Jump to content
  • Sign Up


  • Content Count

  • Joined

  • Last visited

Everything posted by COP11

  1. {name}

    Samantha Mathis

    Samantha Mathis (born May 12, 1970) is an American actress. The daughter of actress Bibi Besch, Mathis made her film debut in Pump Up the Volume (1990). Early life Mathis was born in Brooklyn, New York City, New York, the daughter of actress Bibi Besch, and granddaughter of actress Gusti Huber. Her parents divorced when she was 2 years old, and Mathis was raised by her mother. She relocated to Los Angeles, Los Angeles County, California at the age of 5. Mathis' mother discouraged her from pursuing acting, but growing up on locations, in theaters, and in acting classes, Mathis knew she wanted to act.She decided to become an actress at the age of 12. Career Mathis began acting professionally at the age of sixteen, her first job was a commercial for "Always Slender Pads - Just For Teens". She co-starred in the television series Aaron's Way and Knightwatch from 1988 to 1989. Her first starring role in a feature film was that of Nora in Pump Up the Volume (1990), opposite Christian Slater, whom she briefly dated at the time. Mathis dyed her natural blonde hair black for the role to change her image from sweet and innocent, to strong willed. Mathis appeared in the television movies Extreme Close-Up, 83 Hours 'Til Dawn, and To My Daughter in 1990. Mathis and Slater had voice roles in the animated film FernGully: The Last Rainforest (1992). She next appeared in the comedy This Is My Life (1992), written and directed by Nora Ephron, playing an insecure teenager Mathis appeared in the play Fortinbras in New York City in October 1992. Super Mario Bros. (1993), where she played Princess Daisy from the popular Nintendo video game, was a box office bomb. Mathis met actor River Phoenix on the set of the country music film The Thing Called Love (1993) and the two started a relationship. She was with Phoenix the night he died of a drug overdose after collapsing outside West Hollywood's Viper Room on Halloween, October 31, 1993; he died later at Cedars-Sinai Hospital. She made the film Jack and Sarah (1995), which was shot in London, in order to get out of the country after his death because of the large amount of press coverage. Mathis appeared in Little Women, the 1994 film version of the novel by Louisa May Alcott, and How to Make an American Quilt (1995), both starring Winona Ryder, an actress she was often compared to early in her career. She then co-starred with Michael Douglas in The American President (1995), playing the assistant to the President of the United States. Mathis co-starred with Christian Slater again, along with John Travolta, in John Woo's Broken Arrow (1996). She took a little over a year off from acting after her mother died in 1996. She was later in American Psycho (2000), directed by Mary Harron, an adaptation of the 1991 Bret Easton Ellis novel of the same name. She starred opposite Gretchen Mol, Tom Everett Scott and Matthew Settle in Attraction (2000), and in The Simian Line (2001), opposite William Hurt, Lynn Redgrave and Harry Connick, Jr. She starred in the TNT television miniseries The Mists of Avalon (2001), with Anjelica Huston, Joan Allen and Julianna Margulies. Mathis starred with Thomas Jane in The Punisher (2004). Mathis had a guest role on the ABC television show Lost as Dharma Initiative member Olivia Goodspeed; her character was supposed to play a larger role in Season 5 as the wife of Horace Goodspeed, although for unknown reasons she did not appear and her character was removed altogether. Mathis's film, Lebanon, PA, had its world premiere at the 2010 SXSW Film Festival. Awards and nominations She was nominated in 1995 for a Young Artist Award at the Young Artist Awards for Best Young Actress Starring in a Motion Picture for This Is My Life (1992) and in 2005 for a Saturn Award by the Academy of Science Fiction, Fantasy & Horror Films for Best Supporting Actress on Television for 'Salem's Lot (2004) (TV).
  2. {name}

    Martina McBride

    Martina McBride (born Martina Mariea Schiff on July 29, 1966, in Sharon, Kansas) is an American country music singer and songwriter. McBride has been called the "Céline Dion of Country Music" for her big-voiced ballads and soprano range. McBride was signed to RCA Records in 1991 and made her debut the following year as a neo-traditionalist country singer with the single, "The Time Has Come. It was not until 1997, when she released her fourth album, Evolution, that she broke through into the country music industry with a new pop-styled crossover sound, similar to that of Faith Hill and Shania Twain. From that point on, McBride has had a string of major hit singles on the Billboard country chart and occasionally on the adult contemporary chart. Five of these singles went to #1 on the country chart between 1995 and 2001, and one peaked at #1 on the adult contemporary chart in 2003. McBride has recorded a total of nine studio albums, one "greatest hits" compilation, one "live" album, a "Christmas" compilation, as well as two additional compilation albums. Seven of her studio albums and two of her compilations have received an RIAA certification of "Gold", or higher. Worldwide, she has sold over 16 million albums. In addition, Martina has won the Country Music Association's "Female Vocalist of the Year" award four times (tied with Reba McEntire for the most wins) and the Academy of Country Music's "Top Female Vocalist" award three times. Early life McBride was born Martina Mariea Schiff in Sharon, Kansas to Daryl and Jeanne Schiff on July 29, 1966. She has two brothers, Martin and Steve, who currently plays in her concert band, and a sister, Gina. She was raised in Sharon, Kansas, a small town with population of about 200. Her father, who was a farmer and cabinetry shop owner, exposed McBride to country music at a young age. Listening to country music helped her acquire a love for singing. After school, she would spend hours singing along to the records of such popular artists as Pat Benatar, Linda Ronstadt and Bonnie Raitt. Around the age of 8 or 9, McBride began singing with a band her father fronted, "The Schiffters." As Schiff grew older her role in the band progressively increased, from simply singing, to also playing keyboard with them. Although she enjoyed performing, Schiff never thought about taking it on as a full-time profession At the end of high school, Schiff was offered a scholarship to a local college, but she only attended it for one semester. She realized her passions lay in music and she began performing with local rock bands, including the Penetrators and Private Parts throughout her home area.In 1987, Schiff arranged a group of musicians and started to look for rehearsal space. She began renting space by studio engineer John McBride, whom Schiff met and became engaged to four months later After marrying McBride, the two moved to Nashville, Tennessee, in 1989 in the hope of beginning a career in country music. John McBride joined the sound crew of Garth Brooks and later become his concert production manager. Martina occasionally joined her husband on the road and helped sell Garth Brooks souvenirs. Brooks, who was impressed by McBride's enthusiastic spirit, offered her the position of his opening act on his 1992 tour, though only if she could obtain a recording contract During this time, while her husband was working with country artists Charlie Daniels and Ricky Van Shelton, he also helped produce her a demo tape, which helped her gain a recording contract with RCA Nashville Records, in 1991 Country success: 1992-1996 McBride released her debut studio album through the RCA Records label in 1992, titled The Time Has Come, which contained a variety of differently styled songs from "Honky Tonk" to "Country-Folk."Although the album gained many positive reviews, the singles the album spawned did not gain enough radio airplay to become major hits. The album's titled track was the biggest hit, peaking at #23. It was her second album, 1993's The Way That I Am, that gave McBride her first major hits. Its first single, "My Baby Loves Me", went to #2 on the Billboard Country Chart, and its follow-up, "Life #9", also reached the Country Top 10. The third single, "Independence Day", a song about domestic abuse, nearly reached the Top 10. "Independence Day" was originally offered to Reba McEntire, but she did not record the song. The song didn't reach the Top 10 particularly because many radio programmers objected to the song's subject of a mother fighting back against abuse by burning the family home to the ground. However, the song has become one of McBride's signature hits and helped lead to the major success of her second album, which has sold a million copies in the United States to date. "Independence Day" won "Video of the Year" by the Country Music Association Awards, and since then she has rarely released a single without a music video to accompany it McBride's third studio album was 1995's Wild Angels, which spawned her third Top 10 hit, "Safe in the Arms of Love." The album's title track became her first #1 hit single in 1996. Like her previous album, Wild Angels sold a million copies, and was produced by McBride, Paul Worley, and Ed Seay. That same year she also joined the Grand Ole Opry in Nashville. The album's final three singles released between 1996 and 1997, ("Phones Are Ringin' All Over Town," "Cry on the Shoulder of the Road," and "Swingin' Doors") only reached the Top 40 on the country chart. Breakthrough: 1997-2003 In 1997, McBride released her fourth album, Evolution, which became her first Top 10 country album, reaching #4 on the Top Country Albums chart. The third single spawned from the album, "Valentine," a duet with Jim Brickman, produced by pop producer Dan Shea, was not just a Top 10 hit on the Billboard Country Chart, but also went to #3 on the Billboard Adult Contemporary Chart, giving her one of her first major hits on Adult Contemporary radio. From the album, McBride had two singles that reached #2 on the country charts, "Happy Girl" and "Whatever You Say," as well as two #1 singles, "A Broken Wing" and "Wrong Again." The album was McBride's breakthrough into the country music industry, after acquiring 5 Top 10 hits from it. Towards the end of 1998, the album was certified double platinum in sales by the Recording Industry Association of America for selling two million units. In addition, she also won the Country Music Association Awards' "Female Vocalist of the Year" award in 1999 and also performed for President Bill Clinton during the same time. In 1998 she also issued a Christmas album, White Christmas, which was later reissued. Her fifth studio album, Emotion, was released in 1999. Its lead single, "I Love You," reached #1 on the Billboard Country Chart in 1999, and also crossed over to the Adult Contemporary chart. The song's three follow-ups, "Love's the Only House," "There You Are," and "It's My Time" were also successful country hits that made the Top 10. In 2001, she released her first compilation, Greatest Hits, which featured four new songs. It was her first album to reach #1 on the Top Country Albums chart, and eventually sold enough copies for it to peak at #5 on the Billboard 200. The four new songs were all released as singles, beginning with "When God-Fearin' Women Get the Blues," followed by "Blessed," (which reached #1), "Where Would You Be," and "Concrete Angel," all of which reached the Country Top 10 between 2001 and 2002.To date, the album has been certified 3× Multi-Platinum in sales by the Recording Industry Association of America, and is her highest-selling album. In 2003, McBride released her sixth studio album, Martina, which celebrated womanhood. The first single, "This One's for the Girls," went to #3 on the Billboard Country Chart and also went to #1 on the Adult Contemporary chart. The second single, "In My Daughter's Eyes," reached #3 as well on the country chart and reached the Top 5 on the Adult Contemporary chart. These first two were McBride's first Top 10 solo hits on the Adult Contemporary chart, giving her a larger audience that included Pop music listeners. Two additional singles followed in 2004 that reached the Top 20 on the country chart. Also in 2003, McBride presented the second, Joy of Christmas Tour, and began to plan it as an annual event. That year she was also featured on an episode of Country Music Television's Crossroads show with her idol from childhood, Pat Benatar. Together they sang Benatar's "Hit Me with Your Best Shot" and McBride's "Independence Day," as well as other songs. In 2004 McBride won the CMA's Female Vocalist award for the fourth time, following the wins in 2003, 2002 & 1999, which tied her for the most wins in that category with Reba McEntire. Timeless & Waking Up Laughing: 2005-2009 After finding success in country pop-styled music, McBride released her next studio album in 2005, Timeless, which was an album consisting of country covers. The album included cover versions of country music standards, such as Hank Williams' "You Win Again," Loretta Lynn's "You Ain't Woman Enough," and Kris Kristofferson's "Help Me Make It Through the Night." To make the album fit its older style, McBride and her husband hired older Nashville session players and outdated analog equipment. The album was very successful, selling over 250,000 copies within its first week, the highest sales start for a Martina McBride album. The lead single, a cover of Lynn Anderson's 5-week #1 hit from 1970, "(I Never Promised You A) Rose Garden," was a major hit, peaking at #18 on the Billboard Country Chart. The album's other two singles, "I Still Miss Someone" and "You Ain't Woman Enough," were not as successful. In 2006, McBride served as a guest coach on Canadian Idol. The remaining five finalists traveled to Nashville, where McBride worked with the competitors on the songs they had chosen by country artists such as Gordon Lightfoot and Patsy Cline. Among the other guest judges that year were Nelly Furtado and Cyndi Lauper.McBride later joined Canadian Idol on a tour in the Spring. In 2007, McBride also served as a guest coach on Fox Networks television series, American Idol. In 2007, McBride released her eighth studio album, Waking Up Laughing. It was the first album in which McBride co-wrote some of the tracks. She set up her Waking Up Laughing Tour in 2007, which included country artists Rodney Atkins, Little Big Town, and Jason Michael Carroll The album's lead single, "Anyway," went to #5 on the Billboard Country Chart, becoming her first Top 10 hit since 2003. Its follow-up, "How I Feel," reached the Top 15. In Spring 2008, McBride released Martina McBride: Live In Concert, a CD/DVD set.It was taped in Moline, Illinois in September 2007. In July 2007, The ABC Television Network announced a special program called Six Degrees of Martina McBride where individuals from around the country were challenged to find their way to Martina McBride on their own connections and research using a maximum of six methods. The "winner" of this challenge eventually located a direct connection to Martina through her husband John McBride who knew someone, who knew someone else. McBride recently recorded an electronically-produced duet with the late Elvis Presley, performing his song "Blue Christmas" as a duet with him on his latest compilation, The Elvis Presley Christmas Duets. A compilation collection entitled Playlist: The Very Best of Martina McBride was released on December 16, 2008 as part of Sony BMG Playlist series. The album features 11 previously released tracks and three unreleased tracks. Shine: 2009-present Martina McBride wrapped up production of her tenth studio album in late 2008. The first single, "Ride", was released to radio in October 2008 and debuted at #43 on the Hot Country Songs chart. It barely missed the Top 10 on the chart, peaking at #11 in March 2009. A music video produced by Kristin Barlowe was also released at the end of the year. The album, Shine, was released by RCA Records on March 24, 2009, and debuted at the top of the U.S. Country album chart as well as #10 on the Billboard 200. McBride co-produced the album with Dann Huff, and it featured "Sunny Side Up", a song that she co-wrote. The second single, "I Just Call You Mine", was released in May 2009 and reached the Top 20 on the Hot Country Songs chart, peaking at #18 in December 2009. A music video produced by Theresa Wengert was also released in June 2009. Martina is currently on the Shine All Night Tour, a co-headlining venture with fellow country star and friend Trace Adkins and opening act Sarah Buxton. The tour began in November 2009 and ended in May 2010. On July 15, 2009 she performed on the Today Show Throws a Wedding reception. In May 2010, Martina was nominated for the first round of CMT Music awards, but lost the second round to Mirand Lambert, Reba McEntire, Carrie Underwood & Taylor Swift. On June 10, 2010, Billboard annouced that McBride has collaborated on a song with Kid Rock for his upcoming new album. The song will also feature rapper T.I. In late June 2010, Martina was nominated for a Teen Choice Award, "Favorite Country Female Artist", alongside country stars Carrie Underwood, Miranda Lambert, Taylor Swift & Gretchen Wilson. The third single from the critically acclaimed album "Shine" was "Wrong Baby Wrong." It was released in February 2010, and has recently peaked at #10 on the Hot Country Singles Charts. She also has been added to the line-up of women for the Lilth Fair, alongside other women in music. It was announced in early July 2010 that a fourth single would be released from "Shine." McBride's twitter account (@TeamMcBride) announced that fans have a vote as to which song will be released. The choices are "Walk Away", "You're Not Leaving Me", and "Lies. "Walk Away" was the winning song, thus it is expected to be the next single from "Shine." Charity work Martina McBride works with a variety of charities. She is currently the spokeswoman for the "National Domestic Violence Hotline" as well as for the "National Network to End Domestic Violence" and national spokeswoman for the Tulsa Domestic Violence and Intervention Services. Every year since 1995, she has hosted Middle Tennessee's YWCA, "Celebrity Auction", and it has raised nearly $400,000 so far. In 2004, she worked with "Kids Wish Network" to fulfill the wish of a young girl dying from Muscular Dystrophy McBride was awarded the "Minnie Pearl Humanitarian Award" in 2003. McBride explained that educating girls and women on domestic violence is something she works on at home with her own daughters, stating that: “ A lot of teenage girls will be first dating and they'll think, 'Oh he doesn't want me to see my friends. He just wants me all to himself. Isn't that sweet?' Or 'Oh, he's just being protective. Isn't that sweet?' And then it turns into something else and it's controlling. They don't recognize that until it's too late. So it's an ongoing education that you have to give young girls, I think. McBride has also teamed up with, "Loveisrespect, National Teen Dating Abuse Helpline," working with them on a new program called, "My Time to Shine." Personal life McBride has been married to sound engineer John McBride, since May 15, 1988. The couple has three daughters: Delaney Katharine (b. 22 December 1994), Emma Justine (b. 29 March 1998), and Ava Rose Kathleen (b. 20 June 2005).
  3. {name}

    Yvonne Craig

    Yvonne Joyce Craig (born May 16, 1937) is an American actress known for her role as Batgirl from the 1960s TV series Batman. Early life and career Yvonne Craig was born in Taylorville, Illinois. She was originally trained to be a ballet dancer and was a member of the corps de ballet of the Ballet Russe de Monte Carlo in the 1950s. Gradually, she moved into acting, and in 1959 appeared in three films: The Young Land, The Gene Krupa Story, and Gidget. In 1960, she appeared as a busty young coed with Bing Crosby in High Time, where she met and married singer/actor Jimmy Boyd. In the following year, she appeared with Cesar Romero in Seven Women from Hell. Romero would later play one of the primary villains in Batman. Another connection to Batman occurred when Craig appeared in "The Case of the Lazy Lover", a 1958 episode of the television series Perry Mason, which also featured Neil Hamilton as her stepfather. Hamilton would later play her father in Batman. After divorcing Boyd in 1962, Yvonne starred in several films, including roles with Elvis Presley in "It Happened At The World's Fair" and Kissin' Cousins and with Dennis Hopper, and appeared in In Like Flint (the sequel to Our Man Flint) as a Russian Ballet dancer opposite James Coburn. Move into television In the mid-1960s, with film roles beginning to taper off, she moved into television, notably as Marta, a green-skinned Orion in the third season Star Trek episode "Whom Gods Destroy" (1968). In this episode, she is interned in an insane asylum and does a memorable dance number. In a 1965 episode of The Man from U.N.C.L.E. ("The Brain Killer Affair"), she helps solve the mystery of a brain-endangering poison. In 1966 U.N.C.L.E. released a theatrical film, One Spy Too Many. This was made from a two-part episode plus new footage with more violence and risque content than seen on television. Craig was hired to do a semi-nude sunbathing scene and carry on a flirtatious relationship with Napoleon Solo. In a 1966 episode of The Wild Wild West ("The Night of the Grand Emir"), she plays an assassin who does an exotic Arabian dance. She also played an exotic dancer in an episode of McHale's Navy ("Pumpkin Takes Over", 1965). And she appeared in an episode of The Big Valley with Lee Majors and Barbara Stanwyck. In a 1968 episode of The Ghost & Mrs. Muir ("Haunted Honeymoon"), she plays a bride-to-be stranded overnight at Gull Cottage. But her fame would come with the cult 1960s television series Batman as Batgirl. Her spouses were: Kenneth Aldrich (1988 - ?) Jimmy Boyd (1960–1962) (divorced) Batman Most famously, in Batman, she had the role of Batgirl (and her alter ego, librarian Barbara Gordon, Commissioner Gordon's daughter). She appeared in the final 1967–1968 season. Batgirl's true identity was unknown to Batman and Robin, and their true identity was unknown to her; only Alfred, the butler for Bruce Wayne/Batman, was aware of Batgirl's identity. Although the Batman TV show has been criticized as "campy," (and Adam West himself said that the show was intentionally a lampoon and farce) many have praised Yvonne Craig's portrayal as having paved the way for many other television heroines in the years that followed. Craig appeared in the last season of the series and was often put in "perilous" situations, along with Batman and Robin. Craig felt some connection to the character and complained to DC Comics about her fate after Barbara Gordon was shot/paralyzed by The Joker in the 1988 graphic novel, Batman: The Killing Joke. Later career After Batman, Yvonne Craig continued to act sporadically in movies and television. Notably, she appeared in guest roles in Love, American Style (the first episode), Kentucky Jones, It Takes a Thief, The Mod Squad, and Emergency! From 1969–1972, she appeared in four episodes of the comedy series Love, American Style. She also did a guest role on The Six Million Dollar Man (1974). Craig eventually moved into private business. For a time, she was a coproducer of industrial shows, after which she worked successfully in the real estate business. She maintains her own internet website. Craig appears in the documentary Ballets Russes. Selected filmography Gidget (1959) The Gene Krupa Story (1959) High Time (1960) By Love Possessed (1961) Seven Women from Hell (1961) It Happened at the World's Fair (1963) Kissin' Cousins (1964) Ski Party (1965) Mars Needs Women (1966) One Spy Too Many (1966) In Like Flint (1967) How to Frame a Figg (1971)
  4. {name}

    Danielle Fishel

    Danielle Christine Fishel (born May 5, 1981) is an American actress and television personality best known for her role as Topanga Lawrence on the 1990s TV sitcom Boy Meets World and as the host of Style Network's The Dish. She also appeared in National Lampoon's Dorm Daze and its sequel and was a spokesperson for NutriSystem. Early life Fishel was born in Mesa, Arizona, the daughter of Jennifer, a personal manager, and Rick Fishel, a medical equipment sales executive. The family relocated to Yorba Linda, California when she was three weeks old. She has one younger brother, Christopher Fishel. She graduated from Calabasas High School class of 1999. Career In 1991, the then 10-year-old Fishel was discovered in a community theater where she performed in two productions, The Wizard of Oz and Peter Pan. She quickly moved on to do voice-overs and commercials, including several as a Barbie Girl for Mattel. Soon after, she appeared on two episodes of the hit show Full House, guest starring as a character named Jennifer. She also had a small role on Harry and the Hendersons, playing Jessica. Fishel's mother became her full-time manager. In 1993, at the age of 12, Fishel began her well-known role as Topanga Lawrence on ABC's pilot series Boy Meets World. Originally written as a small part, Topanga became a recurring role. After a successful first year, Fishel became a show regular. Fishel's character was a sparky, intelligent girl who was mature beyond her years; she replaced the nerdy Stuart Minkus as the brains of the class. The long-running show ended in 2000 after seven years. Fishel was on the cover of Seventeen in December 1998. She took home a 1998 Young Star for Best Performance by a Young Actress in a Comedy TV Series. In June 1999, she was one of "The 21 Hottest Stars Under 21" as presented by Teen People. Fishel was on the cover of GQ's hottest stars to watch in GQ's 1997 September issue. (GQ 1997 9) Since Boy Meets World ended, Fishel has appeared in several films, including National Lampoon's Dorm Daze. In 2006, she appeared in three made-for-DVD releases: National Lampoon's Dorm Daze 2: College at Sea (appearing again as "Marla" from the first film), the action film Gamebox 1.0 (playing a dual role), and The Chosen One, an independent animated film in which she provides the voice of the lead female character. In 2006, Fishel appeared as a guest on The Tyra Banks Show where she discussed her dramatic weight loss with the use of the Nutrisystems Diet. Following her appearance on the show, Fishel became a spokesperson for NutriSystem. She also became a special correspondent for The Tyra Banks Show, starting in early February 2007. By 2010 she had gained some of the weight back, and told People magazine she could not maintain her NutriSystem weight. From August 2008 to March 2011 Fishel hosted The Dish for the Style Network, which satirized pop culture in a format similar to sister network E! Entertainment Television's The Soup. Fishel was also on Fuse TV as host of The Fuse 20, and was a guest star on the round table on an episode of Chelsea Lately. Personal life In real life, Fishel dated her Boy Meets World co-star Ben Savage. She dated former 'N Sync member Lance Bass, who was her date to her high school prom. Filmography Film 2000 Longshot Gloria 2003 National Lampoon Presents Dorm Daze Marla 2004 Gamebox 1.0 Kate/Princess 2006 National Lampoon's Dorm Daze 2 Marla Direct-to-DVD Release Television Year Title Role Other notes 1992–1993 Full House Jennifer P. Episode: I'm Not D.J. Episode: Silence is Not Golden 1993 Harry and the Hendersons Jessica Episode: The Long Goodbyes - Part 2 1996 Kirk Heather Episode: Stuck on You 1993–2000 Boy Meets World Topanga Lawrence Young Artist Award (nominated-2) YoungStar Award (won-1) (nominated-1) 2000 Rocket's Red Glare Sarah Miller FOX Family TV-Movie 2001–2002 Nikki Stacy Episode: Vaya con Nikki Episode: Welcome to the Rest of Your Life 2002 The Nightmare Room Camp Counselor 2003 Yes, Dear Katie Episode: Sorority Girl 2006 The Tyra Banks Show Herself Episode: Danielle Fishel; Jordin Sparks 2008–2011 The Dish Herself/Host 2009 The Fuse 20 Herself/Host 2011 Parenthood Animal Lady
  5. {name}

    Laura Dern

    Laura Elizabeth Dern (born February 10, 1967) is an American actress, film director and producer. Dern has acted in such films as Smooth Talk (1985), Blue Velvet (1986), Fat Man and Little Boy (1988), Wild at Heart (1990), Jurassic Park (1993) and October Sky (1999). She has won awards for her performance in the 1991 film Rambling Rose, for which she received an Academy Award nomination for Best Actress in a Leading Role. She was awarded a Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film for her portrayal of Florida Secretary of State Katherine Harris in the film Recount (2008). Early life and career Dern was born in Los Angeles, California, the daughter of actors Bruce Dern and Diane Ladd and the great-granddaughter of former Utah governor George Dern. Scottish-American poet, writer and Librarian of Congress Archibald MacLeish was her great-uncle. Laura Dern's film debut was a cameo in her mother's film White Lightning. She also made a brief appearance in Alice Doesn't Live Here Anymore, one of Ladd's signature roles. Her mother objected to her 13-year-old daughter's presence on the set of Ladies and Gentlemen, The Fabulous Stains, but Dern sued for emancipation. In the mid-1980s she gained critical acclaim for roles in Mask, Blue Velvet and Wild at Heart. Dern's starring role in Blue Velvet was a breakthrough however her next notable film took almost four years to be released, Wild at Heart. Dern's affiliation with Lynch has continued with her role in Inland Empire. In 1992, Dern and her mother became the first mother and daughter to be nominated for an Academy Award for acting in the same film in Rambling Rose. They did not play mother and daughter in the film. Dern starred as Dr. Ellie Sattler in Steven Spielberg's 1993 blockbuster Jurassic Park. That same year, Clint Eastwood enlisted the actress for his film A Perfect World. She also starred as Ruth in the 1996 satire Citizen Ruth, the directorial debut of Alexander Payne. In a reversal of roles, Dern's mother makes a cameo appearance, with Dern's character screaming a torrent of abuse at her. In 1997, Dern was featured in Widespread Panic's music video for their song, "Aunt Avis", which was directed by Dern's then boyfriend and future fiancé, Billy Bob Thornton. In 1998, Dern co-starred in the Jodie Foster's film The Baby Dance. While dating Thornton in 1999, she was cast as his love interest in his film Daddy and Them, which also includes Diane Ladd. Dern also appeared in Joe Johnston's film October Sky. Robert Altman called upon Dern's talents to play a Champagne-loving Aunt in his Texas-based comedy Dr. T & the Women in 2000. She co-starred in Within These Walls, Arthur Miller's Focus, and Novocaine. She had a minor role in Jurassic Park III, and was a supporting actor in the film I Am Sam. She starred in the 2002 film Damaged Care and the 2004 film We Don't Live Here Anymore. Dern was part of the ensemble dramedy Happy Endings in 2005, and she appeared in the 2006 film The Prize Winner of Defiance, Ohio. In 2006, David Lynch and Dern reunited for Inland Empire and, also in 2006, Dern had a supporting role in Lonely Hearts. [Mike White (scriptwriter)|Mike White]], known for writing School of Rock and The Good Girl, hired Dern for his directorial debut in 2007, the comedy titled Year of the Dog and starring Molly Shannon, John C. Reilly and Peter Sarsgaard, and in 2008 Dern starred in Recount for which she won a Golden Globe Award for Best Supporting Actress - Series, Miniseries or Television Film. Since then, Dern was seen in the independent 2009 drama Tenderness and, in 2010, she appeared in Little Fockers, playing an advanced school principal who dated Owen Wilson's character Kevin Rawley. In an interview, Dern stated that she would reprise her role as Ellie Sattler for Jurassic Park IV. Dern has done much work on television, most notably Afterburn, for which she received a Golden Globe Award for Best Actress in a Mini-Series or Movie. She guest-starred on The West Wing, as a voice on King of the Hill and as a lesbian who coaxes Ellen DeGeneres out of the closet in the famous "The Puppy Episode" of the television series Ellen. On the April 24, 2007 airing of DeGeneres' talk show, Dern revealed she did not work for more than a year following her appearance in that episode because of resulting backlash, but nevertheless called it an "extraordinary experience and opportunity." Dern has been acknowledged with several awards from the independent film industry including the Sundance Institute and was the subject of an aggressive media campaign by David Lynch to win her an Academy Award nomination for her work in Inland Empire. On November 1, 2010, she received the 2,420th star on the Hollywood Walk of Fame. Her parents, Diane Ladd and Bruce Dern, were presented with stars too. In late 2011 Dern will star in a new HBO television series called Enlightened. She has also been cast in Paul Thomas Anderson's The Master along with Amy Adams and Philip Seymour Hoffman, set for release in 2012. Politics and personal life Dern is known as an activist and supporter of many charities, such as Healthy Child Healthy World, which aims to raise awareness about toxic substances that can affect a child's health. During the 66th Golden Globe Awards, on January 11, 2009, Dern expressed support for the incoming administration of Barack Obama during her acceptance speech for the Golden Globe Award for Best Supporting Actress - Series, Miniseries or Television Film for her work on the film Recount. She is quoted as saying, "I will cherish this as a reminder of the extraordinary, incredible outpouring of people who demanded their voice be heard in this last election so we can look forward to amazing change in this country. Thank you so much!" Dern had high-profile romances with Kyle MacLachlan, Nicolas Cage, Renny Harlin, Jeff Goldblum, and Billy Bob Thornton (who ended their relationship abruptly by marrying Angelina Jolie). She married musician Ben Harper on December 23, 2005, after dating him for five years. They have two children together, one son, Ellery Walker (born August 21, 2001), and one daughter, Jaya (born November 28, 2004). Dern's husband, Ben Harper, filed for divorce on October 8, 2010 in California, citing irreconcilable differences. Harper is asking the judge to deny Dern spousal support and requesting that he have joint custody of their two children. Filmography Film 1973 White Lightning Sharon Anne Uncredited 1974 Alice Doesn't Live Here Anymore Girl eating ice cream cone Uncredited 1980 Foxes Debbie 1981 Ladies and Gentlemen, The Fabulous Stains Jessica McNeil 1984 Teachers Diane 1985 Mask Diana Adams Smooth Talk Connie Nominated — Independent Spirit Award for Best Female Lead 1986 Blue Velvet Sandy Williams Nominated — Independent Spirit Award for Best Female Lead 1987 Predator: The Concert 1988 Haunted Summer Claire Clairmont 1989 Fat Man and Little Boy Kathleen Robinson 1990 Wild at Heart Lula Fortune 1991 Rambling Rose Rose Montréal World Film Festival Award for Best Actress (tied with Hye-suk Lee) Nominated — Academy Award for Best Actress Nominated — Chicago Film Critics Association Award for Best Actress Nominated — Golden Globe Award for Best Actress 1993 Jurassic Park Dr. Ellie Sattler Nominated — Saturn Award for Best Actress A Perfect World Sally Gerber 1996 Citizen Ruth Ruth Stoops Montréal World Film Festival Award for Best Actress Bastard Out of Carolina Narrator Voice Only 1999 October Sky Miss Frieda Riley 2000 Dr. T & the Women Peggy 2001 Daddy and Them Ruby Montgomery Jurassic Park III Dr. Ellie Sattler Novocaine Jean Noble Focus Gertrude 'Gert' Hart I Am Sam Randy Carpenter 2002 Searching for Debra Winger Herself 2004 We Don't Live Here Anymore Terry Linden Boston Society of Film Critics Award for Best Supporting Actress (tied with Sharon Warren) 2005 Happy Endings Pam Ferris The Prize Winner of Defiance, Ohio Dortha Schaefer 2006 Lonely Hearts Rene Inland Empire Nikki Grace/Susan Blue Also Producer Nominated — Chlotrudis Award for Best Actress Nominated — Toronto Film Critics Association Award for Best Actress 2007 Year of the Dog Bret 2009 Tenderness Aunt Teresa 2010 Little Fockers Prudence Everything Must Go Delilah 2012 The Master Television 1981 Shannon "Gotham Swansong" (Season 1, Episode 1) 1983 Happy Endings Audrey Constantine 1984 The Three Wishes of Billy Grier Crissy 1989 Nightmare Classics Rebecca "The Strange Case of Dr. Jekyll and Mr. Hyde" (Season 1, Episode 3) 1990 Industrial Symphony No. 1: The Dream of the Broken Hearted Heartbroken Woman 1992 Afterburn Janet Harduvel Golden Globe Award for Best Actress – Miniseries or Television Film Nominated — Emmy Award for Outstanding Lead Actress – Miniseries or a Movie 1993 Fallen Angels Annie Ainsley "Murder, Obliquely" (Season 1, Episode 5) 1994 The Gift (Director) 1995 Down Came a Blackbird Helen McNulty (also executive producer) Frasier June (Voice) "Sleeping With the Enemy" (Season 3, Episode 6) 1996 The Siege at Ruby Ridge Vicki Weaver Nominated — Satellite Award for Best Actress – Miniseries or Television Film 1997 Ellen Susan Richmond The Puppy Episode: Part 1 (Season 4, Episode 22) The Puppy Episode: Part 2 (Season 4, Episode 23) Nominated — Emmy Award for Outstanding Guest Actress – Comedy Series 1998 The Larry Sanders Show Herself "I Buried Sid" (Season 6, Episode 8) The Baby Dance Wanda LeFauve Nominated — Golden Globe Award for Best Actress – Miniseries or Television Film 1999 A Season for Miracles Berry Thompson 2001 Within These Walls Sister Pauline Quinn 2002 The West Wing Laureate Tabatha Fortis "The U.S. Poet Laureate" (Season 3, Episode 16) Damaged Care Linda Peeno (also producer) 2002–2003 King of the Hill Serving Wench & Katherine (Voice) Joust Like a Woman (Season 6, Episode 8) Patch Boomhauer (Season 8, Episode 1) 2008 Recount Katherine Harris Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film Nominated — Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie Nominated — Satellite Award for Best Supporting Actress – Series, Miniseries or Television Film Nominated — Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie 2011 Enlightened Amy Jellicoe
  6. {name}

    Ingrid Bergman

    Born on August 29, 1915 in Stockholm, Sweden. She was a lead actress in many European countries before she came to America. Her first American film was the movie "Intermezzo", made in 1939. She is ranked #4 on the Greatest Female Star list of American Cinema by the American Film Institute. Her awards include: 1945-won the Academy Award for Best Actress and the Golden Globe for Best Actress for her role in "Gaslight" 1946-won the Golden Globe for Best Actress in The Bells of St. Mary 1947-won the Tony Award for Best Performance by a Leading Actress in a Play for "Joan of Lorraine" 1957-won the Academy Award and the Golden Globe for Best Actress in "Anastasia" 1975-won the Academy Award for Best Supporting Actress for her role in "Murder on the Orient Express" 1982-Ingrid won an Emmy for Outstanding Lead Actress in a Miniseries or a Movie for her last role in "A Woman Called Golda" 1983-she won a Golden Globe for Best Actress in a Miniseries or Motion Picture Made for Television She passed away in London on August 29, 1982 after battling breast cancer.
  7. {name}

    Pola Negri

    Born Barbara Apolonia Chalupie on Jan. 3, 1897. Born in Lipno, Poland then moved to Warsaw where she became a popular stage actress. She moved to the states in 1922 where she became popular but only for a short time. When "talkies" started she no longer had appeal to audiences due to her thick polish accent. She traveled to Europe and made more films there but came back to the states and became a citizen. She died on Aug. 1, 1987 in San Antonio, TX of pneumonia. She was also suffering from a brain tumor at that time.
  8. {name}

    Joan Crawford

    Lucille Fay LeSueur was born on March 23, 1905 in San Antonio, TX. She passed on May 10, 1977 In New York City of a heart attack. She also has pancreatic cancer. In November of 1978 her daughter Christina wrote "Mommie Dearest". A book that changed the way we look at child abuse today. Many of Joan's peers, companions, and her other daughters Cathy and Cindy refused to support the book and said it was all a lie. But Bette Davis supported Christina's story.
  9. {name}

    Mary Astor

    Mary Astor (May 3, 1906 – September 25, 1987) was an American actress. Most remembered for her role as Brigid O'Shaughnessy in The Maltese Falcon (1941) with Humphrey Bogart, Astor began her long motion picture career as a teenager in the silent movies of the early 1920s. She eventually made a successful transition to talkies, but almost saw her career destroyed due to public scandal in the mid-1930s. She was sued for support by her parents and was later branded an adulterous wife by her ex-husband during a custody fight over her daughter. Overcoming these stumbling blocks in her private life, Astor went on to even greater success on the screen, eventually winning the Academy Award for Best Supporting Actress for her portrayal of Sandra Kovak in The Great Lie (1941). She was an MGM contract player through most of the 1940s and continued to act in movies, on television and on stage until her retirement from the screen in 1964. Astor was the author of five novels. Her autobiography became a bestseller, as did her later book, A Life on Film, which was specifically about her career. Director Lindsay Anderson wrote of her in 1990: "...that when two or three who love the cinema are gathered together, the name of Mary Astor always comes up, and everybody agrees that she was an actress of special attraction, whose qualities of depth and reality always seemed to illuminate the parts she played." Early life She was born Lucile de Vasconcellos Langhanke in Quincy, Illinois. Astor was the only child of Otto Ludwig Langhanke (October 2, 1871 – February 3, 1943) and Helen Marie de Vasconcellos (April 19, 1881 – January 18, 1947) who were both teachers. Her father, who was born in Berlin, emigrated to the United States from Germany in 1891 and became a naturalized citizen; her mother was born in Jacksonville, Illinois, of Portuguese and Irish extraction.They married on August 3, 1904 in Lyons, Kansas. Otto was a German teacher at Quincy High School until the U.S. entered World War I. He then began doing light farming. Helen, who had always wanted to be an actress, began teaching drama and elocution. Lucile was home-schooled in academics and taught to play the piano by her father, who insisted she practice daily. In 1919, she sent a photograph of herself to a beauty contest in Motion Picture Magazine and became a semifinalist. Her father then moved the family to Chicago, where he took a position teaching German in public schools. Lucile took drama lessons and appeared in various amateur stage plays. The following year, she sent another photograph to the magazine and this time became a finalist, this time being named runner-up in the national contest. Her father then moved the family to New York, in order for his pretty daughter to become an actress in motion pictures. He managed all her affairs from September 1920 to June 1930. A Manhattan photographer, Charles Albin, saw a photograph and asked the young girl with haunting eyes and long auburn hair, whose nickname was "Rusty," to pose for him. The Albin photographs were seen by Harry Durant of Famous Players-Lasky and Lucile was signed to a six-month contract with Paramount Pictures. Her name was changed to Mary Astor during a conference between Paramount chief Jesse Lasky, gossip columnist Louella Parsons, and producer Walter Wanger. Silent movie career Astor made her debut in the 1920 film The Scarecrow. At age 14, she appeared in the 1921 film Sentimental Tommy, but her small part in a dream sequence wound up on the cutting room floor. Paramount let her contract lapse. She then appeared in some movie shorts with sequences based on famous paintings. She received critical recognition for the 1921 two-reeler The Beggar Maid. Her first feature-length movie was John Smith (1922), which was followed that same year by The Man Who Played God. In 1923, she and her parents moved to Hollywood. After appearing in several larger roles at various studios, she was signed by Paramount again, this time to a one-year contract at $500 a week. She had appeared in several more movies when John Barrymore saw a photograph of her in a magazine and wanted her cast in his upcoming movie. On loan-out to Warner Bros., she starred with him in Beau Brummel (1924). The older actor wooed the young actress, but their relationship was severely constrained by Astor's parents' unwillingness to let the couple spend time alone together. It was only because Barrymore convinced the Langhankes that his acting lessons required privacy that the couple managed to be alone at all. Their secret engagement ended largely because of the Langhankes' interference and Astor's inability to escape their heavy-handed authority, but also because Barrymore became involved with Astor's fellow WAMPAS Baby Star Dolores Costello, whom he later married. In 1925, Astor's parents bought a Moorish style mansion with 1-acre (4,000 m2) of land known as "Moorcrest" in the hills above Hollywood. The Langhankes not only lived lavishly off Astor's earnings, but kept her a virtual prisoner inside Moorcrest. Moorcrest is notable not only for its ornate style, but its place as the most lavish residence associated with the Krotona Colony, a utopian society founded by the Theosophical Society in 1912. Built by Marie Russak Hotchener, a Theosophist with no formal architectural training, the house combines Moorish and Mission Revival styles and contains such Arts and Crafts features as art glass windows (whose red lotus design Astor called "unfortunate"), and Batchelder tiles. Moorcrest, which recently has undergone a multi-million-dollar renovation, is still standing. Before the Langhankes bought it, it was rented by Charlie Chaplin, whose tenure is memorialized by an art glass window featuring the Little Tramp. Astor's parents were not Theosophists, though the family was friendly with both Marie Hotchener and her husband Harry, both prominent TS members. Marie Hotchener was the person who negotiated Astor's right to a $5 a week allowance (at a time when she was making $2500 a week) and the right to go to work unchaperoned by her mother. The following year when she was 19, Astor, fed up with her father's constant physical and psychological abuse as well as his control of her money, climbed from her second floor bedroom window and escaped to a hotel in Hollywood, as recounted in her memoirs. Hotchener facilitated her return by persuading Otto Langhanke to give Astor a savings account with a $500 and the ability to come and go as she pleased. Nevertheless, she did not gain control of her salary until she was 26 years old, at which point her parents sued her for financial support. Astor settled the case by agreeing to pay her parents $100 a month. Otto Langhanke put Moorcrest up for auction in the early 1930s, hoping to get more than the $80,000 he had been offered for it; it went for $25,000. Astor went on appearing in movies at various studios. When her Paramount contract ended in 1925, she was signed at Warner Bros. Among her assignments was another role with John Barrymore, this time in Don Juan (1926). She was named one of the WAMPAS Baby Stars in 1926, along with Mary Brian, Dolores Costello, Joan Crawford, Dolores del Río, Janet Gaynor, and Fay Wray. On loan to Fox Film Corporation, Astor starred in Dressed To Kill (1928), which received good reviews. That same year, she starred in the sophisticated comedy Dry Martini at Fox. She later said that, while working on the latter, she "absorbed and assumed something of the atmosphere and emotional climate of the picture." She said it offered "a new and exciting point of view; with its specious doctrine of self-indulgence, it rushed into the vacuum of my moral sense and captivated me completely." When her Warner Bros. contract ended, she signed a contract with Fox for $3,750 a week. In 1928, she married director Kenneth Hawks at her family home, Moorcrest. He gave her a Packard automobile as a wedding present and the couple moved into a home high up on Lookout Mountain in Los Angeles above Beverly Hills. As the movie industry made the transition to talkies, Fox gave her a sound test, which she failed because the studio found her voice to be too deep. Though this was probably due to early sound equipment and the inexperience of technicians, the studio released her from her contract and she found herself out of work for eight months in 1929. New beginnings Astor took voice training and singing lessons during her time off, but no roles were offered. Her acting career was then given a boost by her friend, Florence Eldridge (wife of Fredric March), whom she confided in. Eldridge, who was to star in the stage play Among the Married at the Majestic Theatre in Downtown Los Angeles, recommended Astor for the second female lead. The play was a success and her voice was deemed suitable, being described as low and vibrant. She was happy to be back at work, but her happiness soon ended. On January 2, 1930, while filming sequences for the Fox movie Such Men Are Dangerous, Kenneth Hawks was killed in a mid-air plane crash over the Pacific. Astor had just finished a matinee performance at the Majestic when Florence Eldridge came to her with the news. She was rushed from the theatre and taken to Eldridge's apartment; a replacement, Doris Lloyd, stepped in for the next show. Astor remained with her friend, Eldridge, at her apartment for some time, but she soon went back to work. Shortly after her husband's death, she debuted in her first "talkie", Ladies Love Brutes (1930) at Paramount, which co-starred friend Fredric March. While her career picked up, her private life remained difficult. After working on several more movies, she suffered delayed shock over her husband's death and had a nervous breakdown. During the months of her illness, she was attended to by Dr. Franklyn Thorpe, whom she married on June 29, 1931. In May 1932, the Thorpes purchased a yacht and sailed to Hawaii. Astor was expecting a baby in August, but gave birth in June in Honolulu. The child, a daughter, was named Marylyn Hauoli Thorpe: her first name combined her parents' names and her middle name is Hawaiian. When they returned to Southern California, Astor freelanced and gained the pivotal role of Barbara Willis in MGM's Red Dust (1932) with Clark Gable and Jean Harlow. In late 1932 though, Astor signed a featured player contract with Warner Bros. Meanwhile, besides spending lavishly, her parents invested in the stock market, which turned out in many instances to be unprofitable. They still lived in Moorcrest, Astor had dubbed it a "white elephant", and she refused to maintain the house. She had to turn to the Motion Picture Relief Fund in 1933 to pay her bills. In 1933, she appeared as the female lead, Hilda Lake, the niece of the murder victims, in The Kennel Murder Case, co-starring with William Powell playing detective Philo Vance. Film critic William K. Everson pronounced it a "masterpiece" in the August 1984 issue of Films in Review. Unhappy with her marriage, she took a break from movie making in 1933 and went to New York by herself. While there, enjoying a whirlwind social life, she met the playwright George Kaufman and they had an affair, which she documented in her diary. Scandals A legal battle drew press attention on Astor in 1936. Dr. Franklyn Thorpe divorced Astor in 1935 and a custody battle resulted over their four year old daughter, Marylyn. Thorpe threatened to use Astor's diary in the proceedings, which told of her affairs with many celebrities, including George S. Kaufman. The diary was never offered as evidence during the trial, but Thorpe and his lawyers constantly used it as evidence. Astor maintained that the diary entries were forgeries but later acknowledged that the Kaufman entries were real. A judge later ordered the diary sealed and impounded. Astor had just begun work on Dodsworth as news of the diary became public. Producer Samuel Goldwyn was urged to fire her, as her contract had a morality clause, but Goldwyn refused and the movie went on to be a hit. Career continues Ultimately, the scandals caused no harm to Astor's career, which was actually revitalized because of the custody fight and the huge amount of publicity it generated; Dodsworth (1936), with Walter Huston, was released to rave reviews, and the public's acceptance assured the studios that she was still a viable commercial property. In 1937, she returned to the stage in a well-received productions of Noel Coward's Tonight at 8:30, The Astonished Heart, and Still Life. She also began performing regularly on radio. Some of her best movies were still to come, including The Prisoner of Zenda (1937), John Ford's The Hurricane (1937), and Brigham Young (1940). In John Huston's The Maltese Falcon (1941), Astor was cast in her best known role as Brigid O'Shaughnessy, the scheming temptress who is eventually revealed to have murdered Sam Spade's partner, Miles Archer. The film also starred Humphrey Bogart, with Peter Lorre and Sydney Greenstreet. Another noteworthy performance was her Oscar-winning role as Sandra Kovak, the selfish, self-centered concert pianist, who willingly gives up her child, in The Great Lie (1941). George Brent played her intermittent love interest, but the film's star was Bette Davis. Davis wanted Astor cast in the role after watching her screen test and seeing her play Tchaikovsky's Piano Concerto No. 1. She then recruited Astor to collaborate with her on rewriting the script, which Davis felt was mediocre and needed work to make it more interesting. Astor further followed Davis's advice and sported a brazenly bobbed hairdo for the role. The soundtrack of the movie during the scenes where she plays the concerto, with violent hand movements on the piano keyboard, was actually dubbed by pianist Max Rabinovitch. Davis deliberately stepped back to allow Astor to shine in her key scenes. As a result of her performance, Astor won the Academy Award for Best Supporting Actress, thanking Bette Davis and Tchaikovsky in her acceptance speech. Astor and Davis became good friends. Astor was not propelled into the upper echelon of movie stars by these successes, however. She always declined offers of starring in her own right. Not wanting the responsibility of top billing and having to "carry the picture," she preferred the security of being a featured player. In 1942 she was reunited with Humphrey Bogart and Sydney Greenstreet in John Huston's Across the Pacific. She also played the Princess Centimillia in the Preston Sturges film, The Palm Beach Story (1942) for Paramount. In February 1943, Astor's father, Otto Langhanke, died in Cedars of Lebanon Hospital as a result of a heart attack complicated by influenza. His wife and daughter were both at his bedside. That same year, Astor signed a seven-year contract with MGM, which turned out to be a regrettable mistake. She was kept busy playing what she considered mediocre mother roles. After Meet Me In St. Louis (1944), the studio allowed her to make her Broadway debut in Many Happy Returns (1945). The play was a miserable failure, but Astor received good reviews. On loan-out to 20th Century Fox, she played a wealthy widow in Claudia and David (1946). She was also loaned to Paramount to play Fritzi Haller in Desert Fury (1947) in which she played the tough owner of a saloon and casino in a small mining town. Before Helen Langhanke died of a heart ailment in January 1947, Astor said she sat in the hospital room with her mother, who was delirious and did not know her, and listened quietly as Helen told her all about terrible, selfish Lucile. After her death, Astor said she spent countless hours copying her mother's diary so she could read it and was surprised to learn how much she was hated. Back at MGM, Astor went on being cast in undistinguished, colorless mother roles. One exception was when she played a prostitute in the film noir Act of Violence (1948). The last straw came when she was cast as Marmee March in Little Women (1949). Astor found no redemption in playing what she considered another humdrum mother and became despondent. The studio wanted to renew her contract, promising to give her better roles, but she declined the offer. Middle years At the same time, Astor's drinking was getting much worse. She admitted to having a problem with alcohol as far back as the 1930s, but it had never interfered with her work schedule or performance. She hit bottom in 1949 and went into a sanitarium for alcoholics. In 1951, she made a frantic call to her doctor and told him she had taken too many sleeping pills. She was taken to a hospital and the police reported that she had attempted suicide, this being her third overdose in two years, and the story made headline news. She maintained it had been an accident. That same year, she joined Alcoholics Anonymous and converted to Roman Catholicism. She credited her recovery to a priest, Peter Ciklic, also a practicing psychologist, who encouraged her to write about her experiences as part of therapy. She also separated from her fourth husband, Thomas Wheelock (a stockbroker she had married on Christmas Day 1945), but did not actually divorce him until 1955. In 1952, she was cast in the leading role of the stage play Time of the Cuckoo, which was later made into the movie Summertime (1955), and subsequently toured with it. After the tour, Astor lived in New York for four years and worked in the theatre and on television. Her TV debut was in The Missing Years (1954) for Kraft Television Theatre. She acted frequently in TV during the ensuing years and appeared on most of the big shows of the time, including The United States Steel Hour, Alfred Hitchcock Presents, Rawhide, Dr. Kildare, Burke's Law, and Ben Casey. She also starred on Broadway in The Starcross Story (1954), which was another failure. She returned to Southern California in 1956. She then went on a successful theatre tour of Don Juan in Hell directed by Agnes Moorehead and co-starring Ricardo Montalban. Astor's memoir, My Story: An Autobiography, was published in 1959, becoming a sensation for its day and a bestseller. It was the result of Father Ciklic urging her to write. Though she spoke of her troubled personal life, her parents, her marriages, the scandals, her battle with alcoholism, and other things about her life, she did not mention the movie industry or her career in any detail. In 1971, another book was published, A Life on Film, where she discussed her career. It too became a bestseller. Astor also tried her hand at fiction, writing the novels The Incredible Charley Carewe (1960), The Image of Kate (1962), The O'Conners (1964), Jahre und Tage (1964) (a German translation of The Image of Kate), Goodbye, Darling, be Happy (1965), and A Place Called Saturday (1968). She appeared in several movies during this time, including A Stranger in My Arms (1959). She made a comeback in Return to Peyton Place (1961) playing Roberta Carter, the domineering mother who insists the "shocking" novel written by Allison Mackenzie should be banned from the school library, and received good reviews for her performance. Later life After taking a trip around the world in 1964, Astor was lured away from her Malibu home, where she was spending time gardening and working on her third novel, to make what she decided would be her final movie appearance. When she was offered the small role as a key figure in the murder mystery Hush... Hush, Sweet Charlotte, starring her friend Bette Davis, Astor decided it would serve as her swan song in the movie business. After 109 movies during a career spanning 45 years, she turned in her Screen Actors Guild card and retired. She later moved to Fountain Valley, California, where she lived near her son, Tono del Campo (from her (third) marriage to Mexican-born film editor Manuel del Campo) and his family, until 1971. That same year, suffering from a chronic heart condition, she then moved to a small cottage on the grounds of the Motion Picture & Television Country House, the industry's retirement facility in Woodland Hills, where she had her own private table when she chose to eat in the resident dining room.[3] In 1980, she appeared in the television documentary series Hollywood: A Celebration of the American Silent Film, produced by Kevin Brownlow, in which she discussed her roles during the silent film period Astor died on September 25, 1987, at age 81, of respiratory failure due to pulmonary emphysema while a patient in the hospital in the Motion Picture House complex. She is interred in Holy Cross Cemetery, Culver City. Mary Astor has a star on the Hollywood Walk of Fame at 6701 Hollywood Boulevard in Hollywood.
  10. {name}

    Mary J Blige

    Mary Jane Blige ( born January 11, 1971), also known as Mary J. Blige, is an American singer, producer, songwriter, actress, and rapper. A recipient of nine Grammy Awards and many other honors, Blige has recorded eight multi-platinum albums. Blige has received the World Music Legends Award for combining hip hop and soul in the early 1990s. She was named one of the 100 greatest singers of all time by Rolling Stone magazine. As of 2010, Blige has sold 50 million records Blige has cited Anita Baker, Chaka Khan and Aretha Franklin as influences. 1971–1990: Early life Blige was born in the Bronx New York City, New York. She is the second of four children born to parents Cora (a nurse; 1951— ) and Thomas Blige (a jazz musician; 1948–2007). Blige was taught to sing by her father. When Blige was four, her father (who is reported to have been physically abusive to Blige's mother) abandoned the family. At the age of five, Blige was molested by a family friend. Blige spent her early years in Richmond Hill, Georgia, where she sang in a Pentecostal church. She later moved to Schlobohm Houses in Yonkers, New York, where she lived with her mother, older sister, five cousins, and two aunts. She dropped out of school in the eleventh grade. At the age of 17, Blige recorded an impromptu cover of Anita Baker's "Caught Up In the Rapture" at a recording booth in the Galleria Mall in White Plains, New York. Her mother's boyfriend at the time later played the cassette for Jeff Redd, a recording artist and A&R runner for Uptown Records. Redd sent it to the president and CEO of the label, Andre Harrell. Harrell met with Blige and in 1989 she was signed to the label, becoming the company's youngest and first female artist. After signing up to sing with H. Frison, Blige's early years there were dormant; the label continued to focus most of its attention on its more established acts. During this time, Blige occasionally did session work as a background singer for her label mates. In 1990, she was introduced as a background singer for Redd, during a performance at the Apollo Theatre. The same year she sang the hook on "I'll Do 4 U" by rapper and label mate Father MC, appearing in the concert-themed music video of the same name; In 1991, she was spotted on the syndicated TV show, Showtime at the Apollo, singing back up for Jeff Redd. In early fall of 1992, Blige guest spotted with Grand Puba with his single, Check It Out. Blige's first national debut appearance was in the summer of 1992 when she appeared on MTV. 1992–1993: What's the 411? Production for Blige's debut album began in 1992, with Sean "Puffy" Combs, who was at the time an A&R executive at Uptown who oversaw the project. On July 28, 1992, Uptown Records released What's the 411?. "You Remind Me", the album's first single, peaked at number one on the R&B singles chart that summer. The second single, "Real Love", was released in the fall. It too topped the R&B singles chart, and became Blige's first top ten Hot 100 single, peaking at number seven. Both singles were certified gold for their sales volume. More What's the 411? singles followed into 1993, including "Sweet Thing", a cover of Rufus's "Sweet Thing", and "Love No Limit". By the end of the year, What's the 411? had sold three million copies. Blige, meanwhile, released a hip hop single "You Don't Have to Worry". After the success of What's the 411, Sean "Puffy" Combs hailed the singer as "the queen of hip-hop soul". The name of her album, What's the 411? stems from her previous job as Directory Assistance operator. The album's success spun off What's the 411? Remix, a remix album released in December that was used to extend the life of the What's the 411? singles on the radio into 1994, as Blige recorded her follow up album. With combined sales of over 5 million albums and singles from her debut album, Blige was the best selling female artist on the Uptown label. 1994–1995: My Life On November 29, 1994, Uptown Records released Blige's second album, My Life which was again overseen by Combs and also produced more than 50% of the album along with Washington DC native Carl "Chucky" Thompson (despite his having recently left the label), who with Thompson co-produced all but one of the album's tracks, and took over as Blige's manager. Unlike What's the 411?, Blige co-wrote a large body of the material, basing it on her personal life. "Be Happy", the album's single, peaked at number 29 and number six on the Hot 100 and R&B singles chart, respectively. In early 1995, it was followed up with a cover of Rose Royce's 1976 hit "I'm Goin' Down", which became her first top 20 hit in the UK, peaking at number 12. Other My Life singles include "You Bring Me Joy" and "I Love You". "Mary Jane (All Night Long)" and "My Life" received heavy radio play, despite never being officially released as singles apart from the UK, where "Mary Jane (All Night Long)" became Blige's second top 20 hit from the album there. My Life was eventually certified triple platinum. In spite of its success and her growing fame, Blige later admitted that she was simultaneously dealing with long time bouts of drug addiction, alcoholism, and depression, as well as an abusive relationship with then-boyfriend K-Ci Hailey of Jodeci. Blige involved herself in several outside projects, recording a cover of Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" for the soundtrack to the FOX series New York Undercover, and "Everyday It Rains" (co-written by R&B singer Faith Evans) for the soundtrack to the hip hop biopic, The Show. That summer she dueted with rapper Method Man on his song, "I'll Be There for You/You're All I Need to Get By" (which sampled Marvin Gaye's "You're All I Need to Get By", and for which she won a Grammy award.) Later in the year, she recorded the Babyface-penned and produced "Not Gon' Cry", for the soundtrack to motion picture Waiting to Exhale. The platinum-selling single rose to number two on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs in early 1996, and became her biggest commercial hit at the time. Blige won her first Grammy Award – 'Best Rap Performance by a Duo or Group' for her collaboration with Method Man. My Life was also nominated for Best R&B Album, but lost to TLC's CrazySexyCool. 1996–1997: Collaborations and other projects In 1996, after winning her first Grammy Award for Best Rap Performance by a Duo or Group for the platinum selling certified single, "I'll Be There For You/You're All I Need to Get By with Wu Tang Clan member Method Man, later that year, she appeared on another Wu-Tang Clan member, Ghostface Killah's single, "All That I Got Is You", for which she co-wrote, and sung the second verse of the song, which is Ghostface's account of his early boyhood. She was unavailable for the music video, and was replaced by a backing singer named Megan Powell at the last minute; her original vocals remained on Ghostface's debut album, Ironman. In December of that year, My Life, was certified 3x Platinum by the RIAA. In February 1997, Blige performed her hit at the time, "Not Gon' Cry" at the 1997 Grammy Awards, which gained her third (and first) Grammy Award nomination for Best Female R&B Vocal Performance, as Blige was recording the follow up to My Life. 1997–1998: Share My World On April 22, 1997, MCA Records (parent company to Uptown Records, which was in the process of being dismantled) released Blige's third album, Share My World. By now, she and Combs had dissolved their working relationship. In his place were the TrackMasters who executive produced the project along with Steve Stoute. Sharing production duties were producers Jimmy Jam and Terry Lewis, R. Kelly, Babyface and Rodney Jerkins. The album was made at a time where Blige was trying to "get her life together", by trying to overcome drugs and alcohol, as well as the ending of her relationship with Hailey. After an encounter with a person who threatened her life the previous year, she tried to quit the unhealthy life style and make more upbeat, happier music. As a result, songs such as "Love Is All We Need" and "Share My World", were made. Share My World debuted at number one on the Billboard 200 and spawned five hit singles: "Love Is All We Need" (featuring Nas), "I Can Love You" (featuring Lil' Kim), "Everything", "Missing You" (UK only) and "Seven Days." The album became Blige's most commercially successful; selling three million copies in the U.S.. In early 1998, Blige won an American Music Award for "Favorite Soul/R&B Album." That summer she embarked on the Share My World Tour, which resulted in a Gold-certified live album released later that year, simply titled The Tour. The album spawned one single, "Misty Blue." 1999–2000: Mary On August 17, 1999, Blige's fourth album, titled Mary was released. It marked a departure from her more familiar hip hop-oriented sound; this set featured a more earthy, whimsical, and adult contemporary-tinged collection of songs, reminiscent of 1970s to early 1980s soul. On December 14, 1999, the album was re-released as a double-disc set. The second disc was enhanced with the music videos for the singles "All That I Can Say" and "Deep Inside" and included two bonus tracks: "Sincerity" (featuring Nas, Andy Hogan and DMX) and "Confrontation" (a collaboration with hip hop duo Funkmaster Flex & Big Kap originally from their 1999 album The Tunnel). The Mary album was critically praised, becoming her most nominated release to date, and was certified double platinum (selling over two million in sales.) It wasn't as commercially successful as Blige's prior releases, though all of the singles: "All That I Can Say", "Deep Inside", "Your Child", and "Give Me You" performed considerably on radio. In the meantime, MCA used the album to expand Blige's demographic into nightclub market, as club-friendly dance remixes of the Mary singles were released. The club remix of "Your Child" peaked at number-one hit on the Billboard's Hot Dance Club Play chart in October 2000. In 2001, a Japan-only compilation, Ballads, was released. The album featured covers of Stevie Wonder's "Overjoyed", and previous recordings of Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" and Dorothy Moore's "Misty Blue". 2001–2002: No More Drama On August 28, 2001, MCA released Blige's fifth studio album, No More Drama. The album's first single, "Family Affair" (produced by Dr. Dre) became her first number-one single on the Billboard Hot 100, where it remained for six consecutive weeks. It was followed by two further hit singles, the European only single "Dance for Me" featuring Common and the Jimmy Jam and Terry Lewis-produced title track (originally recorded for the Mary album), which sampled "Nadia's Theme", the piano-driven theme song to the daytime drama The Young and the Restless. Though the album sold nearly two million copies in the U.S., MCA was underwhelmed by its sales, and subsequently repackaged and re-released the album on January 29, 2002. The No More Drama re-release featured a new album cover, deleted three of the songs from the original track listing, while adding two brand-new songs—one of which was the fourth single and top twenty Hot 100 hit "Rainy Dayz", (featuring Ja Rule), plus two remixes; one of the title track, serviced by Puff Daddy and the single version of "Dance for Me" featuring Common. The album sold another million-plus units (3.2 million in total) in the U.S. and seven million worldwide. Blige won a Grammy for 'Best Female R&B Vocal Performance' for the song "He Think I Don't Know." In April 2002, Blige performed with Shakira with the song "Love Is a Battlefield" on VH1 Divas show live in Las Vegas, she also performed "No More Drama" and "Rainy Dayz" as a duet with the returning Whitney Houston. On July 22, 2002, MCA released Dance for Me, a collection of club remixes of some of her past top hits including the Junior Vasquez remix of "Your Child", and the Thunderpuss mix of "No More Drama." This album was released in a limited edition double pack 12" vinyl for DJ-friendly play in nightclubs. 2003–2004: Love & Life On August 26, 2003, Blige's sixth album Love & Life was released on Geffen Records (which had absorbed MCA Records.) Blige heavily collaborated with her one-time producer Sean Combs for this set. Due to the history between them on What's the 411? and My Life, which is generally regarded as their best work, and Blige having just come off of a successful fifth album, expectations were high for the reunion effort. Despite the album debuting at number one on the Billboard 200 and becoming Blige's fourth consecutive UK top ten album, Love & Life's lead-off single, the Diddy-produced "Love @ 1st Sight", which featured Method Man, barely cracked the top ten on the Hot R&B/Hip-Hop Songs, while altogether missing the top twenty on the Hot 100 (although peaking inside the UK top twenty). The following singles, "Ooh!", "Not Today" featuring Eve, "Whenever I Say Your Name"featuring Sting on the international re-release, and "It's a Wrap" fared worse. Although the album was certified platinum, it became Blige's lowest-selling to date. Critics and fans alike largely panned the disc, citing a lack of consistency and noticeable ploys to recapture the early Blige/Combs glory. Blige and Combs reportedly struggled and clashed during the making of this album, and again parted ways upon the completion of it. 2005–2006: The Breakthrough and Reflections – A Retrospective Geffen Records released Blige's seventh studio album, The Breakthrough on December 20, 2005. For the album, Blige collaborated with J.U.S.T.I.C.E. League, Rodney Jerkins, will.i.am, Bryan Michael Cox, 9th Wonder, Jimmy Jam and Terry Lewis, Raphael Saadiq, Cool and Dre, and Dre & Vidal. The cover art was photographed by Markus Klinko & Indrani. It debuted at number one on both the Billboard 200 and Top R&B/Hip-Hop Albums charts. Selling 727,000 copies in its first week, it became the biggest first-week sales for an R&B solo female artist in SoundScan history (a record subsequently broken by 2007 Alicia Keys' album As I Am), the fifth largest first-week sales for a female artist, and the fourth largest debut of 2005. Since its release, The Breakthrough has sold over three million copies in the U.S and over seven million copies worldwide, becoming one of the five best-selling albums of 2006. The lead-off single, "Be Without You", peaked at number three on the Billboard Hot 100, while peaking at number one on the R&B chart for a record-setting fifteen consecutive weeks; it remained on the chart for over sixteen months. "Be Without You" found success in the UK (peaking in the lower end of the top forty) it became Blige's longest charting single on the UK Singles Chart. It is her second longest charting single to date. The album produced three more singles including two more top five R&B hits—"Enough Cryin'", which features Blige's alter ego Brook-Lynn (as whom she appeared on the remix to Busta Rhymes's "Touch It" in 2006); and "Take Me as I Am" (which samples Lonnie Liston Smith's "A Garden of Peace"). Blige's duet with U2 on the cover of their 1992 hit, "One" gave Blige her biggest hit to date in the UK, peaking at number two on the UK Singles Chart eventually being certified one of the forty highest-selling singles of 2006; it was her longest charting UK single. The success of The Breakthrough won Blige nine Billboard Music Awards, two American Music Awards, two BET Awards, two NAACP Image Awards, and a Soul Train Award. She received eight Grammy Award nominations at the 2007 Grammy Awards, the most of any artist that year. "Be Without You" was nominated for both "Record of the Year" and "Song of the Year". Blige won three: "Best Female R&B Vocal Performance", "Best R&B Song" (both for "Be Without You"), and "Best R&B Album" for The Breakthrough. Blige completed a season sweep of the "big three" major music awards, having won the American Music Awards in November 2006, the Billboard Music Awards in December 2006, and the Grammy Awards in February 2007. In December 2006, a compilation called Reflections - A Retrospective was released. It contained many of Blige's greatest hits and four new songs, including the worldwide lead single "We Ride (I See the Future)". In the UK, however, "MJB da MVP" (which appeared in a different, shorter form on The Breakthrough) was released as the lead single from the collection. The album peaked at number nine in the U.S, selling over 170,000 copies in its first week, while reaching number forty in the UK. It has sold more than 1.6 million copies. In 2006, Blige recorded a duet with rapper Ludacris, "Runaway Love", which is the third single on his fifth album, Release Therapy. It reached the top five on the Billboard Hot 100 and the R&B chart. Blige was featured with Aretha Franklin and The Harlem Boys Choir on the soundtrack to the 2006 motion picture Bobby, on the lead track "Never Gonna Break My Faith". The song was nominated for a Golden Globe and won the Grammy Award for Best Gospel Performance at the 50th Annual Grammy Awards. 2007–2008: Growing Pains Blige's eighth studio album, Growing Pains, was released on December 18, 2007, debuting at number two on the Billboard 200 and at number one on the Top R&B/Hip-Hop Albums chart. It sold 629,000 copies in its first week, marking the third time since Nielsen SoundScan began collecting data in 1991 that two albums sold more than 600,000 copies in a week in the United States. In its second week, the album climbed to number one, making it Blige's fourth number-one album. The lead single, "Just Fine", peaked at number twenty-two on the Billboard Hot 100 and at number three on the Hot R&B/Hip-Hop Songs chart. "Just Fine" was nominated for the Grammy Award for "Best Female R&B Vocal Performance", and Blige won "Best R&B Performance by a Duo or Group with Vocals" for the Chaka Khan duet "Disrespectful" (featured on Khan's album Funk This) which Blige wrote. Speaking in January 2008 to noted UK R&B writer Pete Lewis of the award-winning 'Blues & Soul', Blige explained the significance of the album's title 'Growing Pains': "I started writing the record right after that whole gigantic day I had at the Grammies last year. So it was important to me to get across to my fans that whole feeling I was going through of 'How do I sustain this breakthrough? How do I continue to remind myself I'm in a better place?'... And the only way to continue to stay in that place is to GROW! I believe the majority of people out there, if something uncomfortable is going on in their lives, are forced to either go back to where they were, or to GROW – and that that tension is called PAIN. So the light, happy songs on the album are celebrating my growth. While the less poppy, darker tracks represent the places I'm forced to grow out of. So in that way the title represents the growth, as well as the understanding that – in order for anything to develop – it has to have some kinda tension behind it." Growing Pains was not released in the UK until February 2008, where it became Blige's fifth top ten and third-highest charting album.The Breakthrough and Reflections (A Retrospective) were released in the Christmas rush and therefore settled for lower peaks, although both selling more than her top five album Mary. "Just Fine" returned Blige to the UK singles chart top 20 after her previous two singles failed to chart highly. Subsequent singles from Growing Pains include "Work That", which accompanied Blige in an iTunes commercial, and "Stay Down". Blige was featured on 50 Cent's 2007 album, Curtis, in the song "All of Me". In March 2008, she toured with Jay-Z in the Heart of the City Tour. They released a song called "You're Welcome". In the same period, cable network BET aired a special on Blige entitled The Evolution of Mary J. Blige, which showcased her career. Celebrities such as Method Man and Ashanti gave their opinions about Blige and her music. Blige is featured on singles by Big Boi, and Musiq Soulchild. Growing Pains was nominated for a Grammy Award for "Best Contemporary R&B Album", at the 51st Grammy Awards to be held on February 8, 2009, earning Blige her 27th Grammy nomination, in a mere decade. Blige went on the Growing Pains European Tour, her first tour there in two years. A tour of Australia and New Zealand was scheduled for June but was postponed due to "weariness from an overwhelming tour schedule" and then eventually canceled entirely. On August 7, 2008, it was revealed Blige faced a US$2 million federal suit claiming Neff-U wrote the music for the song "Work That", but was owned by Dream Family Entertainment. The filing claimed that Dream Family never gave rights to use the song to Blige, Feemster or Geffen Records. Rights to the lyrics of the song used in an iPod commercial are not in question. 2009–present: Stronger with Each Tear Blige returned to performing in January, 2009 by performing the song "Lean On Me" at the Presidential Inauguration Committee's, "We Are One: The Obama Inaugural Celebration at the Lincoln Memorial". Blige also performed her hit 2007 single, "Just Fine", with a new intro at the Neighborhood Inaugural Ball after Barack Obama was sworn in on January 20, 2009. Blige appeared as a marquee performer on the annual Christmas in Washington television special. Blige's ninth studio album, Stronger with Each Tear, was released on December 21, 2009, debuting at number two on the Billboard 200 and at number one on the Top R&B/Hip-Hop Albums chart, it became her fifth non-number one album in the United States. The lead single, "The One", which features the Canadian rapper Drake, was released for airplay in June 2009, and was officially and digitally released on July 21, 2009. Blige recorded "Stronger", as the lead single from the soundtrack to the basketball documentary "More Than a Game" August 2009. The second single from "Stronger with Each Tear" “I Am", was released for airplay November 22, 2009 and released two weeks later in December 8, 2009. Blige was honored at the 2009 BET Honors Ceremony and was paid tribute by Anita Baker and Monica. On November 4, 2009, Blige sang the The Star-Spangled Banner at Yankee Stadium before the New York Yankees and Philadelphia Phillies played the last game (Game 6) of the World Series. Blige performed two songs from her ninth album, Stronger with Each Tear, including her new single, "I Am", as well as her previous hits, "No More Drama" and "Be Without You" as well as the song "Color" which is featured on Precious soundtrack, on December 20 on A&E Television's "Private Sessions". Blige appeared as a guest judge on the 2010 series of American Idol on January 13, 2010. On January 23, 2010, Blige released a track "Hard Times Come Again No More" with The Roots as well as performing it at the Hope for Haiti Now telethon. At the 2010 Grammy Awards, Blige and Andrea Bocelli performs Bridge Over Troubled Water. Blige also performed on BET's SOS Help For Haiti, singing "Gonna Make It" with Jazmine Sullivan and "One." Blige also took part in February 2010's We Are the World 25 for Haiti, singing the solo originally sung by Tina Turner in the original 1985 We Are The World version. At the 41st NAACP Image Awards Blige won Outstanding Female Artist and Outstanding Album for Stronger with Each Tear. On March 22, 2010, Blige released Stronger with Each Tear in the United Kingdom, as well in the European markets. The international version of the album has a completely altered tracklisting than the U.S. edition, as Blige covered two recordings from British rock band Led Zeppelin, "Whole Lotta Love" (the album's opener), and "Stairway to Heaven" (for which she performed on Idol Gives Back), which features Travis Barker on drums, as well as musician Orianthi and American Idol judge Randy Jackson on guitars. Also, the album includes two new songs "City On Fire", "I Can't Wait" featuring Will.I.Am, as well "Stronger" from the More Than a Game soundtrack, and a Dave Aude remix version of "I Am". The album performed modestly in the United Kingdom, debuting at number thirty-three on the UK Albums Chart and at number four on the UK R&B Chart. It reached the top 100 in other countries. On April 13, 2010, Blige appeared on an episode of The Oprah Winfrey Show where she be performed the hit "Each Tear" and her rendition of the Led Zeppelin classic, "Stairway to Heaven", which is featured on the Stronger withEach Tear international edition and on iTunes as a digital single. "We Got Hood Love" (feat. Trey Songz) was released as her third single in the US along with the music video. Blige also provided backing vocals and chorus/hook to the song "Fancy" off of Canadian rapper Drake's debut album, Thank Me Later, which also features rapper T.I. and producer Swizz Beatz, the original leaked version (which can be found via YouTube) had Blige guest vocals on the song, with Beatz rapping. "Good Love" is rumored to be the fifth single to be released sometime in 2010 as well "I Feel Good" rumored to be the fifth. A Mary J. Blige rep reported to US Weekly magazine that a tour in support of Stronger withEach Tear will take place Fall 2010. Acting career In 1998, Blige made her acting debut on the sitcom The Jamie Foxx Show playing a character, the apparently southern Ola Mae; a preacher's daughter who wanted to sing more than gospel music. Her father was portrayed by Ronald Isley of The Isley Brothers. In 2001, Blige starred opposite rapper Q-Tip in the independent film Prison Song. That same year, Blige made a cameo on the Lifetime network series, Strong Medicine; playing the role of Simone Fellows. Blige's character was the lead singer of a band who was sick, but would not seek treatment. In 2000, Blige was featured in a superhero web cartoon in junction with Stan Lee. Blige used the cartoon as part of her performance while on her 2000 Mary Show Tour. In 2004, Blige starred in an off-Broadway play, The Exonerated. The play chronicled the experiences of death row inmates. Blige portrayed Sunny Jacobs, a woman who spent 20 years in prison for a crime she did not commit. In late 2005, it was reported that Blige landed the starring role in the upcoming MTV Films biopic on American singer/pianist Nina Simone. According to IMDB.com the film will be released in 2012. In February 2007, Blige guest-starred on Ghost Whisperer, in an episode called "Mean Ghost", as the character Jackie Boyd, the school's cheer leader coach grieving for the death of her brother and affected by the ghost of a dead cheerleader. The episode features many of Blige's songs. In August 2007, Blige was a guest star on Entourage, in the role of herself, as a client of Ari Gold's agency. In October 2007, Blige was also a guest star on America's Next Top Model, as a creative director for a photo shoot by Matthew Rolston. In May 2009, Mary made a guest appearance on 30 Rock, as an artist recording a benefit song for a kidney. Blige also had a supporting role in Tyler Perry's Movie I Can Do Bad All By Myself, which was released in September 2009. Business ventures In 2004 Blige launched her own record label, Matriarch Records, distributed through Interscope. On July 31 Blige will launch her first perfume, My Life (through Carol's Daughter), exclusively on HSN. Blige will also release her eyewear line, MELODIES. Blige's production company, along with William Morris Endeavor is also working on several TV and film projects. Blige has had endorsement contracts with Reebok, Air Jordan, Pepsi, Coca-Cola, Gap, Target, American Express, AT&T, M·A·C, Apple Inc. and Chevrolet. She has also been a spokesperson with Carol's Daughter beauty products and Citibank's Nickelback program. Personal life In 2000, Blige met record industry executive Martin Kendu Isaacs (known as "Kendu") who became her manager. The two were married on December 7, 2003, in a small private ceremony at Blige's home attended by 50 guests. According to a December 24, 2009, article in the New York Post, Blige "punched husband Kendu Isaacs in the face at her record release party at club M2" because "he was flirting with a waitress that night". After earning her GED, Blige claimed to be enrolled at Howard University, and that she was a member of the class of 2014. Howard University, however, disputed this, saying she was not accepted or enrolled yet. Blige's representative later reversed the statement and said that Blige was too busy too attend. Philanthropy On May 9, 2008, The Mary J. Blige and Steve Stoute Foundation for the Advancement of Women Now, Inc. (FFAWN) was inaugurated at Roosevelt High School in Yonkers, New York. FFAWN's purpose is to inspire women "to reach their individual potential". The foundation offers scholarships and programs whose aim is to foster self-esteem and career development. The Mary J. Blige Center for Women has opened in Yonkers.
  11. {name}

    Holly Hunter

    Holly Hunter (born March 20, 1958) is an American actress. Hunter starred in The Piano for which she won the Academy Award for Best Actress. She has also been nominated for Oscars for her roles in Broadcast News, The Firm, and Thirteen. Hunter has also won two Emmy Awards with seven nominations and has won a Golden Globe Award with another six nominations. Early life and career Holly Hunter was born in Conyers, Georgia, the daughter of Opal Marguerite, a housewife, and Charles Edwin Hunter, a farmer and sporting-goods manufacturer's representative. Hunter earned a degree in drama from Carnegie Mellon University in Pittsburgh, and for a while performed in the theatre scene there, playing ingenue roles at City Theatre, then named the City Players. She eventually moved to New York City and roomed with fellow actress Frances McDormand. Hunter, in 2008, described living in The Bronx "at the end of the D [subway] train, just off 205th Street, on Bainbridge Avenue and Hull Avenue. It was very Irish, and then you could go just a few blocks away and hit major Italian" A chance encounter with playwright Beth Henley, when the two were trapped alone in an elevator, led to Hunter's being cast in Henley's plays Crimes of the Heart (succeeding Mary Beth Hurt on Broadway), and Off-Broadway's The Miss Firecracker Contest. "It was like the beginning of 1982. It was on 49th Street between Broadway and Eighth Avenue on the south side of the street", Hunter recalled in an interview. "We were trapped 10 minutes; not long. We actually had a nice conversation. It was just the two of us". Stage and film Hunter made her screen debut in the 1981 horror movie The Burning. After moving to Los Angeles in 1982, Hunter appeared in TV movies before being cast in a supporting role in 1984's Swing Shift. That year, she had her first collaboration with the writing-directing-producing team of brothers Ethan Coen and Joel Coen, in Blood Simple, making an uncredited appearance as a voice on an answering-machine recording. More film and television work followed until 1987, when thanks to a starring role in the Coens' Raising Arizona and her Academy Award-nominated turn in Broadcast News, Hunter became a critically acclaimed star. She went on to the screen adaptation of Henley's Miss Firecracker; Steven Spielberg's Always, a romantic drama with Richard Dreyfuss; and the made-for-TV 1989 docudrama about the Supreme Court case Roe v. Wade. Following her second collaboration with Dreyfuss, in Once Around, Hunter garnered critical attention for her work in two 1993 films, resulting in her being nominated for two Academy Awards the same year: Hunter's performance in The Firm won her a nomination as Best Supporting Actress, while her portrayal of a mute Scottish woman entangled in an adulterous affair with Harvey Keitel in Jane Campion's The Piano won her the Best Actress award. Hunter went on to appear in films such as the comedy-drama Home for the Holidays and the thriller Copycat. She also appreared in David Cronenberg's Crash and as a sardonic angel in A Life Less Ordinary. The following year, she played a recently divorced New Yorker in Richard LaGravenese's Living Out Loud; starring alongside Danny DeVito, Queen Latifah, and Martin Donovan. Hunter rounded out the 1990s with a minor role in the independent drama Jesus' Son and as a housekeeper torn between a grieving widower and his son in Kiefer Sutherland's drama Woman Wanted. Following a supporting role in the Coens' O Brother, Where Art Thou?, Hunter took top billing in the same year's television movie Harlan County War, an account of labor struggles among Kentucky coal-mine workers. Hunter would continue her small screen streak with a role in When Billie Beat Bobby, playing tennis pro Billie Jean King in the fact-based story of King's famed exhibition match with Bobby Riggs; and as narrator of Eco Challenge New Zealand before returning to film work with a minor role in the 2002 drama Moonlight Mile. The following year found Hunter in the redemption drama Levity. Also in 2003, Hunter had a supporting role in the film Thirteen for which she received a Best Supporting Actress Oscar nomination. In 2004, Hunter starred alongside Brittany Murphy in the romantic satire Little Black Book, and the same year lent her voice to the animated film The Incredibles as the voice of Helen Parr, a.k.a. the superheroine Elastigirl. In 2005, Hunter starred alongside Robin Williams in the black comedy-drama The Big White. Hunter became an executive producer, and helped develop a starring vehicle for herself with the TNT cable-network drama Saving Grace, which premiered in July 2007. For her acting, she received a Golden Globe Award nomination, two Screen Actors Guild Award nomination, and an Emmy Award nomination. On May 30, 2008 Hunter received a star on the Hollywood Walk of Fame. In 2009, she was awarded the Women in Film Lucy Award. Personal life Hunter has been in a relationship with British actor Gordon MacDonald. In January 2006, Hunter's publicist announced that Hunter had given birth to the couple's twin boys. In a 2009 interview, Hunter stated to TV Guide that she does not discuss her children with the media. Hunter is deaf in one ear, which sometimes leads to complications at work and some scenes have to be altered from the script for her to use her healthy ear. Filmography Year Film Role Notes 1981 The Burning Sophie 1984 Swing Shift Jeannie Blood Simple Helene Trend (voice only) uncredited 1987 Raising Arizona Edwina 'Ed' McDunnough End of the Line Charlotte A Gathering of Old Men Candy Marshall Broadcast News Jane Craig Boston Society of Film Critics Award for Best Actress Silver Bear for Best Actress – Berlin Film Festival Los Angeles Film Critics Association Award for Best Actress National Board of Review Award for Best Actress New York Film Critics Circle Award for Best Actress Nominated — Academy Award for Best Actress Nominated — Golden Globe Award for Best Actress – Motion Picture Musical or Comedy 1989 Miss Firecracker Carnelle Scott Animal Behavior Coral Grable Always Dorinda Durston 1991 Once Around Renata Bella 1993 The Piano Ada McGrath Academy Award for Best Actress Australian Film Institute Award for Best Actress in a Leading Role BAFTA Award for Best Actress in a Leading Role Boston Society of Film Critics Award for Best Actress Cannes Film Festival Best Actress Award Chicago Film Critics Association Award for Best Actress Dallas-Fort Worth Film Critics Association Award for Best Actress Golden Globe Award for Best Actress – Motion Picture Drama London Film Critics Circle Award for Best Actress Los Angeles Film Critics Association Award for Best Actress National Board of Review Award for Best Actress National Society of Film Critics Award for Best Actress New York Film Critics Circle Award for Best Actress The Firm Tammy Hemphill Nominated — Academy Award for Best Supporting Actress Nominated — BAFTA Award for Best Actress in a Supporting Role 1995 Copycat M.J. Monahan Special Mention Award at the Festival du Film Policier de Cognac (Shared with Sigourney Weaver for their acting performances) Home for the Holidays Claudia Larson 1996 Crash Helen Remington 1997 A Life Less Ordinary O'Reilly 1998 Living Out Loud Judith Moore Nominated — American Comedy Award for Funniest Actress in a Motion Picture (Leading Role) Nominated — Chicago Film Critics Association Award for Best Actress Nominated — Satellite Award for Best Actress – Motion Picture Musical or Comedy 1999 Jesus' Son Mira 2000 Woman Wanted Emma Riley Timecode Renee Fishbine, Executive O Brother, Where Art Thou? Penny Nominated — Satellite Award for Best Supporting Actress – Motion Picture 2000 Things You Can Tell Just by Looking at Her Rebecca Waynon 2001 Festival in Cannes Herself Uncredited 2002 Moonlight Mile Mona Camp 2003 Levity Adele Easley Thirteen Melanie Freeland Bronze Leopard Award for Best Actress Las Vegas Film Critics Society Award for Best Supporting Actress Nominated — Academy Award for Best Supporting Actress Nominated — BAFTA Award for Best Actress in a Supporting Role Nominated — Broadcast Film Critics Association Award for Best Supporting Actress Nominated — Chicago Film Critics Association Award for Best Supporting Actress Nominated — Golden Globe Award for Best Supporting Actress – Motion Picture Nominated — London Film Critics Circle Award for Best Actress Nominated — Online Film Critics Society Award for Best Supporting Actress Nominated — Phoenix Film Critics Society Award for Best Supporting Actress Nominated — Prism Award for Best Performance in a Theatrical Feature Film Nominated — Satellite Award for Best Supporting Actress – Motion Picture Nominated — Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role Nominated — Washington D.C. Area Film Critics Association Award for Best Supporting Actress 2004 Little Black Book Barb Campbell-Dunn The Incredibles Helen Parr/Elastigirl voice Nominated — MTV Movie Award for Best On-Screen Team 2005 Nine Lives Sonia Bronze Leopard Award for Best Actress (Shared with the film's ensemble of actresses) Nominated — Gotham Award for Best Cast The Big White Margaret Barnell Television Year Film Role Notes 1989 Roe vs. Wade Ellen Russell/Jane Doe Emmy Award for Outstanding Lead Actress – Miniseries or a Movie Nominated — Golden Globe Award for Best Actress – Miniseries or Television Film 1993 The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom Wanda Holloway CableACE Award for Best Actress in a Movie or Miniseries Emmy Award for Outstanding Lead Actress – Miniseries or a Movie Nominated — Golden Globe Award for Best Actress – Miniseries or Television Film 2000 Harlan County War Ruby Kincaid Nominated — Emmy Award for Outstanding Lead Actress – Miniseries or a Movie Nominated — Golden Globe Award for Best Actress – Miniseries or Television Film Nominated — Satellite Award for Best Actress – Miniseries or Television Film Things You Can Tell Just by Looking at Her Rebecca Weyman Segment – "Fantasies About Rebecca" Nominated — Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie 2002 When Billie Beat Bobby Billie Jean King Nominated — Emmy Award for Outstanding Lead Actress – Miniseries or a Movie 2007–2010 Saving Grace (TV series) Grace Hanadarko Gracie Allen Award for Outstanding Actress — Drama Series (2007) Nominated — Emmy Award for Outstanding Lead Actress – Drama Series (2008, 2009) Nominated — Golden Globe Award for Best Actress – Television Series Drama (2007) Nominated — Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Drama Series (2007–2009) Nominated — Saturn Award for Best Actress on Television (2008) Nominated — People's Choice Award for Favorite TV Drama Diva (2009) Nominated — Prism Award for Best Performance in a Drama Series Episode (2008) Nominated — Satellite Award for Best Actress – Television Series Drama (2008)
  12. {name}

    Katey Sagal

    Katey Sagal (born January 19, 1954) is a multiple Golden Globe nominated American actress and singer-songwriter, best known for portraying Peggy Bundy on Married... with Children. She is also known for her roles as Cate S. Hennessy on 8 Simple Rules, Turanga Leela on Futurama, and Gemma Teller Morrow on Sons of Anarchy. Early life Katey Sagal was born Catherine Louise Sagal in Hollywood, California, to a Jewish show business family of five children including younger sisters Jean and Liz Sagal, a pair of twin actresses. Their parents died before Katey Sagal turned 25: Mother Sara Zwilling, a writer and producer, of heart disease, and father Boris Sagal, a director, in an accident on the set of the television movie World War III. Sagal and her siblings grew up in the Mandeville Canyon section of Brentwood, Los Angeles. She studied at California Institute of the Arts in Valencia, California. Career Sagal began her career working the Hollywood circuit. She appeared in several made for TV movies between 1971 and 1975, including a small role as a receptionist in the Columbo film Candidate for Crime (directed by her father) and in 1973 working as a backing vocalist for various singers, including Bob Dylan and Tanya Tucker. In 1978, Kiss bassist Gene Simmons asked her to sing background vocals on his self-titled solo album. During this time she was also a member of the rock group The Group With No Name. She also sang backup for Bette Midler, who hired her for her 1979 tour as one of The Harlettes. Sagal returned to television in 1985 in the television series Mary starring Mary Tyler Moore. This led to her being cast as Peggy Bundy on the sitcom Married... with Children (1987–1997). She portrayed the lower-class, sex-starved wife of shoe salesman Al Bundy. During her audition for the role, Sagal brought her own red bouffant wig and with the producers' approval, the look transitioned into the show. As Peg, she wore the wig, capris-length leggings with a large belt, and high slip-on heels, which were all fashion styles from the 1960s. Sagal's career focused strongly on this series for its 11-year run. After the end of Married... with Children, several more television films followed, and she also contributed to the children's cartoon Recess as the voice of Spinelli's mother. In 1999, Matt Groening cast her as the purple-haired, cycloptian spaceship captain, Turanga Leela, in his science fiction cartoon comedy Futurama. The show developed a cult following, but was canceled after four seasons. However, airings in syndication on Adult Swim and Comedy Central increased the show's popularity and led Comedy Central to commission a series of Futurama direct-to-DVD films, which the network later rebroadcast as 16 episodes. Sagal reprised her role as Leela in these films and in the new season that began airing June 24, 2010. Sagal also guest starred as Edna Hyde, Steven Hyde's mother, in three 1999 episodes of That '70s Show. She starred in the short-lived NBC sitcom Tucker the following year. In the Disney Channel movie Smart House, she played a computerized maid that develops sentience. Sagal was cast as the wife of John Ritter in the sitcom 8 Simple Rules for Dating My Teenage Daughter in 2002. Following Ritter's death in 2003, Sagal carried most of the show (with help from new cast members David Spade and James Garner). Ritter completed only three episodes of the second season of 8 Simple Rules for Dating My Teenage Daughter, with Sagal introducing each episode. The show was cancelled in 2005 after its third season. In 2005, she made two guest appearances on Lost, playing John Locke's (Terry O'Quinn fiancee, Helen Norwood; one guest appearance on CBS' Ghost Whisperer; and another on The Shield, which she would reprised in 2007. She hosted The Search for the Funniest Mom In America 2 and had a recurring role on Boston Legal. In 2007, she had a role in the season finale of The Winner as Glen Abbot's former, and Josh's current, teacher, with whom Glen has his first sexual experience. The following year, she appeared in four episodes of Eli Stone as Marci Klein, one of the founding partners of the show's law firm. She has a starring role as Gemma Teller Morrow on the TV show Sons of Anarchy, created by her husband, Kurt Sutter. In January 2009, Sagal reunited with her TV son David Faustino (Bud Bundy from Married with Children) for an episode of Faustino's show Star-ving. In 2010, she appeared twice more on Lost. Musical career Sagal is also a songwriter. In 1976, while a member of The Group With No Name, she contributed to the album Moon over Brooklyn. She also performed backing vocals on the self-titled solo album by Gene Simmons as well as background vocals on Olivia Newton-John's 1985 single "Soul Kiss". On April 19, 1994, she released her first solo album, Well.... Ten years later, on June 1, 2004, she released her second album, Room. Personal life Sagal was married to Freddie Beckmeier (1978–1981) and Jack White (November 26, 1993 – July 24, 2000). In 1991, Sagal discovered she was pregnant. This was unexpected by the directors of Married... with Children, so the pregnancy was written into the storyline of the show. However, in October 1991, she had to have an emergency Caesarean section in her seventh month of pregnancy, ending in the stillbirth of a daughter, whom Sagal named Ruby Jean. The pregnancy on the show was then regarded as a "dream". She also had an early miscarriage around this time. She and White eventually had a daughter named Sarah Grace (born on August 7, 1994) and a son named Jackson James (born on March 1, 1996). Sagal married writer-producer Kurt Sutter in a private ceremony on October 2, 2004, at their home in Los Feliz, California. They had a daughter, Esme Louise, born January 10, 2007.
  13. {name}

    Carol Kane

    Carolyn Laurie "Carol" Kane (born June 18, 1952) is an American actress, known for her work on stage, screen and television. Early life Kane was born in Cleveland, Ohio, the daughter of Joy, a jazz singer, teacher, dancer, and pianist, and Michael Kane, an architect who worked for the World Bank. Her family is Jewish, her grandparents having emigrated from Russia. Her parents divorced when she was 12 years old. She attended the Cherry Lawn School, a progressive boarding school in Darien, Connecticut, until 1965. She attended the Professional Children's School, in New York City, and made her professional theatre debut in a 1966 production of The Prime of Miss Jean Brodie, starring Tammy Grimes. Career Kane is perhaps best-known for her portrayal of Simka Dahblitz-Gravas, wife of Latka Gravas (Andy Kaufman), on the American television series Taxi, from 1981 to 1983, and also for her role as Allison Portchnik in Woody Allen's Annie Hall. Kane earned two Emmy Awards for her work in the series and was nominated for an Academy Award for Best Actress for her role in the film Hester Street. She also appeared in The Princess Bride (1987) and Scrooged (1988), with Bill Murray, in which Variety called her, "unquestionably [the] pic's comic highlight." Kane was a regular on the 1986 NBC series, All Is Forgiven, a regular on the 1990-1991 NBC series American Dreamer, guest-starred on a 1994 episode of Seinfeld and had a supporting role in the short-lived 1996-1997 sitcom, Pearl, which starred Rhea Perlman. She also appeared in the NBC television live action production of The Year Without a Santa Claus in December 2006. In January 2009, Kane appeared in the TV series Two and a Half Men as the mother of Alan Harper's receptionist. She stars in the Off-Broadway play, Love, Loss, and What I Wore beginning February 3, 2010. In March 2010, Kane appeared in the TV series Ugly Betty as Justin Suarez's acting teacher. Wicked Kane's is known most notable by fans of the show, for her portrayal of evil headmistress Madame Morrible in the Broadway musical Wicked, in which she played in various productions from 2005 to 2009. Kane made her Wicked debut on the 1st National Tour, originating the role from March 9 through December 19, 2005. She then reprised the role in the Broadway production from January 10 through November 12, 2006. She again originated the role for the Los Angeles production which began performances on February 7, 2007. She left the production on December 30, 2007, and later returned from August 26, 2008 until the production closed on January 11, 2009. She then transferred with the L.A. company, to originate the role once again, in the San Francisco production which began performances January 27, 2009. She ended her limited engagement on March 22, 2009.
  14. {name}

    Josh Brolin

    Josh James Brolin (pronounced /ˈbroʊlɨn/; born February 12, 1968) is an American actor. He has acted in theater, film and television roles since 1985, and won acting awards for his roles in the films W., No Country for Old Men, Milk and Wall Street: Money Never Sleeps. He appeared in True Grit, a 2010 western film adaptation of the 1968 novel by Charles Portis. Early life Brolin was born in Santa Monica, California, the son of Jane Cameron Agee, a wildlife activist who was a native of Corpus Christi, Texas, and actor James Brolin. Brolin was raised on a California ranch with little exposure to his father's acting career. His parents divorced when he was 18 and his stepmother is singer/actress Barbra Streisand. He became interested in acting after taking an improv acting class in high school. Career Brolin started his career in TV movies and guest spots on TV shows before getting a more notable role as Brand Walsh in the Richard Donner-directed movie The Goonies (1985). He was considered for the role of Tom Hanson in the series 21 Jump Street; he and Johnny Depp were the finalists for the role, and at that time the two became friends. The role was ultimately awarded to Depp, but the two of them remained friends. Brolin guest-starred in an episode of the show in its first season. Brolin implied that he turned away from film acting for years after the premiere of his second film, Thrashin', where he witnessed what he called "horrendous" acting on his part. For several years, he appeared in stage roles in Rochester, New York, often alongside mentor and friend Anthony Zerbe. One of Brolin's more prominent roles early in his career was that of Wild Bill Hickok in the ABC western TV series The Young Riders, which lasted three seasons (1989–92). Two other TV series he was involved in include the Aaron Spelling production Winnetka Road (1994) and Mister Sterling (2003), both of which were cancelled after a few episodes. Brolin's extensive film work consists mainly of supporting, villainous roles. His most recent film work includes the Planet Terror segment of the Quentin Tarantino/Robert Rodriguez collaboration Grindhouse, the Coen brothers' Academy Award-winning film No Country for Old Men, and Gus van Sant's Milk. Brolin also starred in director Oliver Stone's 2008 film W., a biopic about key events in the life of President George W. Bush. Stone pursued an initially hesitant Brolin for the role. He said of his decision to cast Brolin in the leading role: It always seemed to me that he was the right person. Although classically handsome, I think he would consider himself a character actor first and foremost, and it was in this context that I thought of him as W. Josh certainly has star appeal and could be a leading man, but I don’t think he necessarily wants to be that. I think he really enjoys disappearing into a character. Brolin received an Oscar nomination for Best Supporting Actor for his role in Gus Van Sant's biopic Milk as city supervisor Dan White, who assassinated San Francisco Supervisor Harvey Milk and Mayor George Moscone. He made news by wearing a White Knot to the Academy Awards ceremony to demonstrate solidarity with the marriage equality movement. Brolin told an interviewer that costar Sean Penn, who portrayed Milk, decided to dispel any nerves the actors had about playing gay men by grabbing the bull by the horns. At the first cast dinner, which included castmates James Franco, Emile Hirsch and Diego Luna, Brolin said, "[Penn] walked right up and grabbed me and planted a huge one right on my lips." Brolin has received critical acclaim for his performance and, in addition to his Oscar nomination, NYFCC and NBR Awards for Best Supporting Actor and a nomination for a SAG Award for Outstanding Performance by a Male Actor in a Supporting Role. He portrayed Jonah Hex in the film with the same name In 2009, Brolin executive produced and performed in The People Speak a documentary feature film that uses dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's A People's History of the United States. When he is not acting, Brolin is an active stock trader and is co-founder of the site MarketProbability.com. Brolin wrote and directed the short film "X", as his directorial debut. The film, about an inmate who escapes prison to reunite with his daughter and search for her murdered mother, was the opening film at the first annual Union City International Film Festival in Union City, New Jersey in December 2010. Personal life Brolin was married to actress Alice Adair from 1988 to 1992; they have two children, Trevor Mansur (b. 26 June 1988) and Eden (b. 1994). He was engaged to actress Minnie Driver for six months. He has been married to actress Diane Lane since August 15, 2004. On December 20, 2004, Lane called the police after an altercation with Brolin and he was arrested on a misdemeanor charge of domestic battery. Lane declined to press charges and the couple's spokesperson characterized the incident as a misunderstanding. On July 12, 2008, Brolin was arrested, along with actor Jeffrey Wright and five other crew members of W., after an altercation at the Stray Cat Bar in Shreveport, Louisiana. Brolin was released after posting a cash bond of US$334. Of his arrest, Brolin told a reporter, "It was nice to be in jail knowing that I hadn’t done anything wrong. And it was maddening to be in jail knowing that I hadn’t done anything wrong." Charges against all seven men were later dropped by Shreveport prosecutors. Filmography Film and television 1985 Goonies, TheThe Goonies Brandon "Brand" Walsh 1986 Thrashin' Corey Webster 1987 Private Eye Johnny Betz TV series 1989 Young Riders, TheThe Young Riders James Butler Hickok TV series 1995 Outer Limits, TheThe Outer Limits Jack Pierce TV series, episode: "Virtual Future" 1996 Bed of Roses Danny 1996 Flirting with Disaster Tony Kent 1997 Mimic Josh 1997 Nightwatch James Gallman 1999 Mod Squad, TheThe Mod Squad Billy Waites 1999 Best Laid Plans Bryce 1999 It's the Rage Tennel 2000 Picnic Hal Carter TV 2000 Hollow Man Matt Kensington Blockbuster Entertainment Award for Favorite Supporting Actor – Science Fiction 2000 Slow Burn Duster 2003 Mister Sterling Senator Bill Sterling TV series 2005 Melinda and Melinda Greg Earlinger 2005 Into the West Jedediah Smith TV miniseries 2005 Into the Blue Derek Bates 2006 Dead Girl, TheThe Dead Girl Tarlow 2007 Grindhouse Dr. William Block Segment: Planet Terror 2007 In the Valley of Elah Chief Buchwald 2007 No Country for Old Men Llewelyn Moss National Board of Review Award for Best Cast Phoenix Film Critics Society Award for Best Cast San Diego Film Critics Society Award for Best Cast Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture Washington D.C. Area Film Critics Association Award for Best Cast Nominated—Broadcast Film Critics Association Award for Best Cast Nominated—Satellite Award for Best Actor – Motion Picture Drama 2007 American Gangster Det. Reno Trupo Nominated—Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture 2008 W. George W. Bush Nominated—IFTA Award for Best International Actor Nominated—London Film Critics Circle Award for Best Actor Nominated—Satellite Award for Best Actor – Motion Picture Musical or Comedy 2008 Milk Dan White Broadcast Film Critics Association Award for Best Cast National Board of Review Award for Best Supporting Actor New York Film Critics Circle Award for Best Supporting Actor Nominated—Academy Award for Best Supporting Actor Nominated—Broadcast Film Critics Association Award for Best Supporting Actor Nominated—Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role 2009 People Speak, TheThe People Speak Himself Documentary 2010 Jonah Hex Jonah Hex 2010 Tillman Story, TheThe Tillman Story Himself Narrator 2010 You Will Meet a Tall Dark Stranger Roy 2010 Wall Street: Money Never Sleeps Bretton James 2010 True Grit Tom Chaney 2012 Men In Black III Younger Kevin Brown/Agent K filming
  15. {name}

    Alice Cooper

    Alice Cooper (born Vincent Damon Furnier; February 4, 1948) is an American rock singer, songwriter and broadcaster whose career spans more than five decades. With a stage show that features guillotines, electric chairs, fake blood, boa constrictors and baby dolls, Cooper has drawn equally from horror movies, vaudeville, and garage rock to pioneer a grandly theatrical and violent brand of heavy metal that was designed to shock. Alice Cooper was originally in a band consisting of Furnier on vocals and harmonica, lead guitarist Glen Buxton, Michael Bruce on rhythm guitar, Dennis Dunaway on bass guitar, and drummer Neal Smith. The original Alice Cooper band broke into the international music mainstream with the 1971 hit "I'm Eighteen" from the album Love it to Death, which was followed by the even bigger single "School's Out" in 1972. The band reached their commercial peak with the 1973 album Billion Dollar Babies. Furnier's solo career as Alice Cooper, adopting the band's name as his own name, began with the 1975 concept album Welcome to My Nightmare. In 2008 he released Along Came a Spider, his 18th solo album. Expanding from his original Detroit rock roots, over the years Cooper has experimented with many different musical styles, including conceptual rock, art rock, glam metal, hard rock, new wave, pop rock, soft rock, experimental rock, heavy metal, and industrial rock. In recent times he has returned more to his garage rock roots Alice Cooper is known for his social and witty persona offstage, The Rolling Stone Album Guide going so far as to refer to him as the world's most "beloved heavy metal entertainer". He helped to shape the sound and look of heavy metal, and has been credited as being the person who "first introduced horror imagery to rock'n'roll, and whose stagecraft and showmanship have permanently transformed the genre". Away from music, Cooper is a film actor, a golfing celebrity, a restaurateur and, since 2004, a popular radio DJ with his classic rock show Nights with Alice Cooper. On VH1's "100 Greatest artists of Hard Rock", Cooper was ranked #20. Childhood and early life Cooper was born as Vincent Damon Furnier in Detroit, Michigan, the son of Ella Mae and Ether Moroni Furnier, a lay preacher in the fundamentalist Church of Jesus Christ. He has French Huguenot, Sioux Native American, and Irish ancestry,and was named after one of his uncles and the writer Damon Runyon. His paternal grandfather, Thurman Sylvester Furnier, was an apostle in The Church of Jesus Christ based in Monongahela, Pennsylvania, and Vincent Furnier was very active in the Church of Jesus Christ at the ages of 11 and 12. While in Detroit, Furnier attended Washington Elementary School, and then a middle school that is now Lutheran High School Westland. Following a series of childhood illnesses, Furnier moved with his family to Phoenix, Arizona. Furnier attended Cortez High School in northern Phoenix. He was also a member of the Order of DeMolay. 1960s At the age of 16, Furnier was eager to take part in the local annual letterman's talent show and gathered fellow cross-country teammates to form a group for the show. They named themselves The Earwigs, and since they did not know how to play any instruments at the time, they dressed up like The Beatles and mimed their performance to Beatles songs. As a result of winning the talent show and loving the experience of being onstage, the group immediately proceeded to learn how to play instruments they acquired from a local pawn shop. They soon renamed themselves The Spiders, featuring Furnier on vocals, Glen Buxton on lead guitar, John Tatum on rhythm guitar, Dennis Dunaway on bass guitar, and John Speer on drums. Musically, the group were inspired by artists such as The Beatles, The Rolling Stones, The Who, The Kinks, and The Yardbirds. For the next year the band performed regularly around the Phoenix area with a huge black spider's web as their backdrop, the group's first stage prop. In 1965, they also recorded their first single, "Why Don't You Love Me" (originally performed by The Blackwells). Furnier learned the harmonica for the song. In 1966, the members of The Spiders graduated from high school. After North High School footballer Michael Bruce replaced John Tatum on rhythm guitar, the band scored a local #1 radio hit with "Don't Blow Your Mind," an original composition from their second single release. By 1967, the band had begun to make regular road trips to Los Angeles, California to play shows. They soon renamed themselves The Nazz and released the single "Wonder Who's Lovin' Her Now," backed with future Alice Cooper track "Lay Down And Die, Goodbye." At around this time drummer John Speer was replaced by Neal Smith. By the end of the year the band had relocated to Los Angeles permanently. In 1968, upon learning that Todd Rundgren also had a band called Nazz, the band were again in need of another stage name. Believing that the group needed a gimmick to succeed and that other bands were not exploiting the showmanship potential of the stage, Furnier chose Alice Cooper as the band's name and adopted this stage name as his own.Cooper admitted in 2007 that the name change was one of his most important and successful career moves. Early press releases claimed that the name was agreed upon after a session with a Ouija board, during which it was revealed that Furnier was the reincarnation of a 17th century witch named Alice Cooper. Nonetheless, at the time Cooper and the band realized that the concept of a male playing the role of an androgynous witch, in tattered women's clothing and wearing make-up, would have the potential to cause considerable social controversy and grab headlines. Cooper stated in a 2008 interview that his look was inspired in part by the film Barbarella. "When I saw Anita Pallenberg playing the Great Tyrant in that movie in 1968, wearing long black leather gloves with switchblades coming out of them, I thought, 'That's what Alice should look like'. That, and a little bit of Emma Peel from The Avengers". The classic Alice Cooper group line-up consisted of singer Alice Cooper (Vincent Furnier), lead guitarist Glen Buxton, rhythm guitarist Michael Bruce, bassist Dennis Dunaway, and drummer Neal Smith. With the exception of Smith, who graduated from Camelback High School (which is referred to in the song "Alma Mater" on the School's Out album), all of the band members were on the Cortez High School cross-country team, and many of Cooper's stage effects were inspired by their cross-country coach, Emmett Smith (one of Smith's class projects was to build a working guillotine for slicing watermelons). Cooper, Buxton and Dunaway were also art students, and their admiration for the works of surrealist artists such as Salvador Dalí would further inspire their future stage antics. One night, after an unsuccessful gig at a club in Venice, California called The Cheetah, where the band emptied the entire room of patrons after playing just ten minutes, they were approached and enlisted by music manager Shep Gordon, who ironically saw the band's negative impact that night as a force that could be turned in a more productive direction. Shep then arranged an audition for the band with composer and renowned record producer Frank Zappa, who was looking to sign bizarre music acts to his new record label, Straight Records. For the audition, Zappa told them to come to his house "at 7 o'clock." The band mistakenly assumed he meant 7 o'clock in the morning. Being woken up by a band willing to play that particular brand of psychedelic rock at seven in the morning impressed Zappa enough to sign them to a three-album deal. Another Zappa-signed act, the all-female GTOs, who liked to "dress the Cooper boys up like full size barbie dolls," played a major role in developing the band's early onstage look. Cooper's first album Pretties for You, released in 1969, had a slight psychedelic feel. Although it touched the US charts for one week at #193, it was ultimately a critical and commercial failure. Alice Cooper's "shock rock" reputation apparently developed almost by accident at first. An unrehearsed stage routine involving Cooper and a live chicken garnered attention from the press, and the band decided to capitalize on the tabloid sensationalism, creating in the process a new subgenre, shock rock. Cooper claims that the infamous "Chicken Incident" at the Toronto Rock and Roll Revival concert in September 1969, was an accident. A chicken somehow made its way on stage during Cooper's performance; not having any experience around farm animals, Cooper presumed that, because the chicken had wings, it would be able to fly. He picked it up and threw it out over the crowd, expecting it to fly away. The chicken instead plummeted into the first few rows occupied by disabled people in wheelchairs, who reportedly proceeded to tear the bird to pieces. The next day, the incident made the front page of national newspapers, and Zappa phoned Cooper to ask if the story, which reported that he had bitten the head off the chicken and drunk its blood on stage, was true. Cooper denied the rumor, whereupon Zappa told him, "Well, whatever you do, don't tell anyone you didn't do it", obviously recognising that such publicity would be priceless for the band. Despite the publicity from the Chicken Incident, the band's stronger second album, Easy Action, released in 1970, met with the same fate as its predecessor. Music label Warner Bros. Records purchased the band's Straight Records contract from Frank Zappa, and the Alice Cooper group was set to receive a higher level of promotion from the more major label. At around this time the band, fed up with Californians' indifference to their act, relocated to Cooper's birthplace, Detroit, where their bizarre stage act was much better received. Detroit would remain their steady home base until 1972. "LA just didn’t get it," Cooper stated. "They were all on the wrong drug for us. They were on acid and we were basically drinking beer. We fit much more in Detroit than we did anywhere else...." 1970s In 1970, after two failed albums, the Alice Cooper group was teamed up with now-legendary producer Bob Ezrin for their third album, the last in their contract with Straight Records, and the band's last chance to create a hit. That hit came with the single "I'm Eighteen", released in November 1970, which reached number 21 on the Billboard Hot 100. The album that followed, Love it to Death, released in February 1971, proved to be their breakthrough record, reaching number 35 on the U.S. Billboard 200 album charts. It would be the first of eleven Alice Cooper group and solo albums produced by Ezrin, who is widely seen as being instrumental in helping to create and develop the band's definitive sound. Alice Cooper appeared at the Woodstock-esque, Strawberry Fields Festival near Toronto, Ontario in August of 1970. The band's trailblazing mix of glam and increasingly violent stage theatrics stood out in stark contrast to the bearded, denim-clad hippie bands of the time.[31] As Cooper himself stated: "We were into fun, sex, death and money when everybody was into peace and love. We wanted to see what was next. It turned out we were next, and we drove a stake through the heart of the Love Generation". Sporting tight sequined costumes by the prominent rock fashion designer Cindy Dunaway (sister of band member Neal Smith, and wife of band member Dennis Dunaway) and stage shows that involved mock fights, staged execution, and Gothic torture modes being imposed on Cooper, the androgynous stage role now presented a villainous side which posed a potential threat to modern society. The success of the band's single, the album, and their tour of 1971, which saw their first and hugely successful tour of Europe (audience members reportedly included Elton John and David Bowie), provided enough encouragement for Warner Bros. to offer the band a new multi-album contract. Their follow-up album Killer, released in 1971, continued the commercial success of Love It To Death and included further single success with "Under My Wheels" and "Be My Lover" in early 1972, and "Halo Of Flies", which became a Top 10 hit in the Netherlands. Thematically, Killer expanded on the villainous side of Cooper's androgynous stage role, with its music becoming the soundtrack to the group's morality-based stage show, which by then featured a boa constrictor hugging Cooper onstage and the murderous axe chopping of bloodied dead baby dolls. The summer of 1972 saw the release of the single "School's Out". It went Top 10 in the US, was a #1 single in the UK, and remains a staple on classic rock radio to this day. School's Out the album reached #2 on the US charts and sold over a million copies. The band now relocated to their new mansion in Greenwich, Connecticut. With Cooper's on-stage androgynous persona completely replaced with brattiness and machismo, the band solidified their success with subsequent tours in the US and Europe, and won over devoted fans in droves while at the same time horrifying parents and outraging the social establishment. In England, Mary Whitehouse, a well known campaigner for values of morality and decency, succeeded in having the BBC ban the video for "School's Out" and Member of Parliament Leo Abse petitioned Home Secretary Reginald Maudling to have the group banned altogether from performing in the country.However, this seemed to have little effect on the band's popularity, as they were selected to be the first band to appear on the television series ABC In Concert in September 1972, and in February 1973 Billion Dollar Babies appeared, which was the band's most commercially successful album reaching #1 in both the US and UK. "Elected", a 1972 Top 10 UK hit from the album, which inspired one of the first MTV-style story-line promo videos ever made for a song (three years before Queen's promotional video for "Bohemian Rhapsody"), was followed by two more UK Top 10 singles, "Hello Hooray" and "No More Mr. Nice Guy", the latter of which was the last UK single from the album; it reached #25 in the US. The title track, featuring guest vocals by Donovan, was also a US hit single. Due to Glen Buxton's health problems, around this time, Mick Mashbir was added to the band (who also played, without credit, on Muscle of Love). With a string of successful concept albums and several hit singles, the band continued their grueling schedule and toured the US once again. Continued attempts by politicians and pressure groups to ban their shocking act only served to fuel the myth of Alice Cooper further and generate even greater public interest. Their 1973 US tour broke box office records previously set by The Rolling Stones and raised rock theatrics to new heights; the multi-level stage show by then featured numerous special effects, including Billion Dollar Bills, decapitated baby dolls and mannequins, a dental psychosis scene complete with dancing teeth, and the ultimate execution prop and highlight of the show: the guillotine. The guillotine and other stage effects were designed for the band by magician James Randi, who appeared on stage during some of the shows as executioner. The Alice Cooper group had now reached its peak and it was among the most visible and successful acts in the industry. (Cooper's stage antics would influence a host of later bands, including, among others, Kiss, Blue Öyster Cult, GWAR, W.A.S.P. and, later, Marilyn Manson and Rob Zombie.) Beneath the surface, however, the repetitive schedule of recording and touring had begun to take its toll on the band, and Cooper, who was under the constant pressure of getting into character for that night's show, was consistently sighted nursing a can of beer. Muscle of Love, released at the end of 1973, was to be the last studio album from the classic line-up, and marked Alice Cooper's last UK Top 20 single of the 1970s with "Teenage Lament '74". A theme song was recorded for the James Bond movie The Man with the Golden Gun, but a different song of the same name by Lulu was chosen instead. By 1974, the Muscle of Love album had not matched the top-charting success of its predecessor, and the band began to have constant disagreements. Cooper wanted to retain the theatrics in the show that had brought them so much attention, while the rest of the group thought they should be toned down so that they could concentrate more on the music which had given them credibility. Largely as a result of this difference of opinion, the band decided to take a much-needed hiatus. During this time, Cooper relocated back to Los Angeles and started appearing regularly on TV shows such as Hollywood Squares, and Warner Bros. released the Alice Cooper's Greatest Hits compilation album which featured classic artwork and which performed better than Muscle of Love, reaching the US Top 10. However, the band's feature film Good To See You Again, Alice Cooper (mainly concert footage with a faint storyline and 'comedic' sketches woven throughout), released on a minor theatrical run mostly to drive-in theaters, saw little box office success. As some of the Alice Cooper band's members had begun recording solo albums Cooper decided to do the same himself, and 1975 saw the release of his first solo album Welcome To My Nightmare. Its success marked the final break with the original members of the band, with Cooper collaborating with their producer Bob Ezrin who recruited Lou Reed's backing band, including guitarist Dick Wagner to play on the album. Spearheaded by the US Top 20 hit "Only Women Bleed", a ballad, the album was released by Atlantic Records in March of that year and became a Top 10 hit for Cooper. It was a concept album, based on the nightmare of a child named Steven, featuring narration by classic horror movie film star Vincent Price (several years after Welcome To My Nightmare, he guested on Michael Jackson's "Thriller"), and serving as the soundtrack to Cooper's new stage show, which now included more theatrics than ever (including an eight foot tall furry Cyclops which Cooper decapitates and kills). However, by this time alcohol was clearly affecting Cooper's performances. During the Welcome to My Nightmare tour in Vancouver, and only a few songs into the routine, Cooper tripped over a footlight, staggered a few paces, lost his bearings and plunged head first off the stage and onto the concrete floor of the Pacific Coliseum. Some fans, thinking it was all part of the act, reached through the barriers to pull at his blood-matted hair before bouncers could pull him away for help. He was taken to a local hospital, where medical staff stitched his head wound and provided him with a skullcap. Cooper returned to the venue a couple of hours later and tried to perform a couple of more songs, but within minutes he had to call it a night. The opening act, Suzi Quatro, had already left the building and the remainder of the concert was cancelled. Accompanying the album and stage show was the TV special The Nightmare, starring Cooper and Vincent Price in person, which aired on US prime-time TV in April 1975. The Nightmare, the first rock music video album ever made (it was later released on home video in 1983 and gained a Grammy Awards nomination for Best Long Form Music Video), was regarded as another groundbreaking moment in rock history. Adding to all that, a concert film, also called Welcome to My Nightmare and filmed live at London's Wembley Arena in September 1975, was released to theaters in 1976. Though it failed at the box office, it later became a midnight movie favorite and a cult classic. Such was the immense success of this solo project that Cooper decided to continue alone as a solo artist, and the original band became officially defunct. It was also during this time that Cooper co-founded the legendary drinking club The Hollywood Vampires, which gave him yet another reason to indulge his continued ample appetite for alcohol. Following the 1976 US #12 hit "I Never Cry",another ballad, two albums, Alice Cooper Goes to Hell and Lace and Whiskey, and another ballad hit, the US #9 "You and Me", it became clear from his performances during his 1977 US tour that he was in dire need of help with his alcoholism (at his alcoholic peak it was rumoured that Cooper was consuming up to two cases of Budweiser and a bottle of whiskey a day). Following the tour, Cooper had himself hospitalized in a New York sanitarium for treatment, during which time the live album The Alice Cooper Show was released. His experience in the sanitarium was the inspiration for his 1978 semi-autobiographical album From The Inside, which Cooper co-wrote with Bernie Taupin. The release spawned another US Top 20 hit "How You Gonna See Me Now", which peaked at #12, and was yet another ballad, based on his fear of how his wife would react to him after his spell in hospital. The subsequent tour's stage show was based inside an asylum, and was filmed for Cooper's first home video release, The Strange Case of Alice Cooper, in 1979. Around this time, Cooper performed "Welcome To My Nightmare", "You and Me", and "School's Out" on The Muppet Show (episode # 307) on March 28, 1978 (he played one of the devil's henchmen trying to dupe Kermit the Frog and Gonzo into selling their souls). He also appeared in an against-type casting in the campy role of a piano playing, disco bellboy in Mae West's final film, Sextette. Cooper also led celebrities in raising money to remodel the famous Hollywood Sign in California. Cooper himself contributed over $27,000 to the project, buying an O in the sign in memory of friend and comedian Groucho Marx. 1980s Cooper's albums from the beginning of the 80s, Flush the Fashion, Special Forces, Zipper Catches Skin, and DaDa, were not as commercially successful as his past releases, and Cooper has claimed that, suffering from acute alcoholic amnesia, he has no recollection of recording the latter two of these albums. Flush the Fashion, produced by Queen producer Roy Thomas Baker, had a thick, edgy New Wave musical sound that baffled even long-time fans, though it still yielded the US Top 40 hit "(We're All) Clones". The album Special Forces featured a more aggressive but consistent form of New Wave style, and included a new version of "Generation Landslide". The following album, Zipper Catches Skin was a more power pop-oriented recording, with lots of quirky high-energy guitar-driven songs. While those three albums engaged the experimental New Wave sound with energetic results, 1983 marked the return collaboration of producer Bob Ezrin and guitarist Dick Wagner with the haunting epic DaDa, the final album in his Warner Bros. contract. In 1983, after the recording of DaDa, Cooper was re-hospitalized for alcoholism. In a deathly state of health, he relocated back to Phoenix, Arizona, in order to try and save his marriage from collapse and so that he could receive the support of family and friends. Cooper was finally clean and sober by the time DaDa and The Nightmare home video (of his 1975 TV Special) were released in the fall of that year; however, both releases performed below expectations. Even with The Nightmare scoring a nomination for 1984's Grammy Award for Best Long Form Music Video (he lost to Duran Duran), it was not enough for Warner Bros. to keep Cooper on their books, and, in 1984, Cooper became, for the first time in his career, a free agent. After over a year on hiatus, during which time he spent being a full-time father, perfecting his golf swing everyday on the golf course, and also finding time to star in the Spanish B-grade horror movie production Monster Dog, Cooper sought to pick up the pieces of his musical career, and in 1985 he met and began writing songs with guitarist Kane Roberts. Cooper was subsequently signed to MCA Records, and appeared as guest vocalist on Twisted Sister's song "Be Chrool To Your Scuel". A video was made for the song, featuring Cooper donning his black snake-eyes make-up for the first time since 1979, but any publicity it may have given to Cooper's return to the music scene was cut short as the video was promptly banned due to its graphically gory make-up (by Tom Savini) of the innumerable zombies in the video and their insatiable appetite for gorging on human flesh. In 1986, Alice Cooper officially returned to the music industry with the album Constrictor. The album spawned the hits "He's Back (The Man Behind the Mask)" (the theme song for the movie Friday the 13th Part VI: Jason Lives; in the video of the song Cooper was given a cameo role as a deranged psychiatrist) and the fan favorite "Teenage Frankenstein". The Constrictor album was a catalyst for Cooper to make (for the first time since the 1982 Special Forces tour) a triumphant return to the road, on a tour appropriately entitled The Nightmare Returns. The Detroit leg of this tour, which took place at the end of October 1986 during Halloween, was captured on film as The Nightmare Returns, and is viewed by some as being the definitive Alice Cooper concert film. The concert, which received rave reviews in the rock music press, was also described as bringing "Cooper’s violent, twisted onstage fantasies to a new generation". The Constrictor album was followed by Raise Your Fist and Yell in 1987, which had an even rougher sound than its predecessor, as well the Cooper classic "Freedom". The subsequent tour of Raise Your Fist and Yell, which was heavily inspired by the slasher horror movies of the time such as the Friday the 13th series and Nightmare on Elm Street, served up a similar shocking spectacle as its predecessor, and courted the kind of controversy, especially in Europe, that recalled the public outrage caused by Cooper’s public performances in America in the early 1970s. In Britain, Labour M.P. David Blunkett called for the show to be banned, saying "I'm horrified by his behaviour – it goes beyond the bounds of entertainment". The controversy spilled over into the German segment of the tour, with the German government actually succeeding in having some of the gorier segments of the performance removed.It was also during the London leg of the tour that Cooper met with a near fatal accident during the hanging execution sequence at the end of the show. Needless to say the attendant publicity served only to increase public interest and ensure that the tour was completely sold out. Constrictor and Raise Your Fist and Yell were recorded with lead guitarist Kane Roberts and bassist Kip Winger, both of whom would leave the band by the end of 1988 (although Kane Roberts played guitar on "Bed Of Nails" on 1989's album Trash). Roberts would continue as a solo artist while Kip Winger would go on to form Winger. In 1987, Cooper made a brief appearance as a vagrant in the horror movie Prince of Darkness, directed by John Carpenter. His role had no lines and consisted of generally menacing the protagonists before eventually impaling one of them with a bicycle frame. Cooper also appeared at WrestleMania III, escorting wrestler Jake 'The Snake' Roberts to the ring. After the match was over, Cooper got involved and threw Jake's snake Damien at The Honky Tonk Man's manager Jimmy Hart. Jake considered the involvement of Cooper to be an honor, as he had idolized Cooper in his youth and was still a huge fan. In 1988 Cooper's contract with MCA Records expired and he signed with Epic Records. Then, in 1989, his career finally experienced a real revival with the Desmond Child produced album Trash, which spawned a hit single "Poison", which reached #2 in the UK and #7 in the US, and a worldwide arena tour. 1990s 1991 saw the release of Cooper's 19th studio album Hey Stoopid, again featuring several of rock music’s glitterati guesting on the record. Released as glam metal's popularity was on the wane, and just before the explosion of grunge, it failed to have the same commercial impact as its predecessor. The same year also saw the release of the video Alice Cooper: Prime Cuts which chronicled his entire career using in depth interviews with Cooper himself, Bob Ezrin, and Shep Gordon. One critic has noted how Prime Cuts demonstrates how Cooper had used (in contrast to similar artists who succeeded him) themes of satire and moralisation to such good effect throughout his career. It was in the Prime Cuts video that Bob Ezrin delivered his own summation of the Alice Cooper persona: "He is the psycho killer in all of us. He's the axe murderer, he's the spoiled child, he's the abuser, he's the abused; he's the perpetrator, he's the victim, he's the gun slinger, and he's the guy lying dead in the middle of the street". By the early 1990s Cooper had become a genuine cultural icon, guesting on records by the most successful bands of the time, such as the Guns N' Roses album Use Your Illusion I, (on which he shared vocal duties with Axl Rose on the track "The Garden"); making a brief appearance as the abusive stepfather of Freddy Krueger in the Nightmare On Elm Street film Freddy's Dead: The Final Nightmare (1991); and making a famous cameo appearance in the 1992 comedy film Wayne's World, in which he and his band intellectually discuss (after a performance of the song "Feed My Frankenstein" from Hey Stoopid) the history of Milwaukee in surprising depth. In a now famous scene, the movie's main characters Wayne and Garth, upon seeing Cooper, kneel and bow reverently before him while chanting "We're not worthy! We're not worthy!" He later makes an appearance on That 70s Show. Cooper released in 1994 The Last Temptation, his first concept album since DaDa, which dealt with issues of faith, temptation, alienation, and the frustrations of modern life, and which has been described as "a young man's struggle to see the truth through the distractions of the 'Sideshow' of the modern world". Concurrent with the release of The Last Temptation was a three-part comic book series written by Neil Gaiman, fleshing out the album's story. This was to be Cooper’s last album with Epic Records, and his last studio release for six years, though during this period the live album A Fistful of Alice was released, and in 1997 he lent his voice to the first track of Insane Clown Posse's The Great Milenko. In 1999, the four-disc box set The Life and Crimes of Alice Cooper appeared, which contained an authorized biography of Cooper, Alcohol and Razor Blades, Poison and Needles: The Glorious Wretched Excess of Alice Cooper, All-American, written by Creem magazine editor Jeffrey Morgan. During his absence from the recording studio, Cooper toured extensively every year throughout the latter part of the 1990s, including, in 1996, through South America, which he had not visited since 1974. Also in 1996, Cooper sang the role of Herod on the London cast recording of the musical Jesus Christ Superstar. 2000s The 2000s saw a sustained period of activity from Alice Cooper. In the decade that he turned sixty, he toured extensively and released (after a significant break) a steady stream of studio albums to favorable critical acclaim. During this period Cooper was also recognized and awarded in various ways: he received a Rock Immortal award at the 2007 Scream Awards; was given a star on the Hollywood Walk of Fame in 2003;he received (in May 2004) an honorary doctoral degree from Grand Canyon University;was given (in May 2006) the key to the city of Alice, North Dakota; he scooped the living legend award at the 2006 Classic Rock Roll of Honour event; he won the 2007 Mojo music magazine Hero Award; and fans twice tried to induct him into the Rock and Roll Hall of Fame. The lengthy break between studio albums ended in 2000 with Brutal Planet, which was a return to horror-lined heavy metal, with a vicious injection of industrial rock, and with subject matter thematically inspired by the brutality of the modern world, set in a dystopian post-apocalyptic future, and also inspired by a number of news stories that had recently appeared on the CNN news channel. The album was produced by Bob Marlett, with longtime Cooper production collaborator Bob Ezrin returning as Executive Producer. The accompanying world tour, which included Cooper's first concert in Russia, was a resounding success, introducing Alice Cooper to a new audience and producing the live home video, Brutally Live, in 2001. During one memorable episode in Brutally Live, Britney Spears (being played by Alice Cooper's real life daughter, Calico), and representing "everything that my audience hates - the softening of rock and roll...the sweetness of it" is executed by Cooper. Brutal Planet was succeeded by the sonically similar and widely acclaimed sequel Dragontown, which saw Bob Ezrin back at the helm as producer. The album has been described as leading the listener down "a nightmarish path into the mind of rock's original conceptual storyteller" and by Cooper himself as being "the worst town on Brutal Planet".Like The Last Temptation, both Brutal Planet and Dragontown are albums which explore Cooper's personal faith perspective (born again Christianity). It is commonly perceived in the music media that Dragontown forms the third chapter in a trilogy begun with The Last Temptation; however, Cooper has himself indicated that this is not in fact the case. Cooper again adopted a leaner, cleaner sound for his critically acclaimed2003 release The Eyes Of Alice Cooper. Recognizing that many contemporary bands were having great success with his former sounds and styles, Cooper worked with a somewhat younger group of road and studio musicians who were very familiar with his oeuvre of old. However, instead of rehashing the old sounds, they updated them, often with surprisingly effective results. The resulting Bare Bones tour adopted a less-orchestrated performance style that had fewer theatrical flourishes and a greater emphasis on musicality. The success of this tour helped support the growing recognition that the classic Cooper songs were exceptionally clever, tuneful and unique. Cooper's radio show, Nights with Alice Cooper, began airing on January 26, 2004 in several US cities. The program showcases classic rock, Cooper's personal stories about his life as a rock icon, and interviews with prominent rock artists. The show appears on nearly 100 stations in the US and Canada, and has also been sold all over the world. In 2005, Alice Cooper was inducted into the Michigan Rock and Roll Legends Hall of Fame. A continuation of the songwriting approach adopted on The Eyes of Alice Cooper was again adopted by Cooper for his 24th studio album, Dirty Diamonds, released in 2005. Dirty Diamonds became Cooper's highest charting album since 1994's The Last Temptation. The Dirty Diamonds tour launched in America in August 2005 after several European concerts, including a performance at the Montreux Jazz Festival in Switzerland on July 12. Cooper and his band, including Kiss drummer Eric Singer, were filmed for a DVD released as Alice Cooper: Live at Montreux 2005. One critic, in a review of the Montreux release, commented that Cooper was to be applauded for "still mining pretty much the same territory of teenage angst and rebellion" as he had done more than thirty years previously. In December 2006 the original Alice Cooper band reunited to perform six classic Alice Cooper songs at Cooper's annual charity event in Phoenix, entitled "Christmas Pudding". On July 1, 2007 Cooper performed a duet with Marilyn Manson at the B'Estival event in Bucharest, Romania. The performance represented a reconciliation between the two artists; Cooper had previously taken issue with Manson over his overtly anti-Christian onstage antics, which included tearing up Bibles, and he had sarcastically made reference to the originality of Manson's choosing a female name and dressing in women's clothing. Cooper and Manson have been the subject of an academic paper on the significance of adolescent antiheroes. In January 2008 he was one of the guest singers on the new Avantasia album The Scarecrow, singing the 7th track, The Toy Master. In July 2008, after lengthy delays, Cooper released Along Came a Spider, his 25th studio album. It was Cooper's highest charting album since 1991's Hey Stoopid, reaching #53 in the US and #31 in the UK. The album, visiting similar territory explored in 1987's Raise Your Fist and Yell, deals with the nefarious antics of a deranged serial killer named "Spider" who is on a quest to use the limbs of his victims to create a human spider. The album generally received positive reviews from music critics, though Rolling Stone magazine opined that the music on the record sorely missed Bob Ezrin's production values.The resulting Theatre of Death tour of the album (during which Cooper is executed on four separate occasions) was described in a long November 2009 article about Cooper in The Times as "epic" and featuring "enough fake blood to remake Saving Private Ryan". 2010s On January 22, 2010, Cooper announced that he would be touring with Rob Zombie on the "Gruesome Twosome" tour. On March 29, 2010, Cooper revealed during his weekly radio show on Planet Rock that his next record is to be titled The Night Shift. Cooper stated he has 10 demos ready. Cooper also appears on a song on Slash's debut solo album, along with Nicole Scherzinger from the Pussycat Dolls, Flea from Red Hot Chili Peppers and Steven Adler, the drummer from the original Guns N' Roses. The song "Baby Can't Drive" is a bonus track on the UK version of the album. On May 26, 2010, Cooper made an appearance during the beginning of the season finale of the reality-show, American Idol, in which he sung School's Out. On June 12, 2010, Cooper was the featured guest on That Metal Show. On June 25, 2010, Cooper played on Hamar Music Festival in Norway. On June 15, 2010 to coincide with the release of the "Alice Cooper Track Pack" for Guitar Hero, a free download of the newly-recorded "Elected" was made available on Alice Cooper's official website. On July 30, 2010, Alice cooper is scheduled to play Sonisphere Festival,Knebworth where he is headlining the saturn stage on the opening friday. According to Radio Metal while in France Alice appeared at a press conference with a CD he said featured the first three songs from the "Welcome To My Nightmare II" project. Of the album Alice said "This album is more bloody and more accomplished than the first, It sounds like the early years" Influences and fans During an interview for the program Entertainment USA in 1990 Cooper stunned interviewer Jonathan King by stating that The Yardbirds were his favorite band of all time Perhaps King should not have been so taken aback, as Cooper had as far back as 1969 gone on record as saying that it was music from the mid-sixties, and particularly from British bands The Beatles, The Who, and The Rolling Stones, as well as The Yardbirds, that had had the greatest influence on him. Cooper would later pay homage to The Who by appearing in A Celebration: The Music of Pete Townshend and The Who in 1994 at Carnegie Hall in New York, and performing a cover of "My Generation" on the Brutal Planet tour of 2000. During an interview that Cooper himself conducted with Ozzy Osbourne on his radio show, Nights with Alice Cooper in 2007, Cooper again affirmed his debt of gratitude to these bands, and to The Beatles in particular. During their discussion, Cooper and Osbourne bemoaned the often inferior quality of songwriting coming from contemporary rock artists. Cooper stated that in his opinion the cause of the problem was that certain modern bands "had forgotten to listen to The Beatles". On the 25th Anniversary DVD of Cabaret, Liza Minnelli stated that her good friend, Alice Cooper, had told her that his whole career was based on the movie Cabaret. Evidence of Cooper's eclectic tastes in both classic and contemporary rock music, from the 1960s to the present, can be seen in the track listings of his radio show; in addition, when Cooper appeared on the BBC Radio 2 program "Tracks of My Years" in September 2007, he cited his favourite tracks of all time as being the following: "19th Nervous Breakdown" (1966) by The Rolling Stones, "Turning Japanese" (1980) by The Vapors, "My Sharona" (1979) by The Knack, "Beds Are Burning" (1987) by Midnight Oil, "My Generation" (1965) by The Who, "Welcome To The Jungle" (1987) by Guns N' Roses, "Rebel Rebel" (1974) by David Bowie, "Over Under Sideways Down" (1966) by The Yardbirds, "Are You Gonna Be My Girl" (2003) by Jet and "A Hard Day's Night" (1964) by The Beatles. Rob Zombie, former frontman of White Zombie, claims his first "metal moment" was seeing Alice Cooper on Don Kirshner's Rock Concert. In a 1978 interview with Rolling Stone, Bob Dylan stated, "I think Alice Cooper is an overlooked songwriter". In the foreword to Alice Cooper's CD retrospective box set The Life and Crimes of Alice Cooper, John Lydon of The Sex Pistols pronounced Killer as the greatest rock album of all time, and in 2002 Lydon presented his own tribute program to Cooper on BBC radio. The Flaming Lips are longtime Alice Cooper fans and used the bass line from "Levity Ball" (an early song from the 1969 release Pretties for You) for their song "The Ceiling Is Bending". They also covered "Sun Arise" for an Alice Cooper tribute album. (Cooper's version, which closes the album Love It To Death, was itself a cover of a Rolf Harris song.) In 1999 Cleopatra Records released Humanary Stew: A Tribute to Alice Cooper featuring a number of contributions from rock and metal all-star collaborations, including Dave Mustaine, Roger Daltrey, Ronnie James Dio, Slash, Bruce Dickinson, and Steve Jones.The album was notable for the fact that it was possible to assemble a different supergroup for each cover version on the record, which gave an indication of the depth of esteem in which Cooper is held by other eminent musicians within the music industry. Heavy metal rocker Jon Mikl Thor, also known as Thor, stated in an interview that Alice Cooper was his idol and hero. A song by alternative rock group They Might Be Giants from their 1994 album John Henry entitled "Why Must I Be Sad?" mentions 13 Cooper songs, and has been described as being "from the perspective of a kid who hears all of his unspoken sadness given voice in the music of Alice Cooper; Alice says everything the kid has been wishing he could say about his alienated, frustrated, teenage world". Such unlikely non-musician fans of Cooper included Groucho Marx and Mae West, who both reportedly saw the early shows as a form of vaudeville revue,and artist Salvador Dalí, who on attending a show in 1973 described it as being surreal, and made a hologram, First Cylindric Chromo-Hologram Portrait of Alice Cooper's Brain. Personal life In the period when the Alice Cooper group was signed to Frank Zappa's Straight label, Miss Christine of the GTOs became Cooper's girlfriend. Miss Christine (real name: Christine Frka), who had actually recommended Zappa to the group, died on November 5, 1972 of an overdose.Another long-time girlfriend of Cooper's was Cindy Lang, with whom he lived for several years. They separated in 1975. Lang sued Cooper for palimony, and they eventually settled out of court in the early 1980s.After his separation from Lang, Cooper was briefly linked with sex symbol/actress Raquel Welch. Cooper then reportedly left Welch, however, to marry, on March 20, 1976, ballerina instructor/choreographer Sheryl Goddard, who performed in the Alice Cooper show from 1975 to 1982. In November 1983, at the height of Cooper's alcoholism, Sheryl filed for divorce, but by mid-1984, she and Cooper had reconciled. The couple has remained together since. In a 2002 television interview, Cooper claimed that he had "never cheated" on his wife in all the time they had been together. In the same interview, he also claimed that the secret to a lasting and successful relationship is to continue going out on dates with your partner. The couple have three children: elder daughter Calico Cooper (born 1981), an actress and singer who has been performing in the Alice Cooper show since 2000; son Dash (b. 1985), a student at Arizona State University, and also plays in a band called Runaway Phoenix; and younger daughter Sonora Rose (b. 1993). Cooper, a huge fan of The Simpsons, was asked to contribute a storyline for the September 2004 edition of Bongo Comics's Bart Simpson's Treehouse of Horror, a special Monsters of Rock issue that also included stories plotted by Gene Simmons, Rob Zombie and Pat Boone. Cooper's story featured Homer Simpson being a Jason Voorhees, Friday the 13th style killer and Alice and the citizens of Springfield are being stalked by Homer. On June 20, 2005, ahead of his June–July 2005 tour, Cooper had a wide-ranging interview with interviewer of celebrities Andrew Denton for the Australian ABC Television's Enough Rope. Cooper discussed various issues during a revealing and frank talk, including the horrors of acute alcoholism and his subsequent cure, being a Christian, and his social and work relationship with his family. During the interview, Cooper remarked "I look at Mick Jagger and he's on an 18-month tour and he's six years older than me, so I figure, when he retires, I have six more years. I will not let him beat me when it comes to longevity." In 1986, Megadeth was asked to open for Cooper for dates on his US tour. After noticing the hardcore drug and alcohol abuse in the band, Cooper personally approached the band members to try to help them control their abuse, and he has stayed close to front man Dave Mustaine ever since; Mustaine in fact considers him his godfather. Since conquering his own addiction to alcohol in the mid 1980s, Cooper has continued to help and counsel other rock musicians battling addiction problems who turn to him for help. "I've made myself very available to friends of mine - they're people who would call me late at night and say, 'Between you and me, I've got a problem.'" In recognition of the work he has done in helping other addicts in the recovery process, Cooper received in 2008 the Stevie Ray Vaughan Award at the fourth annual MusiCares MAP Fund benefit concert in Los Angeles. The actual ownership of the Alice Cooper name is often cited[citation needed] by intellectual property lawyers and law professors as an example of the value of a single copyright or trademark. Since "Alice Cooper" was originally the name of the band, and not the lead singer (e.g. Uriah Heep, Jethro Tull, Meat Loaf, etc.), and it was actually owned by the band as whole, Cooper paid, and continues to pay, a yearly royalty to his original bandmates for the right to use the name commercially. Although the exact amount is not known, insiders agree that it is large enough for the other band members to live comfortably. Religion and politics Although he originally tended to shy away from speaking publicly about his religious beliefs, Cooper has in recent years been quite vocal about his faith as a born-again Christian. He has avoided so called "celebrity Christianity" because, as Cooper states himself: "It's really easy to focus on Alice Cooper and not on Christ. I'm a rock singer. I'm nothing more than that. I'm not a philosopher. I consider myself low on the totem pole of knowledgeable Christians". "So, don't look for answers from me". When asked by the British Sunday Times newspaper in 2001 how a shock-rocker could be a Christian, Cooper is credited with providing this response "Drinking beer is easy. Trashing your hotel room is easy. But being a Christian, that's a tough call. That's real rebellion!" Throughout his career, Cooper's philosophy regarding politics is that politics should not be mixed with rock music. He has consistently kept his political views to himself, sometimes even speaking out against musicians who promote or opine on politics. He proved his disgust for musicians mixing their music with politics in the run-up to the U.S. presidential election, 2004, when he declared that the then crop of rock stars campaigning for and touring on behalf of Democratic candidate John Kerry were "treasonous morons".This statement caused a certain amount of controversy, and led to Cooper releasing an official statement, clarifying and reiterating that the "treason" concerned in the above label was not against the state but against the ethos of rock itself. In a 2008 interview, Cooper described Republican vice presidential candidate Sarah Palin as "a breath of fresh air". Alice is a registered Republican but has gone on record to be at times supportive of both Democrats and Republicans. Love of golf Cooper has on several occasions credited golf as having played a major role in helping him to overcome his addiction to alcohol,and has even gone as far to say that when he took up golf, it was a case of replacing one addiction with another.The importance that the game has had in his life is also reflected in the title to his 2007 autobiography, Alice Cooper, Golf Monster. Cooper, who has participated in a number of Pro-Am competitions,plays the game six days a week, off a handicap of three or four.Since 1997, he has hosted an annual golf competition, the Alice Cooper Celebrity AM Golf Tournament, all proceeds from which go to his charity, the Solid Rock Foundation. Cooper has also appeared in commercials for Callaway Golf equipment, was a guest of veteran British player and broadcaster Peter Alliss on A Golfer's Travels.He wrote the foreword to the Gary McCord book Golf for Dummies. In August 2006, Cooper took part in an annual celebrity golf version of the Ryder Cup called the All*Star Cup in South Wales. He won his match on the first day, but lost his match on day two. The competition was shown live on UK television, and commentators made numerous references to Cooper being the best player, and to the fact that he played the game six days a week back home in Arizona. In an interview with VH1, friend and fellow golfer Pat Boone said that Cooper was "'this close' to being a pro".
  16. {name}

    ABC Soccer Players

    Alessandro Nesta
  17. {name}

    ABC Television Characters

    Al Swearengen, Deadwood
  18. {name}

    Suranne Jones

    Suranne Jones (born Sarah Anne Jones; 27 August 1978) is an English actress. She first rose to prominence playing the role of Karen McDonald in ITV1's soap opera Coronation Street over a period of four years. In 2004, she left Coronation Street, later remarking: "I just thought, while [Karen]'s brilliant and I'm enjoying her, I've got to get out". Upon leaving, Jones took on roles in many drama series broadcast on ITV1 and BBC1, such as Vincent, Strictly Confidential, Unforgiven, Five Days and Single Father, whilst also appearing in various theatre productions, earning her critical acclaim, described by Andrew Billen of The Times as being in a category of "those brave, talented few who earn their wings on a soap and then fly gloriously beyond it". In 2011 Jones starred in Scott & Bailey as DC Rachel Bailey, with the television series being an original idea conceived by Jones herself and fellow actress Sally Lindsay. Early life Suranne Jones was born Sarah Anne Jones in Chadderton, Greater Manchester, on 27 August 1978, the daughter of Chris and Jenny Jones, an engineer and a secretary, respectively. She also has a sibling, an older brother named Gary. Jones was raised a Catholic; her priest suggested to her father she be christened Sarah Anne, instead of Suranne, her great-grandmother's name, as Suranne was not "a proper name". Jones grew up in a house surrounded by two farms and their fields and commented that one of her earliest memories is of "cows looking in the window as we ate our tea". As a child she was talkative, and later recounted that her priest would say "I'm praying you can concentrate just a bit more". Jones suffers from carpophobia (fear of wrists), which she believes possibly developed from viewing imagery of Christ's crucifixion and stigmata as a child. Talking of her childhood, Jones commented that "I think I always wanted to be different and felt very stifled at school". Jones also stated, "I was bullied at school and I let that get hold of me and withdrew into myself - I regret letting that happen". She became a member of the Oldham Theatre Workshop, where she befriended Antony Cotton, who now plays Sean Tully on Coronation Street. She completed a BTEC National Diploma in Performing Arts, though she felt "that [wasn't] quite the same as drama school". Career Career beginnings Jones began acting professionally aged 16. Andrew Billen of The Times, while acknowledging her professional career beginnings at 16, noted that "she took to the stage at 8". Jones later recalled that her first role was at the age of 8, in Wait Until Dark as Gloria. Upon joining the trade union Equity, Jones took on the stage name 'Suranne', as her birth name was already taken, and union rules dictate that each union member must have a different name. Having secured herself an agent aged 15, she soon after began to act in the theatre. Jones' television career began, however, in 1997, where she had a very small role in Coronation Street in April 1997 as Mandy Phillips, a girlfriend of Chris Collins. She was then cast in a television advert for Maltesers, guest starred in episodes of series such as City Central and had a small role in My Wonderful Life. She auditioned for the role of Charity Dingle on the soap opera Emmerdale, becoming one of the final four actors considered for the part, though the role was eventually given to Emma Atkins. She also auditoned for the part of Geena Gregory on Coronation Street, though she felt she knew Jennifer James would win the role—which she did—upon seeing her at the auditions. In 2000, some weeks after her unsuccessful audition for Geena Gregory, she was contacted by Coronation Street bosses, who offered her a part of a new character. Jones took on the role of Karen Phillips (no relation to Mandy), making her first appearance on 21 June. The character, after marrying Steve McDonald, took on his surname, and became Karen McDonald. Described as "a bulldog in hoop earrings" and a "Victoria Beckham wannabe", the role garnered Jones public attention, with episodes involving feuds between her and rival Tracy Barlow receiving millions of viewers; the episode featuring Karen and Steve's (second) wedding, ruined by Tracy Barlow's revelation that her daughter Amy Barlow was Steve's love child, received 16.3 million viewers. In May 2004 it was announced that she was to leave Coronation Street in the end of that year after four years of playing Karen. Jones described working on a soap opera as "exhausting", remarking, "I was living and breathing Karen McDonald". Jones made her last appearance as Karen on Boxing Day 2004. Departure from Coronation Street You have to believe you can have a life after a soap. Jones, in an interview with The Observer Jones stated that upon her departure from Coronation Street, she received numerous offers to appear in reality TV programmes, which she declined, quipping: "lots of money to go off and eat a crocodile's knob, or whatever". Ignoring reality TV offers, in Autumn 2005, Jones starred in an ITV's detective drama series Vincent, with Ray Winstone in the title role; this was Jones' first television role since leaving Coronation Street the previous year. In the same year she starred on the West End stage in A Few Good Men opposite Rob Lowe and John Barrowman, which earnt her the Theatregoers' Choice Award for Best Supporting Actress. She also appeared in the musical special Celebrate Oliver! which was screened on BBC1. In 2006, she starred as Snow White in the pantomime Snow White and the Seven Dwarves at the Manchester Opera House alongside Justin Moorhouse and fellow Coronation Street actor John Savident. She also appeared in Kay Mellor's Strictly Confidential in which she played a bisexual sex therapist. On New Year's Day 2007, Jones starred in a Yorkshire and London based black comedy, Dead Clever with Helen Baxendale and Dean Lennox Kelly on ITV1. In autumn 2007, Jones undertook a national tour in the stage run of the film Terms of Endearment, where she played Emma, opposite Linda Gray and John Bowe. In 2008 she played Martha, one of the female leads, in the ITV medical series Harley Street, though the programme's tepid critical reception, combined with poor viewer ratings signalled the end of the programme after its first series. In January 2009, she appeared in Unforgiven, a three-part drama on ITV1, where she plays Ruth Slater, a woman released from prison after serving a 15-year prison sentence for the murder of two policemen. Naturally brown-haired, Jones dyed her hair "tobacco yellow" with "big roots"; Jones joked that whilst not filming she "really should have worn a wig". Additionally, the character of Ruth wore no make-up throughout, with Jones stating she was left feeling "quite exposed", but nonetheless saying "Ruth wouldn't have worn any make-up, I don't think". Jones received favourable reviews for her portrayal, with Brian Viner of The Independent writing: "a stunning performance, the stuff of Bafta nominations if ever I saw it. Heck, on the back of it she might even get propelled into the movies, and bring a bit of North Country sense to the Golden Globes". Viner summarised his review of Unforgiven by stating, "Five stars all round, and six for Jones". Suranne later stated, "I loved that role. They don't come along that often. It was seen by the broadsheets as well as the tabloids. It gave me a little bit of credibility, I suppose". Later in the year, in November, she played the role of the Mona Lisa in the two-part episode "Mona Lisa's Revenge" in The Sarah Jane Adventures. In December, Jones starred in the Manchester Royal Exchange's production of Blithe Spirit, by Noël Coward, which ran until late January 2010.Jones was nominated for the Times Breakthrough Award at the 2010 South Bank Show Awards, the last ever ceremony, but lost to David Blandy. When discussing her nomination she said, "You do question 'What am I breaking through?' Am I breaking through the perception of people who just thought I was a screaming banshee in Coronation Street? Is it that I've worked hard and I've got better? Is it that now it's alright to say that I'm alright? I don't know what I was breaking through, but I knew that it was nice to feel included and patted on the back for a lot of hard work". In March 2010 Jones starred in Five Days, a non-connected sequel to the 2007 series of the same name, as the female lead DC Laurie Franklin. Later in the year she starred as Sarah in Single Father on BBC1, a character who falls in love with a widower, Dave (David Tennant), who was married to her best friend before her death. On 14 May 2011 she played the central character of Idris in the Doctor Who episode "The Doctor's Wife". Jones was cast due to writer Neil Gaiman wanting an actress, in the words of Jones, who is "odd; beautiful but strange looking, and quite funny" to play the role of Idris. Dan Martin, reviewer for The Guardian, noted that "Suranne Jones arguably sets the standard by which all guest stars must now be judged here Jones was electrifying throughout". Later, Jones played DC Rachel Bailey in ITV's new six-part detective series, Scott & Bailey, alongside Lesley Sharp, who plays DC Janet Scott. The series is based upon an original idea by Jones and Sally Lindsay, a former Coronation Street co-star. In July, Jones starred as Marlene, a career-woman living in Thatcher's Britain, in the Minerva Theatre's production of Top Girls by Caryl Churchill in Chichester. Michael Billington, reviewer for The Guardian, remarked that "Suranne Jones captures excellently the hidden regrets of the go-getting Marlene". The production was later transferred to the West End's Trafalgar Studios. In August it was announced that Jones would star alongside John Hannah in a spoof detective drama written by Charlie Brooker and Daniel Maier called A Touch of Cloth. The programme, which as of yet does not have an air date, is set to be broadcast on Sky1. Jones plays DC Anne Oldman, the "plucky, no-nonsense sidekick" of DCI Jack Cloth (John Hannah). Personal life Jones remains in Manchester and lives in a "150-year-old cottage", though stated in 2010 she was searching for a flat in London too, due to her career requiring that she spend most of the week there. She lives with her Jack Russell Terrier, Baxter. Whilst playing Karen McDonald in Coronation Street, Jones became engaged to Jim Phelan, an IT consultant, however, the couple separated. Jones has been involved with various charitable organisations; as a teenager, Jones' mother Jenny was diagnosed with breast cancer, with Jones saying "at the time we did a breast cancer campaign together. I still do a lot of charity runs". Jones also has worked with Christian Aid, travelling to Sierra Leone and the Democratic Republic of Congo (the latter accompanied by Sally Lindsay), helping with projects concerning HIV, women's rights and child soldiers. Filmography Year Series Role Notes 1997 Coronation Street Mandy Phillips 1998 City Central Emma 1999 My Wonderful Life Linda 2000–2004 Coronation Street Karen McDonald British Soap Award for Best Actress 2004 British Soap Award for Best Actress 2005 National Television Award for Most Popular Actress 2004 Nominated— National Television Award for Most Popular Actress 2003 2004 Punch Judy Short film 2005 Celebrate "Oliver!" Nancy 2005–2006 Vincent Beth 2006 Strictly Confidential Linda Nelson 2007 Dead Clever: The Life and Crimes of Julie Bottomley Julie Bottomley Television film 2008 Harley Street Dr Martha Elliot 2009 Love and a Long Shot Sarah Film Unforgiven Ruth Slater Nominated—Royal Television Society Award for Best Actor (female) The Sarah Jane Adventures Mona Lisa Episode: "Mona Lisa's Revenge" 2010 Five Days DC Laurie Franklin Nominated—National Television Award for Outstanding Drama Performance Nominated— TV Choice Award for Best Actress Single Father Sarah 2011 Doctor Who Idris/TARDIS Episode: "The Doctor's Wife" Scott & Bailey DC Rachel Bailey Pending—TV Choice Award for Best Actress A Touch of Cloth DC Anne Oldman
  19. {name}

    ABC Writers

    Anne Rice
  20. {name}

    ABC Books

    American Psycho
  21. {name}

    Dolores del Rio

    Dolores del Río (August 3, 1905 – April 11, 1983) was a Mexican film actress. She was a star of Hollywood films during the silent era and in the Golden Age of Hollywood. Later in life, she became an important actress in Mexican films. She was generally thought to be one of the most beautiful actresses of her era, and was the first Latin American movie star to have international appeal. In the Silent film era, Del Rio was considered a counterpart to Rudolph Valentino. With the arrival of the talkies, she became one of the principal Art Deco symbols of beauty. Del Río was one of the principal stars of Mexican films during the Golden Age of Mexican cinema in the 1940s and 1950s. She was frequently called the "Princess of México" and is second cousin to Ramon Navarro. Early life Born María de los Dolores Asúnsolo y López Negrete in Durango, Mexico, del Río was the second cousin of actor Ramón Novarro and a cousin to actress Andrea Palma. She was born into a wealthy family of Spanish ancestry. Her parents were Jesus Leonardo Asúnsolo Jacques, director of the Bank of Durango, and Antonia Lopez-Negrete. They were members of the Porfiriato (members of the ruling class from 1876-1911 when Porfirio Diaz was president) in Mexico. The family lost all its assets during the Mexican Revolution, and settled in Mexico City. A desire to restore her comfortable lifestyle inspired del Rio to follow a career as an actress. She studied at a French college in Mexico City. She had a passion for dancing and admired the great Russian ballerina Anna Pavlova. Performing as a dancer for gatherings of rich Mexicans, she met Jaime Martinez del Rio, a scion of one of Mexico's most important families. They fell in love although he was 18 years older. In 1921, at the age of 16, she married him. The couple spent three years in Europe. In 1924, they returned to del Rio's ranch in Durango. The couple moved to Mexico City. Dolores del Río was discovered by movie producer Edwin Carewe. Struck by Dolores' beauty, Carewe gave the couple work in Hollywood, she as an actress and he as a screenwriter. Career in Hollywood Silent cinema Using her married surname, del Río made her film debut in Joanna, directed by Carewe in 1925 and released that year. Hollywood first noticed her appeal as a sex siren. Del Rio struggled against the "Mexicali Rose" image initially pitched to her by Hollywood executives. Despite her brief appearance, Carewe arranged for much publicity for the actress. In her second film High Steppers, del Rio took the second female credit after Mary Astor. These films were not blockbusters, but helped increase del Río's popularity. Carewe's intention was to transform her into a star on the order of Rudolph Valentino. In 1926 the artist Theodore Lukits painted her portrait. Titled A Souvenir of Seville, it depicted the actress in the dress worn for her presentation to the Spanish Court. Also featured was her pet monkey. The large painting was displayed in the Carthay Circle Theatre for the premier of The Loves of Carmen (1927). It was reproduced in magazine and newspaper articles in the United States and Mexico. In late 1926, director Raoul Walsh called del Río to give her a role in What Price Glory. With the character of Charmaine, del Río achieved her desired success. Later, she was selected as one of the WAMPAS Baby Stars in 1926 (along with fellow newcomers Joan Crawford, Fay Wray, Janet Gaynor, and Mary Astor). She came to be admired as one of the most beautiful women on screen. After she gained fame, Carewe produced Resurrection (1927), which was a box office hit. In 1927, Raoul Walsh called del Río for a second version of Carmen. The first was with Theda Bara in 1917. Walsh thought del Río to be the best interpreter of all the "Hollywoods Carmen" for his authentically Latin American version, The Loves of Carmen (1927). With Walsh she also filmed The Red Dance. In 1928, Dolores replaced the actress Renée Adorée in the MGM film The Trail of '98, directed by Clarence Brown. Her career flourished until the end of the silent era. She had successful films such as Ramona (1928, for which she recorded the famous song "Ramona" with RCA Victor), and Evangeline (1929). While del Río's career was flourishing, her marriage declined. Her husband moved to Germany, where he committed suicide from depression in 1929. With the arrival of the talkies, del Río left her working relationship with Carewe. He seemed to take revenge by filming a new version of Resurrection with the alleged Dolores rival, Lupe Vélez. With the support of United Artists, del Rio left Carewe and debuted in the talkies with The Bad One in 1930. In the Thirties In 1930, she married Cedric Gibbons, one of MGM's leading art directors and production designers, whom she met at a party organized by William Randolph Hearst and Marion Davies at Hearst Castle. Her presence in Hollywood of the 30's is not just limited to the world of cinema, also the high society circles. The Gibbons-Del Río house in Hollywood was a frequent meeting place from personalities like Greta Garbo, Marlene Dietrich, Errol Flynn, Lili Damita, Clark Gable and many more. With the advent of talkies, she was relegated to exotic and unimportant roles. The Hollywood executives sought "do not talk too much at her movies", because of her Latin accent. She scored successes with Bird of Paradise (1932, directed by King Vidor. The film was produced by David O. Selznick that request the script to King Vidor and say: "I want Del Rio in a love story in the South Seas. I don't care the script, but in the end, Del Rio should be thrown into a volcano". The film scandalized audiences when she took a naked swim with Joel McCrea. This film was made before the Hays Code was enacted so nudity could be shown. Next she filmed Flying Down to Rio (the film that launched the careers of Fred Astaire and Ginger Rogers) (1933); Madame Du Barry (1934) and Wonder Bar (1934). Later, del Rio starred in the Busby Berkeley comedies In Caliente (1935) and I Live for Love (1935), but she refused to participate in the film Viva Villa! (Fay Wray took her place). Dolores described the film as an "Anti-Mexican movie". In 1934, Dolores del Río was one of the victims of the "open season" of the "reds" in Hollywood. With James Cagney, Ramón Novarro and Lupe Vélez, she was accused of promoting communism in California. Twenty years later this would have consequences later in the career of the actress. In the late thirties, del Río's career declined. With the support of Warner Bros. she made a series of police films (such as Lancer Spy in 1937 and International Settlement in 1938). But del Río's career in the later 1930s unfortunately suffered from too many exotic, two-dimensional roles designed with Hollywood's cliched ideas of ethnic minorities in mind. She was marked as "box office poison" by exhibitors, along with actresses such as Katharine Hepburn, Mae West, Marlene Dietrich and Joan Crawford. In 1940, Dolores met Orson Welles, who at that time was new to Hollywood. Feeling a mutual attraction, the couple began a romance. Welles fell madly in love with her. Reportedly, the affair was the cause of her divorce from Gibbons in 1941. Dolores del Río was with Welles for two years, during which he was at the peak of his career. She was at his side during the filming of Citizen Kane, and during the attacks of Randolph Hearst against him. Welles initially directed del Río in the Mexican film Santa, but the project was cancelled. The film directed by Norman Foster was realized later by the Mexican actress Esther Fernández. Dolores also accompanied Welles in vaudeville shows across the United States. She collaborated with Welles in the film Journey into Fear in 1942. After Welles broke from RKO, del Río sympathized with him, though her character (a sexy leopard-woman) in the film, was reduced. Career in Mexico Since the late thirties, Dolores del Río was sought on several occasions by Mexican film directors. She was friends with noted Mexican artists, such as Diego Rivera and Frida Kahlo, and maintained ties with Mexican society and cinema. After breaking off her relationship with Orson Welles, del Río decided to try her luck in Mexico, disappointed by the "American star system". Mexican director Emilio Fernández asked her to star in Flor Silvestre (1942) and the miracle happened: at 37, Dolores del Río became the most famous movie star in her country, filming in the Spanish language for the first time. The production group del Río-Fernandez, together with the cinematographer Gabriel Figueroa and the actor Pedro Armendariz had international fame. One of her most successful films was Maria Candelaria (1943, winner at the Cannes Film Festival). The movie was written by Emilio as a present for her birthday. Other celebrated movies of the group were Las Abandonadas (1944, censored in México by six months), Bugambilia (1945), The Fugitive (1947, directed by John Ford), and La Malquerida (1949). Over her collaborations with Fernández, del Río was given the opportunity to work with the best film directors in Mexico. Roberto Gavaldon was the one who inherited from Fernández the privilege of creating stories for the flaunting of Del Rio. Under the Gavaldón direction, Dolores filmed the movies La Otra (1946), La Casa Chica (1949), Deseada (1950) and El Niño y la Niebla, (1953,which competes in the Cannes Film Festival). In 1951, Dolores starred Doña Perfecta, in which she was acclaimed for her great dramatic representation. Dolores worked in Argentina in 1947, in a film version of Oscar Wilde's Lady Windermere's Fan. The Cinema of Spain called her twice for the movies Señora Ama (1954, directed by Dolores's cousin Julio Bracho) and in La Dama del Alba in 1966. Her mother's death in 1961 forced to cancel the Spanish movie Muerte en el otoño, directed by Juan Antonio Bardem. In 1959, the director Ismael Rodriguez achieved the impossible:[citation needed] bring Dolores del Río and María Félix together in one film La Cucaracha. The newspapers speculated a strong rivalry between the two actresses. María Felix speaks: " With Dolores i don't have any rivalry. On the contrary. We were friends and we always treat them with great respect, each with its own personality". In 1959, she married theatrical American businessman Lewis "Lou" Riley (a former member of the Hollywood Canteen), whom she met in Acapulco ten years before. The house of Dolores in México, called "La Escondida" in Coyoacán, was very popular inside Mexican and foreign celebrities. She won the Silver Ariel (Mexican Academy Award) as best actress in four times. In 1954, del Río appeared in the 20th Century Fox film Broken Lance. The U.S. government denied her permission to work in the USA, accusing her of being a sympathizer of international communism. Because del Río did not get permission, the film was made by Katy Jurado. Dolores del Río became one of the victims of McCarthyism. Her situation with the U.S. was fixed in 1956 when the actress was able to return to the United States to perform in the theater production of Anastacia with Lily Darvas. Later years In 1960 Dolores del Río finally returned to Hollywood. She starred with Elvis Presley in Flaming Star directed by Don Siegel. Del Rio alternated between films in Mexico and the USA, with both television and theater. In 1964, she appeared in Cheyenne Autumn directed by John Ford, with a cast that included Richard Widmark, Carroll Baker, James Stewart, Gilbert Roland and Ricardo Montalbán. In 1967, she performed for the first time in Italy, with Sophia Loren and Omar Sharif in the film More than a Miracle, produced by Carlo Ponti. During the 1950s and 1960s, Dolores del Río starred in theater classics like Anastasia (1956), Lady Windermere's Fan (1958) and The Lady of the Camellias (1968, directed by Jose Quintero), with great success in Mexico, Latin America and Europe. She also participated in some American TV series, acting with figures like Buster Keaton, Cesar Romero, Bill Cosby and others. In England she starred in a BBC tv program along with Ben Lyon. Dolores del Río's last movie was The Children of Sanchez with Anthony Quinn and Katy Jurado. From the fifties to the seventies, del Río collaborated in some international film festivals like Cannes Film Festival (1957), Berlin Film Festival (1962) and San Sebastián Film Festival (1976). During the sixties and seventies, Dolores del Río became involved in actor union activities in her native country and was the founder of the group known as "Rosa Mexicano". In 1974, she was the founder of the Estancia Infantil of the Asociacion Nacional de Actores in Mexico. In 1966, she was founder of the "Sociedad Protectora del Tesoro Artistico de México" (Society for the Protection of the artistic treasures of Mexico), co-founded with the philanthropist Felipe García Beraza and responsible for protecting buildings, paintings and other works of art and culture in México. In 1972, she helped found the Festival Cervantino in Guanajuato. In 1981, del Río was an honoree in the San Francisco Film Critics Circle. Personal life In 1921 Dolores del Río married Mexican socialite Jaime Martínez del Río, but the marriage came to end in 1928. Her former husband committed suicide in Berlin a year later. She was a devout Roman Catholic. From 1930 to 1940 Dolores was married to MGM's Art Designer Cedric Gibbons. Her relationship of four years with Orson Welles came to an end in 1943, and he married Rita Hayworth shortly afterwards. Rebecca Welles, the daughter of Welles and Hayworth, met Dolores in 1954 and said: "My father considered her the great love of his life", "She was a living legend in the history of my family". Welles once remarked that he was incredibly impressed by her lingerie, which had been made by nuns in France. In the late 30's, Dolores was related also with the German writer Erich Maria Remarque, who compared her beauty with Greta Garbo. Other rumors tried to relate with Greta Garbo and Marlene Dietrich, with whom Dolores maintained a close friendship. In the 40's, she was related with the Mexican movie producer Archibaldo Burns and with the Dominican playboy Porfirio Rubirosa. In 1949, Dolores met Lewis A. Riley in Acapulco. Riley, a theatre producer, was member of the Hollywood Canteen in the 1940s. After ten years together, the couple married in Mexico City in 1959. Death and memorials On April 11, 1983, Dolores del Río died from liver disease at the age of 77, in Newport Beach, California. She was cremated and her ashes were interred in the Panteón de Dolores cemetery in Mexico City, Mexico. In 2005, on the centenary of her birth, her remains were moved to the Rotonda de las Personas Ilustres in Mexico City. She has a star on the Hollywood Walk of Fame, at 1630 Vine Street, in recognition of her contributions to the motion picture industry. Legacy She was considered one of the prototypes of the classic woman style of the 1930s: " I think-say Larry Carr (author of More fabulous faces)- that Dolores del Río's appearance at the beginning of the 30's influenced Joan Crawford. In 1930, when Crawford emerged as beauty personified in the entire world, but especially in Hollywood, the women imitated her style of dress and make-up. Gone was the style of heavy pancake and little heart shaped mouths. In its place the angular face, the sculptured look came into vogue. They produced a new type of beauty, of which Dolores del Río was the precursor. She left her 1920s look, loosened her hairdo, enlarged the shape of her lips and altered her eyebrows to underline her exquisite bone structure. She converted hers into one of the truly Great Faces". Marlene Dietrich considered Dolores "The most beautiful woman in Hollywood" For many people "She has better legs than Dietrich and better cheekbones than Garbo". Some rumors said that her diet consisted of orchid petals and that she slept 16 hours in the day. When del Río returned to México in 1943 her face experimented a change to become a prototype of the Mexican female beauty : "Art Deco beauty of Dolores sympathizes with the Mexican Bronze Race and embodies to a perfect ideal". She was model and muse of notable Mexican painters like Diego Rivera and Jose Clemente Orozco. Dolores del Rio was the first Mexican and Latin American woman with an international appeal in Hollywood. She was considered frequently as reference of other Mexican and Latinas movie stars in Hollywood, since Rita Hayworth to Eva Longoria. The other Mexicans with a Hollywood career are Lupe Velez, Katy Jurado and most recently Salma Hayek. Despite the passage of years, Dolores del Río continued until the end to present an image of an educated lady, elegant and sophisticated, that despite her age still remained pleasant and desirable in the eyes of the public. In 1978, Kevin Thomas of Los Angeles Times mentions her as "One of the reigning beauties of the century". She was interpreted by the actress Lucy Cohu in the TV. film RKO 281 in 1999. Dolores del Río has a statue at Hollywood-La Brea Boulevard in Los Angeles, designed by Catherine Hardwicke built to honor of multi-ethnic leading ladies of the cinema together with Mae West, Dorothy Dandridge and Anna May Wong. In 1982, Dolores and María Félix were parodies in the Carlos Fuentes's script Orquídeas à la luz de la luna. Comedia Mexicana that was represented in Spain and in Harvard university. Since 1983, the Mexican Society of Film Critics gives the Diosa de Plata award "Dolores del Río" from the best dramatic female performance. From September 2009 to January 2010, Dolores del Rio was honored in the Soumaya Museum in Mexico City, with one of the most complete photography compilation of her career.
  22. {name}

    Clara Bow

    Clara Gordon Bow (July 29, 1905 – September 27, 1965) was an American actress who rose to stardom in the silent film era of the 1920s. Her acting artistry and high spirits made her the premier flapper and the film It (1927) made her world famous. Bow came to personify the "roaring twenties" and is described as its leading sex symbol. Early life Bow was born in a tenement in Brooklyn, New York. She was the third child; the first two, also daughters, born in 1903 and 1904, died in infancy. Her mother Sarah Bow (1880-1923) was told by a doctor not to become pregnant again, because this time she might die as well. Despite this, Bow was conceived in fall of 1904. According to Bow her mother became "almost mad with apprehension and fear" The delivery proved to be as difficult as feared; "At first, they thought I was dead... I don't suppose two people ever looked death in the face more clearly than my mother and I the morning I was born. We were both given up, but somehow we struggled back to life." At sixteen, Sarah fell from a second-story window and suffered a severe head injury. Later she was diagnosed with "psychosis due to epilepsy", which apart from the seizures can cause disordered thoughts, delusional ideas, paranoia and aggressive behavior. From her earliest years, Bow learned how to care for her mother during seizures and how to deal with psychotic and hostile episodes. She said her mother could be "mean" to her, but "didn't mean to...she couldn't help it". Still, Bow felt deprived of her childhood, stating "As a kid I took care of my mother, she didn't take care of me". Sarah worsened gradually, and when she realized her daughter was set for a movie career, she told her she "would be much better off dead". One night in February 1922, Bow awoke with a butcher knife against her throat; when her mother hesitated, Bow fended her off and locked her up. In the morning, Sarah had no recollection of the episode and was later committed to a charity hospital. Bow said that her father Robert (1874-1959) possessed a quick, keen mind and all the natural qualifications to make something of himself, but didn't. Robert seldom managed to hold on to a job and the family income varied drastically. Between 1905 and 1923, the Bows lived at least 14 different addresses. Aside from being a weak provider, Robert was often absent, leaving his family without means to survive. “ It was snowing. My mother and I were cold and hungry. We had been cold and hungry for days. We lay in each others arms and cried and tried to keep warm. It grew worse and worse. So that night my mother - but I can't tell you about it. Only when I remember it, it seems to me I can't live. ” Sarah died on January 5th 1923. When relatives gathered for the funeral, Bow accused them of not being supportive when it counted. She was so angry she even tried to jump after her mother down the grave. Bow never had a doll in her life, but treasured her roller skates.As she grew up she felt shy among other girls who teased her for her worn-out clothes and "carrot-top" hair. But she had no use for their company, "sissy" attitudes or games. Instead, from first grade, she enjoyed the society of boys and their sports, stunts and fighting "I could lick any boy my size. My right arm was quite famous. My right arm was developed from pitching so much ... Once I hopped a ride on behind a big fire engine. I got a lot of credit from the gang for that". Bow's athletic prowess also made her a track racing champion in high-school and her proposed arm strength, Louella Parsons examined; "...curiously enough, she have muscles on her arms that stand out like whip-cord". Fame and Fortune contest In the early 1920s, roughly 50 million Americans, or half the population, attended the movies every week. Bow added to the statistics with every cent she got. Budding womanhood had made her stature as a "boy" in her old gang "impossible", she didn't have any girlfriends, and school was a "heartache" and home "miserable". But on the silver screen, Bow found consolation; "For the first time in my life I knew there was beauty in the world. For the first time I saw distant lands, serene, lovely homes, romance, nobility, glamor". And Bow saw further than that; "I always had a queer feeling about actors and actresses on the screen...I knew I would have done it differently. I couldn't analyze it, but I could always feel it". At sixteen Bow "knew" she wanted to be a motion pictures actress, even if she was "a square, awkward, funny-faced kid" Every year Brewster publications Motion Picture Classic and Shadowland, held a nationwide acting contest, Fame and Fortune and several of its former winners had found work in the pictures afterwords. With her father's support but against her mother's wishes, she competed and won. In the final screen test Bow was up against an already scene-experienced woman, who went first and did "a beautiful piece of acting", but when Bow did the scene she actually became her character and "lived it".In the January issues 1922 of Motion Picture Classics the jury concluded: “ "She is very young, only 16. But she is full of confidence, determination and ambition. She is endowed with a mentality far beyond her years. She has a genuine spark of divine fire. The five different screen tests she had, showed this very plainly, her emotional range of expression provoking a fine enthusiasm from every contest judge who saw the tests. She screens perfectly. Her personal appearance is almost enough to carry her to success without the aid of the brains she indubitably possesses". ” Bow won an evening gown and a silver trophy and the publisher committed to help her "gain a role in films". But nothing happened. Bow's father told her to "haunt" Brewster's office (located in Brooklyn) until they came up with something. "To get rid of me, or maybe they really meant to (give me) all the time and were just busy", Bow was introduced to director Christy Cabanne who cast her in Beyond the Rainbow, produced late 1921 in New York City and released February 19th, 1922. Bow did five scenes, impressed Cabanne with true theatrical tears, but was eventually cut from the print. Bow wasn't told, but found out when she saw the movie at a theater in Brooklyn. "I was sick to my stomach", she recalled and thought her mother was right about the movie business. Bow, who dropped out of school after she was notified about winning the contest, possibly in October 1921, got an ordinary office job. However, movie ads and newspaper editorial comments from 1922-1923 suggest that Bow was not cut from Beyond the Rainbow. Her name is on the cast list among the other stars, usually tagged "Brewster magazine beauty contest winner" and sometimes even with a picture. Down to the Sea in Ships Encouraged by her father, Bow started to run around studio agencies asking for parts. "But there was always something. I was too young, or too little, or too fat. Usually I was too fat." Eventually director Elmer Clifton needed a tomboy for his movie Down to the Sea in Ships, saw Bow in Motion Picture Classic magazine and sent for her. In an attempt to overcome her youthful looks, Bow put her hair up and arrived in a dress she 'sneaked' from her mother. Clifton said she was too old, but broke into laughter as the stammering Bow made him believe she was the girl in the magazine. Clifton decided to bring Bow with him and offered her $50 a week, but added he couldn't say whether or not she would "fit the part" . Down to the Sea in Ships was shot on location, New Bedford Massachusetts, produced by 'the whaling film corporation' and intended to document the life, love and work in a whale-hunter community. The production relied on a few unknown actors and local talents. Director Clifton needed twelve weeks to shoot it and several months to bring it together. At first it was advertised with full page action scenes, omitting the cast. In the end, when it had boiled down to its essence, there was Bow. Critics sang her praise. WAMPAS didn't single out any particular "baby", obviously certain editors was. Bow in center.Bow found herself walking time after time by a Broadway movie theater, starring at her name in shimmering electric light above the entrance. “I can never tell you what happiness I felt, life had been so terrible hard and it seemed to me that now all my troubles were to be in the past” . By mid December 1923, due to her merits in Down to the Sea in Ships, Bow was elected one of the 1924 WAMPAS Baby Stars. Grit Three months before Down to the Sea in Ships was released, while her mother was dying at home, Bow danced half nude, on a table, unaccredited in Enemies of woman. In spring she got a part in The Daring Years and in the summer, she got a "tomboy" part in Grit, a story, which dealt with juvenile crime and was written by F. Scott Fitzgerald. Bow met her first boyfriend, cameraman Arthur Jacobson, and she got to know director Frank Tuttle, with whom she worked in five later productions. Young Bow in GritTuttle remembered; "Her emotions were close to the surface..she was dynamite, full of nervous energy and vitality and pitifully eager to please everyone". Grit was released in January 1924. Variety wrote; "..Clara Bow lingers in the eye, long after the picture has gone.." While shooting Grit at Pyramid Studios, in Astoria, New York, Bow was approached by Jack Bachman, associated producer at Preferred Pictures in Hollywood. He wanted to contract her for a three months trail, fare paid and $50 a week. "It can't do any harm", he said, but Bow hesitated, as she enjoyed her life in New York. "Why can't I stay in New York and make movies?", she asked her father, but again he encouraged her to move ahead. On July 21, 1923 she befriended Louella Parsons, who interviewed her for The New York Morning Telegraph. In 1930/1931 when Bow came under tabloid scrutiny, Parsons defended her and stuck to her first opinion on Bow: “ She is as refreshingly unaffected as if she had never faced a means to pretend. She hasn't any secrets from the world, she trusts everyone…she is almost too good to be true...(I) only wish some reformer who believes the screen contaminates all who associate with it could meet this child. Still on second thought it might not be safe: Clara uses a dangerous pair of eyes. ” The interview also revealed that Bow already was cast in Maytime and in great favor of the Chinese cuisine. Hollywood July 22th 1923, Bow left New York, her father and boyfriend behind. As chaperon for the journey and stay in Hollywood, the studio appointed writer / agent Maxine Alton, who Bow later branded a liar. In late July Bow enters studio chief B. P. Schulberg's office wearing a simple high-school uniform in which she "had won several gold medals on the cinder track". She was tested and a press-release from early August says Bow have become a member of Preferred Picture's permanent stock. She and Alton rented an apartment at Hillview near Hollywood Boulevard. Preferred Pictures was run by Schulberg who started as a publicity manager at Famous Players Lasky, but in the aftermath of the power struggle around the formation of United Artists ended up on the losing side and lost his job. 1919, at age 27, he founded Preferred Pictures. Maytime Bow's first Hollywood picture was an adoption of the popular operetta Maytime. She essayed "Alice Tremaine", a second lead character who appears in the first half of the play. Before Maytime was finished Schulberg announced that Bow was given the lead in the studio's biggest seasonal assessment, Poisoned Paradise, but first she was lent to First National Pictures to co-star in the adaption of Gertrude Atherton's 1923 bestseller Black Oxen, shot in October, and to co-star Colleen Moore in Painted People, shot in November. Black Oxen With Kate Lester and Tom RickettsDirector Frank Lloyd was casting for the part of hi-society flapper "Janet Oglethorpe". More than fifty women, most with previous screen experience, auditioned. Bow reminisced, "He had not found exactly what he wanted and finally somebody suggested me to him. When I came into his office a big smile came over his face and he looked just tickled to death". Lloyd told the press, "Bow is the personification of the ideal aristocratic flapper, mischievous, pretty, aggressive, quick-tempered and deeply sentimental" Black Oxen was released December 29th and critics agreed it was a good adaption of the book. Corinne Griffith and Conway Tearle top starred, but Bow gave them a close race for the approval of the audience. As the portrayed family was poor and Moore essayed the Baseball-playing tomboy, Bow told her they should switch parts. Moore, a well-established star earning $1200 a week - Bow got $200 - took offense and blocked the director from doing a close-up on Bow. Moore was married to a studio executive and Bow's protests fell short. "I’ll get that b***h", she told her boyfriend Jacobson, who had arrived from New York. Bow had sinus problems and decided to have them attended to immediately. A bandaged Bow left the studio with no options but to recast her part. "The most Perfect Flapper" In May Moore renewed her efforts in The Perfect Flapper, produced by her husband, but despite good reviews she suddenly withdrew. "No more flappers...they have served their purpose...people are tired of soda-pop love affairs", she told the Los Angeles Times, that commented a month earlier, "Clara Bow is the one outstanding type. She has almost immediately been elected for all the recent flapper parts" In November 1933, Bow described the Hollywood years as a French Revolution picture, were "women are hollering and waving pitchforks twice as violently as any of the guys...the only ladies in sight are the ones getting their heads cut off". 1925 In 1925, Schulberg cast Bow in The Plastic Age. The movie was a huge hit, and Bow was suddenly the studio's most popular star. She also began to date her co-star Gilbert Roland, who would become the first of many fiancees. Bow followed her first big success with Mantrap (1926), directed by Victor Fleming. Though he was twice her age, Bow quickly fell in love with her director. She began seeing both Roland and Fleming at the same time. The It Girl In 1927, Bow reached the heights of her popularity with the film It; the film was based on a story written by Elinor Glyn, and upon the film's release, Bow became known as "The It Girl". In Glyn's story, It, a character explains what "It" really is: "It...that strange magnetism which attracts both sexes... [e]ntirely unself-conscious...full of self-confidence... ndifferent to the effect... he is producing and uninfluenced by others." Many Hollywood insiders considered her socially undesirable. Bow was not liked by other women in Hollywood, and her presence at social functions was taboo, including her own premieres. Bow's bohemian lifestyle, thick Brooklyn accent and "dreadful" manners were considered reminders of the Hollywood Elite's uneasy position in high society, and they shunned her for it. Budd Schulberg, wrote in his memoir, Moving Pictures, "Hollywood was a cultural schizophrene: The anti-movie Old Guard with their chamber music and their religious ageants fighting a losing battle against the more dynamic culture of the Ad Schulbergs who flaunted the bohemianism of Edna St. Vincent Millay and the socialism of Upton Sinclair. But there was one subject on which the staid old Hollywood establishment and the members of the new culture circle would agree: Clara Bow, no matter how great her popularity, was a low life and a disgrace to the community." However, Bow was praised by critics for her beauty, vitality and enthusiasm — Adolph Zukor, head of Paramount, said that "She danced even when her feet weren't moving. Some part of her was always in motion, if only her great, rolling eyes. It was an elemental magnetism, an animal vitality, that made her the center of attraction in any company." In 1927, Bow starred in Wings, a war picture largely rewritten to accommodate her, as she was Paramount's biggest star at the time. The film went on to win the first Academy Award for Best Picture. In 1928, Bow wrote the foreword for a novelization of her film The Fleet's In. Between 1927 and 1930, Bow was one of Hollywood's top five box office attractions. Bow's career continued into the early sound film era. Legend contends that her first talkie, The Wild Party, directed by Dorothy Arzner, was a disaster, but audiences crammed into theatres to see it, and the reviews, though they gave the film itself poor marks, commented that her voice suited her screen image well. However, Bow began experiencing microphone fright on the sets of her sound films. A visibly nervous Bow had to do a number of retakes in The Wild Party because her eyes kept wandering up to the microphone overhead; Arzner took credit for being the first director to hang the microphone from overhead.[58] However, her performances in her sound films improved rapidly, and she continued to be a box office success. While MGM had given their biggest star, Greta Garbo, two years to prepare for her first sound film, Paramount gave Bow two weeks. Paramount began canceling her films, docking her pay, charging her for unreturned costumes, and insisting that she pay for her publicity photographs. As she slipped closer and closer to a major breakdown, her manager B.P. Schulberg began referring to her as "Crisis-A-Day-Clara". The pressures of fame, public scandals, overwork and a damaging court trial involving former assistant Daisy DeVoe took their toll on Bow's already fragile emotional health. She ended up in a sanatorium in April 1931 with a case of shattered nerves. Paramount released her from her contract a short while later. Following a brief period away from Hollywood to recover, Bow signed a two-picture deal with Fox Film Corporation and returned to the screen in the early talkie Call Her Savage (1932). Although the film was a success, Bow opted for marriage and motherhood, and ended her film career after the release of Hoop-La the following year. Later life Bow and cowboy actor Rex Bell (actually George F. Beldam), later a Lieutenant Governor of Nevada, married in 1932 and had two sons, Tony Beldam (born 1934, changed name to Rex Anthony Bell, Jr.) and George Beldam, Jr. (born 1938). Bow retired from acting in 1933. Her last public exposure, albeit fleeting, was a guest appearance on the radio show Truth or Consequences in 1947; Bow provided the voice of "Mrs. Hush". In 1944, while Bell was running for the U.S. House of Representatives, Bow tried to commit suicide. In 1949 she checked into The Institute of Living to be treated for her chronic insomnia. Shock treatment was tried and numerous psychological tests performed. Bow's IQ was measured "bright normal" , while others claimed she was unable to reason, had poor judgment and displayed inappropriate or even bizarre behavior. Bow was diagnosed with schizophrenia, despite experiencing no hallucinations or psychosis. Her insomnia was a result of childhood trauma, the analysts said, but Bow rejected psychological explanations for both her sleep disorder and her physical pains. Bow spent her last years in a modest house in Los Angeles under the constant care of a nurse, living off an estate worth about $500,000 at the time of her death. She died on September 27, 1965, aged 60, of a heart attack while watching a Gary Cooper movie. The autopsy revealed that Bow suffered from atherosclerosis (death certificate), a heart disease established in early adolescence. Bow's heart bore scars from an earlier undiagnosed heart attack. She was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. Honors For her contributions to the motion picture industry, Bow was given a star on the Hollywood Walk of Fame. In 1994, she was honored with an image on a United States postage stamp designed by caricaturist Al Hirschfeld. Urban myths The book Hollywood Babylon spread the contemporary legend that Bow's friendship with members of the 1927 University of Southern California football team included group sex with the entire team. This was finally proved incorrect by her biographer, David Stenn, who interviewed still-living members of that year's team while researching his book. During her lifetime, Bow was the subject of wild rumors regarding her sex life; most of them were untrue. A tabloid called The Coast Reporter published lurid allegations about her in 1931, accusing her of exhibitionism, incest, lesbianism, bestiality, drug addiction, alcoholism, and having contracted venereal disease. The publisher of the tabloid then tried to blackmail Bow, offering to cease printing the stories for $25,000, which led to his arrest by federal agents, and later an eight-year prison sentence. In popular culture The alternative rock band 50 Foot Wave entitled a song "Clara Bow" on their CD Golden Ocean. Bow is mentioned in the lyrics of the song "Condition of the Heart" by Prince on his album Around the World in a Day. Bow is mentioned in the lyrics of the song "Chop Suey" in Rodgers & Hammerstein's musical comedy Flower Drum Song. Bow is mentioned in the lyrics of the song "I'maman" by Jobriath on his self-titled debut album. Max Fleischer's cartoon character Betty Boop was modeled after Bow and entertainer Helen Kane (the "boop-boop-a-doop-girl"). Bow's mass of tangled red hair was one of her most famous features. When fans of the new star found out she put henna in her hair, sales of the dye tripled. Bow applied her red lipstick in the shape of a heart. Women who imitated this shape were said to be putting a "Clara Bow" on their mouths. She is Effy's idol in the popular E4 show Skins. An autographed picture of Bow is offered as a consolation prize of a beauty contest in the 1931 George Gershwin musical Of Thee I Sing. In an episode of the Fox TV series, Bones, forensic anthropologist Temperance Brennan's undercover persona "Roxie", is based on Brennan's memories of watching Bow's films as a child. Her partner mentions that Clara Bow was a silent screen star, to which Brennan replies that she was imitating what she imagined Bow sounded like. Obviously, Brennan had never seen Bow's "talkie" work. In the novel Alas, Babylon by Pat Frank, the character Florence Wechek is described as looking like Clara Bow. In the 1990 novel Vineland by Thomas Pynchon, the character Zoyd Wheeler refers to his daughter watching Pia Zadora in the fictitious movie The Clara Bow Story. Two graphic adventure games by Sierra star a heroine named, Laura Bow, who is a clear homage to Clara Bow. In the film, The Rules of Attraction directed by Roger Avary and based on the novel of the same name by Bret Easton Ellis, the character Lauren is told by a NYU film school student at a party that she looks like Clara Bow. In the song "straight girl of the Universe" by Alternative rock group The Exies Clara Bow is referred to. The British pop/rock band Cleaners From Venus recorded a song about her ("Clara Bow") which was released in 1987 on the album Going to England. Bow is mentioned in an episode of M*A*S*H when Hawkeye and Colonel Potter are behind enemy lines. They are drunk and trying to convince American infantrymen that they are 'one of them'. Hawkeye references 'apple pie' and 'Betty Grable'. When Potter references 'Clara Bow', Hawkeye remarks, "Clara Bow? Frank's right, you are old." In the novel The Witching Hour, author Anne Rice says Stella Mayfair looks like Clara Bow.
  23. {name}

    Cameron Alborzian

    Cameron is one of the first male supermodels. He has been modeling now for 20 years. Cameron was a favorite of Lagerfeld and Versace and was in Madonna's video from 1989, Express Yourself. He is now an Ayurveda and Yoga therapist.
  24. {name}

    Joan Allen

    Joan Allen (born August 20, 1956) is an American actress. She worked in theatre, television and film during her early career, and achieved recognition for her Broadway debut in Burn This, winning a Tony Award for Best Performance by a Leading Actress in a Play in 1989. She has received three Academy Award nominations; she was nominated for Best Supporting Actress for Nixon (1995) and The Crucible (1996), and for Best Actress for The Contender (2000). Her other films include Face/Off (1997), Pleasantville (1998), The Notebook, The Bourne Supremacy (2004) and The Bourne Ultimatum (2007). Early life Allen, the youngest of four children, was born in Rochelle, Illinois, the daughter of Dorothea Marie, a homemaker, and James Jefferson Allen, a gas station owner. She has an older brother, David, and two older sisters, Mary and Lynn. Allen attended Rochelle Township High School, and was voted most likely to succeed. After attending Kishwaukee College, she transferred to Northern Illinois University in 1976, where she graduated with a BFA in Theatre Performance. Allen began her performing career as a stage actress and on television before making her film debut in the movie, Compromising Positions (1985). She became a member of the Steppenwolf Theatre Company ensemble in 1977 when John Malkovich asked her to join. She's been a member ever since. Career In 1989, Allen won a Tony Award for her Broadway debut performance in Burn This. She also starred in the Pulitzer Prize-winning play The Heidi Chronicles. She received Academy Award nominations for Best Supporting Actress for her roles as Pat Nixon in Nixon (1995) and as Elizabeth Proctor, a woman accused of witchcraft, in The Crucible (1996). She was also nominated for Best Actress for her role in The Contender (2000), in which she played a politician who becomes the object of scandal. She had starring roles in the drama The Ice Storm directed by Ang Lee and the action thriller Face/Off directed by John Woo, both released in 1997, as well as in the comedy Pleasantville (1998). In 2001, Allen starred in the mini-series The Mists of Avalon on TNT and earned an Emmy nomination for the role. In 2005, she received many positive notices for her leading role in the comedy/drama The Upside of Anger, in which she played an alcoholic housewife. She played CIA Department Director Pamela Landy in The Bourne Supremacy and The Bourne Ultimatum. Allen appeared in a remake of the film Death Race, playing a prison warden. On November 6, 2008, TV Guide reported that Allen would star as Georgia O’Keeffe in Lifetime Television’s biopic chronicling the artist’s life. Allen returned to Broadway in March 2009 when she played the role of Katherine Keenan in Michael Jacobs' play Impressionism opposite Jeremy Irons at the Gerald Schoenfeld Theatre Personal life In 1990, Allen married actor Peter Friedman. They separated in 2002, but live close to each other to share time with their daughter, Sadie, born in 1994.
  25. {name}

    Pattie Boyd

    Patricia Anne Boyd (born 17 March 1944) is an English model and photographer, and the former wife of both George Harrison and Eric Clapton. She was the inspiration for love songs written by both musicians, Harrison's, "Something", "For You Blue" and "Isn't It a Pity", and Clapton's "Layla", "Wonderful Tonight" and "Bell Bottom Blues". Boyd started her modelling career in 1962, but was rejected by many photographers owing to her unconventional looks, including rather prominent front teeth; one stated, "models don't look like rabbits". She modelled in London, New York and Paris (for Mary Quant and others), and was photographed by David Bailey and Terence Donovan. An exhibition of photographs taken by Boyd during her days with Harrison and Clapton opened at the San Francisco Art Exchange on February 14, 2005, titled Through the Eye of a Muse. The exhibition also ran again in San Francisco in February 2006, and for six weeks between June and July 2006, in London Early years and career Boyd was born in Taunton, Somerset,to Colin Ian Langdon Boyd and Diana Frances Drysdale (married 14 September 1942). She was the eldest child, before Colin (1946), Helen Mary (later known as Jenny, 1947, later married to Mick Fleetwood), and Paula (1951). Boyd nicknamed Helen "Jenny", after one of her favourite dolls. The Boyds moved to Nairobi, Kenya, from 1948 to 1953, after her father's discharge from the Royal Air Force following a severe injury as a pilot during WWII. Diana and Colin divorced in 1952, and Diana returned to England with her four children following her remarriage to Robert Gaymer-Jones in February 1953 in Tanganyika (now Tanzania). They had two sons named David J.B. (1954) and Robert, Jr. (1955), Pattie's half-brothers. Boyd attended convent boarding schools until 1961, and moved to London in 1962, first working at Elizabeth Arden's as a shampoo girl. A client who worked for a fashion magazine asked her if she had thought of a modelling as a career. Boyd modelled in London, New York, and Paris (for Mary Quant), and was photographed by David Bailey and Terence Donovan.She appeared on covers of the UK and Italian editions of Vogue in 1969. After becoming George Harrison's girlfriend, Boyd was asked by Gloria Stavers to write a regular column for 16 Magazine. Twiggy, the popular 1960s model, commented that she based her own look on Boyd when starting her modelling career in 1966. George Harrison Boyd, who was nineteen in 1964, met Harrison during the filming of the Beatles' A Hard Day's Night, in which she was cast as a schoolgirl fan. Boyd was "semi-engaged" to boyfriend Eric Swayne, whom she had dated for about a year, and out of loyalty declined Harrison's first invitation for a date, but said that Harrison was the most beautiful man she had ever seen. One of the first things Harrison said to her was "Will you marry me?" Boyd laughed, so Harrison said, "Well, if you won't marry me, will you have dinner with me tonight?" Several days later, when Boyd was recalled for another day's work on the film, Harrison asked her out again and she accepted, having ended the relationship with Swayne. Their first date was spent at the Garrick Club (a private gentlemen's club) in Covent Garden, in the company of The Beatles' manager, Brian Epstein. Boyd was present, along with Harrison, John and Cynthia Lennon, during their first encounter with LSD in early 1965. A dentist, John Riley, the son of a London police officer, laced their coffee with it.The four of them were furious and left extremely scared. In an agitated state, Boyd threatened to break a store window until Harrison dragged her away. Harrison and Boyd were driving through London in December 1965 when he proposed marriage to her, but said he would have to talk to Epstein first; this was to make sure no Beatles' tours had been planned. Boyd married Harrison on 21 January 1966, in a ceremony in Esher, Surrey, with Paul McCartney (Best Man) and Epstein in attendance. John Lennon and Ringo Starr had gone on holiday abroad with their wives, distracting journalists from finding out about the wedding. Pattie had started living with George at Kinfauns in 1965. Boyd and Harrison later went on holiday with Epstein, staying at the Hotel Cap Estrelle near Eze, in the south of France. While Lennon was in Spain filming How I Won the War in September 1966, Harrison and Boyd flew to Bombay as guests of sitar virtuoso Ravi Shankar, and returned to London on 23 October 1966. Through her interest in Eastern mysticism and her membership in his Spiritual Regeneration Movement, she inspired The Beatles to meet the Indian mystic Maharishi Mahesh Yogi in London on 24 August 1967, which resulted in a visit to Bangor, Gwynedd, to join him again in the following day. Boyd attended the Our World broadcast of "All You Need Is Love", which was shown on 25 June 1967. She accompanied The Beatles on their visit to the Maharishi's ashram in Rishikesh, India in 1968. Breakdown Lennon and Mick Jagger were also said to have been attracted to Boyd, with Jagger admitting to then-girlfriend Bebe Buell in the 1980s that he had failed to seduce Boyd after trying for years. Boyd had a brief affair with future Rolling Stone Ronnie Wood in 1973, as her marriage to Harrison was failing. According to Boyd, Harrison backed out of a planned holiday with her (claiming to be ill) and then invited Krissie Wood (Wood's wife) on a holiday to Spain to see Salvador Dali, although Harrison later denied that he and Krissie Wood had had an affair. According to Boyd's account, while Harrison was in Spain with Krissie Wood, Pattie travelled to the Bahamas with her sister Paula, and was joined by Ron Wood. Boyd and Wood were spotted by the press upon their return to London, on 25 November 1973, which was reported in the press. Boyd states that Harrison's increasing religious explorations and personality changes irrevocably alienated her, and they split in June 1974 and she flew to Los Angeles to stay with her sister Jenny. Eric Clapton In the late 1960s, Clapton and Harrison became close friends, and began writing and recording music together. It was reported at this time that Clapton fell in love with Boyd.Clapton also fell in love with Boyd's 17-year-old sister, Paula, who moved in with him.Paula left Clapton when she heard "Layla", because the song confirmed that Clapton had been using her as a substitute for her sister.Boyd claims that when she rebuffed Clapton's advances in late 1970, he descended into heroin addiction and self-imposed exile with Alice Ormsby-Gore for three years. Meanwhile, during Clapton's tenure in Derek and the Dominos, their only studio album, Layla and Other Assorted Love Songs, was written to state his love for Boyd. It included the track "Layla", which has become a hit in three different decades and in two different versions The outward image of the perfect couple masked struggles within their marriage, which began in 1979. Although Boyd drank and admits to past drug use, unlike Clapton she never became an alcoholic or a drug addict. Boyd states that she left Clapton at one point due to his refusal to seek treatment for his alcoholism, and she began seeing a photographer, Will Christie. In 1984, Clapton began a year-long relationship with Yvonne Kelly; they had a daughter, Ruth, born in January 1985.Clapton and Kelly did not make any public announcement about the birth of their daughter, and Ruth was not revealed as his child until 1991, at the funeral of his son Conor. Boyd says that she did not know of Ruth's existence until 1991: "What cut deepest was that Eric had known about the child all along. While declaring undying love to me and pleading with me to go back to him, he had been paying Yvonne maintenance for the past six years." Boyd states that she divorced Clapton after years of alcoholism as well as numerous affairs on his part, which began before their marriage. Clapton and Boyd divorced in 1989, following his affair with Italian model Lori Del Santo, who had given birth to his son, Conor, in August 1986. Boyd herself has never been able to conceive children, despite attempts at in vitro fertilization. Boyd and Clapton's divorce was granted on the grounds of "infidelity and unreasonable behaviour. Despite the turbulent relationship, Clapton remained a friend years after. Song inspiration Boyd claims that she was the inspiration for one of Harrison's Beatles songs, "Something," which Frank Sinatra said was, at the time, the best love song written in 50 years. Boyd stated that Harrison told her "Something" was written for her, but after they parted Harrison said he was thinking about a song for Ray Charles. Boyd also stated she was the inspiration for "Bell Bottom Blues," which Clapton reportedly wrote after he gave her a pair of blue jeans. In her autobiography, Boyd wrote that Clapton gave her a pair of jeans after returning from a trip to Miami. It appeared on the same album as "Layla," which took its name from a Persian tale of unrequited love that Clapton had received from a friend. On 7 September 1976, Clapton wrote "Wonderful Tonight" for Boyd while waiting for her to get ready to attend Paul and Linda McCartney's annual Buddy Holly party. Of "Wonderful Tonight," Boyd would say: "For years it tore at me. To have inspired Eric, and George before him, to write such music was so flattering. 'Wonderful Tonight' was the most poignant reminder of all that was good in our relationship, and when things went wrong it was torture to hear it." Photography and autobiography An exhibition of photographs taken by Boyd during her days with Harrison and Clapton opened at the San Francisco Art Exchange on Valentine's Day 2005, titled, Through the Eye of a Muse. The exhibition also ran again in San Francisco in February 2006, and for six weeks in June and July 2006, in London. It was also on display for a few weeks at the Morrison Hotel gallery in La Jolla, California, in 2008. Boyd's autobiographical "prook" Wonderful Today: George Harrison, Eric Clapton, and Me, was published in England on 23 August 2007, by Hodder Headline Review and in the U.S. (as Wonderful Tonight) on 28 August 2007, by Harmony Books, includes her own photographs and was written with a £950,000 ($2.2 million) advance It was co-written with journalist Penny Junor. As of 2008, Boyd lived in a 17th-century cottage in West Sussex and was said to be enjoying the prospect of her account going head-to-head with Clapton's autobiography. In the United States, Boyd's book debuted at the top of the New York Times Best Seller list. Boyd exhibited photographs taken during her days with Harrison and Clapton, from Through the Eyes of a Muse, at Gallery Number One in Dublin in August and September 2008, and in Toronto, Canada in November and December 2008 at the Great Hall. "Through the Eyes of a Muse" was also exhibited in December 2009 at the Blender Gallery in Sydney, Australia, and from 28 December 2009 to 10th January 2010 at Lancaster Great House in Barbados.