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  1. COP11 replied to COP11's post in a topic in Male Actors
    Robert with Rockmond Dunbar
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    Less Than Zero
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    More Chaplin
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    Charlie Chaplin
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  6. COP11 posted a post in a topic in Actresses
    Lindsay Vere Duncan, CBE (born 7 November 1950) is a Scottish stage, television and film actress. On stage she won two Olivier Awards and a Tony Award for her performance in Les Liaisons dangereuses (1985–1986) and Private Lives (2001–2002), and she starred in several plays by Harold Pinter. Her most famous roles on television include: Servilia of the Junii in the HBO/BBC/RAI series Rome (2005–2007), and Adelaide Brooke in the Doctor Who special ‘The Waters of Mars’. On film she voiced the android TC-14 in Star Wars Episode I: The Phantom Menace (1999), and she played Alice's mother in Tim Burton's Alice in Wonderland (2010). She was awarded a CBE in 1999 for services to drama. Personal life Duncan was born in Edinburgh, Scotland in a working class family; her father had served in the army for 21 years before becoming a civil servant. Her parents moved to Leeds, then Birmingham when she was still a child. Duncan attended King Edwards VI High School for Girls of Birmingham through a scholarship. Despite her origins, she speaks with a Received Pronunciation accent. As of 2011, her only role with a Scottish accent is AfterLife (2004). She is married to fellow Scottish actor Hilton McRae, whom she met in 1985 during the Royal Shakespeare Company's production of Troilus and Cressida. They have one son, Cal McRae, born September 1991. Duncan's father died in a car accident when she was 15. Her mother was affected by Alzheimer's disease and died in 1994; she inspired to Sharman Macdonald the play The Winter Guest (1995), which was later adapted to film by Alan Rickman. Duncan was appointed Commander of the Order of the British Empire (CBE) for services to drama in the 2009 Birthday Honours. Career Duncan's first contact with theatre was through school productions. She became friends with future playwright Kevin Elyot, who attended the neighbouring King Edward's School for boys, and followed him to Bristol, where he read Drama at University. She did a number of odd jobs while staging her own production of Joe Orton's Funeral Games. She joined London's Central School of Speech and Drama at age 21. She first appeared in two small roles in Molière's Dom Juan at the Hampstead Theatre in 1976. She then spent several years doing rep in East Anglia before joining the Royal Exchange Theatre in Manchester. In 1978 she returned to London in Plenty by David Hare at the National. An early television appearance was in a commercial for Head & Shoulders shampoo. In 1982 she made her first appearance on stage in the United States as Lady Nijo, a 13th century Japanese concubine, in Top Girls by Caryl Churchill, which was reprised at The Public Theater in New York after its creation at the Royal Court in London. She won her first award, an Obie, for her performance. The next year she took her first major role on film in Richard Eyre's Loose Connections with Stephen Rae. At the same time she worked in television productions, including On Approval (1982), Reilly, Ace of Spies (1983) and Dead Head (1985). In 1985 she joined the Royal Shakespeare Company for the production of Troilus and Cressida, in which she played Helen of Troy. The year after she created the role of the Marquise de Merteuil in Les Liaisons Dangereuses, a play by Christopher Hampton after the French novel by Choderlos de Laclos. The play opened at The Other Place in Stratford-upon-Avon, then transferred at the Ambassadors in the West End, and later on Broadway. For her performance she was nominated for a Tony and won the Olivier Award for Best Actress and a Theatre World Award. She was however replaced by Glenn Close for Dangerous Liaisons, the film adaptation of the play; similarly John Malkovitch was selected for the role of Valmont instead of Duncan's co-star Alan Rickman. In the 1990 Duncan continued to appear in prestigious London stage and screen productions, such as the 1999 TV version of Oliver Twist, in which she portrays Elizabeth Leeford. Duncan also appears in the 1999 film adaptation of Jane Austen's Mansfield Park (in dual roles as the heroine's mother and drug-addicted aunt), in the 1997 TV series A History of Tom Jones: A Foundling as Lady Ballaston, in the 1996 film adaptation of Shakespeare's A Midsummer Night's Dream as Hippolyta and Titania, and in the 1993 TV serial A Year in Provence as the wife of author Peter Mayle. Duncan played Servilia Caepionis in the 2005 HBO-BBC series Rome and she starred as Rose Harbinson in Starter for 10. Aged by make-up, she played Lord Longford's wife, Elizabeth, in the TV film Longford. In February 2009, she played the title role in Margaret. In November 2009, Duncan played Adelaide Brooke, companion to the Doctor, in the second of the 2009 Doctor Who specials. Duncan played Alice's mother in Tim Burton's 2010 film Alice in Wonderland, alongside Mia Wasikowska, Johnny Depp and Helena Bonham Carter. From 13 October to 20 November 2010, Duncan starred in Ibsen's John Gabriel Borkman at the Abbey Theatre, Dublin alongside her Liaisons dangereuses co-stars Alan Rickman and Fiona Shaw. She also starred in the original London run of Polly Stenham's play That Face at the Royal Court co-starring Matt Smith and directed by Jeremy Herrin. She did the narration for the Matt Lucas and David Walliams 2010/2011 fly-on-the-wall mockumentary series Come Fly with Me on the BBC. Duncan will feature in 2012 in four BBC2 productions of historical plays by Shakespeare. She is to play the Duchess of York in the first film, Richard II, with David Suchet as the Duke of York, Patrick Stewart as John of Ghent, et Ben Whishaw as Richard II. She is also to play Queen Annis in the fourth season of BBC1's series Merlin. Theatre 1976 Dom Juan, Molière Charlotte/Violetta Hampstead Theatre, London 1976 The Script Hampstead Theatre, London 1976 Zack, Harold Brighouse Sally Teale Royal Exchange Theatre, Manchester 1976 The Rivals, Sheridan Lucy Royal Exchange Theatre, Manchester 1976 The Prince of Homburg, Heinrich von Kleist Natalie Royal Exchange Theatre, Manchester. British premiere of the play. 1977 The Deep Blue Sea, Terence Rattigan Anne Cambridge Arts Theatre 1977 The The Ordeal of Gilbert Pinfold, Ronald Harwood Margaret Royal Exchange Theatre, Manchester. After a novel by Evelyn Waugh. 1977 What the Butler Saw, Joe Orton Geraldine Barclay Royal Exchange Theatre, Manchester 1977 The Skin of Our Teeth, Thornton Wilder Gladys Royal Exchange Theatre, Manchester 1977 Present Laughter, Noel Coward Daphne Royal Exchange Theatre, Manchester 1977 Twelfth Night, William Shakespeare Viola Royal Exchange Theatre, Manchester 1978 Plenty, David Hare Dorcas National Theatre, London 1978 Comings and Goings, Mike Stott Hilary Hampstead Theatre, London 1979 The Recruiting Officer, George Farquhar Sylvia Bristol Old Vic/Ediburgh Festival 1980 Julius Caesar, William Shakespeare Portia Riverside Studios, London 1980 The Provoked Wife, John Vanbrugh Belinda Hampstead Theatre, London 1981 Incident at Tulse Hill, Robert East Rosemary Hampstead Theatre, London. Directed by Harold Pinter. 1982 Top Girls, Caryl Churchill Lady Nijo/Win Royal Court Theatre, Londres then Jo Papps Public Theater, New York Won an Obie Award. 1984 Progress, Doug Lucie Ronnie Bush Theatre, London 1985-1986 Troilus and Cressida, William Shakespeare Helen Royal Shakespeare Company: Stratford-upon-Avon/Barbican Theatre 1985-1986 Les Liaisons dangereuses, adapted by Christopher Hampton Marquise de Merteuil Royal Shakespeare Company: Ambassadors Theatre, Londres then Music Box Theatre, New York. Won an Olivier Award and a Theatre World Award; nominated to the Tony Awards. 1985-1986 The Merry Wives of Windsor, William Shakespeare Mistress Ford Royal Shakespeare Company: Stratford-upon-Avon/Barbican Theatre 1988 Cat on a Hot Tin Roof, Tennessee Williams Maggie National Theatre, London Won an Evening Standard Theatre Award 1988 Hedda Gabler, Henrik Ibsen Hedda Gabler Hampstead Theatre, London 1990 Bérénice, Jean Racine Bérénice National Theatre, Londres 1993 Three Hotels, Jon Robin Baitz Barbara Boyle Tricycle Theatre, Londres 1994 The Cryptogram, David Mamet Donny Ambassadors Theatre, Londres 1995 A Midsummer Night's Dream, William Shakespeare Titania/Hippolyta Royal Shakespeare Company: Barbican Theatre, Londres then The Lunt Fontanne, New York, afterwards adapted to film 1996 Ashes to Ashes, Harold Pinter Rebecca Gramercy Theater, New York 1997 The Homecoming, Harold Pinter Ruth National Theatre, London 2000 Celebration/The Room, Harold Pinter Prue/Rose (double bill) Almeida Theatre, London, then the Pinter Festival New York 2001 Mouth to Mouth, Kevin Elyot Laura Albery Theatre, London Won a Critics' Circle Theatre Award; nominated to a Evening Standard Award 2001 Private Lives, Noel Coward Amanda Prynne Albery Theatre, London, then Broadway Won the Olivier Award for best actress, the Tony Award for best actress, a Critics' Circle Theatre Award, a Drama Desk Award and a Variety Club Showbusiness Award; nominated to a Evening Standard Award 2007 That Face, Polly Stenham Martha Royal Court Theatre/Duke of York's Theatre Nominated to the Oliver Award for best actress 2010 John Gabriel Borkman, Henrik Ibsen Ella Rentheim Abbey Theatre, Dublin, then Brooklyn Academy of Music, New York Film 1977 The New Avengers Television series Jane Episode: "Angels of Death" 1987 Prick Up Your Ears Film Anthea Lahr 1989 Traffik Television miniseries Helen Rosshalde 1990 The Reflecting Skin Film Dolphin Blue Catalonian International Film Festival Award for Best Actress 1991 G.B.H. Television miniseries Barbara Douglas Nominated – British Academy Television Award for Best Actress 1993 A Year in Provence Television miniseries Annie Mayle 1994 The Rector's Wife Television miniseries Anna Bouverie 1996 City Hall Film Sydney Pappas 1996 A Midsummer Night's Dream Film Hippolyta / Titania 1999 Shooting the Past Television film Marilyn Truman Nominated – British Academy Television Award for Best Actress Nominated – Royal Television Society Award for Best Actor – Female 1999 An Ideal Husband Film Lady Markby 1999 Star Wars Episode I: The Phantom Menace Film TC-14 Voice 1999 Mansfield Park Film Mrs. Price / Lady Bertram 1999 Oliver Twist Television miniseries Elizabeth Leeford 1999 The History of Tom Jones, A Foundling Television miniseries Lady Bellaston 2001 Perfect Strangers Television film Alice Nominated – British Academy Television Award for Best Actress 2003 AfterLife Film May Brogan 2004 IFF Bratislava Award for Best Actress 2003 Under the Tuscan Sun Film Katherine 2005–2007 Rome Television series Servilia of the Junii 2005–2006 Spooks Television series Angela Wells Episodes: "Diana"; "Gas and Oil, Part One" 2005 Agatha Christie's Poirot Television series Lady Tamplin Episode: "The Mystery of the Blue Train" 2006 Starter for 10 Film Rose Harbinson 2006 Longford Television film Lady Elizabeth Longford 2008 Criminal Justice Television miniseries Alison Slaughter Episodes 3–5 2008 Lost in Austen Television miniseries Lady Catherine de Bourgh Episodes 3 and 4 2009 Margaret Television film Margaret Thatcher Nominated – Scottish BAFTA Award for Best Actress 2009 Doctor Who Television series Adelaide Brooke Episode: "The Waters of Mars" 2010 Alice in Wonderland Film Helen Kingsleigh 2010 Mission 2110 Television series Cybele 2010 Come Fly with Me Television series Narrator 2011 Agatha Christie's Marple Television series Marina Gregg Episode: "The Mirror Crack'd from Side to Side" 2011 The Sinking of the Laconia Television film Elisabeth Fullwood BBC Productions 2011 Christopher and His Kind Television film Kathleen Isherwood BBC Productions
  7. COP11 replied to COP11's post in a topic in Male Musicians
  8. COP11 replied to COP11's post in a topic in Male Musicians
  9. COP11 posted a post in a topic in Male Musicians
    Dead Kennedys are an American punk rock band formed in San Francisco, California in 1978. The band were getting into hardcore punk during the early 1980s. They gained a large underground fanbase in the international punk music scene. Their music mixed the more experimental elements of British 1970s punk with the raw energy of the 1980s American hardcore punk scene. Dead Kennedys' songs mixed deliberately extreme lyrics with satire, sarcasm, and irony of social and political issues of the 1980s. In the late 1980s, the band was embroiled in an obscenity trial in the United States over the artwork of their album Frankenchrist (1985), which included the explicit titular subject of H. R. Giger's Penis Landscape. The band was charged with distribution of harmful matter to minors, but the trial ended with a hung jury. Dead Kennedys released five studio albums before disbanding in 1986. In 2001, the band reformed without original singer Jello Biafra, who had been in a legal dispute with the other members over royalties. The band played three performances in October 2010. At one of the concerts, they debuted their first new song since 1986, "You're Such a Fake". Since the dissolution of Dead Kennedys, Biafra has continued to collaborate and record with other artists, including Mojo Nixon, Al Jourgensen of Ministry, and the Melvins, and has become a spoken word performer, covering political topics in particular. History Formation of the band (1978) Dead Kennedys formed in June 1978 in San Francisco, California, when East Bay Ray (Raymond Pepperell) advertised for bandmates in the newspaper The Recycler, after seeing a ska-punk show at Mabuhay Gardens in San Francisco. The original band lineup consisted of Jello Biafra (Eric Reed Boucher) on vocals, East Bay Ray on guitar, Klaus Flouride (Geoffrey Lyall) on bass, and 6025 (Carlos Cadona) on drums and percussion. This lineup recorded their first demos. In early July, the band wanted a more experienced drummer, so they recruited Ted (Bruce Slesinger). 6025 left the band, however he was invited back as secondary guitarist. Their first show was on July 19, 1978, at the Mabuhay Gardens in San Francisco, California. Dead Kennedys played numerous shows at local venues afterwards. Due to the provocative name of the band, they sometimes played under pseudonyms, including "The Sharks", "The Creamsicles" and "The Pink Twinkies". The name generated controversy. Wrote San Francisco Chronicle columnist Herb Caen in November 1978, "Just when you think tastelessness has reached its nadir, along comes a punk rock group called The Dead Kennedys, which will play at Mabuhay Gardens on Nov. 22, the 15th anniversary of John F. Kennedy's assassination. Despite mounting protests, the owner of Mabuhay says 'I can't cancel them NOW — there's a contract.' Not, apparently, the kind of contract some people have in mind." However, despite popular belief, the name was not meant to insult the Kennedy family, but to quote Biafra, "to bring attention to the end of the American Dream". 6025 left the band in March 1979. In June, the band released their first single, "California Über Alles", on the independent label Alternative Tentacles. The band followed with a well received East Coast tour. Disruption of music awards show (1980) For more details on this topic, see Pull My Strings. On March 25, 1980, Dead Kennedys were invited to perform at the Bay Area Music Awards in San Francisco to major record label artists to give the event some "New Wave credibility", in the words of the organizers. The day of the performance was spent practicing the song they were asked to play, the underground hit, "California Über Alles". In typically subversive, perverse style, the band became the talking point of the ceremony when after about 15 seconds into the song, Biafra said, "Hold it! We've gotta prove that we're adults now. We're not a punk rock band, we're a new wave band." The band, who all wore white shirts with a big, black S painted on the front, pulled black ties from around the backs of their necks to form a dollar sign, then started playing a new song entitled "Pull My Strings", a barbed, satirical attack on the ethics of the mainstream music industry, which contained the lyrics, "Is my cock big enough, is my brain small enough, for you to make me a star?". The song also referenced The Knack's song "My Sharona". "Pull My Strings" was never recorded for a studio release, though the performance at the Bay Area Music Awards, which was the first and only time the song was ever performed, was released on the band's compilation album Give Me Convenience or Give Me Death. "Holiday in Cambodia" and Fresh Fruit for Rotting Vegetables (1980–1981) In early 1980, they recorded and released the single "Holiday in Cambodia". Later that year, the band released their debut album, Fresh Fruit for Rotting Vegetables. The album reached number 33 on the UK Albums Chart. In January 1981, Ted announced that he wanted to leave to pursue a career in architecture and would help look for a replacement. He played his last concert in February of 1981. His replacement was D.H. Peligro (Darren Henley). Around the same time, East Bay Ray had tried to pressure the rest of the band to sign to the major record label Polydor Records; Biafra stated that he was prepared to leave the group if the rest of the band wanted to sign to the label, though East Bay Ray asserts that he recommended against signing with Polydor. Polydor decided to not sign the band after they learned that the Dead Kennedys were planning their next single to be "Too Drunk to Fuck". In May, the band released the single "Too Drunk to Fuck". The song caused much controversy in the UK as BBC feared the single would reach the Top 30; this would require a mention of the song on Top of the Pops. However, this never came to be as the single peaked at number 36. In God We Trust, Inc., Plastic Surgery Disasters and Alternative Tentacles Records (1981–1985) After Peligro's joined the band, the extended play In God We Trust, Inc. (1981) saw them moving toward full on hardcore/thrash. In addition to the EP's controversial artwork depicting a gold Christ figure on a cross of dollar bills, the lyrics contained Biafra's most biting social and political commentary yet, and songs such as "Moral Majority", "Nazi Punks Fuck Off!" and "We've Got a Bigger Problem Now" placed the Dead Kennedys as the leaders of a social movement, while "Dog Bite", a cover version of Rawhide and various joke introductions showed a much more whimsical side. In 1982, they released their second studio album, Plastic Surgery Disasters. The album's cover features a withered starving African child's hand being held and dwarfed by a white man's hand. This picture won the World Press Photo award in 1980, and was taken in Karamoja district in Uganda by Mike Wells. The band's music had evolved much in a short time, moving away from hardcore formulas toward a more innovative jazz-informed style, featuring musicianship and dynamics far beyond other bands in the genre. By now the group had become a de-facto political force, pitting itself against rising elements of American social and political life such as the religious right, Ronald Reagan and the idle rich. The band continued touring all over the United States, as well as Europe and Australia, and gained a large underground following. While they continued to play live shows during 1983 and 1984, they took a break from releasing new records to concentrate on the Alternative Tentacles record label, which would become synonymous with DIY alternative culture. The band continued to write and perform new material during this time, which would appear on their next album (some of these early performances can be seen in the Live at DMPO's on Broadway video, originally released by Dirk Dirksen and later reissued on Rhino). Frankenchrist and obscenity trial (1985–1986) The release of the album Frankenchrist in 1985 showed the band had grown in terms of musical proficiency and lyrical maturity. While there were still a number of loud/fast songs, much of the music featured an eclectic mix of instruments including trumpets and synthesizers. Around this time Klaus Flouride released the similarly experimental solo EP Cha Cha Cha With Mr. Flouride. Lyrically, the band continued their trademark social commentary, with songs such as "MTV Get Off The Air" and "Jock-o-rama" poking fun at mainstream America. In some ways the album represented an artistic peak. However, the album also heralded in an era of prolonged legal trouble for the band. The artwork caused a furor with the newly formed Parents Music Resource Center (PMRC). In December 1985 a teenage girl purchased the album at the Wherehouse Records store in Los Angeles County. The girl's mother wrote letters of complaint to the California Attorney General and to Los Angeles prosecutors. In 1986 members of the band, along with other parties involved in the distribution of Frankenchrist, were charged criminally with distribution of harmful matter to minors. The store where the teen actually purchased the album was never named in the lawsuit. The criminal charges focused on an illustration by H.R. Giger, titled "Work 219: Landscape XX" (also known as Penis Landscape). Included as a poster with the album, Penis Landscape depicts nine copulating penises Members of the band and others in the chain of distribution were charged with violating the California Penal Code on a misdemeanor charge carrying a maximum penalty of up to a year in county jail and a base fine of up to $2,000. Biafra says that during this time government agents invaded and searched his home. The prosecution tried to present the poster to the jury in isolation for consideration as obscene material, but Judge Susan Isacoff ruled that the poster must be considered along with the music and lyrics. The charges against three of the original defendants, Ruth Schwartz (owner of Mordam Records), Steve Boudreau (a distributor involved in supplying Frankenchrist to the Los Angeles Wherehouse store), and Salvatore Alberti (owner of the factory where the record was pressed), were dismissed for lack of evidence. In August 1987, the criminal trial was submitted to the jury with the two remaining defendants: Jello Biafra and Michael Bonanno (former Alternative Tentacles label manager). In August 1987, the criminal trial ended with a hung jury. The split on the jury was 7 to 5 in favor of acquittal for all of the defendants. District Attorneys Michael Guarino and Ira Riener made a motion for a retrial which was denied by Judge Isacoff, Superior Court Judge for the County of Los Angeles. The album, however, was banned from many record stores nationwide. Jello Biafra brought up the court case after the break-up of the band on The Oprah Winfrey Show. Biafra was on the show with Tipper Gore as part of a panel discussion on the issues of "controversial music lyrics" and censorship. Bedtime for Democracy and break-up (1986) In addition to the obscenity lawsuit and being ignored by the mainstream media (MTV and most radio stations gave such groups scant notice, not to mention airplay), the band became increasingly disillusioned with the underground scene as well. The hardcore scene, which had been a haven for free-thinking intellectuals and downtrodden nonconformists, was increasingly attracting hooligans who came to punk concerts looking only to slam dance and fight to violent music.[citation needed] In earlier years the band had criticized neo-Nazi skinheads for trying to ruin the punk scene, but just as big a problem was the increasing popularity of thrash metal and stereotypical macho "post-1982 hardcore" which brought the group (and their genre) an audience that had little to do with the ideas/ideals they stood for. In January 1986, frustrated and alienated from their own scene, the DKs decided to break up to pursue other interests and played their last concert on February 21. The band continued to work on songs, with Biafra penning songs such as "Chickenshit Conformist" and "Anarchy for Sale", which articulated their feelings about the "dumbing down" of punk rock. During the summer they recorded these songs for their final album, Bedtime for Democracy, which was released in November. The artwork, depicting a defaced Statue of Liberty overrun with Nazis, media, opportunists, Klan members, corrupt government officials, and religious zombies, echoed the idea that the punk scene was no longer a safe haven for "your tired, your poor, your huddled masses yearning to breathe free". The album contains a number of fast/short songs interspersed with jazz ("D.M.S.O."), spoken word ("A Commercial") and psychedelia ("Cesspools In Eden"). The lyrical focus is more introspective and earnest ("Where Do Ya Draw The Line?""), with an anti-war, anti-violence ("Rambozo The Clown") bent, moving away from the violent imagery of their early records, while remaining as subversive as ever ("I Spy", "D.M.S.O."). In December, the band announced their split. Biafra went on to speak about his political beliefs on numerous television shows and he released a number of spoken-word albums. Ray, Flouride, and Peligro also went on to solo careers. Legal conflicts Lawsuits over royalty payments In the late 1990s, former band members discovered problems with the amount of payments which each band member had received from their record label Alternative Tentacles. Former band members claimed that Jello Biafra had conspired to pay less royalty rates to the band members. Although both sides agreed that the failure to pay these royalties was an accounting mistake, they were upset that Biafra failed to inform the band of the mistake after he and his co-workers discovered it. Biafra claims that their lawyers had told him only to correspond through lawyers and not directly with the band, as the conflict over payment had apparently arisen before the accounting mistake was discovered. Both sides claim they attempted to resolve the matter without legal action, but the ultimately complicated legal dispute (involving royalties, publishing rights, and a number of other issues) soon led to the courts, where Biafra was found liable for the royalties and guilty of fraud and malice, and was ordered to pay damages of nearly $200,000, including $20,000 in punitive damages, to the band members. Malice was defined for the jury as "conduct which is intended to cause injury or despicable conduct which is carried with a willful and conscious disregard for the rights of others". Biafra's appeal was denied; he had to pay the outstanding royalties and punitive damages, and was forced to hand over the rights to the majority of Dead Kennedys' back catalogue to the Decay Music partnership. The jury and judges also noted, in their words, that Biafra “lacked credibility” on the songwriting issue and found from evidence presented by both sides that the songwriting credits were due to the entire band, using a clause in the band's written partnership giving a small share of every Dead Kennedys song royalty directly to the band partnership. Biafra had received sole songwriting credit for most Dead Kennedys songs on all released albums for the last 20 years or so without complaints from the band, though a minority of songs had given credit to certain group members or the entire band as a whole, indicating a system designed to reflect the primary composers rather than a regimented system like the Jagger/Richards partnership; today, most Kennedys reissues list the songwriters as "Biafra, Dead Kennedys", indicating Biafra's lyrical contributions—which the band doesn't dispute, or else simply as "Dead Kennedys"). Ray, Flouride and Peligro found new distribution through another label, Manifesto Records. This dispute was hotly contested by all concerned who felt passionately for their cause, and the case caused minor waves within punk circles. Biafra claims that guitarist East Bay Ray had long expressed displeasure with Alternative Tentacles and with the amount of money he received from them, thus the original incentive for the discovery of the back payments. It was found out that Alternative Tentacles was paying Dead Kennedys less per CD than all the other bands, including Biafra himself, and not informing his other bandmates, which was the fraud. Biafra accused the band of wanting to license the famous Dead Kennedys song "Holiday in Cambodia" for use in a Levi's jeans commercial, which the band denied. Biafra apparently pushed this issue in court, although there was no hard evidence and the jurors were apparently unconcerned with corporate use of independently produced political music. Biafra would later complain that the jury was not sympathetic toward underground music and punk culture. The song never appeared in a Levi's commercial, although in interviews Biafra described the situation surrounding the commercial in detail and was able to give specifics about the advertisement, including the name of the advertising agency that had created the commercial's script Biafra's former bandmates maintain that they sued because of Jello Biafra's deliberate withholding of money, though when pressed they have acknowledged that the payment was an accounting mistake, but insist that Biafra was wrong in failing to inform the band directly. Details about this issue remain scarce. The band also maintains that the Levi's story was completely fictitious and invented by Biafra to discredit them. Ultimately, these issues have led to a souring of relationships with the erstwhile bandmates, who still have not resolved their personal differences as of 2008. Disputes over new commercial activities Matters were stirred up even further when the three bandmates invited Jello Biafra to "bury the hatchet" in the form of a band reunion. Jello Biafra felt it was unprofessional because no one contacted him directly. In addition, Biafra was disdainful of the reunion, and having long expressed his disdain for nostalgia and rock reunion/oldies tours in particular, argued that the whole affair was motivated by greed. Several DVDs, re-issues, and live albums have been released since the departure of Biafra most recently on Manifesto Records. According to Biafra, the live albums are "cash-ins" on Dead Kennedys' name and his music. Biafra also accused the releases of the new live material of having poor sound quality. Furthermore he has stated he is not receiving any royalties from the sale of any Manifesto Records releases. Consequently, he has discouraged fans from buying any Dead Kennedy reissues. The other band members denied Biafra's accusations regarding the live releases, and have defended the mixes as an effort of hard work. Biafra dismissed the new group as "the world's greediest karaoke band." Nevertheless, in 2003, Klaus Flouride, bassist for the band, had this to say of performances without the band's former frontman: "There hasn't been a show yet that people didn't really like." Biafra further criticized them for advertising shows using his own image taken from the original '80s incarnation of the band, which he labeled as false advertising. He recently attacked the reformed Dead Kennedys in a song called "Those Dumb Punk Kids (Will Buy Anything)", which appears on his second collaboration with sludge metal band The Melvins, Sieg Howdy!. Biafra told an audience at a speaking gig in Trenton, New Jersey, that the remaining Dead Kennedys have licensed their single "Too Drunk to Fuck" to be used in a rape scene in a Robert Rodriguez movie. The reference is to a lounge cover of the song, recorded by the band Nouvelle Vague, played during a scene in the Planet Terror segment of Grindhouse, although no rape takes place, and in fact the would-be rapist is killed by the would-be victim. The scene in Planet Terror has would-be rapist, "Rapist #1" (Quentin Tarantino) order one-legged stripper "Cherry Darlin" (Rose McGowan) to get up off the floor and dance. At this point Tarantino hits play on a cassette recorder and Nouvelle Vague's cover of "Too Drunk To Fuck" plays. Jello, clearly disapproving of the situation, later wrote, "This is their lowest point since Levi's… This goes against everything the Dead Kennedys stands for in spades… The terrified woman later 'wins' by killing Tarantino, but that excuse does not rescue this at all. I wrote every note of that song and this is not what it was meant for…. Some people will do anything for money. I can't help but think back to how prudish Klaus Flouride was when he objected to H.R. Giger's painting on the "Frankenchrist" (sic) poster, saying he couldn't bear to show it to his parents. I'd sure love to be a fly on the wall when he tries to explain putting a song in a rape scene for money to his teenage daughter… The deal was pushed through by a new business manager the other three hired." Reforming of new band line-up The reformed Dead Kennedys followed their court victory by announcing a number of tour dates, releasing reissues of all Dead Kennedys albums (except Fresh Fruit for Rotting Vegetables, to which they did not have the rights until 2005), releasing several new archival concert DVDs, and licensing several songs to The Manchurian Candidate remake and the Tony Hawk Pro Skater video game. East Bay Ray claims he received a fax from Alternative Tentacles purporting Biafra approved the licensing for the game, which Biafra denies happening. The band claims on their website that they still pay close attention to an anti-corporate ideology, despite performing on September 5, 2003 at a festival in Turkey that was sponsored by Coca-Cola, noting that they have since pulled out of a show in Los Angeles when they found that it was being sponsored by Coors. However, Biafra claims the above mentioned licensing deals prove otherwise. Some have found difficulty reconciling this claim when Biafra also licensed to major corporations, approving with the other band members use of Dead Kennedys’ songs in major studio film releases such as Neighbors, Freddy Got Fingered, and Fear and Loathing in Las Vegas. In 2001, Ray, Peligro, and Flouride chose former Dr. Know singer Brandon Cruz to replace Biafra on vocals. The band played under name "DK Kennedys" for a few concerts, but later reverted to "Dead Kennedys" permanently. They played across the continental United States, Europe, Asia, South America, and Russia. Brandon Cruz left the band in May 2003 and was replaced by Jeff Penalty. The band has released two live albums of archival performances on Manifesto Records: Mutiny on the Bay, compiled from various live shows including a recording from their last show with Biafra in 1986, and Live at the Deaf Club, a recording of a 1979 performance at the Deaf Club in San Francisco which was greeted with more enthusiasm. On October 9, 2007, a best-of album entitled Milking the Sacred Cow was released. It includes two previously unreleased live versions of "Soup Is Good Food" and "Jock-O-Rama", originally found on Frankenchrist. Jeff Penalty left the band in March, 2008 in what he describes as a "not amicable split." He was replaced by former Wynona Riders singer Ron "Skip" Greer. D.H. also left the band to "take some personal time off". He was replaced for a tour by Translator drummer Dave Scheff. Break from touring On August 21, 2008, the band announced an extended break from touring due to the health-related issues of Flouride and Peligro. They stated their plans to collaborate on new projects. The band performed a gig in Santa Rosa, California in June 2009, with Peligro returning to the drum kit. In August 2010 the Dead Kennedys announced plans for a short East Coast tour. This lineup assembled for this tour contained East Bay Ray, Peligro, Greer, and bassist Greg Reeves replacing Flouride, who was taking "personal time off" from the band. The tour dates will include performances in Philadelphia, New York City, Boston, Washington, D.C., Portland, Maine and Hawaii. Possible new material The Dead Kennedys performed what appears to be their first new song in 24 years, "You're Such a Fake", during their October 16, 2010, concert at the Rock and Roll Hotel in Washington, D.C. In addition, the band played a reworked version of the old song "MTV Get Off the Air", now re-titled "MP3 Get Off the Web", with lyrics that were "changed to be about people downloading MP3s and how much they suck for doing it." "DK" logo The original logo was created by Winston Smith. He later contributed artwork for the covers of In God We Trust, Inc., Plastic Surgery Disasters, Frankenchrist, Bedtime for Democracy, Give Me Convenience or Give Me Death, the back cover of the "Kill the Poor" single and the Alternative Tentacles logo. When asked about the "DK" logo in an interview, Jello Biafra explained, "...I wanted to make sure it was something simple and easy to spray-paint so people would graffiti it all over the place, and then I showed it to Winston Smith. He played around with it, came back with a bunch of designs that had the circle and slightly 3-D looking letters and he had ones with different patterns behind it. I liked the one with bricks, but ultimately I thought simple red behind it was the boldest and the best." Lyrics Dead Kennedys are noted for the harshness of their lyrics, which generally combined biting social satire while expressing a staunchly left-wing view of contemporary America. Unlike other leftist punk bands who use more direct sloganeering, Dead Kennedys' lyrics are often snide. "Holiday in Cambodia" is a multi-layered satire targeting both yuppies and Cambodia's then-current Khmer Rouge regime.
  10. COP11 posted a post in a topic in Male Actors
    Garret Dillahunt (born November 24, 1964) is an American actor. He is married to actress Michelle Hurd. He currently plays the role of Burt Chance on the Fox sitcom Raising Hope. Early life Dillahunt was born in Castro Valley, California and grew up in Selah, Washington. He graduated from the University of Washington with a B.A. in journalism and went on to receive his M.F.A. in acting from New York University's Tisch School of the Arts. Acting career After spending years on and off Broadway, Dillahunt began pursuing television and film roles. He appeared as a regular in several short lived series on ABC and Showtime, and landed guest spots on popular TV shows such as The X Files and NYPD Blue among others, before playing two distinctly different characters on the HBO series Deadwood: Jack McCall in 2004 and Francis Wolcott in 2005. He later played a recurring role on the USA Network series The 4400. Dillahunt portrayed the recurring character of Steve Curtis for three seasons on ER (2005–06). He next played Dr. Michael Smith on HBO's John From Cincinnati. He played John Henry/Cromartie on FOX's Terminator: The Sarah Connor Chronicles; a Russian mobster named Roman Nevikov on NBC's Life; and Mason Turner, a paralyzed serial killer on Criminal Minds. Dillahunt also played the role of Jesus Christ in the short lived series "The Book of Daniel" Films in which he has appeared include The Assassination of Jesse James by the Coward Robert Ford, No Country For Old Men, The Road, Winter's Bone, The Last House On The Left and the indie horror film, Burning Bright It was announced on August 20, 2009 that Dillahunt would square off with Rosie Perez on an episode of Law & Order: SVU in 2009 about pedophiles' rights. Dillahunt played the head of a pedophilia organization. "It's called 'Hardwired'", executive producer Neal Baer said, "because they believe that pedophilia is [a genetic predestination]." He guest starred as Simon Escher in the Burn Notice third season finale airing March 4, 2010 on the USA, later reprising the role in the show's fourth season. Dillahunt starred as the leader of a gang of cannibals in a film based on the award winning novel The Road. Dillahunt currently stars as Burt Chance in the Fox sitcom Raising Hope. Accolades Dillahunt was the subject of a favorable notice in the September 2009 issue of Esquire magazine. Filmography The Believer (2001) – Billings Leap Years (2001) – Gregory Paget A Minute with Stan Hooper (2003) – Lou Peterson Deadwood (2005) – Francis Wolcott, Jack McCall ER (2005/2006) – Steve Curtis The 4400 (2005/2006) – Matthew Ross The Book of Daniel (2006) – Jesus No Country for Old Men (2007) – Deputy Wendell John From Cincinnati (2007) – Dr. Smith Damages (2007) – Marshall Phillips The Assassination of Jesse James by the Coward Robert Ford (2007) – Ed Miller Life (2007–2009) – Roman Nevikov Pretty Bird (2008) – Carson Thrash John's Hand (2008) – John Water Pills (2009) – Hall Terminator: The Sarah Connor Chronicles (2008) – George Lazlo/Cromartie/John Henry The Last House on the Left (2009) – Krug The Road (2009) – The Gang Member Burning Bright (2009) – Johnny Gavineau Lie to Me (2009) - Eric Matheson White Collar (2009) - Gregory Aimes Burn Notice (2010) - Simon Winter's Bone (2010) – Sheriff Baskin One Night Only (2009) - Richard Oliver Sherman (2010) – Sherman Oliver Unbound Captives (2010) – Jack Dearborn The Mourning Portrait (2010) Raising Hope (2010) - Burt Chance
  11. COP11 replied to x2121's post in a topic in General Talk
    TV walk or jog
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    shoes
  13. Quiet time is no rare in this house
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    Paz x2 Sherilyn x3 Raquel x5 Salma x5 Angelina x5
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