Vogue Girl Posted October 10, 2022 Posted October 10, 2022 Quote I've been privileged to shoot for some of the world's leading magazines including Playboy, Penthouse, Vogue, and Bazaar (American, and foreign editions). My advertising, and promotional accounts have included Clinique, Cover Girl, Maybelline, and Valentino. I've worked with some exceptional talents, and mentors. There are several individuals without whom I would not have enjoyed the measure of success that I had. They include: Bob Guccione, and Joe Brooks at Penthouse; Rochelle Udell, and (the late) Alexander Lieberman at Vogue; and Lizzette Kattan at Bazaar Italia. Each told me to shoot for myself...to shoot my way; not to try to fulfill my idea of an art director's needs. I was told to make the best picture that I could, then to leave it to the capable hands of the art director. I shoot all disciplines from 35 mm to 8X10. However it is the 35 mm format which I prefer for its extensive array of ultra-fast optics, and innovative body designs. I've used Nikons (from the days of the SP), Canons, Minoltas and Leicas. In the early 70's I had marveled at the quality of images in the French magazine LUI. The photographer was Francis Giacobetti. What followed was more than a decade of trying to emulate Giacobetti's quality using Kodachrome, and every trick that I could think of but to no avail. One day while shooting an assignment for Bazaar in Morocco (1983), I switched from my system camera to an expensive camera that I carried (a Leica), vowing that I would finally use it...at least for snapshots. Returning to Chicago I found, as I edited the film, that certain images were far more vivid than others including some, otherwise, nearly identical fashion photos. Voila! I phoned Jim Larsen, a photo editor at Playboy. "I've discovered Giacobetti's secret!" I told Jim, "He shoots with Leica!". Jim merely replied, "He (Giacobetti) uses another brand of German camera." Nonetheless, my search was over. I had at long last attained the quality of images that, here to for, belonged only to Giacobetti. Soon, more than a handful of photographers chose to emulate me and all switched to Leicas. Today, with digital photography well established, I have chosen to use the Canon 5D. It is, for me, a better choice than the superlative, EOS-1Ds Mark II. That is because it is lighter in weight and being arthritic (70th birthday: NOV 02.2006), it is not so tiring to carry as would be the Mark II. Though I love the versatility and the intuitive functions of the Canon, I also look forward to trying the Leica M8 ... a rangefinder model. Herewith, I present a retrospective of my photographic work, and include a few recent images. Stan Malinowski modelpix.com Quote
Vogue Girl Posted October 10, 2022 Author Posted October 10, 2022 US Vogue December 1977 "Red-Hot Beach Flash... Great Color! Great Form!" Models: Jerry Hall & Lena Kansbod Photographer: Stan Malinowski Hair: Garren Makeup: Ariella Vogue Archive Quote
Vogue Girl Posted October 10, 2022 Author Posted October 10, 2022 US Vogue December 1977 "People Are Talking About... Joy to the Wiz" Models/Subjects: Cast of The Wiz Photographer: Stan Malinowski Vogue Archive Quote
Vogue Girl Posted October 10, 2022 Author Posted October 10, 2022 US Vogue November 1977 "The New Nightlife, The Stunners" Models: Rosie Vela, Rene Russo, Eric Milon & Patti Hansen Photographer: Stan Malinowski Hair: Harry King Makeup: Sandy Linter Vogue Archive Quote
Vogue Girl Posted October 13, 2022 Author Posted October 13, 2022 US Vogue April 1979 "Alaska: The Need for Nature" Model: Christie Brinkley Photographers: Stan Malinowski & Adelaide de Menil Hair & Makeup: Rick Gillette Vogue Archive Quote
Vogue Girl Posted October 13, 2022 Author Posted October 13, 2022 US Vogue June 1979 "Just Add Water!" Models: Lisa Vale, Yolande Gilot & Gia Carangi Photographers: Irving Penn & Stan Malinowski Hair: Franklyn Welsh Makeup: George Newell & Franklyn Welsh Vogue Archive Quote
Vogue Girl Posted October 13, 2022 Author Posted October 13, 2022 US Vogue June 1979 "This Summer's Capsule Wardrobe" Models: Gia Carangi, Tony Stefano & Lori Hamilton Photographer: Stan Malinowski Hair & Makeup: Franklyn Welsh Vogue Archive Quote
Vogue Girl Posted October 13, 2022 Author Posted October 13, 2022 US Vogue November 1979 Model: Kim Alexis Photographer: Stan Malinowski Hair: Sergio Valente Makeup: Joey Mills Vogue Archive Quote
Vogue Girl Posted July 3, 2023 Author Posted July 3, 2023 US Vogue December 1980 "Ornamental Pleasures" Model: Kelly LeBrock Photographer: Stan Malinowski Hair: John Sahag Makeup: Alberto Fava Manicure: Connie Vogue Archive Quote
Vogue Girl Posted July 3, 2023 Author Posted July 3, 2023 US Vogue December 1980 "Color Makes the Point!" Models: Michelle Stevens, Janice Dickinson & Lisa Taylor Photographer: Stan Malinowski Hair: John Sahag Makeup: Sophie Levy Vogue Archive Quote
Vogue Girl Posted April 11 Author Posted April 11 US Vogue January 1978 "A Different Florida: You Couldn't Do Better" Model: Juli Foster Photographer: Stan Malinowski Hair: Marc Pipino Makeup: Ariella Vogue Archive Quote
Vogue Girl Posted April 11 Author Posted April 11 US Vogue October 1978 "Beauty Collections '78: Color is It!" Models: Gia Carangi, Rosie Vela, Tara Shannon, Beverly Lee, Rosemary McGrotha & Unknown Photographers: Arthur Elgort, Francesco Scavullo, Nobu, Stan Malinowski, Deborah Turbeville & Andrea Blanch Hair: Christiaan Houtenbos, Garren & Harry King Makeup: Way Bandy, George Newell & Nairl Moi Vogue Archive Quote
Vogue Girl Posted April 11 Author Posted April 11 US Vogue October 1978 "The Best Furs Yet This Year" Models: Gia Carangi, Rosemary McGrotha, Mary Maciukas & Linda Tonge Photographer: Stan Malinowski Hair: Marc Pipino Makeup: George Newell Vogue Archive Quote
Vogue Girl Posted April 11 Author Posted April 11 US Vogue June 1980 "More from the Classics" Model: Shelley Smith Photographer: Stan Malinowski Hair: Didier Maligé Makeup: George Newell Vogue Archive Quote
Vogue Girl Posted April 11 Author Posted April 11 US Vogue February 1981 "The New York Collections: Star Attractions" Model/Subject: Lesley-Anne Down Photographer: Stan Malinowski Hair: Serge Martin Makeup: Alberto Fava Vogue Archive Quote
Vogue Girl Posted April 12 Author Posted April 12 US Vogue September 1978 "Texture, Beauty's New Impact on Fashion" Models: Joan Severance? & Unknown Photographer: Stan Malinowski Makeup: Way Bandy & George Newell Manicure: Inez Vogue Archive Quote
Vogue Girl Posted April 20 Author Posted April 20 US Vogue October 1979 "Fur... The Appeal of the Unexpected" Models: Clotilde, Eva Voorhees, Gia Carangi & Kim Charlton Photographer: Stan Malinowski Hair: Kerry Warn Makeup: Sandy Linter Vogue Archive Quote
Vogue Girl Posted April 20 Author Posted April 20 US Vogue December 1979 "Beauty: A Whole New Charm" Models: Gia Carangi, Kim Alexis, Claudia Cron, Eva Voorhees & Maryssa Larose Photographers: Stan Malinowski & John Stember Hair: John Sahag Makeup: Joey Mills & Alberto Fava Vogue Archive Quote
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