta web (y por el atrezzo), de 1996, pero no puedo asegurarlo (Pronovias catalog could be, according to this site (and props), of 1996, but I can not say). THANK U

Jo, Cositas, ¡¡¡currazo!!! ¡¡¡MIL GRACIAS!!! No te estampo un beso en la frente porque no te tengo enfrente. Me acuerdo perfectamente de !, del edito de Inés con la Piaget... buah, las imágenes me han retrotraído a mi juventús... Por aquí arriba, aunque el termómetro no acompañe, tampoco le hacemos ascos a la cervecica... Inés estaba por aquel entonces infartante... ¡Muchísimas gracias de nuevo por los scans! (for Anglophone friends on the forum: Ho, Cositas, great job!!! THANK YOU!!! I don´t imprint you a kiss on the forehead because I haven´t you in front. I recall vividly the extraordinary number of Hello!, the edit of Inés with Piaget (Cristina)... hoo, the images have me brought my youth... Up here, but the thermometer doesn´t go with, we don´t averse to the beer ... Inés was at that time of infarct ... Thank you again for the scans!).

Thanks prejean - yes that's it, it was "Tears" that I had in mind. I find that spot of unparalleled beauty (eg in contrast, the Max Factor appears just unsignificant stuff) PS and yes, the Rodier one suggests very well how, had she been properly directed, she could have made a very decent actress. Well, in her latest film -A Dinner for Them to Meet (Pupi Avati, 2007), one can see Inés from the minute 0:13:16, original version in Italian- not performed as bad as in previous ones. But the truth is that as an actress has been limited... and that she started in movies (well, the first thing she did was an ad for McDonald's as a child). She has worked with good directors (Saura, Antonioni, Avati ...), but, I don´t know, I think they have only been able to exploit her beauty and not her gifts as an actress. #Cositas: ¡hala! ¡de tapeo! ¡qué envidia insana me despierta ese planning! (Wow!! Tapas! What wakes me insane jealousy that planning!) A , guys!

Hi, Provolone: the only thing I have found similar are these three short films (Joie, Rire, Larmes; Joy, Laughter, Tears) Michael Haussmann carried out with Inés in 1996 for the Trésor perfume. Hola Cositas, no te preocupes, cuando puedas, faltaría más... lo primero es lo primero... Disfruta del buen tiempo de que gozáis en el sur. Two more spots: - - Max Factor (1993)

I guess you have seen, cositas. This Trésor spot also signed Paolo Roversi. Source: Pixies Films. Music: Michel Portal and Philippe Briche. I think the song that sounds is like a variation on the theme "Camille" that Georges Delerue composed for the film Le mépris (Jean-Luc Godard, 1963).

Thanks Prejan - well-known pics Would the French President Nicolas Sarkozy have married Sastre and not that awful Bruni, he would be reelected in 3 months with 99.99%. :evil: :evil: :evil: :evil: Best, lol, very good Provolone... but Sarko, I fear, is actually married with Merkel: is an idyll of voices in Brussels... When Vincent Cassel divorcing Monica, we got married him with Inés, ok? (alcahueterismo power ). A kiss, nice ! - Lancôme, 2000. Inés by Paolo Roversi.

Yo Dona (fashion supplement of the newspaper El Mundo), August 6, 2005. Ph.: Nacho Pinedo (low quality).

I don´t know if it would be in the forum: editorial signed by Thierry Le Gouès with Inés, Carla Bruni and French actor Lambert Wilson (as chauffeur). Posted in Vogue France, April 1995. Very "Les diaboliques" :evil: (H.G. Clouzot, 1955).

Thanks prejean!! You're welcome, Maverick 85!

Guapísima by Bernard Levy. Photo shoot for Elle (Spain), April 1999.

By Alberto García-Alix, 1988.

A beutiful face, spiralshaman! Angelika in Valentino. Fall/Winter 1992/93

Sorry if already..

Stills from the performance of the ad campaign for Valentino Spring/Summer 1995 in Rome: Claudia, Giancarlo Giammetti and Adnan Taletovic . Photo: Arthur Elgort. You can see part of the realization of the campaign (minute 09:30)

Lindbergh's photo is amazing, you're right spiralshaman, the photo is part of an editorial done in Moscow ("Red Stars"), very nice.

- Vogue Italia, july/august 1990. Ph: Peter Lindbergh. - Elle France, november 1990. - Vogue Italia, march 1991. Ph: Patrick Anderson. - Yves Saint Laurent ad campaign spring/summer 1992. Ph: Helmut Newton. - Cover of The Art of Makeup (1996), by Kevyn Aucoin.

No that was not my point - I was just referring to brand essence. Rossellini and Sastre did 1) convey something and 2) this something very much in accordance with the DNA of Lancôme. Those two girls did more for this company than many many talented marketers. and not for nothing did Lindsay-Jones regularly meet with both - beyond being very fond of cute girls :evil: :evil: - : he was knowing very well what the EPS of L'Oreal owed them. Nor for no reason had they such a long contract. Not so for their pale followers (do not convey anything). Ah, ok, ok, I didn´t know who was Lindsay Owen-Jones.. - Inés in Valentino dress - With Rebecca Romijn in Valentino´s fashion show

Much beyond sheer beauty, and as you were pointing very rightly in a previous post, those type of young models do not express anything (I mean: they tell you absolutely no story) - just interchangeable and evanescent dummies. I understand that Lancome after I. Rossellini and I. Sastre, is struggling to compensate on that point (probably they will never manage to get back to such a high degree). Best and sorry if repost, The problem, Provolone, is that, surely, having beautiful or very beautiful women, companies prefer to opt for innocuous/anodine or tortured beauty, like Rooney Mara as Lisbeth Salander (I have nothing against her, care). But the eternal feminine, to me, is something else.

Something I found on the net: Telva (Spain), april 1989.

Portrait by Gilles Bensimon, 1996.

Christian Dior Haute Couture Autumn/Winter 1996. Source here.

Rare polas