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Chris Royer is a 70s model. She worked for Halston and appeared in different VOGUE issues.

 

Born: 1949

           USA

 

Ms. Chris Royer is President of CRC, a consulting firm specializing in strategic licensing and marketing, with 25 years of experience in the fashion and beauty industry. Her clients have included Betsey Johnson, Rene Fris and industry leaders such as Lily of France, M.A.C. Cosmetics, Conair and Remington Hair Dryers. Current clients include Lulu Guinness & Naeem Khan.

From 1986-1997, Ms. Royer held several VP positions within Revlon, including VP for Product Development for the Revlon Licensing Division. Ms. Royer is credited with creating the Revlon Licensing program. In addition, she was Design Director for Revlon's Halston Enterprises, where she managed the master licensees for Halston Enterprises in Japan and Mexico.

She has consulted on numerous projects for The Met/The Costume Institute, FIT Museum, E! Entertainment, A&E Biography, as well as books and documentaries on Halston. When Halston was acquired by Hilco, Ms. Royer, was asked to be the archivist for Halston, a role she happily accepted from 2007-2008. She is a member of FGI and is a graduate of Pratt Institute in NYC.

 

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I started with Halston in 1972. I was a teenager, a student at Pratt, modeling for Mademoiselle and working for the Wilhelmina agency. They sent me to see Halston at his studio. The place was fabulous — all done in creams, with lots of sunlight pouring in, that chic kind of California thing — and I sat down with this man I thought was an assistant, fantastically good looking, and had this great conversation. I asked, “How old is Halston?” And he told me, “Old enough.” I asked, “Does Halston have a sense of humor?” He said yes. I told him I wanted to be a model but also wanted to be a little involved in designing and said, “Do you think you could tell that to Halston, since you and I get along.” At that point, an assistant walked in and said, “Halston, Mrs. Kennedy is here.” He saw my reaction and started laughing hysterically.

 

 

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"fashion with a fabric message"
VOGUE US, Apr 1975
Photographer: Deborah Turbeville
Vogue US archive

 

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"clip and flip"
VOGUE US, Aug 1974
Photographer: Oliviero Toscani
Vogue US archive

 

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"the new ease"
VOGUE US, Aug 1975
Photographer: Arthur Elgort
Vogue US archive

 

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"the hot-weather clothes you can never find in summer"
VOGUE US, Dec 1975
Photographer: Theo
Vogue US archive

 

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"february finds"
VOGUE US, Feb 1976
Photographer: Arthur Elgort
Vogue US archive

 

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"the clothes that come through for you"
VOGUE US, Feb 1977
Photographer: Kourken Pakchanian
Vogue US archive

 

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"if you're a stone's throw form everything..."
VOGUE US, Jun 1975
Photographer: Deborah Turbeville
Vogue US archive

 

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"a change for your hair is an instant reviver"
VOGUE US, Mar 1975
Photographer: Francesco Scavullo
Vogue US archive

 

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"there's more to a bathing suit than meets the eye"
VOGUE US, May 1975
Photographer: Deborah Turbeville
Vogue US archive

 

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"newest of all... the body chemise!"
VOGUE US, Nov 1974
Photographer: Kourken Pakchanian
Vogue US archive

 

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"p.m. dressing"
VOGUE US, Nov 1975
Photographer: Arthur Elgort
Vogue US archive

 

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"beauty now: the biggest makeup change in years"
VOGUE US, Oct 1975
Photographer: Duane Michals
Vogue US archive

 

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"a different kind of evening"
VOGUE US, Oct 1975
Photographer: Deborah Turbeville
Vogue US archive

 

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"beat-the-weather looks"
VOGUE US, Oct 1975
Photographer: Mike Reinhardt
Vogue US archive

 

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"american casual"
VOGUE US, Sept 1974
Photographer: Arthur Elgort
Vogue US archive

 

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"the american look at its super, dashing best"
VOGUE US, Sept 1975
Photographer: Duane Michals
Vogue US archive

 

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"the new york collections: the looks american women love best"
VOGUE US, Sept 1975
Photographer: Arthur Elgort
Vogue US archive

 

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