Baby

Marie-Monique Robin (born 1960) is an award-winning French journalist. She received the Albert Londres prize in 1995 for Voleurs d'yeux, an expose about organ theft. She also wrote a book and made a film documentary titled Escadrons de la mort, l'école française (The Death Squads: The French School) which investigated ties between the French secret services and Argentine and Chilean counterparts. In this documentary she showed that counter-insurgency tactics used during the Algerian War (1954-62), including extensive use of torture, had been taught to Argentine security forces. The security forces later used them during the Dirty War in the 1970-80s and for Operation Condor. She received an award for "best political documentary of the year" by the French Senate in recognition of this investigation. After studying journalism in Strasbourg, she went to Nicaragua and worked in South America as a freelance reporter. She traveled to South America more than 80 times including 30 times to Cuba. She reported on the Colombian guerrillas and later worked for CAPA. Voleurs d'yeux Voleurs d'yeux (Eye Thieves) was both a book and a film about her investigations on organ theft. After being shown at the United Nations, a decision was made to begin a UN-sanctioned investigation. However, she alleges that an employee of the United States Information Agency tried to convince NGOs to cut their relationships with her. She attempted to interview him in Washington DC, wondering why each affair denounced in the Latin American press was officially denied by the US embassy 48 hours later. This man unsuccessfully tried to convince in Paris the secretary of the Fédération des affaires des droits de l'homme that "Mrs. Robin is a KGB member."[2] The USIA accused her film of being a lie, however after a period of hardship during which she was subjected to various pressures and personal attacks, she retained the Albert Londres prize. Marie-Monique Robin subsequently quit CAPA to work again as freelance, doing a report on Cuba for Thalassa, a French television program, and on false allegations of pedophilia made on teachers. Escadrons de la mort, l'école française In her 2004 book on death squads, Robin showed how French military officials had taught Argentine counterparts counter-insurgency tactics including the systemic use of torture as practiced in Algeria. A 1959 agreement between Paris and Buenos Aires created a "permanent French military mission", formed of French army personnel who had fought in the Algerian War (1954-62). The mission was located in the offices of the chief of staff of the Argentine Army. Robin declared in L'Humanité: "[the] French have systematized a military technique in urban environment which would be copied and pasted to Latin American dictatorships". Roger Trinquier was a French theorist of counter-insurgency who legitimized the use of torture. His famous book on counter-insurgency, Modern Warfare: A French View of Counterinsurgency, had a strong influence in South America and elsewhere, including in the School of the Americas. Trinquier was a member of the Cité catholique fundamentalist group which gathered many former members of the OAS pro-"French Algeria" terrorist group and opened a subsidiary in Argentina near the end of the 1950s. It had an important role in teaching ESMA Navy officers counter-insurgency doctrines including the systemic use of torture and ideological support. The head of DINA Manuel Contreras told Robin that the Direction de surveillance du territoire (DST) French intelligence agency communicated to the Chilean secret police the names of refugees who had returned to Chile (Operation Retorno). All of these Chileans were killed. "Of course, this puts in cause the French government, and Giscard d'Estaing, then President of the Republic. I was very shocked by the duplicity of the French diplomatic position which, on one hand, received with open arms the political refugees, and, on the other hand, collaborated with the dictatorships." General Paul Aussaresses also taught US Army these tactics, used during the Vietnam War. She showed how Valéry Giscard d'Estaing's government secretly collaborated with the Videla's junta in Argentine and with Augusto Pinochet's regime in Chile, while openly receiving at the same time many political refugees who were granted the right of asylum. Citing Roger Faligot, a French journalist and expert on Ireland, Marie-Monique Robin also noted that General Frank Kitson's book Low Intensity Operations: Subversion, Insurgency and Peacekeeping, had become the "Bible" used by the British Army during the Troubles in Ireland and that it quoted heavily from Roger Trinquier. Algerian Civil War At the conclusion of her book, she cites the 2003 report by Algeria-Watch titled Algérie, la machine de mort, which stated: "To conserve their power and their fortunes nurtured by corruption, those who have been called the généraux janviéristes (Generals of January) — Generals Larbi Belkheir, Khaled Nezzar, Mohamed Lamari, Mohamed Mediène, Smaïl Lamari, Kamal Abderrahmane and several others — did not hesitate in triggering against their people a salvage repression, using, at a unpreceded scale in the history of civil wars of the second half of the XXth century, the "secret war" technics theorized by certain French officers during the Algerian War for Independence, from 1954 to 1962: death squads, systemic torture, kidnapping and disappearances, manipulation of the violence of opponents, desinformation and "psychological action", etc". Citing Lounis Aggoun and Jean-Baptiste Rivoire, Françalgérie. Crimes et mensonges d'État (2004), Marie-Monique Robin refers to false flag attacks committed by Algerian death squads formed by secret agents disguised as Islamist terrorists, including the OJAL created by the DSR security services and the OSSRA (Organisation secrète de sauvegarde de la République algérienne, Secret Organisation of Safeguard of the Algerian Republic), which recalled "the French Main rouge", a terrorist group during the 1960s which may have been constituted by French secret services, "or the Argentine Triple A.": After having liquidated tens of opponents, passing as anti-Islamist civils, these pseudo-organisations disappeared in mid-1994. Because at the same moment, the leaders of the DRS preferred to generalise the unfolding and action of death squads also composed of their men, but passing by as Islamist terrorists. The Battle of Algiers Thirty-five years after the Algerian War, Robin interviewed two Argentine navy cadets from the infamous ESMA after a screening of The Battle of Algiers, a 1966 film by Gillo Pontecorvo which had been at the time censored in France. The screening was presented by Antonio Caggiano, archbishop of Buenos Aires from 1959 to 1975 who inaugurated the first course on counter-revolutionary warfare at the Higher Military College with President Arturo Frondizi. Caggiano, the military chaplain at the time, introduced the film approvingly and added a religiously oriented commentary. Anibal Acosta, one of the cadets interviewed, described the session: They showed us that film to prepare us for a kind of war very different from the regular war we had entered the Navy School for. They were preparing us for police missions against the civilian population, who became our new enemy. She also noted that Pentagon officials also viewed Pontecorvo's film on August 27, 2003. Official responses to Robin's film On September 10, 2003 French Green Party deputies Noël Mamère, Martine Billard and Yves Cochet made a formal request for the constitution of a parliamentary commission on the "role of France in the support of military regimes in Latin America from 1973 to 1984" before the Foreign Affairs Commission of the National Assembly. Apart from Le Monde, newspapers in France remained silent about this request.However, Deputy Roland Blum in charge of the Commission refused to hear Robin and published in December 2003 a 12-page report qualified by Robin as "the summum of bad faith". The paper claimed that no agreement had been signed, despite the agreement found by Robin at the Quai d'Orsay When Minister of Foreign Affairs Dominique de Villepin traveled to Chile in February 2004, he claimed that no cooperation between France and the military regimes had occurred. Le monde selon Monsanto (The World According to Monsanto) In March 2008, her documentary about the Monsanto Company (English title, The World According to Monsanto) was aired on the Arte network in France and Germany. It was a co-production between Arte and the National Film Board of Canada. The movie tells the story of the Saint Louis firm: located in 46 countries, Monsanto has become the world leader in GMO (more than 90% of the market share), the firm also produces PCBs (pyralene), herbicides (such as the Agent Orange during the Vietnam war), and the bovine artificial growth hormones, used for milk production, prohibited in Europe. The documentary explains that since its creation in 1901 the firm accumulated law suits for poisoning and polluting, while presenting itself today as a company of "life sciences", converted to the virtues of sustainable development. In her investigation the journalist discovers that to impose its GMOs on the world, Monsanto first infiltrated the sciences and regulatory spheres . Translated into 15 languages, the movie and book are a huge hit internationally. In France the documentary was released when the debate about GMOs divided the political class and the researchers while the majority of the population was opposed to their use. Torture Made in USA Torture Made in USA is a documentary of Marie-Monique Robin released in 2009.

Christian Lacroix (my ruined lover)

list of fashion designers : Christian Lacroix

this one http://www.moeraeclothing.com/product.php?id_product=291 with a leather bra

what is it ? ants ? anyway, i love your picture and the colors by the way, i love pierre pictures too particularly the ones with trees. they remind me (a bit) René Asmussen's work. but René is more turned to the Sci Fi and draw.

all Bloodhound Gang's videos, but this one is my favorite. video with nudity The Ballad Of Chasey Lain

my lover!!! yep, but i love the his freak show style since sooooo many years... i was a little girl but i already loved him i'm dyiiiiiiiiiiiiiiiiiiiiiiiiiiiing!!! thanks you

Frances Elena Farmer (September 19, 1913 – August 1, 1970) was an American actress of stage and screen. She is perhaps better known for sensationalized and fictional accounts of her life, and especially her involuntary commitment to a mental hospital. Farmer was the subject of three films, three books, and numerous songs and magazine articles. Early life and education Farmer was born in Seattle, Washington, to Ernest Melvin Farmer and Lillian Van Ornum Farmer. In 1931, while attending West Seattle High School, she entered and won $100 from The Scholastic Art & Writing Awards, a writing contest sponsored by Scholastic Magazine, with her controversial essay God Dies. It was a precocious attempt to reconcile her wish for, in her words, a "superfather" God, with her observations of a chaotic, seemingly godless, world. In 1935, as a student at the University of Washington, Farmer won a subscription contest for the leftist newspaper The Voice of Action. First prize was a trip to the Soviet Union, which she took despite her mother's strong objections, in order to see the pioneering Moscow Art Theater. These two incidents fostered accusations that Farmer was both an atheist and a Communist. Farmer studied drama at the University of Washington. During the 1930s, its drama department productions were considered citywide cultural events and attended accordingly. While there she starred in plays including Helen of Troy, Everyman and Uncle Vanya. In late 1934, she starred in the school's production of Alien Corn, speaking foreign languages, playing the piano, and receiving rave reviews in what was then the longest-running play in the department's history. Career Early film career and first marriage Returning from the Soviet Union in the summer of 1935, Farmer stopped in New York City, hoping to launch a legitimate theater career. Instead, she was referred to a Paramount Pictures talent scout, Oscar Serlin, who arranged for a screen test. Paramount offered her a 7-year contract. Farmer signed it in New York on her 22nd birthday and moved to Hollywood. She had top billing in two well-received 1936 B-movies. She wed actor Leif Erickson in February 1936 while shooting the first of the movies. Later that year, Farmer was cast opposite Bing Crosby in her first "A" feature, Rhythm on the Range. During the summer of 1936, she was loaned to Samuel Goldwyn to appear in Come and Get It, based on the novel by Edna Ferber. Both of these films were sizable hits, and her portrayals of both the mother and daughter in Come and Get It were praised by the public and critics, with several reviews greeting Farmer as a new-found star. A rebellious star Farmer was not entirely satisfied with her career, however. She felt stifled by Paramount's tendency to cast her in films which depended on her looks more than her talent. Her outspoken style made her seem uncooperative and contemptuous. In an age when the studios dictated every facet of a star's life, Farmer rebelled against the studio's control and resisted every attempt they made to glamorize her private life. She refused to attend Hollywood parties or to date other stars for the gossip columns. However, Farmer was sympathetically described in a 1937 Colliers article as being indifferent about the clothing she wore and was said to drive an older-model "green roadster." Hoping to enhance her reputation as a serious actress, she left Hollywood in 1937 to do summer stock at the Pinebrook Theatre in Connecticut. There she attracted the attention of director Harold Clurman and playwright Clifford Odets. They invited her to appear in the Group Theatre production of Odets' play Golden Boy. Her performance at first received mixed reviews, with Time magazine commenting that she had been miscast. Due to Farmer's box office appeal, however, the play became the biggest hit in the Group's history. By 1938, when the production had embarked on a national tour, regional critics from Washington D.C. to Chicago gave her rave reviews. Farmer with Tyrone Power in Son of Fury (1942).Farmer had an affair with Odets, but he was married to actress Luise Rainer and didn't offer Farmer a commitment. Farmer felt betrayed when Odets suddenly ended the relationship; and when the Group chose another actress for its London run—an actress whose family funded the play—she came to believe that The Group had used her drawing power selfishly to further the success of the play. She returned to Hollywood, and arranged with Paramount to stay in Los Angeles for three months out of every year to make motion pictures. The rest of her time she intended to use for theater. Her next two appearances on Broadway had short runs. Farmer found herself back in Los Angeles, often loaned out by Paramount to other studios for starring roles. At her home studio, meanwhile, she was consigned to costarring appearances, which she often found unchallenging. By 1939, her temperamental work habits and worsening alcoholism began to damage her reputation. In 1940, after abruptly quitting a Broadway production of a play by Ernest Hemingway, she starred in two major films, both loan-outs to other studios. A year later, however, she was again relegated to co-starring roles. Her performance in the film Son of Fury (1942) was critically praised. In 1942, Paramount canceled her contract, reportedly because of her alcoholism and increasingly erratic behavior during pre-production of Take A Letter, Darling. Meanwhile, her marriage to Erickson had disintegrated and ended in divorce in 1942. Legal and psychological problems Arrest On October 19, 1942, Farmer was stopped by the police in Santa Monica for driving with her headlights on bright in the wartime blackout zone that affected most of the West Coast. Some reports say she was unable to produce a driver's license and was verbally abusive. The police suspected her of being drunk and she was jailed overnight. Farmer was fined $500 and given a 180-day suspended sentence. She immediately paid $250 and was put on probation. By January 1943, she failed to pay the rest of the fine and a bench warrant was issued for her arrest. At almost the same time, a studio hairdresser filed an assault charge alleging that Farmer had dislocated her jaw on the set. The police traced Farmer to the Knickerbocker Hotel in Hollywood. Getting no answer, they entered her room with a pass key. They reportedly found her in bed (some stories include an episode involving the bathroom) and made her dress quickly. By all accounts, she did not surrender peacefully. At her hearing the next morning, she behaved erratically. She claimed the police had violated her civil rights, demanded an attorney, and threw an inkwell at the judge. He immediately sentenced her to 180 days in jail. She knocked down a policeman and bruised another, along with a matron. She ran to a phone booth where she tried to call her attorney, but was subdued by the police. They physically carried her away as she shouted, “Have you ever had a broken heart?” Newspaper reports gave sensationalized accounts of her arrest. Through the efforts of her sister-in-law, a deputy sheriff in Los Angeles County, Farmer was transferred to the psychiatric ward of L.A. General Hospital. There she was diagnosed with "manic depressive psychosis." First hospitalization Within days, having been sent to the San Fernando Valley and the Kimball Sanitarium in La Crescenta, Farmer was diagnosed with paranoid schizophrenia. She was given insulin shock therapy, a treatment then accepted as standard psychiatric procedure but later discredited. The side effects included intense nausea. Her family later claimed they did not give their consent to the treatment, as documented in her sister's self-published book, Look Back in Love, and in court records. The sanitarium was a minimum-security facility. After about nine months, Farmer walked away one afternoon and went to her half-sister Rita's house, over 20 miles away. The pair called their mother in Seattle to complain about the insulin treatment. Lillian Farmer traveled to California and began a lengthy legal battle to have guardianship of her daughter transferred from the state of California to her. Although several psychiatrists testified that Farmer needed further treatment, her mother prevailed. The two of them left Los Angeles by train on September 13, 1943. Western State Hospital and later life Farmer moved back in with her parents in West Seattle, but she and her mother fought bitterly. Within six months, Farmer physically attacked her mother. Her mother then had Frances Farmer committed to Western State Hospital at Steilacoom, Washington. There, Farmer sometimes received electro-convulsive shock treatment (ECT). Three months later, during the summer of 1944, she was pronounced "completely cured" and released. While traveling with her father to visit at an aunt's ranch in Reno, Nevada, Farmer ran away. She spent time with a family who had picked her up hitchhiking, but she was eventually arrested for vagrancy in Antioch, California. Her arrest received wide publicity. Offers of help came in from across the country, but Farmer ignored them all. After a long stay with her aunt in Nevada, Farmer went back to her parents. At her mother's request, at age 32, Farmer was recommitted to Western State Hospital in May 1945 and remained there almost five years, with the exception of a brief parole in 1946. Life after hospitalization On March 23, 1950, at her parents' request, Farmer was paroled back into her mother's care. She took a job sorting laundry at the Olympic Hotel in Seattle. This was the same hotel where Farmer had been fêted in 1936 at the world premiere of Come and Get It. Farmer believed her mother could have her institutionalized again. In 1953, at her own request, 10 years after the arrest at the Knickerbocker Hotel, a judge legally restored Farmer's competency and full civil rights. After a brief second marriage to utility worker Alfred H. Lobley, in 1954 Farmer moved to Eureka, California, where she worked anonymously for almost three years in a photo studio as a secretary/bookkeeper. [edit] Comeback attempt In 1957, Farmer met Leland C. Mikesell, an independent broadcast promoter from Indianapolis who helped her move to San Francisco. He got her work as a receptionist in a hotel and arranged for a reporter to recognize her and write an article. This led to renewed interest from the entertainment world. Farmer told Modern Screen magazine, "I blame nobody for my fall... I think I have won the fight to control myself." She made two appearances on The Ed Sullivan Show and also appeared on This Is Your Life. When asked about her alcoholism and mental illness, Farmer said she had never believed she was mentally ill. She commented, "if a person is treated like a patient, they are apt to act like one." In August 1957, Farmer returned to the stage in New Hope, Pennsylvania, for a summer stock production of The Chalk Garden. Through the spring of 1958, Farmer appeared in several live television dramas, some of which are preserved on kinescope. The same year, she made her last film, The Party Crashers, produced by Paramount. During this period, she divorced Lobley and married Mikesell. Her national comeback ended in Indianapolis after six performances of The Chalk Garden when she accepted an offer to host afternoon movies on a local TV station. By March 1959 national wireservice reports were indicating she had separated from Mikesell and he was suing her for breach of contract. Their divorce was finalized in 1963 in Indianapolis. Indianapolis From 1958 to 1964, Farmer hosted a successful TV show called Frances Farmer Presents, which remained number 1 in its time slot for the entire duration of its run. She was also in demand as a public speaker. In 1959 she was baptized in the Roman Catholic faith at St. Joan of Arc Church in Indianapolis (baptism confirmed by records procured by the secretary of the parish). During the early 1960s, Farmer was actress-in-residence at Purdue University and appeared in some campus productions. By 1964, however, her behavior had turned erratic again. Farmer was fired, re-hired, and fired from her television program. Her station manager suggested in a 1983 interview that her turn for the worse was the result of an appearance on NBC's The Today Show, which the station manager had arranged. He had hoped to get her good publicity, but believed that being asked about her years of mental illness on national TV may have been too stressful for her. Farmer's last acting role was in The Visit at Loeb Playhouse on the Purdue University campus in West Lafayette, Indiana, which ran from October 22 to October 30, 1965. During this engagement, she was arrested for drunk driving. Farmer attempted two small businesses with her friend Jean Ratcliffe, but both failed. She was arrested again for drunk driving and her license was suspended for a year. Death In 1970 Farmer died from esophageal cancer. She is interred at Oaklawn Memorial Gardens Cemetery in Fishers, Indiana. Quotes "It was pretty sad, because [after the publication of God Dies] for the first time I found how stupid people could be. It sort of made me feel alone in the world. The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it." "It's a nuthouse [Hollywood]. The other day a man phoned and wanted me to endorse a certain brand of cigarettes. I had nothing against them and in fact will smoke them or anything else that comes along, but I didn't know why he was bothering me. I thought maybe if I was nice they'd give me a carton as a thank offering, so I rather tentatively broached the matter of remuneration. What was the endorsement worth, I asked, and he said three thousand dollars. What are you going to do in an atmosphere like that?" "Never console yourself into believing that the terror has passed, for it looms as large and evil today as it did in the despicable era of Bedlam. But I must relate the horrors as I recall them, in the hope that some force for mankind might be moved to relieve forever the unfortunate creatures who are still imprisoned in the back wards of decaying institutions." -Farmer on her past experience as a mental patient. Lobotomy claims Sensationalized accounts In the years following Farmer's death in 1970, her treatment at Western State was the subject of serious discussion and wild speculation. Kenneth Anger included a chapter relating her breakdown in Hollywood Babylon. Farmer's ghostwritten, posthumously published autobiography Will There Really Be A Morning? described a brutal incarceration. It claimed Farmer had been brutalized and mistreated in numerous ways. Some of the claims included being forced to eat her own feces and act as a sex slave for male doctors and orderlies. In 1978, Seattle film reviewer William Arnold published Shadowland, which for the first time alleged that Farmer had been the subject of a transorbital lobotomy. Scenes of Farmer being subjected to this lobotomy procedure were part of the 1982 film Frances, which had initially been planned as an adaptation of Shadowland, though its producers ultimately reneged on their agreement with Arnold.[2] During a court case against Brooksfilm (the film's producers), Arnold revealed that the lobotomy episode and much of his biography about Farmer was "fictionalized".[2] Years later, on a DVD commentary track of the film Frances, director Graeme Clifford stated, "We didn't want to nickel and dime people to death with facts."[4] Farmer's sister, Edith, denied that the procedure was done. She said the hospital asked her parents' permission to perform the lobotomy, but her father was “horrified” by the notion and threatened legal action "if they tried any of their guinea pig operations on her."[5] Medical archives Western State Hospital recorded all the lobotomies performed during Farmer's period there. Since lobotomies were considered ground-breaking medical procedure, the hospital did not attempt to conceal its work. Although nearly 300 patients received the procedure, no evidence supports a claim that Farmer was among them. Newspaper interviews In 1983 Seattle newspapers interviewed former hospital staff members, including all the lobotomy ward nurses who were on duty during Farmer's years at Western State, and they all stated Farmer was never a patient on that ward. Freeman's private patient records contained no references to Farmer. Dr. Charles Jones, Psychiatric Resident at Western State during Farmer's stays, also stated that Farmer was never given a lobotomy. Filmography Motion pictures Year Film Role Notes 1936 Too Many Parents Sally Colman Border Flight Anne Blane Rhythm on the Range Doris Halliday Come and Get It Lotta Morgan/Lotta Bostrom aka Roaring Timbers (USA: reissue title) 1937 Exclusive Vina Swain The Toast of New York Josie Mansfield Ebb Tide Faith Wishart 1938 Ride a Crooked Mile Trina aka Escape from Yesterday (UK) 1940 South of Pago Pago Ruby Taylor Flowing Gold Linda Chalmers 1941 World Premiere Kitty Carr Badlands of Dakota Calamity Jane Among the Living Elaine Raden 1942 Son of Fury: The Story of Benjamin Blake Isabel Blake 1943 I Escaped from the Gestapo montage sequence aka No Escape (UK) 1958 The Party Crashers Mrs. Bickford Television Year Film Role Notes 1958 Playhouse 90 Val Schmitt episode Reunion Matinee Theatre episode Something Stolen, Something Blue Studio One Sarah Walker episode Tongues of Angels 1958-1964 Frances Farmer Presents Host Herself Depictions Jessica Lange played Farmer in the 1982 film Frances, for which she was nominated for an (Best Actress). Kim Stanley was nominated for Best Supporting Actress for portraying Farmer's mother. The film contained a fictional scene which depicted Farmer undergoing a transorbital lobotomy. In Hollywood style, the film also omitted numerous facts and added a fictional life-long, love-interest character named "Harry." Susan Blakely portrayed Farmer in a 1983 television production Will There Really Be a Morning?, which was named after Farmer's autobiography. Academy Award winner Lee Grant portrayed her mother in the same production. The Nirvana song "Frances Farmer Will Have Her Revenge on Seattle" which was written by fellow Seattle resident, Kurt Cobain, was named after Farmer.

when he was 22 years old (diorama area) he was already a man he needs a wig with dreadlocks

he was soooooooooooooooooooooo cute!!! i miss the freak show/diorama area

John Ernest Joseph Bellocq. one of the favorite photographer of my lover (Joel Peter Witkin) and ones of my favorite too nudity : 006 008 009 010 011 013 014 015

http://blog.sina.com.cn/s/blog_5436a01a0100bygl.html

by Peter Westh http://causemyeyesareopen.blogspot.com/200...duvialisme.html

Franck Juery

i'm more or less disagree with it. well this is just a personal opinion but stalking is more the reflect of a lack of relationship or affection than something else. erotomania is often linked with it and people get erotomaniacs because they need to be loved. they want people attention and focus so much on it that they get "paranoiac". they misunderstand conversations or behavior and think everything is linked to them. they use their victim to quench their needs and their lack of activity. have the feeling they are finally interesting for someone. and that's also why there are so many suicide because of erotomania or just in the end of a relationship. because these people built there whole life on the loved one. the person they love is their only obsession, their only goal because the majority of people are "simple" and haven't the feeling to be useful out of their romantic relationship (or sometimes family). their identity, their future and "immortality" depend of it. if they can't touch and be important for the loved one, they have the feeling they don't exist and get depressive. sometimes suicide is their only way to stay in someone's memory and then get "immortal". if they can't touch the world, they try to touch the loved one. and if they can't touch him despite all their attentions and energy, they traumatize him at the point where they never could be forgotten. the way to say "i know where you live, i know who you are" is another way to traumatize people. stalk someone and expose it is a way to attract his attention, it's a kind of mental rape. stole your intimacy and impose themselves in your life. then their vision can be wrong or even right, this is always a very brutal and painful act. with an alterate and twisted vision of the lover. they have finally the feeling that they are important. they are alive. bluestars i'm also disagree with it. as i often say, nothing is totally black and nothing is totally white. we are all grey but it doesn't mean that we are all exactly the same. everything depend of people perception. you can think or be in love with someone who could interest you and this interest shouldn't be share. we all don't share the same way to communicate, decrypt informations. if you're a good psychologist, or just careful, you can fastly "understand" (right or wrong) someone's personality. you test him and watch the result and because of it, you can quickly get intimate with this person because you can feel close to him. you understand the person he is and love him but it doesn't mean this person share the same way to analyse people or is as speed as you and here is the problem. this difference of intimacy can make the loved one uncomfortable because has the feeling to be too much important and he's perceived like a kind of rescuer which is wasn't the vision of himself he tried to share... or sometimes the person is already in love with someone else and deeply monogamist and even if you could be a potential lover, you won't. it can be frustrating and sometimes you just refuse to accept it and it get a real battle of will than a potential love story. and win doesn't make you attractive and doesn't change violence in love. or you just must be very patient but it's also hard to accept love as it's really is, i mean, just love. kiss, hugs, sex, attentions, awareness are behavior who surround and touch love, but this is not love. it doesn't mean refuse all those things, just never ask (as proof of love). always respected his intimacy which is can be really hard particularly when you perfectly know the loved one (which is logic if you really love him) and know how to manipulate him without be view. and if love finally comes, it rarely keep all those promises, turn into a shitty average relationship and can be view like a favor tasting the nauseous flavor of the rotten pity. video of Bjork's stalker, Ricardo Lopez

amazing ! the fishs and the rats are really strange. i'm not sure i could walk with the thrid (i talk about the ones with the littles balls) and my favorite are the ones with horses and the tree. so funny. perfect for the god owners in a big city... XD

i think i'm pretty honest about my problem and because of it i think i understand my troubles. now the problem is it's very hard to live without bulimia. bulimia is something "natural" and it's like to smoke cigarette but you can stop to buy cigarette. you can't stop to buy food. this is never easy. i think there are so many reasons who lead my bulimia that sometimes it's just hard to explain all the reasons in same time. it's like bulimia was a hole where i put all my troubles finally they don't disappear. they are just "hidden" i have the feeling to be blocked because of my many health trouble and sometimes i would like to be someone else. my family never tried to help me against this sickness. sometimes i was sad about it and in same times my parents are so "actif" in my private life than my pain, these troubles is a part of secret. my only intimity as they eaten. i spent my time to try to put limits but they never understand. i think if i go in a clinic, my private life will disappear and it will be more like a brainwashing than a real solution. i already lived in this kind of clinics and trust me i never saw real result. they can't really control you. they can't stop you to vomit and this is not a prison. if you want to visit the city (and go at the supermarket) you can... so this is perfect if you have a crisis... by the way, life in clinic is so weird because you are totally cut of the world but trust me, there are many suicides in hospital too.

I'm so angry that MTV is making a new Skins. I don't care if it has less sex - I just think its a stupid idea in general. An American version of Skins will be annoying and stupid IMO. nobody know... maybe the result will be good... but i don't hope. MTV is one of the worst channels that i ever see :x

yep, i'm vegan. (the biggest part of time) but macarron are SO good. my favorite are the ones with grenadine. by the way, i'm a bit sad. i missed Yuri. yesterday he was in paris and he wanted to see me. many time he asked to my friend to contact me but unfotunately, i just recevied the mails there are few minutes... now he is left for NY. sad.

by Michael Steven http://losingmyedge.com

with Brett Lloyd http://brett-lloyd.blogspot.com/

http://fuckyeahmodelhomme.tumblr.com/tagge...r+riggs/page/11 i juts stolen the ones that i didn't know but there are many other pictures one this website.

http://haveyougottheeye.blogspot.com/2009/...ruary-2009.html

http://nymag.com/fashion/models/triggs/tylerriggs/#

http://jakandjil.com/blog/