Baby

here some of my favorite pictures from the newpaper LA Examiner on the periode of 1950 to 1961. there are something like 22 000 series of pictures and i only checked the 2000 first ones so maybe i could post another gems later.

me. hundreds in my parents' garage and because of the two book stores at 30 secondes and 1 minutes by feet from my parisian home in real live. thousands in my computers because of ebooks but i even never read the 1/20 + Natascha Kampusch - 3096 Days. known for her abduction at the age of 10 on 2 March 1998. Kampusch was held in a secret cellar by her kidnapper Wolfgang Priklopil for more than eight years, until she escaped on 23 August 2006. very good book and deeply intelligent girl. i love her way to think and we share the same opinion about humanity. the house here she had been trapped. i post this video because even after read the book, i'm been speechless when i saw this video and never imagined the way to go in her jail was SO creepy and complex. at 1:52 the stairway lead to a cellar and they aren't in the garage anymore but in this cellar. at 2:16 they show in tunnel entry into a strongbox hidden behind a cupboard. at 2:50 there is massive beton door of 150 kg and hidden in the video, just after this door there are 2 other doors make of wood.

by Jimmy Ming Shum http://www.jimmymingshum.com/

The Road to Mandalay (1926) cast : Lon Chaney - Singapore Joe Lois Moran - Joe's Daughter Owen Moore - The Admiral Henry B. Walthall - Father James Sojin - English Charlie Wing (as Kamiyama Sojin) Rose Langdon - Pansy John George - Servant plot : captain is on board ship bound for Mandalay with his wife, who lies ill in her cabin. A storm is raging and the crew is on the brink of mutiny. The woman dies giving birth to a daughter, and the Captain leaves the child with a priest who raises her. Twenty years pass, and the captain is now known as "Singapore Joe," a vile creature with a blind eye who runs a Singapore brothel along with his Chinese associate, English Charlie Wing. A third partner in their shady dealings is "The Admiral," a young man who was once a reputable Englishman. Whenever he is in Mandalay, Joe always visits his daughter. She does not know who her father is, but is repulsed by the one-eyed Joe who frequents her shop. The Admiral wanders into her shop and, after making a crude remark to the girl, he apologizes and they eventually become romantically involved. Joe tells the priest that he is going to take his girl away to start a new life, but the priest warns him that his many sins make a clean break impossible. Joe learns that the girl is to be married, and on the day of the wedding, sneaks into the church, and is shocked to learn that her husband-to-be is The Admiral. Joe prevents the priest from carrying out the ceremony, then his men shanghai The Admiral. The girl suspects Joe and goes to his brothel is search of her fianc

saw it this night and oh, just brillant Street Angel (1937) chinese movie directed by Yuan Muzhi. ranked 11th in the Best 100 Chinese Motion Pictures plot : The film deals with two sisters, Xiao Hong (Zhou Xuan) and Xiao Yun (Zhao Huishen) who have fled from the war in Northeast China to Shanghai, where they are living under the brutal thumb of their adoptive parents. Xiao Yun has already been forced into prostitution while her sister serves as a teahouse singer. Soon the sisters realize that the adoptive parents have decided to sell Xiao Hong to a wealthy patron, whereupon they seek the aid of their neighbors, a street musician, Xiao Chen (Zhao Dan), and his misfit friends. Street Angel is often praised for its mix of melodrama and comedy. One sequence in particular, where Xiao Chen and his friends attempt to act as barbers reveals a moment of slapstick or physical comedy in the otherwise dreary third act.

i just checked tumblr and i still view people who post messages about cole's twitter and think they talk with them. i don't know who many times i informed people on tumblr about this fake but i repost the information here because a lot of people take their pictures on forums and should be able to finally understand that this shit is a fake : https://twitter.com/#!/mohrcole it should be nice if people stopped to think that this dummy should be him. this idiot even doesn't know that North Texas and Houston are two different things (a school and a city) and can't be the same because Houston is in the south... (s)he talks like an idiot, is narcissist and uses modeling pictures as profil pic and post his stuff and he's exhibitionist. cole had never been this kind of jerk who need to express when they eat, when they shit, when they sleep and what they dreamed. avoided to give him personal information like your email adress, your phone number, the place where you live, try to make a meeting, give him your last name, make a striptease on webcame or even give money! fakes have no scruples. you could lose your time, money and maybe it also could be dangerous. someone who make this kind of stuff can't be mentally healthy. it's a psychopath. by the way this is completely disrespectful and defaming toward him and can damage his modeling career. particularly when we know magazines, photographers have also a twitter and add "cole's" twitter in their messages so everyone is free to check this shit and think this is him. i know my message won't close this fake and wouldn't stop 4400 people to follow him but please be careful. many time i saw pedophilians use this technique to attract kids, pretended they were famous musiciens and after it's always a big mess to find these guys identities... thanks. by Samuel Sakuto http://skinnyrocks.tumblr.com/

Persona (1966) swedish movie directed by Ingmar Bergman Plot : Prelude Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Lermontov's A Hero of Our Time, and caressing the blurry images of both Elisabet's and Alma's faces. Act I A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing Thích Quảng Đức's suicide on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Sister Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her thin son. Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiancé, Karl-Henrik, who scolds her for lacking ambition – "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiancé in a menage a quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and that was that". She is not sure how to process the abortion mentally. Elisabet is heard to say "You ought to go to bed, or you'll fall asleep at the table", but Alma either ignores her or dismisses it as a dream. Elisabet will later deny speaking. Act II Alma drives into town, taking Elisabet's letters for the postbox, but parks by the roadside to read what she wrote. She discovers in Elisabet's letters that Elisabet has been analyzing her and "studying" her. Alma returns distraught, breaks a drinking bottle on the footpath, and leaves the shards there to cut Elisabet. When Elisabet's feet start to bleed, her gaze meets Alma's knowingly, and the film itself breaks apart: the screen flashes white, scratch marks appear up and down the image, the sound rises and screeches, and the film appears to unwind as brief flashes of the prelude reappear for fractions of a second each. When the film resumes, it is following Elisabet through the house with a thick blur on the lens. The image clears up with a sharp snap when she looks out the window before walking outside to meet Alma, who is weepy and bitter. At lunch, she tells Elisabet she has been hurt by Elisabet talking about her behind her back, and begs her to speak. When Elisabet does not react, the nurse flies into a rage and tells Elisabet "You are inaccessible. They said you were healthy, but your sickness is of the worst kind: it makes you seem healthy. You act it so well everyone believes it, everyone except me, because I know how rotten you are inside." Elisabet tries to walk away, but Alma pursues and continues to accost her. Elisabet flees, and Alma chases her begging for forgiveness. Frustrated by Elisabet's unresponsiveness, Alma tries to attack her and chases her through the cottage, but Elisabet hits her during the ensuing scuffle causing Alma's nose to start bleeding. In retaliation, Alma grabs a pot of boiling water off the stove and is about to fling it at Elisabet, but stops after hearing Elisabet wail "No!" Alma explains that Elisabet wouldn't have spoken had she not feared death. Act III That night, Alma watches Elisabet sleep, analyzing her face and the scars she covers with makeup. She hears a man yelling outside, and finds Elisabet's husband, Mr. Vogler, in the garden. Mr. Vogler mistakes Alma for his wife, and despite her repeatedly interjecting with "I'm not your wife", delivers a monologue about his love for her and the son they have together (repeating words he wrote to Elisabet in the opening act – "We must see each other as two anxious children"). Elisabet stands quietly beside the two, holding Alma's hand, and Alma admits her love for Mr. Vogler and accepts her role as the mother of Elisabet's child. The two make love with Elisabet sitting quietly next to the bed with a look of panic on her face, and afterward, Alma cries. The image of Elisabet becomes blurry. The climax of the film comes the next morning: Alma catches Elisabet in the kitchen with a pained expression on her face, holding a picture of a small boy. Alma then narrates Elisabet's life story back to her, while the camera focuses tightly on Elisabet's anguished face: at a party one night, a man tells her "Elisabet, you have it virtually all in your armory as woman and artist. But you lack motherliness." She laughs, because it sounds silly, but the idea sticks in her mind, and she lets her husband impregnate her. As the pregnancy progresses, she grows increasingly worried about her stretching and swelling body, her responsibility to her child, the pain of birth, and the idea of abandoning her career. Everyone Elisabet knows constantly says "Isn't she beautiful? She has never been so beautiful", but Elisabet makes repeated attempts to abort the fetus. After the child is born, she is repulsed by it, and prays for the death of her son. The child grows up tormented and desperate for affection. The camera turns to show Alma's face, and she repeats the same monologue again. At its conclusion, one half of the face of Alma and the other of Elisabet's visage are shown in split screen, such that they appear to have become one face. Alma panics and cries "I'm not like you. I don't feel like you. I'm not Elisabet Vogler: you are Elisabet Vogler. I'm just here to help you!" Alma leaves, and later returns, to find that Elisabet has become completely catatonic. Alma falls into a strange mood and gashes her arm, forcing Elisabet's lips to the wound and subsequently beating her. Alma packs her things and leaves the cottage alone, as the camera turns away from the women to show the crew and director filming the scene. wiki

Surviving Life (2010) czech/slovakian movie directed by Jan Švankmajer plot : the story of a married man who lives a double life in his dreams, where he meets another woman.

by Chistopher Kutner http://www.christophekutner.com/

by Chistopher Kutner http://www.christophekutner.com/

Sweet Movie (1974) french/canadian/yugoslavian movie by Dušan Makavejev plot : One narrative follows Miss Monde 1984/Miss Canada (Carole Laure), who wins a contest of the "most virgin"; her prize is the marriage to a milk industry tycoon (John Vernon). However, following his degrading puritanical introduction to intercourse, she vents her intention to leave to her mother-in-law who, at that point, nearly has her killed. The family bodyguard (bodybuilder Roy Callender) takes her away, further humiliates her, and finally packs her in a trunk bound for Paris. She finds herself on the Eiffel Tower, where she absently meets and has intercourse with a Latin singer, El Macho (Sami Frey). The sexual act is interrupted by touring nuns who frighten the lovers into penis captivus. In her post-coital shocked state, she is adopted into an artist community led by Otto Muehl, where she finds affectionate care. The commune practices some liberating sessions, where a member, with the assistance of the others, goes through a (re)birth experience, cries, urinates and defecates like a baby, while the others are cleaning and pampering him. Later she is seen acting for an obscene advertisement, in which she is naked, covered in liquid chocolate. The second narrative involves a woman, Anna Planeta (Anna Prucnal) piloting a candy-filled boat down a river, with a large papier-mache head of Karl Marx on the prow. She picks up the hitchhiking sailor Potemkin (Pierre Clémenti), though she warns him that if he falls in love, she will kill him. He ignores her many suggestions for him to leave and their relationship evolves. Eventually, in the state of love making, she stabs him to death in their nidus of sugar. She also seduces children into her world of sweets and revolution. She is eventually apprehended and arrested by the police who lay down plastic sacks containing the children's bodies on the riverside, implying they too have been killed by Planeta. The film ends with the children, unseen by the others, being reborn from their plastic cocoons.

Brancaleone at the Crusades (1970) italian movie of Mario Monicelli. plot : The film starts where L'armata Brancaleone has ended. Brancaleone da Norcia (again played by Vittorio Gassman) is a poor but proud Middle Ages knight leading his bizarre and ragtag army of underdogs. However, he loses all his "warriors" in a battle and therefore meets Death's personification (a clear parody of Bergman's Seventh Seal). Having obtained more time to live, he forms a new tattered band. When Brancaleone saves an infant of royal blood, they set on to the Holy Sepulchre to bring him back to his father, Bohemund of Taranto (Adolfo Celi), who is fighting in the Crusades. As in the first film, in his quest he lives a series of grotesque episodes, each a hilarious parody of Middle Ages stereotypes. These include: the saving of a young witch (Stefania Sandrelli) from the stake, the annexion of a leper to the band, and a meeting with Gregory VII, in which Brancaleone has to solve the dispute between the pope and the antipope Clement III. On reaching Palestine, Brancaleone obtains the title of baron from the child's father. He is therefore chosen as a champion in a tournament to solve the dispute between the Christians and the Saracens in the siege of Jerusalem. The award for the winner is the former leper, who is in fact revealed to be a beautiful princess, Berta, who adopted the disguise to travel to the Holy Land in relative safety. After having nearly defeated all the Moor warriors, Brancaleone is however defeated by a spell cast on him by the witch, who, having fallen in love with him, could not stand seeing him married with the princess. He therefore starts to wander in despair through the desert, and again Death comes to claim her credit: Brancaleone, brooding and world weary as he is has no qualms about dying but asks to be allowed to die in "knightly" fashion, in a duel with the Grim Reaper itself. Death agrees and the confrontation begins...after a fierce exchange of blows Brancaleone is about to be cleft by Death's scythe but is ultimately saved by the witch, who gives her life for the man she loved.

For Love and Gold (1966) italian movie of Mario Monicelli. plot : The movie opens with a small Italian village being stormed by a band of Hungarian pillagers. When the murders and rapes are over, a German knight arrives and bravely kills the bandits. However, as he is healing his wounds he is attacked by two of the surviving villagers and one of the thieves. They throw the wounded knight into a river. The attackers try to sell the knight's armor and weapons to a miserly Jewish merchant who finds among his belongings a letter of donation by the Holy Roman Emperor, granting the knight the fief of Aurocastro, an Apulian town. The parchment is torn at the lower end, which refers to a condition the knight must fulfill to enjoy the donation. The Hungarian bandit comes up with the idea to propose a partnership to a cadet nobleman, so the group can take possession of the aforementioned fief and enjoy its riches. The knight they find is the poor and incompetent, yet well-meaning, Brancaleone da Norcia and they tell him that a noble knight handed them the parchment before dying. Brancaleone initially refuses the plan but after a farcical defeat at a jousting tournament that promised the hand of an overlord's daughter and a wealthy fief, he is too eager to take command of this "army" (L'Armata) of underdogs and lead it towards "fortune" and "glory", in what he sees as an epic journey. As they set up towards the fief, Brancalone lives several grotesque adventures, inspired by the confused and cosmopolitan world of Italy during Middle Ages; each one of them more hilarious than the last. These include: a Byzantine knight, Teofilatto dei Leonzi (Gian Maria Volonté), who proposes to fake his capture by the band so they can demand and share a ransom from his father; a city seemingly abandoned, which they begin to pillage, until they find out that it was depopulated by plague; a fanatical mad monk, Zenone (Enrico Maria Salerno), who promises that those who join his army of Crusaders will be "healed" from all ills, having the band follow him to a crusade in the Holy Land. When trying to convince his followers to cross a precarious bridge by leaping upon it (crying out loud that the Lord would protect them), the monk falls down into a deep gorge - this releases the band to follow their previous quest; the saving of a bride named Matelda (Catherine Spaak), who falls in love with Brancaleone, but is rejected by him due to his oath to take her to her groom; to Brancaleone's misfortune, she avenges herself by losing her virginity to the Byzantine knight (by then a member of the gang); later, while the 'army' is relaxing at her nuptial feast her husband finds out about her state and she accuses Brancaleone of deflowering her. giving in to Teofilatto's plan the army arrives at his father's castle to demand a ransom. His father refuses to pay, revealing that Teofilatto is his illegitimate child; meanwhile Brancaleone has to fend off the sadomasochistically-fueled passion of Teofilatto's aunt, just one example of the cross-bred, decadent Byzantine household. When finally the band reaches the fief, they discover that the missing part of the parchment mentioned that condition for the granting of the fief was that its new ruler should have provided adequate defences against the "black scourge coming from the sea", frequent raids by Saracen corsairs. Brancaleone designs a cartoonish Rube Goldberesque trap to defeat the Saracens, but instead the band ends up trapped in it. As the band is about to be executed by impalement, it is saved by the knight of the opening scenes, the rightful owner of the fief, thirsty for vengeance against his attackers. Brancaleone (who did not know about the attack on the knight) and his army are about to be burned alive when the mad monk arrives out of the blue and saves them from the knight, "so they can fulfill their duty to go onto the Holy Land". Being deprived of his dreams of richness, Brancaleone-Gassman and his band agree to go along with the monk and his followers, saving themselves. Albeit sad, when he finds his untrustworthy horse, Brancaleone mounts and regains his confidence, taking the lead from the monk. The story is continued in a follow-on film, Brancaleone alle Crociate (1970).

House (1977) japanese movie by Nobuhiko Obayashi plot : In Japan, a young girl nicknamed Gorgeous (Kimiko Ikegami) has plans for a summer vacation with her father (Saho Sasazawa) who had been in Italy scoring film music. Her father returns home and surprises Gorgeous by announcing she has a new stepmother, Ryoko Ema (Haruko Wanibuchi). This upsets Gorgeous as her mother had passed away years earlier. Gorgeous goes to her bedroom and writes a letter to her aunt asking if she could come visit her this summer instead. Gorgeous' aunt replies and allows her to come visit. Gorgeous invites her six friends, Prof (Ai Matsubara), Melody (Eriko Tanaka), Kung Fu (Miki Jinbo), Mac (Mieko Sato), Sweet (Masayo Miyako) and Fantasy (Kumiko Oba) to come along with her. On arriving at the aunt's house, the girls are greeted by Gorgeous' aunt (Yōko Minamida) to whom they present a watermelon. After a tour of the home, the girls leave the watermelon in a well to keep it refrigerated. Mac later goes to retrieve the watermelon and does not return. When Fantasy goes to retrieve the watermelon from the well, she finds Mac's head, which flies in the air and bites Fantasy's buttocks before she escapes. The other girls also begin to encounter other supernatural traps throughout the house. The aunt disappears after entering the broken refrigerator, and the girls are attacked or possessed by a series of items in the house, such as Gorgeous becoming possessed after using her aunt's mirror and Sweet disappearing after being attacked by mattresses. These attacks cause the girls to try to escape the house. As soon as Gorgeous walks out the door, the rest of the girls find themselves locked in. The girls try to find the aunt to unlock the door but only find Mac's severed hand in a jar. Melody begins to play the piano to keep the girl's spirits up as the girls hear Gorgeous singing upstairs. As Prof and Kung Fu go to investigate, Melody's fingers are bitten off by the piano, and it ultimately eats her whole. Upstairs in the house, Kung Fu and Prof find Gorgeous wearing a bridal gown, who then reveals her aunt's diary to them. Kung Fu follows Gorgeous as she leaves the room, only to find Sweet's body trapped in a grandfather clock. Panic-driven, the remaining girls barricade the upper part of the house while Prof, Fantasy and Kung Fu read the aunt's diary. They are interrupted by the giant-sized head of Gorgeous. Gorgeous reveals that her aunt died many years ago waiting for her husband to return from World War II and that her spirit remains, eating unmarried girls who arrive at her home. The three girls are then attacked by household items. Prof shouts to Kung Fu to attack the aunt's cat, Blanche. As Kung Fu lunges into a flying kick, she is eaten by a possessed light fixture. Kung Fu's legs manage to escape and attack the painting of Blanche on the wall. The attacked Blanche portrait spurts blood, causing the room to flood. Prof tries to read the diary to solve the problem, but is pulled under the blood by a monster jar. Fantasy sees Gorgeous in the bridal gown and paddles towards her. Gorgeous morphs into her aunt and her mother as she cradles Fantasy. In the morning, Ryoko arrives at the house and finds Gorgeous in the bridal gown. Gorgeous tells Ryoko that her friends will wake up soon and that they will be hungry.

by Kim Hanjun http://lofficielhommes.mt.co.kr/

don't forget nu metal. far away the best! but i only appreciate doom and stoner. i HATE all the rest. :yuckky: talk about metal one of OM bandmate is a good friends of my friends from 31knots. it made me thought of you ahahah. both are shared between california and portland where come from OM's "new" drummer. that's a little world!

by Junji Hata http://hypebeast.com/

Hendrik Goltzius (January or February 1558 – January 1, 1617). dutch painter.

fortunately they are friends because i don't know which kind of stuff she would post if their friendship got bad. she has a little pea in the head. the queen of dumbdumb land! and this picture is not art, just vulgare bullshit and as an artist i think she should be perfectly aware this picture's quality... some stuff should stay private. particulary when we respect people... i never imagined that she could be lower in my esteem but now she is. by Mert Alas and Marcus Piggott http://artpartner.com/artists/image/mert-a...marcus-piggott/

.

.

.

.

.

. NUDITY WARNING! http://imageupper.com/i/?A0200010080011U13238676092417430 http://imageupper.com/i/?A0200010080021U13238676092417430 ~Please note that nudity must be text-linked and accompanied by a text warning - check the rules here - Edited by Carmelita.~