March 16, 201312 yr what fashion show are these from? it was not specified, but i love how she looks with that haircut
March 17, 201312 yr from Vogue Korea, august 1996 (i've seen these before, but i think these are bigger)
March 19, 201312 yr New York Giants chairman Steve Tisch, Peter Morton, and Linda Evangelista attend the 2013 National Resource Defense Council Game Changer Awards at the Mandarin Oriental Hotel on March 14, 2013 in New York City.
March 26, 201312 yr http://www.interview...ancois-nars-1#_April 2013 issue of InterviewLinda Evangelista, who has known Nars since the late '80s—and has frequently served as a canvas for some of his most iconic work—recently met up with him at the Star Lounge at the Ritz-Carlton Hotel off Central Park in Manhattan.LINDA EVANGELISTA: Do you remember when we first met?FRANÇOIS NARS: I do remember. Do you?EVANGELISTA: I don't. I have no memory of anything anymore. People tell me things . . .NARS: You're not the only one.EVANGELISTA: Naomi [Campbell] remembers everything.NARS: Because she has a tape recorder inside of her.EVANGELISTA: Yes, built in. It's unbelievable. But there are so many things where I'm like, "No, I don't remember that"—and they're, like, big things . . . Actually, I remember the awful things about those early show days because I felt so out of place there.NARS: During those early shows?EVANGELISTA: Because initially, the rest of the girls were all "show" girls and I wasn't. I didn't have a place yet. I wasn't a "print" girl or a "show" girl. I felt like I was the new one.NARS: Well, I'll refresh your memory. We met at the Calvin [Klein] show. You were doing Calvin—I think it was maybe one of the first times. I did your makeup, and I remember that I was not focusing enough at a certain point backstage and—EVANGELISTA: Here it comes . . . [laughs]NARS: I think I was re-powdering you, and Calvin was talking to me, and you said to me, "You've got to focus." Then I remember the next day I was working with Steven and I said to him, "I worked with this girl, and she was heaven. I don't know why, but I loved painting her and I loved the attitude. She was very pro—I turn my head, and I was not focusing, and she said, ‘Focus.' There was something about her . . ." And he said, "Yeah, somebody from her agency told me I should see her." So I was one of the ones who actually told Steven, "You have to see this girl. She's definitely working." [laughs] I remember like it was yesterday. I said to Steven, "You know, this girl was tough . . . But I kind of like that."EVANGELISTA: I apologize because I didn't know that you could do powder without looking. [both laugh] But I do remember walking into Steven's studio for that first shooting with Polly Mellen and you and Oribe.NARS: I did everything I could so that you'd fall in love with the makeup and the hair.EVANGELISTA: But there were so many girls booked on that shooting, and we were just sitting and waiting. Then I got my turn, and I got so insecure because you were all talking about my gums and my knees. I thought, "Oh, they don't like me. There's something wrong with my gums. They're saying, ‘When she smiles, we can see her gums.' " And I'm like, I'm gonna get thrown out of here because of my knees.NARS: But all those things were the things that made us fall in love with you.EVANGELISTA: I thought you were critiquing. I thought I was gonna be thrown out for the knees and the gums.NARS: And it was the beginning of a very long collaboration. I remember one time, when I lived on Broome Street, I was talking with Steven on the phone—I was upset about a boyfriend or whatever. I was so depressed. So Steven said to me, "Okay, we're coming over." So you all came over and did like a little runway show, and you were half naked with a fur coat . . .
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.