Jade Bahr

But it was still fun 🤣

So you can say this is wrong and that is wrong but you can't explain why you think it's wrong? Then yes I don't see a point in this discussion too because this is not how a discussion works in the first place lol

^but why is it wrong when he was only attracted to her when she was an adult? Sry for being so persistent I just try to understand your view. Because to make it wrong you have to think Leo was already attracted to her when she was underage no?

^ So you wanna seriously tell me if your family would be friends with Leo you had a crush on since you're 12 years old and when you finally old enough to date him and he wants it too, you would say no?

^boundaries are just there for Leo to keep but not for his fans. Don't be ridiculous, girl

^So you basically saying everyone who is sexually attracted to -for instance- Emma Watson (or for the females Tom Holland) is "not making the best choice" because the whole world knew them since they were kids?

Just some nice stories about him.

Every time I see a new post here I'm a little afraid to read Leo ended things with his almost 25 girlfriend and I'm always so releaved to see it's not - no matter how ridiculous the actual discussion might be Yeah I came that far these days LOL Personally I couldn't care less if they broke up now or next week, month, year whatever but I admit I'm already afraid for the ugly backlash like it's anyones business. I mean I would agree to be concerned if his dating actions would be illegal or actually hurt those women but from what I see and know it doesn't so I don't really get the fuss nor I will. Even if I don't understand how his relationships really works... do I have to as long it works for the actual two people in this relationship? (in this case Leo and Cami) And lets be clear: none of us has to date or follow his life or watch his movies if we don't want it. I mean you can say whatever you want but the people who are always whining how weird and ugly and fat and pedo he is but still watching his movies are part of the "problem" too (if you want to call it like that because I'm convinced Leo is harmless compared to others in Hollywood). Without an audience Leo would be nothing. As long as people don't quit him he will be successful. We are part of his massive success with following him, discussing him, watching his movies since almost 30 fucking years!!! For me people calling out Leo for being the "problem" here when they actually all part of it is the most hilarious thing ever. But yeah pointing out other people's faults is always so easy.

Oscar Futures: Who’s in the Lead As Voting Begins? Best Picture Current Predix Belfast, Being the Ricardos, CODA, Don’t Look Up, Dune, King Richard, Licorice Pizza, The Power of the Dog, Tick, Tick … Boom!, West Side Story Best Director Down Adam McKay, Don’t Look Up If there was a surprise in the DGA noms, it was the lack of McKay, who’d gone two-for-two with the guild since reinventing himself as a prestige filmmaker. Don’t Look Up otherwise performed well, hitting with the PGA, ACE, and WGA, but it’s these kinds of nagging indicators that keep the asteroid satire from looking like a true top-tier Best Picture contender. Current Predix Paul Thomas Anderson, Licorice Pizza; Kenneth Branagh, Belfast; Jane Campion, The Power of the Dog; Steven Spielberg, West Side Story; Denis Villeneuve, Dune Best Actor Current Predix Benedict Cumberbatch, The Power of the Dog; Leonardo DiCaprio, Don’t Look Up; Andrew Garfield, Tick, Tick … Boom!; Will Smith, King Richard; Denzel Washington, The Tragedy of Macbeth Source

^Also this 😭💕

^Just when I stumbled about this 😭

Just something striking my mind: Kristen was his first love (or at least the first woman he was probably more serious about) and she left him I think around 2000 (most sources say 97/98 but that's definitely not true because she was with him in Thailand while The Beach was shot). After they split she said he was immature and had to grow up (something what's coming up til today about Leo and his relationships or why they ended). So all this happened around the Leo mania - a time where he had barely control about most people/womens crazy reaction about him and his whole life changed forever very drastically and not necessarily by his own choice. Maybe I'm all wrong but we all know this time had an massive impact upon him not only as actor and celebrity but person again til today. And it all happened when he was himself around 25 no? Maybe all of this is deep down kinda connected in him. Maybe it's not even about the women, but him. Or maybe I see just ghosts from the past and stop this now lol 👻

^He broke up with Kristen Zang for good when she was around 25 too. Just saying People tend to forget her.

Dancing with Lukas at the game: https://www.instagram.com/tv/CZZUQsQqEj_/ Kevin and Nikki were also there:

Just another Leo referrence in the 2nd season of Euphoria: Titanic (1997) x Euphoria [S2 EP4] Source Love the Ghost one too Source

Which one you referring to? just curious

Riiiight, that was a bonker one too. Personally I also liked the one in Titanic. Probably because it's the only time Jack loosing his shit. Just posting because it's beautiful and it's hardly the only gif I have from this freak out.

Favorite freak out? It's actually hard to rank. 1. RR 2. DLU 3. Django 4. Gatsby Runner up 5. The Basketball Diaries ... I think 🤔

Was her identity ever solved? Anyway her name is Caitlin Keats and she's -shocking- OLDER than Leo!!!!!!!!!!!!!!!! Just pointing out for no special reason lol

New pic from yesterday (basically the same Barbie posted in the clip). Jessica Alba and Leonardo DiCaprio were among the A-listers watching the Los Angeles Rams take on the San Francisco 49ers at Sunday's star-studded NFC championship game. Meanwhile DiCaprio, a Los Angeles native, was spotted chatting with a male friend during the game. The 47-year-old actor sported a relaxed look for the event, rocking a baseball hat and a dark jacket on top of a grey t-shirt. The Titanic star kept safe with a blue face mask to protect him from COVID-19. Source Some nice reactions lol

Source

Just some lovely words from Lea Seydoux. Love the 3rd pic “The death of Gaspard is the loss of a national treasure, he gave off a crazy light. He had a constant gentleness and regard, he was open to the world, he was interested in people. He had this singular charm of combining beauty with talent and he had his own way of being there while always being a little elsewhere. This alliance was irresistible.” - Léa Seydoux in Libération Source

Don’t Look Up narrowly misses becoming Netflix’s all-time-best film debut Don’t Look Up is Netflix’s second most popular film debut to date, coming in around 4 million viewing hours short of Netflix’s crown jewel Red Notice. The new film racked up nearly 360 million hours of viewing during its first 28 days on the service, per Netflix’s Top 10 portal for tracking its most successful titles. Red Notice, meanwhile, tallied 364 million hours during its first four weeks on Netflix, while Bird Box holds third place with 282 million hours viewed. While it narrowly missed its opportunity to overthrow Netflix’s biggest film success to date — it looked like it still had a chance last week — Don’t Look Up is still a monumental win for the streamer. It’s the second major film release in a matter of months to topple previously held records for hours viewed. Prior to Red Notice coming out in November, the top record had been held for years by Bird Box, which debuted back in 2018. Some of that viewing boost can be attributed to Netflix’s massive subscriber base now versus when Bird Box premiered (the number has grown substantially in that time to well over 200 million paid accounts). But the back-to-back hits, taken together with the success of wildly popular titles like Squid Game, The Witcher (season 2), and You (season 3) — all of which hold spots on Netflix’s top 10 leaderboards — indicate Netflix knows exactly what it’s doing. Adam McKay’s Don’t Look Up, which debuted on Netflix on December 24th, satirizes the politicization of the climate crisis and centers on a fictional comet hurtling through space on a direct path to Earth. Two scientists, played by Jennifer Lawrence and Leonardo DiCaprio, alert the US government — a clown town operation being helmed by a ridiculous president and her son, played by Meryl Streep and Jonah Hill — about the urgency of an event that could result in mass extinction but are repeatedly disregarded. Speaking with The Atlantic about tackling the topic, McKay emphasized wanting to use comedy to address such an urgently important issue. “The most exciting idea for me was, it’s funny,” he told the publication. “You realize we’re living in a culture that’s more like a time-share sales pitch than a real system of communication. [As a Hollywood director] I’m right in the middle of it, and part of this movie is generated from me laughing at myself as much as anything.” But the film was a near-guaranteed hit from the jump. It was written by a brilliant comedic director, stars a stacked group of A-list actors, premiered over the holiday break, and manages to punctuate a catastrophic event with absurdist humor and exceptional improvisation. In other words, as Lawrence noted in an interview about reading the script, it was an “absolute slam-dunk” before it even began filming. While Don’t Look Up enjoyed a marginally better critical response (55 percent versus Red Notice’s 37 percent Tomatometer scores), Red Notice performed much better with audiences and had a 92 percent Rotten Tomatoes audience score as of this writing. Even still, releasing two record-breaking original films, Red Notice and Don’t Look Up, in less than two months’ time is a massive success for the streamer. One or two hits could be a fluke, sure. But hit premiere after hit premiere is more indicative of a successful content strategy rather than merely throwing spaghetti against the wall to see if it sticks. Source

Leo and Melanie Lynskey finally swooning over each other and I love it 😍 (that's why I colored their parts blue) The nuts part is killing me How Don’t Look Up Assembled Its Insanely Starry Cast Leonardo DiCaprio and co. speak with Awards Insider about making one of the most A-list movies ever. Before the world knew that two of the biggest movie stars in the world would be toplining Netflix’s Don’t Look Up, one less-well-known actor had already gone through the script and was preparing to bring his character to life. “I saw with everybody else that Jennifer Lawrence came on board,” recalls Rob Morgan, who plays Dr. Teddy Oglethorpe in Adam McKay’s polemical tragi-satire. “Next thing you know, Leo comes on board. And when Leo comes on board, the domino chips start falling down. Everybody came on.” “Everybody” isn’t much of an exaggeration. Don’t Look Up features one of the starriest casts ever assembled for the big screen—a SAG Award–nominated ensemble that has, in total, won eight Oscars out of 43 nominations. Icons ranging from Meryl Streep to Cate Blanchett to Mark Rylance reveal bitingly funny new shades in supporting turns, alongside comic heavyweights like Tyler Perry and Jonah Hill. But for the three lead characters—scientists who band together to convince the White House, then the U.S. as a whole, to stop a comet from ending life on Earth as we know it—the vision was always clear: “It was Leo, Jen, and Rob,” says casting director Francine Maisler. There’s an alchemy to the cast of Don’t Look Up that feels fresher and stranger than it might have been in less-skilled hands. “It brought together such a unique group of people that was a once-in-a-lifetime opportunity,” star Leonardo DiCaprio tells me. Maisler, who also cast this season’s Dune and Being the Ricardos, has worked with McKay since The Big Short and was Emmy-nominated for Succession. They’ve developed “an ease with each other” while collaborating on projects of increasingly large scale—and possibility. They banter; they might disagree. But in it, they find a balance. “He makes me better at what I do,” Maisler says. “And I think I put some ideas in his head to let him go and really explore.” Thanks to The Big Short and Vice, McKay had developed a reputation for directing awards-contending, actor-friendly, widely popular projects of a political bent. Don’t Look Up has not only been the biggest example yet, but one with a real, clear warning about climate change that folks with platforms wanted to help spread. Lawrence signed on first. DiCaprio, a longtime climate-change policy activist, followed. “It took time for Leo to say yes to the movie,” Maisler says. “It was over months and months that he and Adam sat down and talked about the character.” “I really wanted to emulate the frustrations of the scientific community, especially scientists that have felt pushed aside and marginalized and have tried to convey the science and the truth about the time frame that we have to solve this crisis,” DiCaprio says of how he shaped the role of schlubby Dr. Mindy. “[Adam] was incredibly open to all kinds of ideas, which is an amazing way to enter a project.” Maisler and McKay continued the casting process before DiCaprio was locked, fielding interest from a variety of A-listers. “All of these actors, once they read the script, were just like, ‘I want to do the role,’” Maisler says. “I like to kid that Meryl auditioned, but I’m not finding a way in for that joke.” Ultimately, per Maisler, she and McKay embraced the flood for two reasons: “These people wanted to be part of it and have their voices heard for this important topic. And we really wanted to get the biggest audience we possibly could.” (It didn’t hurt that some of the best actors in the world were asking to play a few scenes, either.) But there were discussions about whether the cast might have ballooned to too many people. “It just kept getting bigger and bigger,” Maisler admits. Great stuff came of that trend, certainly. Timothée Chalamet proved hilarious as a burnout love interest to Lawrence, then touching as his character revealed a surprising spiritual depth. Mark Rylance was unrecognizable (and terrifying) as an Elon Musk–esque tech billionaire. (“We wanted somebody who was going to create a character, and he can do anything,” Maisler says.) But yeah, it’s a lot. The sheer volume led to a focus on pivotal roles that could be occupied by a different class of great actors—those able to walk into a coffee shop with a little less fuss. Maisler points, first and foremost, to the casting of Melanie Lynskey as June, Dr. Mindy’s wife. “For me, it was so important that the actress be around Leo’s age, and that you first think she’s a bit submissive and just the wife, but then she is the one to put Leo’s character in his place,” she says. “Melanie’s one of our best. I know that there are so many stars in this, but Melanie’s a star to me because of how her talent is equal to anyone in this. She’s as good as them.” Lynskey, who also drew acclaim recently for her lead role in Yellowjackets, was offered the role and quickly accepted. She has as much screen time as some of her more famous costars, and plays a clear arc as Mindy leaves her behind while pursuing improbable fame, only to return home and face her as the world truly gears up for its ending. “After I said yes, I had a phone call with Adam and it was really lovely—he took 35 minutes to talk to me and give me my character’s whole backstory,” she tells me. “There were certainly bigger parts being played by fancier people. And it just really moved me and made me feel really nice that he took that time with me.” Several ingenious actor pairings elevate Don’t Look Up: DiCaprio and Lawrence; Streep and Hill as a bizarre mother-and-son-slash-president-and-chief-of-staff; Blanchett and Perry as nightmarishly optimistic cable-news hosts; Ariana Grande and Kid Cudi as a vapid-ish pop-star couple. The nuanced, finally wrenching two-hander between DiCaprio and Lynskey grounds the film, though, and steers it toward a powerful climax. “She’s just a fantastic, fantastic actress, and everything that comes out of her mouth is so truthful,” DiCaprio says of Lynskey, before pointing to the scene where she catches him mid-affair with Blanchett’s character: “She just broke my heart.” “I was very surprised at how normal he was—I thought he’s just been so famous for so long, he’s never had a break of not being famous,” Lynskey says with a laugh of DiCaprio. “On my coverage, when they turned around on me, he full-tears cried and gave the exact same performance—which doesn’t always happen. Sometimes people just conserve their energy and don’t give as much. It was really incredible to see how much he was giving for me, like, ‘Hit me with a pill bottle, try to get me in the nuts.’ I was like, ‘I don’t think I’m going to do that.’” DiCaprio gives an against-type performance as a quiet Midwesterner balancing his rage over comet-crisis denial with his affection for the spotlight. One Howard Beale-esque monologue near the end of the film ranks among his finest onscreen explosions. “It so contrasts with everything else he’s done,” Maisler says. That goes for a few cast members. “I used to say, when Trump was the president, ‘Well, man, I can cast anybody for the president now.’” Maisler cracks. And indeed, Streep’s absurdist spin on a Trumpian commander in chief is a far cry from what the three-time Oscar winner is best known for. But she’s funny! And in Oval Office scenes best described as an improv-acting clinic—Streep, DiCaprio, Lawrence, Morgan, Hill, and others endlessly volleying back and forth—Streep commanded the room for her costars. “Just to see how wonderful of a person she is and how giving she is and how open she is, and playful and sharp and on it, was very inspiring,” says Morgan. Morgan asked the Oscar winner for advice on sustaining such an illustrious, lengthy career. “She was like, ‘I swim a mile a day,’” he recalls with a chuckle. Adds DiCaprio: “As we know, she’s Meryl Streep. It’s hard not to expect that kind of greatness. But it was pretty phenomenal to watch.” Morgan, who first came on McKay’s radar after he was cast in McKay’s upcoming HBO Lakers series Winning Time, actually gets emotional thinking back to those scenes—when he held his own against the very stars who were once a big screen away from his world. But so it goes with Don’t Look Up, which leaves room for folks like Morgan, Lynskey, and others to steal scenes right alongside some of the most famous people in the world. “How can you describe the feeling of sitting on your couch, eating a chicken patty and coco bread, dreaming about being able to one day be accepted in the room with the greats—and then getting to that place?” Morgan asks. “How wild and crazy and beautiful and human it was—it was just magical to be a part of.” Source I'm refusing to make a joke about the importance to find Leo a woman actress around his own age. Leo probably the world 100%

Singer Diana Vickers about her "night alone with Leo" LOL X Factor star Diana Vickers' transformation and night alone with Leonardo DiCaprio (...) Diana started rubbing shoulders with Hollywood A-listers - even spending a night alone with Leonardo DiCaprio. In an episode of Celebrity Karaoke Club in October 2020, Diana spilled all on her cosy evening with the Titanic heartthrob. However, her fellow contestants were shocked to discover that absolutely nothing happened between them and they simply "watched the telly". Diana said: "I have a lot of stories but I'm just going to say one. The best one - I've been on a night out with Leonardo DiCaprio. That's my best one. "I was more like hanging out with his friends and then I got a message being like 'oh come back, Leo, he's having a vibe' and I thought it was going to be all Wolf Of Wall Street, like a massive thing. And I got back there and it was [just the two of us]. "It was very chilled and we just ended up watching telly!" (...) Source