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Betty Hutton (February 26, 1921 – March 12, 2007)[1] was an American stage, film, and television actress, comedienne and singer.

Early life

Hutton was born as Elizabeth June Thornburg, a daughter of railroad foreman Percy E. Thornburg (1896–1939) and his wife, the former Mabel Lum (1901–1967). Her father abandoned the family for another woman and they did not hear from or see him again until they received a telegram, in 1939, informing them of his death from suicide. Along with her older sister Marion, Betty was raised by her mother, who took the surname Hutton and was later billed as the actress Sissy Jones.

The three started singing in the family's speakeasy when Betty was 3 years old. Related troubles with the police kept the family on the move, and eventually they moved to Detroit. When interviewed as an established star appearing at the premiere of Let's Dance (1950), her mother — arriving with her, and following a police escort — quipped, "At least this time the police are in front of us!" Hutton sang in several local bands as a teenager, and at one point visited New York City hoping to perform on Broadway, where she was rejected.

A few years later, she was scouted by orchestra leader Vincent Lopez, who gave Hutton her entry into entertainment. In 1939, she appeared in several musical shorts for Warner Bros., and appeared in a supporting role on Broadway in Panama Hattie (starring Ethel Merman) and Two for the Show, both produced by Buddy DeSylva.

Career

When DeSylva became a producer at Paramount Pictures, Hutton was signed to a featured role in The Fleet's In (1942) which starred Paramount's number one female star Dorothy Lamour. Hutton made an instant impact with the moviegoing public, but Paramount did not immediately promote her to major stardom. It gave her second leads in a Mary Martin film musical, Star Spangled Rhythm (1943), and another Lamour film before casting Hutton as the co-star of Bob Hope in Let's Face It (1943). Following the release of The Miracle of Morgan's Creek (1944), Hutton was indisputably a major star, and with the release of Incendiary Blonde (1945), she had supplanted Lamour as Paramount's number one female box office attraction.

Hutton made 19 films from 1942 to 1952 including a hugely popular The Perils of Pauline in 1947. She was billed over Fred Astaire in the 1950 musical Let's Dance. Hutton's greatest screen triumph came in Annie Get Your Gun (1950) for MGM, which hired her to replace an exhausted Judy Garland in the role of Annie Oakley. The film and the leading role, retooled for Hutton, was a smash hit, with the biggest critical praise going to Hutton. (Her obituary in The New York Times described her as "a brassy, energetic performer with a voice that could sound like a fire alarm.") Hutton, however, like Garland, was earning a reputation for being extremely difficult.

In 1944, she signed with Capitol Records, one of the earliest artists to do so, but became unhappy with its management and later signed with RCA Victor. Among her many films was an unbilled cameo in Sailor Beware (1952) with Dean Martin and Jerry Lewis, in which she portrayed Dean's girlfriend, Hetty Button.

Her time as a Hollywood star came to an end due to contract disagreements with Paramount following the Oscar-winning The Greatest Show on Earth (1952) and Somebody Loves Me (1952), a biopic of singer Blossom Seeley. The New York Times indicated that her film career ended because of her insistence that her husband at the time, Charles O'Curran, direct her next film; when the studio declined, Hutton broke her contract. Hutton's last completed film was a small one, 1957's Spring Reunion. She gave an understated, sensitive performance in the drama, but box office receipts seemed to show that the public didn't accept a subdued Hutton.

Hutton worked in radio, appeared in Las Vegas and in nightclubs, then tried her luck on the new medium of television. An original musical TV spectacular written especially for Hutton, Satin and Spurs (1954),[5] was an enormous flop with the public and critics, despite being one of the first television programs televised nationally by NBC in compatible color. Desilu Productions took a chance on Hutton and in 1959 gave her a sitcom The Betty Hutton Show, which quickly faded.

Hutton began headlining in Las Vegas and touring across the country. Hutton returned to Broadway briefly when she temporarily replaced a hospitalized Carol Burnett in the show Fade Out – Fade In in 1964. She was signed to star in two low-budget 1967 westerns for Paramount, but was fired shortly after the projects began.

Marriages

Hutton's first marriage was to camera manufacturer Ted Briskin on September 3, 1945; they divorced in 1950. Two daughters were born to the couple, Lindsay Diane Briskin (born 1946) and Candice Elizabeth Briskin (born 1948).

Hutton's second marriage was in 1952 to choreographer Charles O'Curran, and they divorced in 1955; he died in 1984.

Her third marriage was in 1955 to Alan W. Livingston, an executive with Capitol Records, who had created Bozo the Clown; they divorced five years later, although some accounts refer to this as a nine-month marriage.

Her fourth and final marriage was in 1960 to jazz trumpeter Pete Candoli, a brother of Conte Candoli. Hutton and Candoli had one child, Carolyn Candoli (born 1962) and then divorced in 1967 (although some accounts place the year as 1964).

Life after Hollywood

After the 1967 death of her mother in a house fire and the collapse of her last marriage, Hutton's depression and pill addictions escalated. She divorced her fourth husband, jazz trumpeter Pete Candoli, and declared bankruptcy. Hutton had a nervous breakdown and later attempted suicide after losing her singing voice in 1970. After regaining control of her life through rehab, and the mentorship of a Roman Catholic priest, Father Peter Maguire, Hutton converted to Roman Catholicism and took a job as a cook at a rectory in Portsmouth, Rhode Island. She made national headlines when it was revealed she was working in a rectory.

In 1974, a well-publicized "Love-In for Betty Hutton" was held at New York City's Riverboat Restaurant, emceed by comedian Joey Adams, with several old Hollywood pals on hand. The event raised $10,000 (USD) for Hutton and gave her spirits a big boost. Steady work, unfortunately, still eluded her.

Hutton appeared in an interview with Mike Douglas and a brief guest appearance in 1975 on Baretta. In 1977, Hutton was featured on The Phil Donahue Show. Hutton was then happily employed as hostess at a Newport Rhode Island jai alai arena.

She also appeared on Good Morning America which led to a 1978 televised reunion with her two daughters. Hutton began living in shared home with her divorced daughter and grandchildren in California, but returned to the East Coast for a 3 week return to the stage where she followed Dorothy Loudon as the evil Miss Hannigan in Annie on Broadway in 1980. Hutton's rehearsal of the song "Little Girls" was featured on Good Morning America.

A ninth grade drop-out, Hutton went back to school and earned a Master's Degree in psychology from Salve Regina University. During her time at college, Hutton became friends with Kristin Hersh and attended several early Throwing Muses concerts. Hersh would later write Elizabeth June as a tribute to her friend. Hersh would later document their relationship in further detail in her autobiography, Rat Girl.

Her last known performance in any medium was on Jukebox Saturday Night, which aired on PBS in 1983. Hutton stayed in New England and began teaching comedic acting at Boston's Emerson College. She became estranged again from her daughters.

After the death of her ally Father Maguire, Hutton returned to California, moving to Palm Springs in 1999 after decades in New England. Hutton hoped to grow closer with her daughters and grandchildren, as she told Robert Osborne on TCM's Private Screenings in April 2000, though her children remained distant. She told Osborne that she understood their hesitancy to accept a now elderly mother. The TCM interview first aired on July 18, 2000. The program was rerun as a memorial on the evening of her death in 2007, and again on July 11, 2008, April 14, 2009 and as recently as January 26, 2010.

Death

Hutton lived in Palm Springs, California until her death caused by complications from colon cancer at 86 years of age. Hutton is buried at Desert Memorial Park in Cathedral City, California.

For her contribution to the motion picture industry, Betty Hutton has a star on the Hollywood Walk of Fame located at 6253 Hollywood Boulevard.

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