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GORGEOUSSSS!!!

Glamour August 2011 Glamour November 2012 Glamour August 2011 HQ Glamour ? Wish she had more pages

01.25.12 / The Makeup Hanaa in Lancôme Hanaa may be a long way from her native Tunisia, but she still takes orders from her mom. “Ever since I cut my hair, my mother says, ‘You have to wear earrings! Or you will look like a boy! She hates my short hair, but I think it looks modern.” Carine Roitfeld is Team Hanaa—she orchestrated the now 22-year-old’s very first shoot, a striking portrait of the model in heavy kohl liner set against a wall with her name handwritten in Arabic…for Vogue Paris. Naturally, the fashion and beauty cognoscenti sat up and took notice. Hanaa’s just embarked on a multi-year partnership with Lancôme, and her eyes light up when she talks about her favorite products: “I like the Hypnôse mascara. And now I use Visionnaire; when I started with it I had some discoloration from the sun, and it’s really helped with that. My skin, it’s more, how you say, even,” she says, in a thick French accent. “Also the blush, I like the new La Roseraie—the little bit of shimmer is nice in the night, when I go out. And I love the orange lipstick—it’s not orange orange because it’s sheer. It makes me feel good...and it makes my lips look bigger!" Hanaa Ben Abdesslem (IMG) is wearing Color Design Limited Edition Spring 2012 Eye Palette in Rose Romance, Le Crayon Khol eyeliner in Black Ebony, Hypnôse mascara in Deep Black, La Roseraie Illuminating Smooth Powder (on cheeks), and Le French Touch Absolu Nu lipstick in Cotton Candy. Photos and makeup by ITG. Hair by Roz for Bumble and bumble. Source: intothegloss.com

SS2014 NYFW: Honor Source: intothegloss.com

01.17.11 / The Makeup Lindsey in Chanel The inimitable Lindsey Wixson (Marilyn) wearing Chanel's spring collection: limited edition Ombres Perlées de Chanel eye shadow, Le Vernis nail lacquer in Black Pearl, and Rouge Allure lipstick in Flamboyante. Photos and makeup by ITG. Source: intothegloss.com

Wow! Those are gorgeous. Thanks FashionDream!

SS2014 NYFW: Honor Source: thegreyestghost.wordpress.com Source: intothegloss.com Glamour Magazine February 2013- In Print Source: intothegloss.com

Derek Lam Fall 2013 Source: intothegloss.com 10.19.12 / The Extras ‘French Girl,’ Model-Off-Duty Hair Let’s go back, wayyyy back, to October 2010— two whole years ago. One of the first things that caught my attention, just getting off a plane for my first Paris Fashion Week for ITG (or ever), was a pair of fashion students perched outside the Sonia Rykiel show: Sofie and Natalia. I knew they were French…you could just tell. Partly because of the way they carried themselves (too cool for school), partly because you couldn’t put your finger on who made anything they were wearing and they looked great, but mainly, because of their hair. It was long, kind of wavy-meets-languid, and just a little bit…fuzzy. It’s that same quality of hair that most models seem to have miraculously been born with, and that same quality that, a lot of the time, hairstylists spend hours trying to replicate or (or resuscitate) for the runway. It’s carefree, it’s natural…it’s Jane Birkin Hair. And, as I finally discovered thanks to an eye-opening chat with actual French models, it all comes down to—drum roll here—brushing for your hair type. Backstage at the Jean-Paul Gaultier show two weeks ago, everybody’s favorite catwalking Frenchies Constance Jablonski (with nothing more than a Velcro roller in her hair, courtesy of Guido, preparing for her turn down the runway as ‘Jane Birkin’) and Sigrid Agren (in full ‘Madonna’ mode) were killing time with Canadian pal Alana Zimmer and yours truly when the subject of hair came up. “Well, for French girls, you don’t do anything to your hair,” Constance said. “You know what I mean?” No. “I really don’t!” She continued, “I never brush my hair—I don’t have a brush. I would never brush my hair.” Alana nodded in agreement, “I own one, but I don’t use it. I have wavy hair, and when I brush it, it destroys the waves.” “Me too," Constance said. “I have waves. And waves never need to be brushed. But I think it depends on your kind of hair. So for certain hair… I think straight hair needs to be brushed, maybe.” Okay, now we’re getting somewhere. Constance: Yeah, like the girls will ask me, ‘Do you have a brush in your bag?’ And I’m like, ‘No, why would I have a brush?’ [Laughs] I do have a comb to do a part, that’s it. Just a straight, little comb. Alana: I let my part fall wherever it feels like. [Laughs] ‘Cause I have so much hair, if I brush it, it gets so wide at the bottom… and I just look like a big triangle. I just comb it in the shower, with a wide-tooth comb. Constance: With conditioner, always. And then I dry it with a towel, quickly…and that’s it! Sigrid: Me too, I comb it in the shower. Constance: But you don’t brush it, right? I mean, you don’t carry a brush in your bag? Sigrid: I do! At which point Sigrid opens the flap of her Chanel bag and takes out a tiny wooden, boar-bristled brush. Constance & Alana: Noooo! [Laughs] Sigrid: I have to! My hair never goes frizzy; it’s dead straight. It gets really tangly if I don’t brush it. I have straight, straight hair so it doesn’t matter if I brush it or not. If I don’t brush my hair it looks like… flat. Frida Gustavsson [after overhearing the convo, chimes in]: For me, it tangles in two seconds. Alana, do you have a brush in your bag? Alana: Never. I just wash my hair every three days, and use a dry shampoo in between. Constance: Because I do sports, I wash it two times or three times a week—then I wash them after sports. [Ed. note: French girls tend to refer to hair as “them,” not “it,” in a terribly endearing way.] But if I don’t do sports and I don’t do work, it can stay clean for, like, five to six days. I swear! [Laughs] Sigrid: Nooo… I wash it every other day. Constance: But it’s because I have dry hair, so it doesn’t get greasy. But I also have dry skin, which is bad. Everything is dry. I need to moisturize. And the other thing is, I never [blow] dry it. I just wash it and let it dry by itself. Alana: But naturally. If it’s cold out and it’s wet, I’ll just blow it a bit. Constance: I would never blow-dry my hair. Not even in the dead of winter? Constance: Well, in the dead of winter, in that case… I would wash them at night. [Laughs] So there you have it: washing, brushing, and blow-drying rules to live by, straight from the girls with some of the best hair in the biz. My M.O.? Wash, condition (no comb), air-dry, 3 mornings a week, wet hair out the door—weather be damned. —Emily Weiss Sigrid Agren [1], Constance Jablonski, and Alana Zimmer [3] photographed by Emily Weiss backstage at Jean-Paul Gaultier on September 29th, 2012. Source: intothegloss.om

11.01.10 / The Face Anja Rubik "For a night out I'll use a black crayon inside my eyes, and that's MAC. For lip gloss, I really like this company called Inglot. They have stores in London, New York, all over the world actually, and they have really nice products. Creams, I really like Crème de la Mer—not the cream, the lighter lotion. I also love La Prairie. And for hair I mainly use Kérastase." Source: intothegloss.com

11.04.10 / The Makeup Bambi Northwood-Blyth in NARS Bambi Northwood-Blyth (Elite) wearing NARS Okinawawa Trio Eyeshadow and Little Darling lipstick. Photos and makeup by ITG. Source: intothegloss.com

Gorgeous for Elle France too! Reference: http://www.bellazon.com/main/topic/29064-bambi-northwood-blyth/page-14#entry3189844

09.07.12 / News Karlie’s Kookies Karlie's Kookies are not a Kardashian brand extension but rather a collaboration between model Karlie Kloss and a pastry chef by the name of Christina Tosi (of Momofuku Milk Bar, purveyor of cereal-milk ice cream and a nasty-good Crack Pie). Their oatmeal-chocolate-chip lovechild, the first Kookie called the "Perfect 10," debuted last night during Fashion's Night Out... And I'm here to tell you that they're incredible. I just housed the melted sample that Kloss slipped Emily backstage at Jason Wu, and we're talking, like, the best gluten-free, dairy-free, agave-sweetened cookie I've ever had. (I did the gluten-free thing for over a year and have eaten my weight in this kind of stuff.) You wouldn't think a model would have it in her to make a tasty treat, and you, like me, would be wrong. It's a soft, chewy mix of mini chocolate chips and gluten-free oats, with slivers of roasted almonds, making for a nice crunch/chew pattern. But I'm not just bragging about eating an awesome cookie that no one else can get their paws on—it seems like Kloss is trying to spin this into a business. She told us that, along with shooting the new MTV "House of Style" with fellow IMG-er Joan Smalls, she's developing Kookies as a "pet project." (Some of the proceeds are going to FEED.) At the moment, she's on the hunt for willing retailers—the dream is Whole Foods. (Any readers have an in?) "I'm taking down the Keebler elves!" she promised. "I'm taking 'em down!" Elves, she's a lot taller than you, and her cookies are the bomb, so consider yourselves warned. —Nick Axelrod Source: intothegloss.com

09.17.12 / The Top Shelf Lindsey Wixson, Model "I don’t believe in putting petroleum or preservatives on my skin. Over time, you kind of just want to go back to basics. Especially if you’ve been working a long time and you get makeup put on you, you just want to wash all that stuff off, because it’s not really who I am. I’m a really natural person; I love nature. I just bought a house in Kansas at eighteen years old! I’m a veteran now. [Laughs] With makeup, I don’t really care if it's natural. I’m obviously not going to wear it—hopefully—for more than a few hours. Work is different because I can’t control it, but when I’m doing my own thing—skin should be able to breathe. All of Rose-Marie Swift’s stuff is somewhere hidden away in a bag, and when I find her treasures at my house, back home in Kansas, I’ll be freaking out, but then I’ll realize that I can’t bring all of the makeup back because I have to check it in through security, and then it’s a battle: What do I bring? What do I need? Beauty wise, my staples are Dior Diorshow Mascara—iconic!—because, number one, they gave it to me. [Laughs] Two, it’s great—it lengthens, it thickens, it doesn’t irritate my eyes. Also, I have sensitive skin, so I always pack a powder that has moderate coverage, like a pressed powder by Neutrogena. It has SPF, as well. It’s so good because it covers all the little stuff—little imperfections—especially if you don’t like the greasiness of concealers and foundation, which kind of weird me out because I don’t know what’s in them… I just try to stay away from those unless I have to look good. [Laughs] Right now, I am using Erase Paste by Benefit in #2 Medium. It’s like a paste, but it’s concealer. I was just in Sephora and I picked it out myself. The saleswomen don’t usually come up to me, actually; I know exactly what I want. When I’m not working, I like to try different things, but this is basically it, plus the sheer Rose Silk Finishing Powder by Jurlique. It cuts down the shine. I’m anti-shine completely, but I like a good glow! [Laughs] So, I’ll pack argan oil for highlighting, or really any type of oil that’s good for your skin, like almond oil, coconut oil…just not synthetic oils. I also love Shiseido Luminizing Satin Face Color in RD103. It’s sort of like Nars Orgasm blush. I use it sort of as a highlighter, with my fingers. I use my fingers for everything. If I wanted to do a night look, I'd just do that with some eyeliner. Then, I add eye shadow on top. You have to blend it with a Q-tip or your fingers. I’m an artist! [Laughs] I’ve always liked playing with makeup. It’s fun. I love going places and getting dressed up. Sometimes models don’t know how to do makeup, and sometimes they just don’t care. I feel the most beautiful with a taupe smoky eye with mascara, like Versace, old school…To do the smoky eye, I just rub on some brown eyeliner and smudge it around. I also like doing that kind of glowy, 'supermodel eyebrow' thing. Pat [McGrath] calls it a 'supermodel eyebrow' because she’ll make it super…chic. Thick and defined, but not overpowering, just sort of adding to what you’ve already got. You have to really know your face to do your eyebrows yourself. I use this brow kit called Brow Zings by Benefit in the Light color. I recently had my eyebrows bleached. I don’t really have a say in whether my eyebrows are bleached; it’s just how work is. I just go with it. I don’t care at this point. I’m fully past caring. [Laughs] And it’s part of getting into character, you know? So are the lips. My lips are a lot thinner than what makeup artists usually create, because they make them almost graphic. I love having my makeup done by Aaron de May because he knows how to make you feel comfortable. He’s one of my favorite people ever. And Rose-Marie Swift. I think those are my two favorite people. I would actually prefer to do my own makeup. Don’t get me wrong, I’m happy to have someone do my makeup—I think everyone is—but it gets a little intense during fashion week. Just like, they’ll put different products on and use Embryolisse a lot, I get sort of like polyps or little pimples. It’s just really gross. To get rid of little bumps, I use an ionized clay by Living Clay. It comes from California. They have a mask, they have a muscle rub with peppermint and tea tree oil, and lotions and stuff. It’s really good if you have bad arthritis or bad skin issues. I’ve had really easy skin, but I’ve always just washed my face and had a routine. I was afraid that I was going to get really bad skin when I started modeling, so I would always exfoliate. The first scrub I used was St. Ives Apricot Scrub and Aveeno Positively Radiant—the one without the sparkles. And for moisturizing, this stuff is great: Cocoon Apothecary Kahuna Body Lotion. I’m all about natural. My mom would use any lotions and not even care what was in it. I think, for me, the Internet has been a really good resource. I’ve educated myself with what’s really going on with skincare. If I’m having trouble getting my skin under control, I’ll use Simply Divine Botanicals Black Velvet Foaming Facial Cleanser. I found it at Lucky Duck [in Union Square]. I usually order it online; they don’t really have it in stores. I read the ingredients and I liked it. I’m really into researching things: I look for witch-crafted, natural, vitamins…Saffron Rouge is a good resource. It’s sort of like a beauty/healthy cosmetics website…they sell a lot of Dr. Haushcka’s stuff, too. For hair my, I like Kérastase Masquintense, the orange one. It just works. It’s great for fashion week. It keeps my hair from looking like a Raggedy Ann doll—that, and the Bain Satin Nutrition shampoo, and Elnett hairspray for wisps and flyaways." —as told to ITG Lindsey Wixson, wearing Mother jeans and a Chloé blouse, photographed by Emily Weiss in New York on July 27th, 2012. Source: intothegloss.com

11.13.12 / The Extras Bambi in Braids When hair star James Pecis [see today's The Professional] got his exceedingly able mitts on Bambi’s mane, things took an unexpected turn. “I wouldn’t say that this is the hairstyle I thought of instinctually,” James grinned, surveying the twin inverted braids he’d created out of a series of square knots, which peaked, horn-like above Bambi’s temples. “I like them!” Bambi laughed, lightly tugging on the ends while she mugged for the camera. James' first look for the Aussie model was more 'traditional'—a tight, asymmetrical cornrow that ended at the base of her skull in thick, rope-like coils, which James had secured with pins. “You pull hair from one side, instead of both sides—I just played with different partings, different directions that you can pull the hair in,” he explained, adding that, “Sometimes, I think when you do braids or cornrows, it gives off a ‘strong woman’ vibe, so you need to keep it a bit soft to balance out the look; they’re tough, but tough in the right way.” The second style—twin, peaked knotted braids—was more off-the-cuff. “They’re really basic: I just tied square knots into the hair—inspired by sailor knots, like in friendship bracelets. Bambi is such a pretty girl, I feel like if we went in with really heavy products, it’d be too hard of a look.” As for a ‘do we’d spotted on a few runways, which James identified as a “basket weave with the hair down the back,” James wrinkled his nose. “It’s a little bit much,” he said. “That’s a beaver tail. I think the best styles usually end up happening when you’re on your way to something or taking something down. You just have to know when to stop and say, ‘Actually, that looks cool.’ That’s when you find something really great.” Bambi Northwood-Blyth photographed by Emily Weiss in New York in September 2012. Source: intothegloss.com I happen to think just the opposite. I find Cara's eyebrows more beautiful than Bambi's but Bambi is more beautiful than Cara IMO.

10.09.12 / As Told To ITG Quote-Unquote: Karlie Kloss Because good advice never goes bad (and because we're always looking for a good makeup remover). "Julien d’Ys told me about Pond’s—good old Pond’s Cold Cream; he said it’s the best to get makeup off and he’s right. After a show when I have tons of thick mascara and piled-on stuff, I just slap on a big dollop of this—it’s a démaquillant and cream all in one. All the girls in the old days—all the supermodels—this is what they carried around. It’s the old-school cheap trick." — Karlie Kloss' Top Shelf (11/15/10) Kloss photographed by ITG backstage at Rodarte Spring 2013 Source: intothegloss.com

11.08.12 / The Extras Karlie’s New Kut The Victoria’s Secret Fashion Show happened last night (it airs on CBS on December 4th), and the call time for models, hair, and makeup was 9 AM. For a 7 PM show. That’s ten hours of hair, makeup, and spray tanning. But somewhere between makeup (typical glowy gorgeousness courtesy of Tom Pecheux) and hair (“beachy, tousled, undone” waves by Orlando Pita), runway veteran and burgeoning Kookie entrepreneur Karlie Kloss popped out of her makeup chair to tell us about something near and dear to our hearts: a new ‘do. “I think a woman’s confidence is in her hair. It’s true! When you change your hair, everything sort of changes. It affects the way you act, the way you dress…your hair is a very very influential part of your style. And a woman with a great haircut can wear a paper bag and look amazing. Garren cut it on Monday for a Vogue story, at Patrick [Demarchelier’s] studio. He took off about eight inches. My hair has always been very thin, very fine—very boring, actually, and it was so broken and damaged from the last five years of working. It was really just kind of nothing. It could be turned in to a long, glamorous thing with extensions, or you could add a fringe, but on its own, it had no style. And no texture, either. Also, the thing is, for me, as a model, having the plain, stereotypical model hair, you’re a blank canvas, which allows you to transform—to become a character—whereas when you have a hairstyle, you’re individualized. And this cut, just by itself, is such a style. I love it; I feel like I’m changing... I don’t know, I’m finding who I am. I’m twenty years old, I’m entering a new phase of my life; I bought a house! I sign the papers tomorrow. There’s a lot of change happening in my life right now. It’s a new haircut for a new decade.” And how would she describe this cut? We mentioned Michelle Pfieffer in Scarface; she said she’s channeling Jane Birkin. Above all, though, “It’s…it’s…‘the Karlie.’ It’s the Karlie! [Laughs] I want women to someday go in to the hair salon and say, ‘I want the Karlie.’” At this point, Tom Pecheux passed by and purred, “She looks divine! I love it,” giving her a squeeze. “Can I say something?” he continued. “If you were stupid, it would not look good.” Kloss’ eyes widened. “I don’t know if that’s a compliment or not!” she laughed. Chalk it up to the language barrier (Pecheux is as French as they come), but if smart equals confident, then he is 100% right. Karlie Kloss, wearing a Stella McCartney dress, photographed by Emily Weiss in New York on November 7th, 2012.

Anja Rubik, Model "Most of my projects, even in modeling, form organically. I did a line of shoes and bags with Giuseppe Zanotti recently, because I was in the campaigns for six or seven years and we would always talk about shoes, what we liked, what we didn't, so we decided to do a capsule. Or, for example, a friend in Vienna asked me to help him with a magazine, 25, and then we found an investor, kind of by accident. So, now I’m the Creative Director slash everything else—the team is really small. I started to think about magazines as turning more into collector’s items, like books, because you can’t compete with the Internet. I want 25 to exist as a portrait of a specific time, with an erotic twist. It’s about incredible people, and features smart content, great fashion coverage, and has a sense of humor, which is the biggest thing. It doesn’t have ads because we didn’t want any restrictions. While preparing for the first issue, I fell in love with magazines from the late ‘60s/early ‘70s—one in particular, Viva, which was like a Penthouse publication for women. It featured very sensual photographs of women and men. After flipping through it, I realized that, today, our approach to nudity is either really prude or really vulgar. It’s so weird! I was even thrown off of Instagram recently for an “inappropriate posting.” It was a picture that Katja Rahlwes shot of me for Purple magazine. You could see a quarter of nipple and they shut my account down...I had like 30,000 followers. A nipple. Hello? You have one. I have one. I’m totally comfortable shooting topless. That being said, I don’t do that many nudes. I only do it with photographers I really trust. But it seems like, now, it’s fine for men to be sexual, but it’s still not OK for women to be sexual or sensual. And women have so many issues with themselves—their beauty, their bodies. Your life shouldn’t be built around trying to be beautiful for others. Women are turning to all of these plastic surgeries and other things to try to fit into this idolized, weird creature with big lips, big boobs, and a big ass, like a doll. But that’s not what sensuality is about. I appreciate that beauty is an individual thing. For me, the most beautiful thing in a woman is her charisma and her self-confidence. I mean, I also love beautiful skin. I think that’s the second most important thing. My skin is only good because I take care of it. I never go to sleep with makeup on. I use Bioderma Créaline to wash my makeup off, but you have to use something oily to remove your eye makeup, like La Roche-Posay Respectissime Waterproof Eye-Makeup Remover, and then use Créaline. I also like doing Kiehl’s Algae Masque at night. After taking my makeup off, I apply rosewater, then Joëlle Ciocco Pure Concentrated Serum with Botanical Oils or Rodin Olio Lusso, which is amazing to use every second or third day. Isabelle Bellis told me about the Joëlle Ciocco serum. It just makes your face look and feel better, and it’s really great for dry skin. Joëlle Ciocco Lotion Lactée is great, too, to use like a toner. Then I apply a cream, though sometimes I’ll go straight from the rosewater to a cream. I’m always moisturizing and I use a lot of different creams—I travel with at least six, because every cream supplies your skin with something different. I change mine from day to day so my skin won’t get resistant to what I’m giving it. My mother taught me this. I’ve always used a heavy cream during the day, and a light one for going to bed, so my skin doesn’t suffocate. Mene & Moy Stand By Cream C 5 is a dermatologist’s cream that I use every second day. La Prairie’s products are also good; I like the Emulsion Anti-Age SPF 30 Complex Cellular and, before bed, Skin Caviar. And I love the whole Dr. Hauschka line. If my skin gets very dry, I like Propolis Plus Skin Cream, which I found here at the farmer’s market in Union Square, because it has a little texture in it to stimulate circulation. It stinks slightly, so it’s only for nights when I’m staying in. For sun protection, Avène Hydrance Optimale Light Hydrating Cream SPF 20 is the best for my face. I store it in the fridge. Every single day I use something different. I don’t like anything with a lot of perfume, and too much essential oil can be bad for your skin. It dries mine out. I wear eye cream every day, as well, like Environ Ionzyme C-Quence Eye Moisturizing Lotion and La Mer Eye Concentrate, to prevent wrinkles—I don’t want to encourage them. When my eyes are really tired and irritated after fashion shows, Flos Lek Laboratorium Under-Eye Cream [from Poland] is the best to cool the irritation and calm them down. All of my skin can get irritated very easily, so after I get out of the shower, I put baby oil everywhere, then rinse it off with water. For body lotion, I like Embryolisse Lait-Crème Fluide. It's very basic. Makeup-wise, before I put anything on, I smooth my skin with La Prairie Skin Cellular Treatment Gold Illusion Line Filler. It has a bit of gold in it, to get the skin glowing, and it’s so silky. I don’t really use foundation, but if I’m going out to an event, I will make my own tinted moisturizer by putting a few drops of MAC foundation into a cream. For me, it’s not about covering up so much as evening out the tone of my skin. I'll put a little Bobbi Brown concealer on top of the foundation, using my fingers to help it sit better. Nars Douceur is the best blush. For under-eye coverage, I like Yves Saint Laurent Touche Éclat. And if I’m looking really dead, I will apply some highlighter. The best one is RMS Living Luminizer, which I apply to the inner corners of my eyelids, my cheekbones, above my lip, and the tip of my nose. I use a little bronzer—mine is Burberry—across my nose to narrow down my face. I like makeup, but the thing is, sometimes it comes out great, and sometimes it doesn’t. I don’t have a lot of patience. There are girls like Natasha [Poly] who love makeup, and if she’s going to an event and has to do her own makeup, she’ll spend two hours doing it. I can’t. It’s too much for me. She’ll do a perfect eyeliner and it’ll look beautiful. Ask her how long it took, and she’ll say, 'Oh, over an hour!' I can’t. I have fifteen, twenty minutes and that’s the max I can dedicate to my makeup. On a daily basis, the only makeup I wear is concealer and black eyeliner: MAC Eye Kohl in Smolder, smudged a little bit. I use it as shading to extend my eyes because they’re quite round. I also always curl my eyelashes. If I put on mascara, I’ll use Chanel Inimitable Mascara or Armani Eyes to Kill Mascara. With the latter, you always have to rub a little of it off with a piece of toilet paper, or else it’s a little too much. I love, love, love Burberry’s Sheer Eye Shadow in Almond 06, because it doesn’t have any shimmer, which I think can look cheap. The best brushes for applying shadow are from Sephora, like the Professional #13 and #57. And on my brows, Maybelline Define-A-Brow in Dark Blonde is very good. Otherwise, to keep my eyebrows in line, I just spray a brush with hairspray and comb them. I don’t do much to my lips because they’re very tinted as is. I keep them hydrated with Lucas Papaw Ointment or Nuxe Lip Balm. I never go anywhere without Homeoplasmine; it’s also great to put on pimples! I use Chanel Rouge Allure Mythic 69 lipstick all the time because it’s sheer and it makes my lips a little shiny. If I do a red lip, I use a Nars Velvet Matte Pencil instead of a lipstick. My hair tends to get very dry from using so many products on shoots. I keep a gigantic jug of Aestelance Protein Mask around, which even moisturizes the skin. It’s amazing for your hair, especially if it’s colored or over-treated, and it brushes out so smoothly, so your hair won’t get frizzy. After shampooing and conditioning, I put a few drops of Neil George Indian Gooseberry Treatment Oil on my wet hair before I brush it. Christiaan Houtenbos gave it to me. You don’t even feel it. I prefer it to Moroccan Oil, which can sometimes be too heavy...But the best thing is liquid panthenol. It normally comes in foam form for burns, but in liquid form, it stimulates hair growth. It’s actually used in hospitals for chemotherapy patients who lose their hair and have sensitive scalps. My friend recommended that I use it, and my hair grows so much faster now. I put mine in a little spray pump so I can just apply to the roots after I wash my hair and rub it in. I like to leave it in to give my hair a slight lift, which I like, because I have a small head." —as told to ITG Anja Rubik photographed by Emily Weiss in New York on February 12, 2013. Pick up the 2nd issue of 25 magazine here. Source: intothegloss.com

03.07.13 / The Face Cara Delevingne It's been a seriously big year for Cara Delevingne. Scratch that: it still is a seriously big year for Cara Delevingne. She came seemingly out of nowhere a couple seasons ago, and now you can't scroll through a fashion week street-style slideshow in the world without hitting a pic of her comely crossed-eyes (stuck-out tongue, optional). This season, she's walked in what seems like maybe every show and out-walked every other model (if you feel like tallying, go for it), which is not to mention the Burberry, Chanel, H&M, Dominic Jones, DKNY, Zara, Pepe Jeans, My Crazy Scrunchie, and Blumarine campaigns she's got under her belt. Or, you know, her covers of LOVE, Style.com/Print, Vogue UK, i-D, Russh, Jalouse, and Vogue Italia Beauty. What we're trying to say is: girl's been busy. We caught up with the 20-year-old Brit (who BuzzFeed dubbed "the Jennifer Lawrence of models") backstage at Stella McCartney: "I turned twenty in August. I’m old! [Laughs] I started modeling when I was nearly eighteen so I've been doing it for three years. I was modeling for at least a year or two before anything happened, before I started booking shows—I was doing Asos in London and Clark’s, little tiny jobs just to make a little money to go traveling and act and stuff. In general, I want to act and I want to do music; I don’t want to do this forever. Fuck no! [Laughs] I had a really small part in Anna Karenina. A lot of people said they were shocked when they saw me in it, and I love that. I have the most fun at shows when I am able to just be myself, having fun, joking around, just being cheeky and myself. Usually, at shows I’m kind of acting and trying to be a certain type of woman that the designer wants. I’m actually better at being other people than myself, I think. I don’t know. Actually, that’s not true, the thing is when I’m doing this type of thing, I talk to people and the nervous energy just makes it so that I can’t stop speaking. It’s what I do in auditions; I get really scared and I just talk, talk, talk. It’s a nightmare. My friend calls me Chatty Cathy. I literally sleep anywhere. At home in my bed, at the shows getting my makeup done, wherever. I sleep standing up. I’ve just developed narcolepsy now; it’s really weird. I definitely didn’t have it when I was younger—I always had insomnia—but now I can just kind of pass out. If I were sitting in this chair for longer, I would pass out right here. I’m so ready to go on holiday—I really want to go to the Dead Sea. But it’s been an amazing, amazing season and I’m so lucky to do the shows I’m doing. Everything is just really crazy: London was too much. Well, not too much, but so many shows. Four shows a day, and in-between all of that, getting mobbed by people... Fans are amazing, and London is where I’m from—and English kids, you know, just understand each other—so London is where I have the biggest base, I guess. I think it’s the relationships that I’ve made [that have helped my career a lot]. Katie [Grand, editor in chief of LOVE] will hire me because we’re good friends; we work really well together. When I do shoots and when I do shows, you see me being crazy, you see me being fun, and everyone’s like, ‘How the hell can she model?’ but when I do it, I am very professional—I don’t really seem like the most professional person, but when I’m working I take it very seriously. It’s a job and it’s a part, a character. When I’m on set, I’m in that kind of mode. It’s different. I’m tiny for runway! I’m 5’8” or 5’7”. I have no clue how I worked around it, to be honest. Still, it depends—a lot of people still tell me that I’m too short. It’s one of the biggest problems that I have to face, being too small. And whatever, they can decide that, but I don’t think height matters. I think it matters how you look in the clothes and how you pull them off." —as told to ITG Cara Delevingne photographed by Emily Weiss in Paris on March 4th, 2013. Source: intothegloss.com

SS2014 NYFW: Dion Lee Source: thegreyestghost.wordpress.com SS2014 NYFW: Oscar De La Renta Source: thegreyestghost.wordpress.com SS2014 NYFW:Prabal Gurung Source: intothegloss.com

Lindsey looks absolutely gorgeous at the Tory Burch show!! Source: cultofpretty.com SS2014 NYFW: Oscar De La Renta Source: thegreyestghost.wordpress.com SS2014 NYFW: Rebecca Minkoff Source: thegreyestghost.wordpress.com

Backstage with Thakoon #NYFW Hair by Kerastase, makeup by NARS Images c/o Rachel Scroggins (The Greyest Ghost) Source: cultofpretty.com SS2014 NYFW: Rebecca Minkoff Source: thegreyestghost.wordpress.com

Thanks cardigans. Love your avi btw, Elsa is so darn cute!