svelte Posted November 30, 2004 Author Share Posted November 30, 2004 Discography - Records Pre-Millennium Tension 01. Vent 02. Christiansands 03. Tricky Kid 04. Bad Dream 05. Makes Me Wanna Die 06. Ghetto Youth 07. Sex Drive 08. Bad Things 09. Lyrics of Fury 10. My Evil Is Strong 11. Piano Nearly God 01. Tattoo 02. Poems 03. Together Now 04. Keep Your Mouth Shut 05. I Be the Prophet 06. Make a Change 07. Black Coffee 08. Bubbles 09. I Sing for You 10. Yoga 11. Judas 12. Children's Story Maxinquaye 01. Overcome 02. Ponderosa 03. Black Steel 04. Hell Is Around the Corner 05. Pumpkin 06. Aftermath 07. Abbaon Fat Track 08. Brand New You're Retro 09. Suffocated Love 10. You Don't 11. Strugglin' 12. Feed Me Tricky Presents Grassroots 01. Heaven, Youth Hell 02. Tricky Kid 03. Devils Helper 04. Live w/ Yo Self 05. Grass Roots Angels With Dirty Faces 01. Money Greedy 02. Mellow 03. Singin' the Blues 04. Broken Homes 05. 6 Minutes 06. Analyze Me 07. The Moment I Feared 08. Talk to Me (Angels With Dirty Faces) 09. Carriage for Two 10. Demise 11. Tear Out My Eyes 12. Record Companies Juxtapose 01. For Real 02. Bom Bom Diggy 03. Contradictive 04. She Said 05. I Like the Girls 06. Hot Like a Sauna 07. Call Me 08. Wash My Soul 09. Hot Like a Sauna [Metal Mix] 10. Scrappy Love Mission Accomplished 01. Mission Accomplished 02. Crazy Claws 03. Tricky Versus Lynx [Live] 04. Divine Comedy BlowBack 01. Excess 02. Evolution Revolution Love 03. Over Me 04. Girls 05. You Don't Wanna 06. #1 da Woman 07. Your Name 08. Diss Never (Dig Up We History) 09. Bury the Evidence 10. Something in the Way 11. Five Days 12. Give It to 'Em 13. A Song for Yukiko A Ruff Guide 01. Aftermath [Version One] 02. Poems [Edit] 03. For Real 04. Black Steel [Radio Edit] 05. Pumpkin [Edit] 06. Broken Homes 07. Wash My Soul 08. I Be the Prophet [With Drums] 09. Makes Me Wanna Die 10. Tricky Kid 11. Scrappy Love 12. Ponderosa [Original 7"][Edit] 13. Christiansands 14. Hell Is Around the Corner 15. Singing the Blues 16. Bubbles 17. Overcome Vulnerable 01. Stay 02. Antimatter 03. Ice Pick 04. Car Crash 05. Dear God 06. How High 07. What Is Wrong 08. Hollow 09. Moody 10. Wait for God 11. Where I'm From 12. The Love Cats 13. Search, Search, Survive 14. Antimatter [CD Rom Track] [Hip Hop Mix][Multimedia Track] 15. Receive Us [CD Rom Track] [Enhanced Track] Back to Mine 01. Lullaby 02. How We Ride 03. My Melody 04. Mirror in the Bathroom 05. Loop Garoo 06. Receive Us 07. Potion 08. You Tear Me Up 09. Much Finer 10. Night Nurse 11. Symphony for Irony 12. Eat the Music 13. Desire 14. My Funny Valentine 15. Just a Little Bit 16. Days Like This Discography - EPs Aftermath EP 01. Aftermath [Version 1 Edit] 02. Aftermath [Hip Hop Blues] 03. Aftermath [i Could Be Looking for People Remix] 04. Aftermath [Version 1] The Hell EP 01. Hell Is Round the Corner [Original Mix] 02. Hell Is Around the Corner [The Hell & Water Mix] 03. Psychosis 04. Tonite Is a Special Nite [Kaos Mass Confusion Mix] Quote Link to comment Share on other sites More sharing options...
svelte Posted November 30, 2004 Author Share Posted November 30, 2004 Tricky To Release Autobiography[Tue. April 18.2000]Trip-hop pioneer Tricky has finished writing an autobiography that will be released later this year."All I Hear Is Words," Tricky's first book, includes poetry, lyrics and artwork written and drawn during the wordsmith's decade-long musical career.A spokesperson for Epitaph, Tricky's new record label, said the book would be packaged with a CD that may include new music. The release date of the book has not been confirmed.Bristol, England-bred Tricky (born Adrian Thaws), an original member of Massive Attack, launched his solo career with several singles before the release of 1995's Maxinquaye, a classic trip-hop album featuring "Overcome" and "Black Steel."In 1998, Tricky contributed a poem to "The Fire People," a collection of black British poetry.A new Tricky EP is expected in June, followed by a full-length album in the fall, his spokesperson said. Quote Link to comment Share on other sites More sharing options...
svelte Posted November 30, 2004 Author Share Posted November 30, 2004 My Music: Tricky Tricky has covered songs by The Cure and XTC on his new album Genre-defying musician Tricky, who helped define modern urban music, releases his seventh studio album, Vulnerable, on Monday. He told BBC News Online about his album, his favourite artists - and Christina Aguilera. What are you trying to do with this album?I've always wanted to change music - I've always had that urge. I want to make something that hasn't been heard before. Even if this album sells nothing and everybody hates it, if there's one song on here that can touch someone's soul, then I'll be happy. Why have you chosen to cover The Cure's Love Cats and XTC's Dear God?Love Cats is a wicked, wicked love song - modern day Shakespeare. Robert Smith is a genius. I love the Cure and I've loved them for a long, long time. Dear God is a real clever song. It's a kid writing a letter to God going "what's happening? I've been told to believe in you, but how can there be so much pain and suffering out there?" I like to concept of the kid writing the letter. Do you ever read your own reviews?Only the English ones because that's where a couple of people hate me. I've read seven reviews and four were good and three were totally negative. I've got a lot of enemies. But I've got time on my side and I will bump into these people. Which is the best city to make music in - Bristol, London, New York or LA?Anywhere that's got a good set-up and the right people around you. I don't like working in commercial studios. I made this one in LA because of the weather. It's sunny 90% of the time and for a kid from England, that's rather nice. Do you keep in touch with any of the Bristol musicians you started out with?No, I don't keep in touch with anybody. I don't even bump into them on tour if I'm touring Europe and they might be two days behind us or I'm two days behind them. It's not a deliberate thing from me. I don't know if it's deliberate from them. What has been your most creatively rewarding collaboration?Elvis Costello. He wanted me to do a remix of one of his songs and I said 'I don't want any money but you do a remix of one of my songs in exchange.' He took my track Christiansands and produced it, and that was the best collaboration I've ever had. Who would you like to work with in the future?I'd like to approach Elvis Costello or Lee Scratch Perry as producers. What was the first record you ever bought?The Specials - Too Much Too Young. Which song or album changed your life?The Specials' first album completely changed my life. It changed everything. I grew up in a white ghetto, then I moved to a black ghetto and both kids couldn't understand who I was. Then I saw The Specials on TV and I thought "Ah, it all makes sense. Black and white kids together." How big is your record collection?Huge. But it's all over the place so it doesn't really exist. Which current song do you think is likely to become a classic?I don't really like the girl, I hate her. But someone wrote a song for her - Christina Aguilera, Beautiful. There was no way that girl wrote that song. But it is a classic song, whether you like her or not. I don't like her. Plus anything off Coldplay's new album and anything off Blur's new album. Who should be locked up for crimes against music?That guy who started off Pop Idol. Simon Fuller. I think he should get about 20 years. That is the devil, that man. I'd like to smack him around. Quote Link to comment Share on other sites More sharing options...
svelte Posted November 30, 2004 Author Share Posted November 30, 2004 Tricky customerOnce the enfant terrible of trip hop, Tricky has a reputation as a holy terror. Fiona Sturges finds that, while his relocationto Los Angeles may not have mellowed him, he's not all bad.In the echoing back room of his publicist's office in leafy Chiswick, west London, Tricky is setting the world to rights. He's barely through the door before he's giving me his unprompted views on Lenny Kravitz ("There's nothing he's done in his life that could interest me"), Eminem ("He doesn't even exist in my world") and Justin Timberlake ("As much aura as a goldfish"). He has a fuming hatred for the music industry. "It's all about finding the next Beatles or the next Strokes. Who wants to be the next anything? When people hear my music, I want them to think, 'I've never heard anything like that before'."He also thinks current rock stars are a waste of space. "We're basically in the icon age," he complains. "You can pretend to be punk-rock just by getting drunk. These kids are supposed to be bad-boy rock stars because they shout at a stewardess on a plane. They don't even know how to fight."The word on Tricky is not good. He can, it is said, be unpleasant, irrational and confrontational. His relationship with the press is famously antagonistic. Several years ago, following the release of 1995's Maxinquaye, the ground-breaking album that unintentionally gave rise to trip hop, Tricky was interviewed by a monthly style magazine. The journalist in question brought up his working relationship with Martina Topley-Bird, the vocalist on Maxinquaye who was also Tricky's partner."The guy didn't like me," he recalls darkly. "Or perhaps he just wanted to make a sensationalist story but he started off by attacking me. He tried to make me look like I was holding Martina back. He was asking me 'Why doesn't Martina do interviews?' He was trying to make me into this Ike Turner figure. I wasn't going to mess around with his stupid games. He ended up getting knocked out by one of my friends."Was that really a justified reaction? "Look, I'm a very easy-going guy," he claims unconvincingly. "The people I don't get on with are unintelligent people. If someone says something bad in print and I'm gonna find them, I'm gonna be around their offices and I want them to say to my face what they've written on paper." This isn't delivered so much as a threat as a statement of fact. I try not to look alarmed.Tricky's invective isn't levelled exclusively at journalists. "Anyone here into trip hop?" he asked the crowd at the Shepherd's Bush Empire in 1995. When the crowd responded positively, their host replied: "Well fuck off home then." That same year, I attended a show in Oxford that was played in pitch blackness despite pleas from the audience to turn the lights up. When a friend asked Tricky afterwards why he didn't heed the crowd's requests, he replied: "What do you know? If you were reincarnated 20 times, you'd still be a plank of wood compared with me."When I mention this to Tricky he almost chokes with laughter. "That sounds like me, doesn't it? Ha ha ha. I can imagine me saying that, yeah." So why does he play gigs in the dark? "I can't perform for a crowd," he says. "I can only get into it myself. I went to Lollapalooza recently and saw this band called Korn. Every night the guitarist would pretend to fall over during a certain song. Then he would get up limping and it would be like 'Can he carry on?'. I don't want to be that obvious. There's an A-to-Z of what you can do to get the crowd going, whether it's playing with the lights or playing guitar with your teeth. I'm not going to do theobvious thing to get you going."In these cynical, PR-mediated times, Tricky's predilection for putting people so forcefully in their place might seem like a strategy to create a reputation for himself, to be seen as dangerous and therefore interesting. I doubt this is the case though. Right from the start of our interview he seems defensive, already on the counter-attack before I've got a word in. In one instance he tells me that because people think he's going to be difficult they'reimmediately aggressive towards him.I would suggest – though not to his face, of course – that it's the other way around. Once you get beyond the macho blustering, he can be good company. He can be charming and funny, but only once he's decided that you're not out to get him. Astonishingly, Tricky claims to have calmed down of late due to the discovery two years ago that he was suffering from candida, a yeast allergy. Before then, both his manager and girlfriend had tried to persuade him to see a psychiatrist on account of his temper."It got to a point where I couldn't control my body," he explains. "I'd be smashing up a room and my mind would be saying 'What are you doing?' but my body couldn't control itself. Eventually a friend recommended that I see a dietician. Now I know what the problem is. Now, if I break my diet and I get angry, I'll know that I shouldn't have been eating certain foods. It's not like I'm more chilled out. I'll still look at someone and think 'You're an idiot,' but I'll not be so angry about it."Tricky – aka 35-year-old Adrian Thaws – first entered public consciousness in 1991 as Tricky Kid on Massive Attack's much-praised Blue Lines. After appearing on their subsequent LP Protection, he finally went solo and released 1995's Maxinquaye, named after his mother Maxine Quaye who killed herself when he was a child. Almost overnight Tricky was hailed as a musical genius and the album ranked by critics as among the best of all time.Nauseated by Maxinquaye's sudden appeal, Tricky has since seemed engaged in a campaign to kill off his career. Pre-Millennium Tension (1996) and Angels With Dirty Faces (1998) were sparse and soulless while Juxtapose and Blowback, though marginally more upbeat, fell far short of the ghostly atmospherics of his debut.Tricky's forthcoming album Vulnerable, though flawed, is his most accessible piece of work in years. Even if song titles like "Car Crash", "Ice Pick" and "Moody" point to an underlying gloominess – well what else could we expect? – musically it's a more melodic affair. "My music has to change, it has to evolve," insists Tricky. "A lot of my fans aren't going to like this album straight away. But they've got to understand that I need to move on."Perhaps Tricky's biggest coup here is the introduction of Constanza Francavilla, an Italian singer whose smoky vocals are the perfect foil to his guttural rumbling. "She gave my drummer a CD at a gig to pass on to me," he recalls. "I called her almost as soon as I heard it. There was something about her broken English that I liked and her vocals sounded pure. You could tell she wasn't a songwriter, there was nothing technical there. The sound was too pure."Nowadays Tricky has a studio in his house in Los Angeles and he can make music whenever and however he pleases. His idea of success, he insists, has less to do with record sales than how individuals react to his music. "This woman came up to me at a gig about seven years ago and she said 'You're in my house and in my children'. It turned out she'd been playing my music to her kids – one was four, the other six. That was really touching. I've never forgotten that."In between albums he works on re-mixes, film soundtracks ("The last one was for Bad Company. Shit movie") and other projects. He also runs a record label, Durban Poison, where the acts include his protégés the Baby Namboos. Alas, the very mention of their name sends Tricky into another rant about a journalist, a "yuppie" who dared suggest that the band weren't "real"."Now, one boy had been in prison for eight years, another went to prison when he was 17 for manslaughter. And [the writer] said this band is not real. These are some scary people you're dealing with."And with that, our interview seems to be over. Tricky gets up out of his chair, shakes me by the hand and smiles broadly. "See?" he says with a wink. "I'm not so bad, am I?" Quote Link to comment Share on other sites More sharing options...
svelte Posted November 30, 2004 Author Share Posted November 30, 2004 Game over, start againLondon is a meeting place, a bizarre and disparate collage of high art, pop culture, fashion and fads. Within this network of styles sit pop icons with credibility, the Damon Albarns and Damien Hirsts of this world, who somehow manage to blend a rock-star lifestyle with artistic aims. And among this set one places Tricky, the solo artist, former member of Massive Attack, ex-beau of Bjork. But what's surprising is that Tricky is neither from London, nor has he lived there for 10 years. For the past decade, Tricky has found stead on the opposite side of the Atlantic, in New York."London's boring," he proclaims on the phone - from London, ironically. "London's just full of people who think they know what's going on. It's a crap music culture. It's become so terrible that all you gotta do is sound weird and no one will slag you off."Indeed, Tricky should know. He was at the centre of the British music press's circle of praise in 1995 with his debut album, Maxinquaye; he's lapped up their compliments and ridden their waves of fame.But he's also turned his back on it.Despite his humble beginnings with influential sound system the Wild Bunch and UK hip-hop outfit Fresh 4, Tricky - christened Adrian Thaws - has had a rough-and-tumble relationship with music that has seen staggering highs. But for the past few years, Thaws has avoided the press, released a string of mediocre albums and gradually disappeared from the gossip columns. All these things are for Tricky part of the same problem: the game called the music industry."I didn't want to play the game any more," he says. "I've never played the game too hard, but I thought it was getting too much."His unwillingness to play the game isn't just a matter of apathy or laziness; it's also a critical perspective that takes on the role of the celebrity in general."It seems to me that we've started to move into an icon age," he says. "You don't have to have a craft, you don't have to have a talent or do anything except be famous. It's the Justin Timberlake age. People say Justin Timberlake is the white Michael Jackson. Don't be silly. There's no way he's in the same league as Michael Jackson. Then I see him on the cover of a magazine saying, 'I've got a dark side'. The guy doesn't know he's gay yet. Come on!"Thaws's diatribes aren't angry, they're just honest. In a world of inoffensive pop personalities, it's an honesty that's refreshing. At the same time, no one is safe. Not even Thaws. He's as critical of his own pop status as he is of the industry in general, and acutely aware of his level of fame that verged upon the "hypercool". There was even talk at one stage of Thaws writing an autobiography, but he clearly remembers the moment when that idea was nipped in the bud."I chickened out," he says, almost with a hint of pride in his voice. "I've never chickened out of anything. But just as I was going to do it, I'd left London to go to the airport. As I walked in, I was looking around and I saw a book by Naomi Campbell. I thought, 'Who does she think she is?'. And then I have to put that on myself as well. Who wants to read my book? Who gives a f---?"Nonetheless, people were, and still are, interested in Thaws. They were interested enough to give him an unforgettable role in Luc Besson's sci-fi film, The Fifth Element, an experience he doesn't recall fondly."If someone offers you a movie, you say yes," he says bluntly. "You wanna see what it's like. But it was hard work, I didn't like the director, and I didn't enjoy the time. So I decided from that moment that I would only ever do it again if I liked the director, and if it was organic."It's this willingness to walk away from fame and accolades that saw Thaws take a two-year hiatus from music, in between his Juxtapose and Blowback albums. Still, stepping out of the spotlight wasn't easy, and it ended up a serendipitous period."It was a little bit weird," he says. "I thought I was walking away from fame and all that bollocks, but I wasn't really doing that. I was researching my history again. What I ended up doing for nearly two years was going around to people's houses, getting on the microphone, not recording anything, going to clubs with my boys, doing vocals in the clubs, sitting in the corner smoking weed, and I realised that that was how I started, before the money, before the magazines. So I did that for two years until I was broke, and then I realised I needed money, and that's the other reason I do what I do - for money."Thaws's remarkable honesty doesn't leave his music untainted. He's highly critical of the albums that bookend his sabbatical, and for the reasons they were recorded."I got out of my record deal with Juxtapose, I hung out for a year-and-a-half doing f---k-all, and then I needed the money. So I did Blowback - really quickly - to get some money. They're shit albums."This week sees the release of Vulnerable, Thaws's seventh album. With a new record label - Epitaph Records - he feels as though the dirt from the past few years has been washed away and he has a clean musical slate to work with."I'm kinda like at the beginning of my career again," he says optimistically. "It's almost like Vulnerable is Maxinquaye. And now I can have fun again, because I don't have to worry about the business. Epitaph Records ain't worried about my album sales. That makes me realise I'm in the right place."Indeed, not having to worry about album sales means the parts of the music industry Thaws hates - for example, image - won't concern him."You see people with images bigger than their music!" he exclaims. "How many videos do you see where the video's great and the music is shit? Like Coldplay - they're so pretentious. I f---king hate that band. But it's a very good time for bands like Coldplay, and that's another reason I stepped off. Just as long as I can do my thing." Quote Link to comment Share on other sites More sharing options...
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