COP11

Petra Nemcova 10 Sandra Kubicka 7 Alejandra Alonso 12 Karen Mulder 8

Let's hope we see a lot more of her!

The last pic is my favorite. Absolutely stunning in that one

I have always heard this works. I guess thats why my friends who are in porn have flawless skin. Well, having sex is also good for your skin and clearing up acne Seriously though, I like Almay and Neutrogena skin clearing make-up. Almay products are wonderful. Hypoallergenic and for sensitive skin. I'd recommend them. It's not an expensive brand name like Estee Lauder or Chanel but works very well and in some cases even better than certain expensive products. Neutrogena works very well. I think better then the more expensive kind As far as semen goes, I may give it a try one of these days

Not yet Has it made to 100 up there yet?

I have always heard this works. I guess thats why my friends who are in porn have flawless skin.

Horrible! Are you glad the kids are out for summer?

in a house with 6 kids. Kev, you may take a few if you'd like

Eric Patrick Clapton, (born 30 March 1945) is an English guitarist, vocalist, and songwriter. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked fourth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" and fourth in Gibson's Top 50 Guitarists of All Time. In the mid sixties, Clapton left the Yardbirds to play blues with John Mayall & the Bluesbreakers. In his one-year stay with Mayall, Clapton gained the nickname "Slowhand", and graffiti in London declared "Clapton is God." Immediately after leaving Mayall, Clapton formed with drummer Ginger Baker and bassist Jack Bruce, the power trio, Cream, in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop." For most of the seventies, Clapton's output bore the influence of the mellow style of J.J. Cale and the reggae of Bob Marley. His version of Marley's "I Shot the Sheriff" helped gain reggae a mass market. Two of his most popular recordings were "Layla", recorded by Derek and the Dominos, and Robert Johnson's "Crossroads", recorded by Cream. A recipient of seventeen Grammy Awards, in 2004, Clapton was awarded a CBE for services to music. In 1998, Clapton, a recovering alcoholic and drug addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers. Life and career Early years Eric Patrick Clapton was born in Ripley, Surrey, England, the son of 16 year old Patricia Molly Clapton (b. 7 January 1929) and Edward Walter Fryer (21 March 1920 - 15 May 1985), a 24-year-old soldier from Montreal, Quebec. Fryer shipped off to war prior to Clapton's birth and then returned to Canada. Clapton grew up with his grandmother, Rose, and her second husband Jack, believing they were his parents and that his mother was his older sister. Their surname was Clapp, which has given rise to the widespread but erroneous belief that Clapton's real surname is Clapp (Reginald Cecil Clapton is the name of Rose's first husband, Eric Clapton's maternal grandfather). Years later, his mother married another Canadian soldier, and moved to Canada, leaving young Eric with his grandparents in distant Surrey. Clapton received an acoustic Hoyer guitar, made in Germany, for his 13th birthday, but the inexpensive steel-stringed instrument was difficult to play and he briefly lost interest. Two years later Clapton picked it up again and started playing consistently. Clapton was influenced by the blues from an early age and practiced long hours to learn chords of blues music he listened to, playing along to the records. He preserved his practice sessions using his portable Grundig reel-to-reel tape recorder, listening to them over and over until he felt he'd got it right After leaving school in 1961, Clapton studied at the Kingston College of Art but was dismissed at the end of the academic year because his focus remained on music rather than art. His guitar playing had advanced so far that by the age of sixteen people were starting to notice him. Around this time Clapton began busking around Kingston, Richmond and the West End of London. In 1962, Clapton started performing as a duo with fellow blues enthusiast David Brock in the pubs around Surrey. When he was 17 years old Clapton joined his first band, an early British R&B group, "The Roosters", whose other guitarist was Tom McGuinness. He stayed with this band from January through August 1963. In October of that year, Clapton did a brief seven gig stint with Casey Jones & The Engineers. 1960s The Yardbirds and the Bluesbreakers In October 1963, Clapton joined The Yardbirds, a blues-influenced rock and roll band, and stayed with them until March 1965. Synthesising influences from Chicago blues and leading blues guitarists such as Buddy Guy, Freddie King and B. B. King, Clapton forged a distinctive style and rapidly became one of the most talked-about guitarists in the British music scene. The band initially played Chess/Checker/Vee-Jay blues numbers and began to attract a large cult following when they took over the Rolling Stones' residency at the Crawdaddy Club in Richmond. They toured England with American bluesman Sonny Boy Williamson II; a joint LP album, recorded in December 1963, was issued belatedly under both their names, in 1965. In March 1965, just as Clapton left the band, the Yardbirds had their first major hit, "For Your Love", on which Clapton played guitar. It was during this time period that Clapton's Yardbirds rhythm guitarist Chris Dreja recalled that whenever Clapton broke a guitar string during a concert, he would stay on stage and replace it. The English audiences would wait out the delay by doing what is called a "slow handclap". Clapton told his official biographer, Ray Coleman, that, "My nickname of 'Slowhand' came from Giorgio Gomelsky. He coined it as a good pun. He kept saying I was a fast player, so he put together the slow handclap phrase into Slowhand as a play on words". Still musically devoted to the blues, Clapton was opposed to the Yardbirds' move toward a pop-oriented sound, in part, because "For Your Love" had been written by pop songwriter-for-hire Graham Gouldman, who had also written hit songs for teen pop outfit Herman's Hermits as well as the radio-friendly music of The Hollies. Clapton recommended fellow guitarist Jimmy Page as his replacement, but Page was at that time unwilling to relinquish his lucrative career as a freelance studio musician, so Page in turn recommended Clapton's successor, Jeff Beck. While Beck and Page played together in the Yardbirds, the trio of Beck, Page, and Clapton were never in the group together. However, the trio did appear on the 12-date benefit tour for Action for Research into Multiple Sclerosis, as well as on the album Guitar Boogie. Clapton joined John Mayall & the Bluesbreakers, in April 1965, only to quit a few months later. In the summer of 1965, he left for Greece with a band called The Glands which included his old friend Ben Palmer on piano. In November 1965, he rejoined John Mayall. It was during his second Bluesbreakers stint that his passionate playing established Clapton's name as the best blues guitarist on the club circuit. Although Clapton gained world fame for his playing on the influential album, Blues Breakers, this album was not released until Clapton had left the Bluesbreakers for good. Having swapped his Fender Telecaster and Vox AC30 amplifier for a 1960 Gibson Les Paul Standard guitar and Marshall amplifier, Clapton's sound and playing inspired a well-publicised graffito that deified him with the famous slogan, "Clapton is God". The phrase was spray-painted by an admirer on a wall in an Islington Underground station in the autumn of 1967. The graffiti was captured in a now-famous photograph, in which a dog is urinating on the wall. Clapton is well reported to have been embarrassed by the slogan, saying in The South Bank Show profile of him made in 1987, "I never accepted that I was the greatest guitar player in the world. I always wanted to be the greatest guitar player in the world, but that's an ideal, and I accept it as an ideal". The phrase began to appear in other areas of Islington throughout the mid-60s. Cream Clapton left the Bluesbreakers in July 1966 (to be replaced by Peter Green) and formed Cream, one of the earliest supergroups, with Jack Bruce on bass (also of Manfred Mann, the Bluesbreakers and the Graham Bond Organisation) and Ginger Baker on drums (another member of the GBO). Before the formation of Cream, Clapton was not well known in the United States; he left the Yardbirds before "For Your Love" hit the American Top Ten, and had yet to perform there. During his time with Cream, Clapton began to develop as a singer, songwriter and guitarist, though Bruce took most of the lead vocals and wrote the majority of the material with lyricist Pete Brown. Cream's first gig was an unofficial performance at the Twisted Wheel in Manchester on 29 July 1966 before their full debut two nights later at the National Jazz and Blues Festival in Windsor. Cream established its enduring legend with the high-volume blues jamming and extended solos of their live shows. In early 1967, Clapton's status as Britain's top guitarist was rivalled by the emergence of Jimi Hendrix, an acid rock-infused guitarist who used wailing feedback and effects pedals to create new sounds for the instrument. Hendrix attended a performance of the newly formed Cream at the Central London Polytechnic on 1 October 1966, during which Hendrix sat in on a shattering double-timed version of "Killing Floor". In return, top UK stars including Clapton, Pete Townshend, and members of The Rolling Stones and The Beatles avidly attended Hendrix's early club performances. Hendrix's arrival had an immediate and major effect on the next phase of Clapton's career, although Clapton continued to be recognised in UK music polls as the premier guitarist. Clapton first visited the United States while touring with Cream. In March 1967, Cream performed a nine show stand at the RKO Theater in New York. They recorded Disraeli Gears in New York from 11–15 May 1967. Cream's repertoire varied from hard-rock ("I Feel Free") to lengthy blues-based instrumental jams ("Spoonful"). Disraeli Gears featured Clapton's searing guitar lines, Bruce's soaring vocals and prominent, fluid bass playing, and Baker's powerful, polyrhythmic jazz-influenced drumming. Together, Cream's talents secured themselves as an influential power trio. In 28 months, Cream had become a commercial success, selling millions of records and playing throughout the U.S. and Europe. They redefined the instrumentalist's role in rock and were one of the first blues-rock bands to emphasise musical virtuosity and lengthy jazz-style improvisation sessions. Their U.S. hit singles include "Sunshine of Your Love" (#5, 1968), "White Room" (#6, 1968) and "Crossroads" (#28, 1969) – a live version of Robert Johnson's "Cross Road Blues". Though Cream was hailed as one of the greatest groups of its day, and the adulation of Clapton as a guitar hero reached new heights, the supergroup was destined to be short-lived. Drug and alcohol use escalated tension between the three members and the conflicts between Bruce and Baker eventually led to Cream's demise. A strongly critical Rolling Stone review of a concert of the group's second headlining U.S. tour was another significant factor in the trio's demise, and it affected Clapton profoundly as well. Cream's farewell album, Goodbye, featured live performances recorded at The Forum, Los Angeles, 19 October 1968, and was released shortly after Cream disbanded in 1968; it also featured the studio single "Badge", co-written by Clapton and George Harrison. Clapton had met Harrison and become friends with him after the Beatles shared a bill with the Clapton-era Yardbirds at the London Palladium. The close friendship between Clapton and Harrison resulted in Clapton's playing on Harrison's "While My Guitar Gently Weeps" from the Beatles' White Album. In the same year of release as the White Album, Harrison released his solo debut Wonderwall Music, becoming the first of many Harrison solo records to feature Clapton on guitar. Though friends, Clapton would go largely uncredited for his contributions to Harrison's albums due to contractual restraints. The pair would often play live together as each other's guest. A year after Harrison's death in 2001, Clapton helped organise the tribute concert, for which he was musical director. Cream briefly reunited in 1993 to perform at the ceremony inducting them into the Rock and Roll Hall of Fame; however, a full reunion took place in May 2005, with Clapton, Bruce, and Baker playing four sold-out concerts at London's Royal Albert Hall, and three more at New York's Madison Square Garden that October.Recordings from the London shows, Royal Albert Hall London May 2-3-5-6, 2005, were released on CD, LP, and DVD in September/December 2005. Blind Faith & Delaney and Bonnie and Friends Clapton's next group Blind Faith (1969), was composed of Cream drummer Ginger Baker, Steve Winwood of Traffic and Ric Grech of Family, and yielded one LP and one arena-circuit tour. The super group debuted before 100,000 fans in London's Hyde Park on 7 June 1969. They performed several dates in Scandinavia and began a sold-out American tour in July before their only album was released. The LP Blind Faith consisted of just six songs, one of them a 15-minute jam entitled "Do What You Like". The album's jacket image of a topless pubescent girl was deemed controversial in the United States and was replaced by a photograph of the band. Blind Faith dissolved after less than seven months. Clapton subsequently toured as a sideman for an act that had opened for Blind Faith, Delaney and Bonnie and Friends. He also played two dates as a member of The Plastic Ono Band that fall, including a recorded performance at the Toronto Rock and Roll Revival in September 1969 released as the album Live Peace in Toronto 1969. On 15 December 1969, Clapton performed with John Lennon, George Harrison and others as the Plastic Ono Band at a fundraiser for UNICEF in London. Delaney Bramlett encouraged Clapton in his singing and writing. During the summer of 1969, Clapton and Bramlett contributed to the Music From Free Creek "supersession" project. Clapton, appearing as "King Cool" for contractual reasons, played with Dr. John on three songs, joined by Bramlett on one track. Using the Bramletts' backing group and an all-star cast of session players (including Leon Russell and Stephen Stills), Clapton recorded his first solo album during two brief tour hiatuses, fittingly named Eric Clapton. Delaney Bramlett co-wrote six of the songs with Clapton, and Bonnie Bramlett co-wrote "Let It Rain". The album also yielded the unexpected U.S. #18 hit, J. J. Cale's "After Midnight". Clapton went with Delaney and Bonnie from the stage to the studio with the Dominos to record George Harrison's All Things Must Pass in spring 1970. During this busy period, Clapton also recorded with other artists including Dr. John, Leon Russell, Plastic Ono Band, Billy Preston and Ringo Starr. 1970s Derek and the Dominos With the intention to counteract the "star" cult faction that had begun to form around him, Clapton assembled a new band composed of Delaney & Bonnie's former rhythm section; Bobby Whitlock as keyboardist and vocalist, Carl Radle as the bassist and drummer Jim Gordon, with Clapton playing guitar. It was his intention to show that he need not form a starring role, and functioned well as a member of an ensemble. Naming the band, "Eric Clapton and Friends" at first, the name "Derek and the Dominos" was a fluke. It occurred when the band's provisional name of "Del and the Dynamos" was misread as Derek and the Dominos. Clapton's biography also states that Ashton told Clapton to call the band "Del and the Dominos", since "Del" was his nickname for Eric Clapton. Del and Eric were combined and the final name became "Derek and the Dominos". Clapton's close friendship with George Harrison had brought him into contact with Harrison's wife Pattie Boyd, with whom he became deeply infatuated. When she spurned his advances, Clapton's unrequited affections prompted most of the material for the Dominos' album Layla and Other Assorted Love Songs. This album contained the monster-hit single, love song "Layla", inspired by the classical poet of Persian literature, Nezami Ganjavi's The Story of Layla and Majnun, a copy of which his friend Ian Dallas had given him. The book moved Clapton profoundly as it was the tale of a young man who fell hopelessly in love with a beautiful, unavailable woman and who went crazy because he could not marry her. Working at Criteria Studios in Miami with Atlantic Records producer Tom Dowd, who had worked with Clapton on Cream's Disraeli Gears, the band recorded a double-album. The two parts of "Layla" were recorded in separate sessions: the opening guitar section was recorded first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the piano part.The Layla LP was actually recorded by a five-piece version of the group, thanks to the unforeseen inclusion of guitarist Duane Allman of The Allman Brothers Band. A few days into the Layla sessions, Dowd—who was also producing the Allmans—invited Clapton to an Allman Brothers outdoor concert in Miami. The two guitarists met first on-stage, then played all night in the studio and became friends. Duane first added his slide guitar to "Tell the Truth" and "Nobody Knows You When You're Down and Out". In four days, the five-piece Dominos recorded "Key to the Highway", "Have You Ever Loved a Woman" (a blues standard popularised by Freddie King (amongst other blues players)), and "Why Does Love Got to be So Sad". When September came around, Duane briefly left the sessions for gigs with his own band, and the four-piece Dominos recorded "I Looked Away", "Bell Bottom Blues", and "Keep on Growing". Duane returned to record "I am Yours", "Anyday", and "It's Too Late". On the 9th, they recorded Hendrix's "Little Wing" and the title track. The following day, the final track, "It's Too Late" was recorded. The album was heavily blues-influenced and featured the combination of twin lead guitars of Allman and Clapton, with Allman's slide guitar as a key ingredient of their sound. Tragedy dogged the group throughout its brief career. During the sessions, Clapton was devastated by news of the death of Jimi Hendrix; eight days previously the band had cut a cover of "Little Wing" as a tribute to Hendrix. On 17 September 1970, one day before Hendrix's death, Clapton had purchased a left-handed Fender Stratocaster that he had planned to give to Hendrix as a birthday gift. Adding to Clapton's woes, the Layla album received only lukewarm reviews upon release. The shaken group undertook a U.S. tour without Allman, who had returned to The Allman Brothers Band. Despite Clapton's later admission that the tour took place amidst a veritable blizzard of drugs and alcohol, it resulted in the live double album In Concert. The band had recorded several tracks for a second album in London during the spring of 1971 (five of which were released on the Eric Clapton box-set Crossroads), but the results were mediocre. A second record was in the works when a clashing of egos took place and Clapton walked, thus disbanding the group. Allman was later killed in a motorcycle accident on 29 October 1971. Although Radle would remain Clapton's bass player until the summer of 1979 (Radle died in May 1980 from the effects of alcohol and narcotics), it would be 2003 before Clapton and Whitlock appeared together again (Clapton guested on Whitlock's appearance on the Later with Jools Holland show). Another tragic footnote to the Dominos story was the fate of drummer Jim Gordon, who was an undiagnosed schizophrenic and years later murdered his mother during a psychotic episode. Gordon was confined to 16-years-to-life imprisonment, later being moved to a mental institution, where he remains today. Solo career Clapton's career successes in the 1970s were in stark contrast to his personal life, which was troubled by romantic longings and drug and alcohol addiction. In addition to his (temporarily) unrequited and intense attraction to Pattie Boyd, he withdrew from recording and touring to isolation in his Surrey, England residence. There he nursed his heroin addiction, resulting in a career hiatus interrupted only by the Concert for Bangladesh in August 1971 (where he passed out on stage, was revived, and continued his performance). In January 1973, The Who's Pete Townshend organised a comeback concert for Clapton at London's Rainbow Theatre aptly titled the "Rainbow Concert" to help Clapton kick his addiction. Clapton would return the favour by playing 'The Preacher' in Ken Russell's film version of The Who's Tommy in 1975; his appearance in the film (performing "Eyesight to the Blind") is notable as he is clearly wearing a fake beard in some shots, the result of deciding to shave off his real beard after the initial takes in an attempt to force the director to remove his earlier scene from the movie and leave the set. In 1974, now partnered with Pattie (they would not actually marry until 1979) and no longer using heroin (although starting to drink heavily), Clapton put together a more low-key touring band that included Radle, Miami guitarist George Terry, keyboardist Dick Sims, drummer Jamie Oldaker and vocalists Yvonne Elliman and Marcy Levy (also known as Marcella Detroit). With this band Clapton recorded 461 Ocean Boulevard (1974), an album with an emphasis on more compact songs and fewer guitar solos; the cover version of "I Shot The Sheriff" was Clapton's first #1 hit and was important in bringing reggae and the music of Bob Marley to a wider audience. The 1975 album There's One in Every Crowd continued this trend. The album's original title The World's Greatest Guitar Player (There's One In Every Crowd) was changed before pressing, as it was felt its ironic intention would be misunderstood. The band toured the world and subsequently released the 1975 live LP, E.C. Was Here. Clapton continued to release albums and toured regularly. Highlights of the period include No Reason to Cry (a collaboration with Bob Dylan and The Band) and Slowhand, which featured "Wonderful Tonight" (another song inspired by Boyd)[38] and a second J.J. Cale cover, "Cocaine". In 1976 he performed, alongside a string of notable guests, to pay tribute to the farewell performance of The Band, filmed in a Martin Scorsese documentary called the Last Waltz. 1980s In 1981, Clapton was invited by producer Martin Lewis to appear at the Amnesty International benefit The Secret Policeman's Other Ball. Clapton accepted the invitation and teamed up with Jeff Beck to perform a series of duets—reportedly their first-ever billed stage collaboration. Three of the performances were released on the album of the show and one of the songs was featured in the film of the show. The performances heralded a return to form and prominence for Clapton in the new decade. Many factors had influenced Clapton's comeback, including his "deepening commitment to Christianity", to which he had converted prior to his heroin addiction. After an embarrassing fishing incident, Clapton finally called his manager and admitted he was an alcoholic. In January 1982, Roger and Clapton flew to Minneapolis-St. Paul; Clapton would be checked in at Hazelden Treatment Center, located in Center City, Minnesota. On the flight over, Clapton indulged himself in a great amount of drinks, for fear he may never be able to drink again. Clapton is quoted as saying from his autobiography, "In the lowest moments of my life, the only reason I didn't commit suicide was that I knew I wouldn't be able to drink anymore if I was dead. It was the only thing I thought was worth living for, and the idea that people were about to try and remove me from alcohol was so terrible that I drank and drank and drank, and they had to practically carry me into the clinic." [Clapton - p. 198] After being discharged, it was recommended by doctors of Hazelden that Clapton not partake in any activities that would act as triggers for his alcoholism or stress, until he was fully situated back at Hurtwood. A few months after his discharge, Clapton began working on his next album against the Hazelden doctors' orders. Working with Tom Dowd, Clapton produced what he thought as his "most forced" album to date, Money and Cigarettes. In 1984, he performed on Pink Floyd member Roger Waters' solo album, The Pros and Cons of Hitch Hiking and went on tour with Waters following the release of the album. Since then Waters and Clapton have had a close relationship. In 2005 they performed together for the Tsunami Relief Fund. In 2006 they performed at the Highclere Castle, in aid of the Countryside Alliance, playing two set pieces of "Wish You Were Here" and "Comfortably Numb". Clapton, now a seasoned charity performer, played at the Live Aid concert on 13 July 1985. When offered a slot close to peak viewing hours, he was apparently flattered. As Clapton recovered from his addictions, his album output continued in the 1980s, including two produced with Phil Collins, 1985's Behind the Sun, which produced the hits "Forever Man" and "She's Waiting", and 1986's August. August was suffused with Collins's trademark drum and horn sound and became Clapton's biggest seller in the UK to date, matching his highest chart position, number 3. The album's first track, the hit "It's In The Way That You Use It", was also featured in the Tom Cruise-Paul Newman movie The Color of Money. The horn-peppered "Run" echoed Collins' "Sussudio" and rest of the producer's Genesis/solo output, while "Tearing Us Apart" (with Tina Turner) and the bitter "Miss You" echoed Clapton's angry sound. This rebound kicked off Clapton's two-year period of touring with Collins and their August collaborates, bassist Nathan East and keyboard player/songwriter Greg Phillinganes. While on tour for August, two concert videos were recorded of the four-man band, Eric Clapton Live from Montreux and Eric Clapton and Friends. Clapton later remade "After Midnight" as a single and a promotional track for the Michelob beer brand, which had also marketed earlier songs by Collins and Steve Winwood. Clapton won a British Academy Television Award for his collaboration with Michael Kamen on the score for the 1985 BBC television thriller serial Edge of Darkness. In 1989, Clapton released Journeyman, an album which covered a wide range of styles including blues, jazz, soul and pop. Collaborators included George Harrison, Phil Collins, Daryl Hall, Chaka Khan, Mick Jones, David Sanborn and Robert Cray. In 1984, while still married to Pattie Boyd, Clapton began a year-long relationship with Yvonne Kelly. The two had a daughter, Ruth, who was born in January 1985, but her existence was kept a secret by her parents. She was not publicly revealed as his child until 1991. Boyd criticised Clapton because he had not revealed the child's existence. Hurricane Hugo hit Montserrat in 1989 and this resulted in the closure of Sir George Martin and John Burgess's recording studio AIR Montserrat, where Kelly was Managing Director. Kelly and Ruth moved back to England, and stories about Eric's secret daughter began as a result of newspaper articles published at the time. Clapton and Boyd divorced in 1988 following his affair with Italian model Lory Del Santo, who gave birth to their son Conor on 21 August 1986. Boyd herself was never able to conceive children, despite attempts at in vitro fertilisation Their divorce was granted on grounds of "infidelity and unreasonable behaviour." Clapton was known to date a host of beautiful women, including Krissy Wood, ex-wife of Ron Wood, actress Charlotte Martin, socialite Alice Ormsby-Gore, Paula Boyd, the younger sister of his future wife Pattie, singer Janis Joplin, singer Marianne Faithfull, Rock muses Catherine James, Cyrinda Fox and Geraldine Edwards, the inspiration for Penny Lane in Almost Famous, singer Rosanne Cash, the First Lady of France and former model Carla Bruni, and actresses Patsy Kensit, Sharon Stone and Alicia Witt. 1990s The 1990s brought a series of 32 concerts to the Royal Albert Hall, such as the 24 Nights series of concerts that took place around January through February 1990, and February through March 1991. On 27 August 1990, fellow blues guitarist Stevie Ray Vaughan, who was touring with Clapton, and three members of their road crew were killed in a helicopter crash between concerts. Then, on 20 March 1991, Eric's four year old son, Conor, died on impact after a fall from the 53rd-story window of his mother's friend's New York City apartment, landing on the roof of an adjacent four-story building. Clapton's grief was expressed in the song "Tears in Heaven", which was co-written by Will Jennings. At the 35th Grammy Awards, Clapton received a total of six Grammy Awards for the single "Tears in Heaven", and his Unplugged album. The album reached number one on the Billboard 200, and has since been certified Diamond by the RIAA for selling over 10 million copies in the United States. In October 1992, Clapton was among the dozens of artists performing at Bob Dylan's 30th Anniversary Concert Celebration. Recorded at Madison Square Garden in New York City, the live two-disk CD/DVD captured a show full of celebrities performing classic Dylan songs, before ending with a few performances from Dylan himself. Despite the presence of 10 other guitarists on stage, including George Harrison, Neil Young, Roger McGuinn, Steve Cropper, Tom Petty, and Dylan, Clapton played the lead on a nearly 7-minute version of Dylan's "Knockin' on Heaven's Door" as part of the finale. While Unplugged featured Clapton playing acoustic guitar, his 1994 album From the Cradle contained new versions of old blues standards highlighted by his electric guitar playing. Clapton's 1996 recording of the Wayne Kirkpatrick/Gordon Kennedy/Tommy Sims tune "Change the World" (featured in the soundtrack of the movie Phenomenon) won the Grammy Award for Song of the Year in 1997, the same year he recorded Retail Therapy (an album of electronic music with Simon Climie under the pseudonym TDF). The following year, Clapton released the album Pilgrim, the first record featuring brand new material for almost a decade. Clapton finished the twentieth century with collaborations with Carlos Santana and B. B. King. In 1996 Clapton had a relationship with singer/songwriter Sheryl Crow. They remain friends, and Clapton appeared as a guest on Sheryl Crow's Central Park Concert. The duo performed a Cream hit single "White Room". Later, Clapton and Crow performed an alternate version of "Tulsa Time" with other guitar legends at the Crossroads Guitar Festival in June 2007. In 1998 Clapton, then 53, met 22-year-old administrative assistant Melia McEnery in Columbus, Ohio, at a party given for him after a performance. He quietly dated her for one year and went public with the relationship in 1999. They married on 1 January 2002 at St Mary Magdalene church in Clapton's birthplace, Ripley, and as of 2005 have three daughters, Julie Rose (13 June 2001), Ella May (14 January 2003), and Sophie Belle (1 February 2005). 2000s Following the release of the 2001 record Reptile, Eric performed "Layla" and "While My Guitar Gently Weeps" at the Party at the Palace in 2002. On 29 November of that year the Concert for George was held at the Royal Albert Hall, a tribute to George Harrison who had died a year earlier of cancer. Clapton was a performer, and also the musical director. The concert featured Paul McCartney, Ringo Starr, Jeff Lynne, Tom Petty and the Heartbreakers, Ravi Shankar, Gary Brooker, Billy Preston, Joe Brown and Dhani Harrison. In 2004, Clapton released two albums packed full of covers by legendary bluesman Robert Johnson, Me and Mr. Johnson and Sessions for Robert J. The same year Rolling Stone ranked Clapton #53 on their list of the "100 Greatest Artists of All Time". Performance for Tsunami Relief Cardiff On 22 January 2005, Clapton performed in the Tsunami Relief Concert held at the Millennium Stadium in Cardiff, in aid of the victims of the 2004 Indian Ocean earthquake. In May 2005, Eric Clapton, Jack Bruce and Ginger Baker reunited as Cream for a series of concerts at the Royal Albert Hall in London. Concert recordings were released on CD and DVD. Later, Cream performed in New York at Madison Square Garden. Back Home, Clapton's first album of new original material in nearly five years, was released on Reprise Records on 30 August. In 2006 he invited Derek Trucks and Doyle Bramhall II to join his band for his 2006–2007 world tour. Trucks is the third member of The Allman Brothers Band to tour supportng Clapton, the second being pianist/keyboardist Chuck Leavell who appeared on the MTV Unplugged album and the 24 Nights performances at the Royal Albert Hall theatre of London in 1990 and 1991, as well as Clapton's 1992 U.S. tour. On 20 May 2006, Clapton performed with Queen drummer Roger Taylor and former Pink Floyd bassist/songwriter Roger Waters at the Highclere Castle, in support of the Countryside Alliance. On 13 August 2006, Clapton made a guest appearance at the Bob Dylan concert in Columbus, Ohio, playing guitar on three songs in Jimmie Vaughan's opening act.[50] A collaboration with guitarist J. J. Cale, titled The Road to Escondido, was released on 7 November 2006, featuring Derek Trucks and Billy Preston. The 14-track CD was produced and recorded by the duo in August 2005 in California. The chemistry between Trucks and Clapton convinced him to invite The Derek Trucks Band to open for Clapton's set on his 2007 Crossroads Guitar Festival, with Trucks remaining on set afterward, performing with Clapton's band throughout his performances, and embarking on a world tour with him. The rights to Clapton's official memoirs, written by Christopher Simon Sykes and published in 2007, were sold at the 2005 Frankfurt Book Fair for US$4 million. On 26 February 2008, it was reported that North Korean officials had invited Clapton to play a concert in the communist state. According to reports, Clapton's management received the invitation and passed it on to the singer, who agreed in principle and suggested it take place sometime in 2009. Kristen Foster, a spokesperson, said, "Eric Clapton receives numerous offers to play in countries around the world," and "[t]here is no agreement whatsoever for him to play in North Korea. In 2007, Clapton learned more about his father, a Canadian soldier who left the UK after the war. Although Clapton's grandparents eventually told him the truth about his parentage, he only knew that his father's name was Edward Fryer. This was a source of disquiet for Clapton, as witnessed by his 1998 song "My Father's Eyes". A Montreal journalist named Michael Woloschuk researched Canadian Armed Forces service records and tracked down members of Fryer's family, finally piecing together the story. He learned that Clapton's father was Edward Walter Fryer, born 21 March 1920, in Montreal and died 15 May 1985 in Newmarket, Ontario. Fryer was a musician (piano and saxophone) and a lifelong drifter, who was married several times, had several children and apparently never knew that he was the father of Eric Clapton. Clapton thanked Woloschuk in an encounter at Macdonald Cartier Airport, in Ottawa, Canada. In February 2008, Clapton performed with his long-time friend Steve Winwood at Madison Square Garden and guested on his recorded single "Dirty City" on Winwood's album Nine Lives. The two former Blind Faith bandmates met again for a series of 14 concerts throughout the United States in June 2009. Clapton's 2008 Summer Tour began on 3 May at the Ford Amphitheatre, Tampa Bay, Florida, and then moved to Canada, Ireland, England, Norway, Iceland, Denmark, Poland, Germany and Monaco. On 28 June 2008, he headlined Saturday night for Hard Rock Calling 2008 in London's Hyde Park (previously Hyde Park Calling) with support from Sheryl Crow & John Mayer. In September 2008, Clapton performed at a private charity fundraiser for The Countryside Alliance at Floridita in Soho, London, that included such guests as the London Mayor Boris Johnson. In March 2009, The Allman Brothers Band (amongst many notable guests), celebrated their 40th year, dedicating their string of concerts to the late Duane Allman on their annual run at the Beacon Theatre. Eric Clapton was one of the performers, with drummer Butch Trucks remarking that the performance was not the typical Allman Brothers experience, given the number and musical styles of the guests who were invited to perform. Songs like "In Memory of Elizabeth Reed" were punctuated with others including "The Weight", with Levon Helm; Johnny Winter sitting in on Hendrix's "Red House" and "Layla". Two months later, on 4 May 2009 Clapton appeared as a featured guest at the Royal Albert Hall playing "Further on Up the Road" with Joe Bonamassa. Clapton was scheduled to be one of the performers at the Rock and Roll Hall of Fame's 25th anniversary concert in Madison Square Garden on 30 October 2009, but cancelled due to gallstone surgery. Van Morrison (who also cancelled) said in an interview that he and Clapton were to do a "couple of songs" but that they would do something else together at "some other stage of the game". 2010 Clapton performed a 2-night show with Jeff Beck at London's O2 Arena 13–14 February 2010. The two former Yardbirds extended their 2010 tour with stops at Madison Square Garden, Air Canada Centre and the Bell Centre in Montreal. Clapton performed a series of concerts in 11 cities throughout the United States from 25 February to 13 March 2010. His third European tour with Steve Winwood began on 18 May and ended 13 June. He then began a short North American tour lasting from 26 June to 3 July, starting with his third Crossroads Guitar Festival on 26 June in Bridgeview, Illinois. Clapton released a new studio album, Clapton, on 27 September 2010 in the United Kingdom and 28 September 2010 in the United States. On 17 November 2010, Clapton performed as guest on the Prince's Trust rock gala held at the Royal Albert Hall, supported by the house band for the evening which included Jools Holland, Midge Ure and Mark King. Influences Clapton cites Freddie King, B.B. King, Albert King, Buddy Guy, and Hubert Sumlin as guitar playing influence. Robert Johnson has influenced Clapton the most profoundly. In 2004 Clapton released CD and DVD entitled Sessions for Robert Johnson featuring Robert Johnson covers by Clapton on electric and acoustic guitars live and in rehearsal. Clapton co-authored with others the book Discovering Robert Johnson, in which Clapton said Johnson was... "...the most important blues musician who ever lived. He was true, absolutely, to his own vision, and as deep as I have gotten into the music over the last 30 years, I have never found anything more deeply soulful than Robert Johnson. His music remains the most powerful cry that I think you can find in the human voice, really. ... it seemed to echo something I had always felt." Legacy Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. He ranked fourth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" and fourth in Gibson's Top 50 Guitarists of All Time. A number of guitarists that Clapton has influenced are: Richie Sambora, Stevie Ray Vaughan, Gary Moore, Duane Allman, Derek Trucks, Eddie Van Halen, Brian May, Orianthi, Jimi Hendrix, Brad Paisley, Jonny Buckland, Joe Don Rooney, Alex Lifeson, Jonny Lang, John Mayer, Joe Satriani, Joe Bonamassa, Davy Knowles and George Harrison. Other media appearances Clapton frequently appears as a guest on the albums of other musicians. For example, he is credited on Dire Straits’ Brothers in Arms album, as he lent Mark Knopfler one of his guitars for the album. He also played lead guitar and synthesiser on The Pros and Cons of Hitch Hiking, Roger Waters' debut solo album. Other media appearances include the Toots & the Maytals album True Love where he played guitar on the track "Pressure Drop". He can also be heard at the beginning of Frank Zappa's album, We're Only in It for the Money, repeating the phrase, "Are you hung up?" over and over again. In 1985, Clapton appeared on the charity concert Live Aid in Philadelphia with Phil Collins, Tim Renwick, Chris Stainton, Jamie Oldaker, Marcy Levy, Shaun Murphy and Donald 'Duck' Dunn. In 1988 he played with Dire Straits and Elton John at the Nelson Mandela 70th Birthday Tribute at Wembley Stadium and the Prince's Trust rock gala at the Royal Albert Hall. On 30 June 1990, Dire Straits, Clapton and Elton John made a guest appearance in the Nordoff-Robbins charity show held at Knebworth. In 1991, Clapton was featured on Richie Sambora's album, Stranger In This Town, in a song dedicated to him called "Mr. Bluesman". He also contributed guitar and vocals to "Runaway Train", a duet with Elton John on the latter's The One album the following year. On 12 September 1996, Clapton played a party for Armani at New York City's Lexington Armory with Greg Phillinganes, Nathan East and Steve Gadd. Sheryl Crow appeared on one number, performing "Tearing Us Apart", a track from August, which was first performed by Tina Turner during the Prince's Trust All-Star Rock show in 1986. It was Clapton's sole US appearance that year, following the open-air concert held at Hyde Park with Dave Bronze, Andy Fairweather-Low, The Kick Horns, Jerry Portnoy, Chris Stainton and backing vocalists Katie Kissoon and Tessa Niles. The concert was taped and the footage was released both on VHS video cassette and later, on DVD. Clapton was featured in the movie version of Tommy, the first full length rock opera written by The Who. The movie version gave Clapton a cameo appearance as the Preacher, performing Sonny Boy Williamson's song, "Eyesight to the Blind". He also appeared in Blues Brothers 2000 as one of the Louisiana Gator Boys. In addition to being in the band, he had a small speaking role. Clapton has also appeared in an advertisement for the Mercedes-Benz G-Wagen. In March 2007, Clapton appeared in an advertisement for RealNetwork's Rhapsody online music service. In 2010 Clapton started appearing as a spokesman for T-Mobile, advertising their MyTouch Fender cell phone. Eric Clapton was again compared to God's image in the episode "Holy Crap!" of season two of That '70s Show when Eric Forman and Steven Hyde are made by their minister to draw God. Political views and advocacy Clapton is a supporter of the Countryside Alliance, has played in concerts to raise funds for the organisation and publicly opposed the Labour Party’s ban on fox hunting. A spokesperson for Clapton said: "Eric supports the Countryside Alliance. He doesn't hunt himself, but does enjoy rural pursuits such as fishing and shooting. He supports the Alliance's pursuit to scrap the ban on the basis that he doesn't agree with the state's interference with people's private pursuits." Controversy over remarks on immigration On 5 August 1976 Clapton provoked an uproar and lingering controversy when he spoke out against increasing immigration during a concert in Birmingham. Visibly intoxicated, Clapton voiced his support of controversial political candidate Enoch Powell and announced on stage that Britain was in danger of becoming a "black colony". Clapton was quoted telling the audience: "I think Enoch's right ... we should send them all back. Throw the wogs out! Keep Britain white!" The latter phrase was at the time a British National Front slogan. Clapton continued: "I used to be into dope, now I’m into racism. It’s much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don’t belong here, we don’t want them here. This is England, this is a white country, we don’t want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don’t want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck's sake? We need to vote for Enoch Powell, he’s a great man, speaking truth. Vote for Enoch, he’s our man, he’s on our side, he’ll look after us. I want all of you here to vote for Enoch, support him, he’s on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!" This incident, along with some explicitly pro-fascism remarks made around the same time by David Bowie as well as uses of Nazi-related imagery by Sid Vicious and Siouxsie Sioux, were the main catalysts for the creation of Rock Against Racism, which occurred on 30 April 1978. In response to his comments, rock photographer Red Saunders and others published an open letter in NME, Melody Maker, Sounds and the Socialist Worker. It read "Come on Eric... Own up. Half your music is black. You're rock music's biggest colonist". It also concluded, "P.S. Who shot the Sheriff, Eric? It sure as hell wasn't you!" In an interview from October 1976 with Sounds magazine, Clapton remarked: "I thought it was quite funny actually. I don't know much about politics. I don't even know if it would be good or bad for him to get in. I don't even know who the Prime Minister is now. I just don't know what came over me that night. It must have been something that happened in the day but it came out in this garbled thing... I thought the whole thing was like Monty Python. There's this rock group playing on-stage and the singer starts talking about politics. It's so stupid. Those people who paid their money sittin' listening to this madman dribbling on and the band meanwhile getting fidgety thinking 'oh dear'." In a 2004 interview with Uncut, Clapton referred to Powell as "outrageously brave", and stated that his "feeling about this has not changed", because the UK is still "... inviting people in as cheap labour and then putting them in ghettos." In 2004, Clapton told an interviewer for Scotland on Sunday, "There's no way I could be a racist. It would make no sense". In his 2007 autobiography, Clapton called himself "deliberately oblivious to it all" and wrote, "I had never really understood or been directly affected by racial conflict... when I listened to music, I was disinterested in where the players came from or what colour their skin was. Interesting, then, that 10 years later, I would be labelled a racist... Since then, I have learnt to keep my opinions to myself. Of course, it might also have had something to do with the fact that Pattie had just been leered at by a member of the Saudi royal family." In a December 2007 interview with Melvin Bragg on The South Bank Show, Clapton reiterated his support for Enoch Powell and again denied that Powell's views were "racist". Wealth and assets In 2009, Philip Beresford, compiler of the Sunday Times Rich List, estimated Clapton's fortune as £120 million from his assets, including a £9m yacht, Va Bene, previously owned by F1 racing supremo Bernie Ecclestone, his back catalogue, his touring income and his Marshbrook holding company, which had earned him £110 million since 1989, making him one of the 20 richest residents of Surrey, England. Awards and honours 1983 Presented the Silver Clef Award from Princess Michael of Kent for outstanding contribution to British music. 1985 Presented with BAFTA for Best Original Television Music for Score of Edge of Darkness with Michael Kamen. 1993 "Tears In Heaven" won three Grammy awards for Song of the Year, Record of the Year, and Male Pop Vocal Performance. Clapton also won Album of the Year and Best Rock Vocal Performance for Unplugged and Best Rock Song for "Layla". 1994 Awarded the Order of the British Empire for services to music. 2000 Inducted into the Rock and Roll Hall of Fame for the third time, this time as a solo artist. He was earlier inducted as a member of the bands Cream and The Yardbirds. 2004 Promoted to CBE, receiving the award from the Princess Royal at Buckingham Palace as part of the New Year's Honours list. 2006 Awarded the Grammy Lifetime Achievement Award (as a member of Cream) Football In 1982, he performed a concert before West Bromwich Albion player John Wile's testimonial game at the Hawthorns, and it is often reported by various sources that Clapton (despite being from London more than 100 miles away) is an Albion supporter. Credence for this notion can be taken from the cover pictures to the "Backless" solo album, where he is seen on the front cover to be wearing a football scarf; the rear cover photograph reveals the slogan "ALBION" on the scarf. It has also been reported that the club rejected his offer to invest cash in them around this time, and that he has since expressed more of an interest in Chelsea instead.

Chicago is an American rock band formed in 1967 in Chicago, Illinois. The self-described "rock and roll band with horns" began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, becoming famous for producing a number of hit ballads. They had a steady stream of hits throughout the 1970s and 1980s. Second only to The Beach Boys in terms of Billboard singles and albums chart success among American bands, Chicago is one of the longest running and most successful pop/rock and roll groups. Chicago re-teamed with producer Phil Ramone in October 2010 to begin work on a new album. According to Billboard, Chicago was the leading U.S. singles charting group during the 1970s. They have sold over 38 million units in the U.S., with 22 gold, 18 platinum, and 8 multi-platinum albums. Over the course of their career they have charted five No. 1 albums, and have had 21 top ten hits. Biography Beginnings Chicago co-founder/drummer Danny Seraphine The band was formed when a group of DePaul University music students who had been playing local late-night clubs recruited a couple of other students from the university and decided to meet in saxophonist Walter Parazaider's apartment. The five musicians consisted of Parazaider, guitarist Terry Kath, drummer Danny Seraphine, trombonist James Pankow, trumpet player Lee Loughnane. The last to arrive was keyboardist Robert Lamm, a music major from Chicago's Roosevelt University. The group of six called themselves The Big Thing, and continued playing top-40 hits, but realized that they were missing a tenor voice (Lamm and Kath both sang in the baritone range); the voice they were missing belonged to local bassist Peter Cetera. While gaining some success as a cover band, the group began working on original songs. In June 1968, they moved to Los Angeles, California under the guidance of their friend and manager James William Guercio, and signed with Columbia Records. After signing with Guercio, The Big Thing changed their name to Chicago Transit Authority. Their first record (released in April 1969), the eponymous The Chicago Transit Authority (sometimes informally referred to simply as CTA), was a double album, very rare for a first release, featuring jazzy instrumentals, extended jams featuring Latin percussion, and experimental, feedback-laden guitar abstraction. It sold over one million copies by 1970, and was awarded a platinum disc. The album began to receive heavy airplay on the newly popular FM radio band; it included a number of pop-rock songs — "Does Anybody Really Know What Time It Is?", "Beginnings", and "Questions 67 and 68" — which would later be edited to an AM radio-friendly length, released as singles, and eventually become rock radio staples. Soon after the album's release, the band's name was shortened to Chicago, when the actual Chicago Transit Authority threatened legal action. Chicago's greatest prominence The band's popularity increased with the release of their second album, another double-LP set, which included several top-40 hits. This second album, titled Chicago (also known as Chicago II), was the group's breakthrough album. The centerpiece track was a 7-part, 13-minute suite composed by James Pankow called "Ballet for a Girl in Buchannon" (the structure of this suite was inspired by Pankow's love for classical music). The suite yielded two top ten hits: the crescendo-filled "Make Me Smile" (#9 U.S) and prom-ready ballad "Colour My World", both sung by Terry Kath. Among the other popular tracks on the album: Robert Lamm's dynamic but cryptic "25 or 6 to 4" (Chicago's first Top 5 hit, it was a reference to a songwriter trying to write at 25 or 26 minutes to 4 in the morning, and was sung by Peter Cetera with wah-wah guitar by Kath), the lengthy war-protest song "It Better End Soon", and, at the end, Cetera's 1969 moon landing-inspired "Where Do We Go from Here?" The double-LP album's inner cover includes—in addition to the playlist—the entire lyrics to "It Better End Soon", and two declarations: "This album should be experienced sequentially" (this would suggest that Chicago is a concept album), and, "With this album, we dedicate ourselves, our futures and our energies to the people of the revolution. And the revolution in all of its forms." The band recorded and released LPs at a rate of at least one album per year from their third album in 1971 through the 1970s. During this period, the group's album titles invariably consisted of the band's name followed by a Roman numeral indicating the album's sequence in their canon, a naming pattern that lent an encyclopedic aura to the band's work. (The exceptions to this scheme were the band's fourth album, a live boxed set entitled Chicago at Carnegie Hall, their twelfth album Hot Streets, and the Arabic-numbered Chicago 13. While the live album itself did not bear a number, each of the four discs within the set was numbered Volumes I through IV.) The distinctive Chicago logo was designed by Nick Fasciano (bearing more than a passing resemblance to the Coca-Cola logo) and has graced every album cover in one form or another—for example, as an American flag on III, a piece of wood on V, a U.S. dollar bill on VI, an embroidered patch on VIII, a chocolate bar on X, a fingerprint on XIV, a computer silicon chip on 16, and a mosaic on 18. In 1971, Chicago released the ambitious quadruple-album live set, Chicago at Carnegie Hall Volumes I, II, III, and IV, consisting of live performances, mostly of music from their first three albums, from a week-long run at the famous venue; along with the James Gang and Led Zeppelin in 1969, Chicago was one of the few rock bands to play the historic concert hall since The Beatles performed there on February 12, 1964. The performances and sound quality were judged sub-par; in fact, trombonist James Pankow went on record to say that "the horn section sounded like kazoos." The packaging of the album also contained some rather strident political messaging about how "We [youth] can change The System," including massive wall posters and voter registration information. Nevertheless, Chicago at Carnegie Hall went on to become the best-selling box set by a rock act, and held that distinction for 15 years. The group bounced back in 1972 with their first single-disc release, Chicago V, a diverse set that reached number one on both the Billboard pop and jazz albums charts and yielded the Robert Lamm-composed-and-sung radio hit and perennial fan favorite "Saturday in the Park", which mixed everyday life and political yearning in a more subtle way. It peaked at #3 on the Billboard Hot 100 in early 1972. Chicago would long open their concerts with the hit song. Another Lamm-composed hit song therein was "Dialogue (Part I & II)"—which featured a musical "debate" between a political activist (sung by Kath) and a blase college student (sung by Cetera). In 1973, the group's manager, Guercio, produced and directed Electra Glide in Blue, a movie about an Arizona motorcycle policeman. The movie starred Robert Blake, and featured Cetera, Kath, Loughnane, and Parazaider in supporting roles. The group also appeared prominently on the movie's soundtrack. Other successful albums and singles followed in each of the succeeding years. 1973's Chicago VI topped the charts buoyed by the hits "Feelin' Stronger Every Day" (#10 U.S.) and "Just You 'N' Me" (#4 U.S.) and it was also the first of several albums to include Brazilian jazz percussionist Laudir de Oliveira. Chicago VII, the band's double-disc 1974 release, featured the Cetera-composed "Wishing You Were Here", (#11 U.S.) sung by Terry Kath and Cetera with background vocals by Cetera and The Beach Boys and some fusion jazz. Chicago VII also provided one of the group's enduring signature tunes, the anthemic "(I've Been) Searchin' So Long", which started with as a soft ballad and culminated in a hard-rock conclusion featuring Terry Kath's electric guitar soloing against the Chicago horn section and a soaring string arrangement by Jimmie Haskell. "Happy Man," another song from Chicago VII, was also a popular favorite on FM radio, was a big hit in South America and subsequently covered by Tony Orlando and Dawn on their album To Be With You. Their 1975 release, Chicago VIII, featured the political allegory "Harry Truman" and the nostalgic Pankow-composed "Old Days". Both hits reached the Top 15, with the latter even reaching the Top Five. That summer also saw a very successful joint tour across America with The Beach Boys, with both acts performing separately, then coming together for a rousing finale. The tour was considered one of the highest grossing in rock music up to that time. Chicago gave a concert in Mexico City in 1975 at the Auditorio Nacional which was highly appreciated by the audience, contrary to the Mexican press later reviewing it as not one of the band’s better performances, presumably for the band not being "in the best of shape". The tickets for the concert sold so fast that thousands of people were unable to get in, so Terry Kath asked those inside to applaud for those standing outside. Carmen Romano de Lòpez Portillo, the wife of Mèxico's then-President Josè Lòpez Portillo, is said to have been in first row of the audience.[citation needed] But for all their effort, none of their singles went to number one until Chicago X in 1976, when Cetera's ballad "If You Leave Me Now" climbed to the top of the charts and remained there for two weeks. The song also won Chicago their only Grammy award, for Best Pop Performance by a Duo or Group in 1977. Ironically, the tune almost did not make the cut for the album; "If You Leave Me Now" was recorded at the very last minute. The huge success of the song would foreshadow a later reliance on ballads that would typecast the group on radio, despite the presence of mellower songs on all the previous albums. The group's 1977 release, Chicago XI, was another big success for the band; it included Cetera's hit ballad "Baby, What a Big Surprise", a #4 U.S. hit which became one of the group's last big hits of the decade. Time of transition 1978 was a tragic and transitional year for Chicago. The year began with an acrimonious split with long-time manager James William Guercio. Then, on January 23, guitarist/singer/songwriter/group co-founder Terry Kath died of an accidental, self-inflicted gunshot wound. One account describes Kath's drunken last words to guitar tech Don Johnson: "Don't worry, guys. It isn't even loaded. See?" Kath was the group's leader onstage, and for many longtime fans, its musical soul. Terry Kath's shocking death could have meant the end for Chicago, but encouraged by friends and admirers such as Doc Severinsen, the group held fast and soldiered on. After auditioning over 30 potential replacements for Kath, Chicago decided upon guitarist/singer/songwriter Donnie Dacus, who joined the band in April 1978 just in time for the Hot Streets album (he was also being filmed for the musical Hair at the time). Its energetic lead-off single, "Alive Again", brought Chicago back to the Top 15; James Pankow wrote it "originally as a love song but ultimately as recognition of Kath's guiding spirit shining down from above." The group was briefly re-energized by Dacus, whose long blond hair and rock star image stage presence seemingly overshadowed his musical abilities. The kinetic Dacus may have been out of character for the normally laid-back Chicago, but he could sing and play, and the band responded by delivering some of their tightest live performances ever. Hot Streets, with producer Phil Ramone now at the helm, was Chicago's first album with an actual title rather than a number and was the band's first LP to have a picture of the band (shot by photographer Norman Seeff) featured prominently on the cover (with the ubiquitous logo downsized), two moves that were seen by many as a way to indicate the band had changed following Kath's death. To a degree, the band returned to the old naming scheme on its subsequent releases, although most titles would now bear Arabic numerals rather than Roman numerals. The release of Hot Streets also marked a move somewhat away from the jazz-rock direction favored by Kath and towards more pop songs and ballads. Dacus didn't last long, only staying with the band through the 1979 album Chicago 13 (Dacus is also featured in a promotional video on the DVD included in the Rhino Records Chicago box set from 2003). 13, again produced by Phil Ramone, was the group's first studio album not to contain a Top 40 hit. 1980's Chicago XIV, produced by Tom Dowd, relegated the horn section to the background on a number of tracks, and the album's two singles failed to make the Top 40. Production values were spare, perhaps due to the lean, stripped-down New Wave music that was popular at the time. Chris Pinnick handled the guitar duties and came close to the "Kath sound," but did not sing. He would remain with the band through 1985. Believing the band to no longer be commercially viable, Columbia Records dropped them from its roster in 1981 and released a second "Greatest Hits" volume later that year to fulfill its contractual obligation. The second major phase of the band's career took off in late 1981—with a new producer (David Foster), a new label (Warner Brothers), and the addition of keyboardist/guitarist/singer Bill Champlin and guitarist Chris Pinnick (who had played on XIV and subsequent tour); percussionist Laudir de Oliveira also departed at this time along with former Buckingham and sax player Marty Grebb, who had joined the group briefly for the XIV tour. Foster brought in studio musicians for some of the tracks on Chicago 16 (including the core members of Toto), and Chicago once again topped the charts with the song "Hard to Say I'm Sorry/Get Away", which was featured in the soundtrack of the Daryl Hannah film Summer Lovers. This was followed up by a string-laden power ballad that barely missed the top 20, "Love Me Tomorrow". The following album, Chicago 17, became the biggest selling album of the band's history, producing two more Top Ten singles—"You're the Inspiration" and "Hard Habit to Break" (both #3 hits)—and two other singles: "Stay the Night" (#16) and "Along Comes a Woman" (#14). Peter's brother, Kenny Cetera, was brought into the group for the 17 tour to add percussion and high harmony vocals. Lead vocalist Peter Cetera's desire to record a second solo album (he'd done his eponymous first one in 1981) and not continue with the band's gruelling tour schedule caused him to leave Chicago in 1985. Although other band members (including Lamm and Champlin) have released solo material, Cetera has proved the most successful—topping the pop charts with The Karate Kid, Part II theme song "Glory of Love", and with "The Next Time I Fall" (a duet with Amy Grant). Two more songs—a 1988 solo hit called "One Good Woman" (#4 U.S.) and a 1989 duet with Cher called "After All" (#6 U.S.)—reached the Top Ten. The post-Cetera era Cetera was replaced in September 1985 by bassist/singer/songwriter Jason Scheff, who joined the band for the final Foster-produced album Chicago 18. This album was not as commercially successful as the previous two, but still produced the #3 single "Will You Still Love Me?", a Top 5 Adult Contemporary and Top 20 Pop song ("If She Would Have Been Faithful..."), and also a high-tech and highly programmed version of "25 or 6 to 4" with a concept video that got a lot of airplay on MTV. Soon after the album was recorded, the band hired guitarist Dawayne Bailey from Bob Seger's Silver Bullet Band. Bailey and Scheff had previously played in bands together, so Scheff introduced Bailey to the band in time for the Chicago 18 tour (Scheff and Bailey's first concert with Chicago took place on Friday Oct 17, 1986 in Rockford, Illinois). In 1988, the band replaced producer Foster with Ron Nevison and Chas Sanford, and they topped the charts again with the Diane Warren-composed single "Look Away", from the album Chicago 19. The album also yielded two more Top 10 hits, both with Bill Champlin singing solo lead for the first time and another Top 5 single that would officially be a release from the forthcoming greatest hits record. Chicago 19 was followed in short order by Greatest Hits 1982-1989, which included the aforementioned #5 hit "What Kind Of Man Would I Be?", a slightly remixed tune originally included on 19 and sung by Jason Scheff. The album's other Top Ten hit, "You're Not Alone", reached #10 in early 1989. During 1989, Chicago did a reprise joint concert tour with The Beach Boys (and would do so once again in 1997). The band continued in the decade of the 1990s, even though their popularity began to decline. There was also another personnel change: founding member Danny Seraphine was fired by the band in 1990 and was replaced by drummer Tris Imboden, who first appeared on the 1991 album Twenty 1. Imboden was well-known in the industry as the longtime drummer for Kenny Loggins. Chicago was recognized with a star on the Hollywood Walk of Fame on July 23, 1992. In 1993, Chicago wrote and recorded their 22nd album, Stone of Sisyphus. Their record company at the time though, Reprise [Warner Music Group], was unhappy with the finished result, and thus the album was not released, although in succeeding years bootleg recordings of the album went on to surface worldwide, including over the Internet. It is also rumored that the label would not release the album as a result of being unable to reach a licensing agreement with band management over the back catalog. Selected tracks from the unreleased album were later officially released on four international compilation greatest hits CDs and the Rhino Records 2003 box set, and four were re-recorded for band members' solo albums. One track, "The Pull," was performed live during their 1993 appearance at the Greek Theatre (taped for PBS, and released on video in 1993). The album finally did see a release in June 2008, almost 15 years after its completion. Starting on their 1994 tour, Chicago merged their unique sound with Big Band music for the 1995 album Night & Day Big Band, which consisted of covers of songs originally recorded by artists like Sarah Vaughan, Glenn Miller, and Duke Ellington (from whom the album mainly got its inspiration). Session guitarist Bruce Gaitsch handled the guitar work, and the album featured guest appearances by Paul Shaffer of "David Letterman" fame, and Aerosmith guitarist Joe Perry. Keith Howland joined the band as guitarist in early 1995 to replace the departed Dawayne Bailey. During a Los Angeles concert in 1997, Chicago teamed up with the Hollywood Bowl Orchestra to perform a James Pankow/Dwight Mikelson orchestral arrangement of Pankow's rock epic "Ballet for a Girl in Buchannon". Also during this year, the group released The Heart of Chicago 1967-1997, a compilation album which went gold and yielded the #1 Adult Contemporary hit "Here in My Heart." In 1998, Chicago released Chicago XXV: The Christmas Album, which mixed traditional holiday favorites with an original Lee Loughnane composition. It went gold in the US. (The album was re-released with additional tracks in 2003, under the title ''What's It Gonna Be, Santa?) The album featured Howland's first, and to date only, lead vocal on a Chicago record. The band released a live album in 1999, Chicago XXVI, which included only two of the many songs Cetera helped to write while in the group. In 2000, the group had the opportunity to tell their story in an episode of VH1's Behind The Music. This included gems such as Pankow relating this story from the early 1980s: "One record company said, 'Man, if you get rid of the horn section, we'll sign ya...' That's like tellin' Elton John to get rid of the piano." The show, however, was not without its difficulties. The episode put more emphasis on the death of Terry Kath than on their entire career combined, and Peter Cetera refused to be interviewed or to allow the songs he wrote to be played on it (although the episode did include interviews he gave to others and songs he co-wrote). Chicago today Despite the personnel changes over the years, the group is still active four decades after its founding. They are one of the few major rock groups that have never broken up or even taken an extended hiatus. As of June 2010, four of the six surviving founding members (major songwriters Lamm and Pankow, plus Loughnane and Parazaider) remain providing continuity, while Jason Scheff has been with the band 25 years, Tris Imboden 20 years, and Keith Howland 15 years. As a new century turned, the band licensed their entire recorded output to Rhino Records (after years with Columbia Records and Warner Brothers). In 2002, Rhino released a two-disc compilation, The Very Best of Chicago: Only The Beginning, which spans the band's entire career. The compilation made the Top 40 and sold over 2 million copies in the US, and includes a new edit of "Make Me Smile"—which segued together the beginning ("Make Me Smile") and end ("Now More Than Ever") parts of the "Ballet for a Girl in Buchannon" suite like the original single did, but without its numerous cuts. Rhino has also begun releasing remastered versions of all of the band's Columbia albums, each including several bonus tracks. In 2003, they released a 5-CD / 1-DVD box set—which includes a new edit of "It Better End Soon" (minus the flute solo), a track they had done for USA for Africa: We Are the World ("Good for Nothing"), and 3 tracks from the still-unissued Stone of Sisyphus album (its title track, "All the Years", and "Bigger Than Elvis"–the latter being Scheff's tribute to his father, who had performed with Elvis Presley). In 2005, they released a compilation entitled Love Songs. Chicago continues to appear in big and small venues worldwide. In 2004–2005 they toured jointly with the band Earth, Wind & Fire; a DVD recorded during that tour, Chicago/Earth, Wind & Fire - Live at the Greek Theatre, was certified platinum just two months after its release. The group released Chicago XXX, on March 21, 2006, their first all-new studio album since Twenty 1. Two songs from this album, "Feel" and "Caroline", were performed live during Chicago's Fall 2005 tour; the studio recording of "Feel" debuted on WPLJ radio in New York in November 2005. "Feel" was the first single released. The album contains two versions of the song: one with horns and an orchestral tag that echoes "Love Me Tomorrow", and another non-brass version. "Love Will Come Back" was the second single released. While Chicago XXX did manage to debut at No. 41 on the US album chart (besting some other entries, including Chicago XIV, which hit US #71, and Twenty 1, which topped out at only US #66), it only remained in the top 200 for two weeks. During March 2006, Chicago made a multi-week appearance at the MGM Grand Las Vegas, which was repeated in May of the same year. In July 2006, the band made a series of US appearances with Huey Lewis and the News. Highlights of that tour included Chicago's Bill Champlin performing with Huey Lewis and the News on a couple of songs, members of Huey Lewis and the News contributing to Chicago's percussion-laden song, "I'm a Man," and Huey Lewis singing the lead vocal on Chicago's "Colour My World." At the end of 2006, the band played at CD USA's New Year's Eve party on Fremont Street in Las Vegas. Chicago toured the summer of 2007 with the band America. On October 2, 2007, Rhino Records released the two-disc The Best of Chicago: 40th Anniversary Edition, a new greatest hits compilation spanning their entire forty years, similar to The Very Best of: Only the Beginning, released four years earlier. June 17, 2008 saw the official release of the Stone of Sisyphus album by Rhino Records, recorded in 1993 and originally slated for a March 1994 release until being shelved by Warner Records. The album contains eleven of the original twelve tracks (the raucous "Get on This" was left off), plus four demo recordings. In 2009 Chicago reunited with Earth, Wind & Fire for yet another joint tour. In August 2009, Bill Champlin, who was with Chicago for 28 years, left the band to focus on his own music and solo career. His replacement is keyboardist Lou Pardini. On December 12, 2009, Chicago performed nine songs live on stage at the Arena at Harbor Yard in Bridgeport, Connecticut as part of Brian Boitano's Skating Spectacular, taped for a New Year's Day NBC television broadcast. Boitano and other skaters performed live on the ice to the band's music. Chicago toured with the Doobie Brothers in 2010, and the band appeared on the American Idol 9th season finale. Robert Lamm also records with Les Deux Love Orchestra. New Album Recording Fall 2010 During an appearance at the Chicago True Advocates Fan Club Convention on April 3, 2010, Robert Lamm announced that, in Oct. 2010, the band will convene with producer Phil Ramone (producer of Hot Streets and Chicago 13) to produce a new Christmas album. Lamm also announced that the band will begin work on a new Chicago album in the fall of 2010.

Gilbert "Gilby" Clarke (born August 17, 1962, in Cleveland, Ohio) is an American guitarist and record producer best known for a 3-year tenure as the rhythm guitarist of Guns N' Roses, replacing Izzy Stradlin in 1991 during the Use Your Illusion Tour. Following his departure from the group, Clarke went on to forge a solo career as well playing guitar with Slash's Snakepit, Heart, Nancy Sinatra, Kathy Valentine (of the Go-Go's), MC5 and forming his own group Rock Star Supernova with members of Metallica and Mötley Crüe. Clarke's production work includes albums by L.A. Guns, Bullets and Octane, The Bronx and Vains of Jenna. Biography Early music career (1985-1991) Gilby Clarke started his musical career during the first half of the Eighties, replacing Candy's original guitarist, Geoff "Rexx" Siegel. He left them to form Kill For Tohrills, a metal band which released the EP Commercial Suicide and the LP Dynamite from Nightmareland and before eventually disbanding. Guns N' Roses (1991-1994) Following rhythm guitarist Izzy Stradlin's decision to abruptly quit the band, citing a combination of Axl Rose's personal behaviour (he would consistently delay the start of shows by hours at a time) and his mismanagement of the band and difficulties being around Slash, Sorum, and McKagan due to his new-found sobriety and their continuing alcohol and substance addictions, Clarke was chosen as his replacement. During many shows throughout the tour, Rose introduced Clarke and had him play "Wild Horses", a Rolling Stones cover with Slash. He toured extensively with the band on the Use Your Illusion Tour between November 1991 and 1993. On November 23, 1993, Guns N' Roses released a collection of punk and glam rock covers entitled "The Spaghetti Incident?" where many of the tracks were recorded with original Guns N' Roses guitarist Izzy Stradlin during the Use Your Illusion I and II sessions and then were later re-recorded by Clarke. Clarke's only other appearances on a Guns N' Roses release would be on the live and compilation albums Live Era: '87-'93 and Greatest Hits. Solo career (1994-2006) In 1994, he released his debut solo album Pawnshop Guitars which featured contributions from several of his friends including all the then members of Guns N' Roses. It went gold in Argentina. Since then he has released another three solo albums, The Hangover, Rubber and 2002's Swag as well as the live album 99 Live. He formed the band Col. Parker with ex-Stray Cat Slim Jim Phantom and former touring additional GN'R keybordist Teddy "Zig Zag" Andreadis, releasing the album Rock N Roll Music in 2001. In addition, he made a guest appearance on the L.A. Guns album Shrinking Violet, which he also produced. Clarke also produced The Bronx's self-titled album released in 2003 and Girlsplayboys debut album From Ritual to Romance in 2006. In 2002 Clarke worked with Nancy Sinatra on her album California Girl and a year later joined Heart on their national tour. In 2006, Clarke embarked on a solo tour across America and Europe before joining former Metallica bassist Jason Newsted, Mötley Crüe drummer Tommy Lee and vocalist Lukas Rossi in the band Rock Star Supernova. In 2007 he released a best of album featuring tracks from all of his solo albums as well as two songs from the Col. Parker project and a re-recording of the song "Black", featuring vocals by Rock Star: Supernova runner-up Dilana. Slash's Snakepit (1995) Following the end of the Use Your Illusion Tour in 1993, Guns N' Roses guitarist Slash began recording demos of material that he had written during the tour, at his home studio with bandmate Matt Sorum. Clarke and Alice in Chains bassist Mike Inez soon started to come around to jam with them. They eventually recorded twelve demo songs. Eric Dover, live guitarist for Jellyfish, successfully auditioned to become the group's singer. Slash and Dover wrote the lyrics for all the tracks, except "Monkey Chow" which was contributed by Clarke and "Jizz da Pit" which is an instrumental written by both Slash and Inez. The album was released by Geffen Records in February 1995 chartiing at #70 on the Billboard 200. For the tour in support of the album, James LoMenzo and Brian Tichy, both members of Zakk Wylde's solo band, joined the band to replace Inez and Sorum who could not tour with the group due to other commitments. With Guns N' Roses regrouping to record a new album, Snakepit disbanded with Clarke resuming his solo career, releasing his second album The Hangover in 1997. Rockstar: Supernova (2006-Present) In 2006, Mötley Crüe drummer, Tommy Lee, formed Supernova with Clarke on guitars and former Metallica bassist Jason Newsted. The band used the TV show Rockstar to find a new lead singer. Lukas Rossi was chosen as their lead singer (although several fans have believed Toby Rand was his favorite.) The name Supernova however was already taken; another band from California was touring with the name before the Clarke incarnation. On June 26, 2006, the latter band filed a federal lawsuit. On Tuesday, September 12, 2006, San Diego Judge John Houston ruled in favor of the original Supernova, granting their request for a preliminary injunction. The injunction keeps the producers of "Rock Star: Supernova" — which concluded September 13 as a television show, but will continue as a recording, touring, and merchandise entity for some time to follow — from "performing rock and roll music, or recording, or selling rock and roll music recordings under the same name, pending a trial of this action on its merits, or until otherwise ordered by the court." As such, the band has renamed itself as Rock Star Supernova, for the moment at least. He produced a cover of Johnny Cash's "Ring of Fire" on Rockstar: Supernova runner-up Dilana Robichaux's 2007 album, also released as a single on digital download websites. In July 2008 Gilby Clarke played at the G-TARanaki Guitar Festival in New Zealand. His solo band included bassist Muddy Stardust and drummer Muddy Stardust. He then toured North America as part of the Rock n' Roll Fantasy Camp.

American actress born in Richmond, Virginia Filmography Vengeance (1918) [Actress .... Hindu Wife] Stolen Hours (1918) [Actress .... Lady Hermione] A Self-Made Widow (1917) [Actress .... Della] The Page Mystery (1917) [Actress .... Kathleen Lorraine] Miss Petticoats (1916) [Actress .... Mrs. Worth Courtleigh] The Unpardonable Sin (1916/I) [Actress .... Mae Forsythe] (as Lila Hayward Chester) The Sins of Society (1915) [Actress .... Madame D'Orville] (as Lila Hayward Chester) The Little Mademoiselle (1915) [Actress .... Gabrielle D'Ornay] A Plugged Nickel (1915) [Actress .... Lila Christopher - Wife] (as Lila Hayward Chester) The Bridal Bouquet (1915) [Actress] The Terror of Anger (1914) [Actress .... Rawlings' Unfaithful Wife] The Million Dollar Mystery (1914) [Actress .... Susan Farlow - Florence's Companion] The Girl Across the Hall (1914) [Actress .... Alice Donovan] (as Lila Hayward Chester) The Musician's Daughter (1914) [Actress .... The Wealthy Widow] The Tin Soldier and the Dolls (1914) [Actress .... Mrs. Gray - Helen's Mother] When Sorrow Fades (1914) [Actress] Their Cousin from England (1914) [Actress .... Mrs. Gray] The Eugenic Boy (1914) [Actress .... Mrs.Pointdexter] Cardinal Richelieu's Ward (1914) [Actress .... Marion de Lorme] The Success of Selfishness (1914) [Actress .... Irene's Maid] Joseph in the Land of Egypt (1914) [Actress .... Undetermined Role] (as Lila Hayward Chester) Coals of Fire (1914) [Actress .... A Nurse] Adrift in a Great City (1914) [Actress .... The Nurse] The Runaway Princess (1914) [Actress .... The Millionaire's Sister] Frou Frou (1914) [Actress .... Undetermined Role] Peggy's Invitation (1913) [Actress .... Gracia Vanderlee] Uncle's Namesakes (1913) [Actress .... May, Jack's Wife] ... aka "His Great Uncle's Spirit" - USA (alternative title) The Legend of Provence (1913) [Actress .... The Adventuress] Baby's Joy Ride (1913) [Actress .... Beatrice Winters, the Wife] The Children's Hour (1913) [Actress .... The Wife] Moths (1913) [Actress .... Lady Dolly] Flood Tide (1913/I) [Actress] The Wax Lady (1913) [Actress] The Heart of a Child (1913) [Actress .... The Mother] Babies Prohibited (1913) [Actress] Just a Shabby Doll (1913) [Actress .... The Governess] ... aka "Little Nell" - USA (alternative title) Cousins (1912) [Actress .... Vaudeville Artist] The Professor's Son (1912) [Actress .... The Nurse] The Cry of the Children (1912) [Actress .... The factory owner's wife]

Diahann Carroll (born July 17, 1935, in New York, New York) is an American actress and singer. Having appeared in some of the earliest major studio films to feature black casts such as Carmen Jones and Porgy and Bess, she starred in 1968's Julia, one of the first series on American television to star a black woman in a non-stereotypical role. Later she created the role of Dominique Deveraux on the popular prime time soap opera, Dynasty. She is the recipient of numerous stage and screen awards and nominations. Carroll has been married four times and became the mother of a daughter in 1960. She is a breast cancer survivor and activist. Early years Carroll was born Carol Diahann Johnson in The Bronx, New York, to John Johnson of Aiken, South Carolina and Mabel Faulk of Bladenboro, North Carolina. When Carroll was an infant, the family moved to Harlem where she grew up. She attended Music & Art High School, along with schoolmate Billy Dee Williams. Career Carroll's film debut was a supporting role in Carmen Jones (1954) as a friend of the sultry lead character. She then starred in the Broadway musical, House of Flowers. In 1959, she played Clara in the film version of Gershwin's Porgy and Bess, but her character's singing parts were dubbed by opera singer Loulie Jean Norman. In 1962 she won the Tony Award for best actress (a first for a black woman) for the role of Barbara Woodruff in the Samuel A. Taylor and Richard Rodgers musical No Strings. In 1974, she was nominated for an Academy Award for Best Actress for Claudine. Carroll is best known for her title role in the 1968 television series Julia, which made her the first African American actress to star in her own television series where she did not play a domestic worker. She was nominated for an Emmy Award in 1969, and won the Golden Globe Award for Best Actress In A Television Series” in 1968.[2] Her first Emmy nomination had come in 1963 for Naked City. Some of her other earlier work included appearances on shows hosted by Jack Paar, Merv Griffin, Johnny Carson, Judy Garland and Ed Sullivan, and on The Hollywood Palace variety show. In 1984, Carroll joined the nighttime soap opera Dynasty as the jetsetter Dominique Deveraux, half-sister of Blake Carrington played by actor John Forsythe. Her high profile role on Dynasty also reunited her with actor Billy Dee Williams, who briefly played her onscreen husband Brady Lloyd. Carroll remained on the show until 1987, simultaneously making several appearances on its short-lived spinoff, The Colbys. She received her third Emmy nomination in 1989 for the recurring role of Marion Gilbert in A Different World. In 2006, she appeared in the television medical drama Grey's Anatomy as Jane Burke, the demanding mother of Dr. Preston Burke. She appeared as Nana in 2010 Lifetime Movies "At Risk" and "The Front", movie adaptations of two Patricia Cornwell novels. Carroll starred as the crazed silent movie star Norma Desmond in the Canadian production of Andrew Lloyd Webber's musical version of the classic film Sunset Boulevard. In December 2008, Carroll was cast in USA Network’s series White Collar as June, the savvy widow who rents out her guest room to Neal Caffrey. Carroll was featured in UniGlobe Entertainment's breast cancer docudrama entitled, 1 a Minute, released in 2010. Personal life Carroll has had four marriages, the first of which, with the record producer Monte Kay, produced a daughter, Suzanne Kay Bamford (born September 9, 1960), who became a freelance media journalist. In 1973, Carroll surprised the press by marrying Las Vegas boutique owner Fred Glusman. She and British television host and producer David Frost had been dating at the time, and were actually engaged. Several weeks later, she filed for divorce, charging Glusman with physical abuse. In 1975, she married Robert DeLeon, a managing editor of Jet magazine. She was widowed two years later when DeLeon was killed in a car crash. Carroll's fourth and last marriage was to singer Vic Damone in 1987. The union, which Carroll admitted was turbulent, saw a legal separation in 1991, a reconciliation, and finally divorce in 1996. As a breast cancer activist and survivor, she invited a camera crew into her treatment room for a national broadcast special to draw attention to the disease.

Xenia 7 Isla 12 Valentina 8 Alejandra 10

in a huge dilemma

You could have helped me today at the bake sales Busy day today?

9

GSP VS Nick Diaz on Oct. 29 at UFC 137

Nick Diaz VS Georges St. Pierre will happen on Oct. 29 at UFC 137