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Harri was born in London in 1935. At 14, he dropped out of school to design album covers for the jazz label Esquire Records. In the 50s, he began working as an advertising photographer and eventually served as art director for glossy behemoths like Rolling Stone, Vogue, and Vanity Fair UK. But he will forever be remembered as the main brain behind Nova, a British magazine first published in 1965 that set new standards for both graphic and journalistic content by integrating ideas borrowed from the psychedelic subculture and underground press of the day.

In ’68, after completing an assignment in Vietnam, he photographed the now legendary Pirelli pinup calendar that paired love poems with photographic interpretations of the verses—alluring, tastefully shot women lounging around the Tunisian island of Djerba. Pirelli—and everyone in the world who wasn’t blind—liked it so much they invited him back the following year. This time Harri proceeded to up the raunch factor by featuring the aforementioned California girls in various states of undress.

Harri’s recent endeavors have focused on ethnographic reportage, filmmaking, and publishing books of his work. He also continues to shoot fashion and advertisements and is a photography consultant for the weekly French newsmagazine Le Nouvel Observateur. We met up with him in Paris in an attempt to wrest a few nuggets of wisdom out of one of the most talented men to ever hold a camera.

 

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Vogue Paris May 1975

"Le Charme Discret de la Robe D'Été"

Models: Tracy Weed & Barbara Jean Hughes

Photographer: Harri Peccinotti

Hair: John Sahag

Makeup: Rex

 

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