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Craig's work has been featured in publications including Vogue, Vanity Fair, Esquire, and The Sunday Times magazine, in campaigns for Louis Vuitton, Alice Temperley, Mr. Porter, Persol, and in his unique collaboration with A.A. Gill, which has spanned 25 locations across the globe. He also has a regular column in Sunday Times Style entitled 'Snap Shot', which runs weekly. In 2010, Craig's on-going work with the Nobel Peace Prize-winning organisation Medecins Sans Frontieres culminated in the book Writing on the Edge, which featured his photography paired with essays told from war-torn regions. Highlights include Martin Amis experiencing firsthand the problems of gang violence in Colombia; New York Times best-selling author Tracy Chevalier recounting the abuse of women in Burundi; Oscar-winning actor Daniel Day-Lewis reporting from Palestine; and Danny Boyle searching for the "lost sea" of Uzbekistan. Craig has either won or been nominated three times for 'British Magazine Photographer of the Year',[8] exhibited for five consecutive years at the National Portrait Gallery, served as Photographer-in-Residence for the Royal Geographical Society, was named The Telegraph "Travel Photographer of the Year", participated in the prestigious World Press Master Class (which selects 12 photographers from more than 60 countries), and was awarded the Royal Photographic Society's prize for a notable achievement in the art of photography by someone under 35. In March 2012, Craig's show 'The Bigger Picture' opened on Cork Street in London featuring twenty images from fourteen countries that were also written about at the same moment by A.A. Gill.In 2013, Craig took part in a joint exhibition with Bay Garnett at the Vogue Festival in London. He also participated on a discussion panel for Vogue on ecological fashion. Craig lives in London with his partner, stylist Bay Garnett, and their two children. en.wikipedia.org

BIO From the tender age of 10, Jason Kibbler understood he was destined to become a photographer. Originally from Australia, Jason moved to New York with a clear vision and determination to become a household name in the industry. He was able to achieve just that—with a masterful craft for light, Jason’s distinct aesthetic is regularly called upon by the most respectable brands and publications spanning fashion, beauty, and entertainment. artworld.agency

Angelo Pennetta is a London-based photographer known for his warm and optimistic approach to fashion photography. His work with the foremost magazines in the industry consistently provides readers with intimate, relaxed and often very funny portraits of some of the most beautiful people in the world. Having turned down a place at the London School of Economics to pursue photography, Angelo began his career in 2009 after Katie Grand requested him to shoot for her last issue at the helm of Pop Magazine (Issue 20), whilst simultaneously commissioning a series of pictures that Angelo had taken of Lara Stone for Issue 1 of LOVE Magazine. Through shooting internationally for some of the industry’s biggest titles, including i-D, Dazed and Confused, The Gentlewoman, LOVE Magazine, Wall Street Journal Magazine, American Vogue and British Vogue, Angelo has become a favourite amongst some the most respected brands in the industry. He frequently collaborates with renowned stylists Robbie Spencer, Francesca Burns, Carlos Nazario, Julia Sarr Jamois, Emilie Kareh, Camille Bidault Waddington, and Katie Grand. artparner.com

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Anton Johannes Gerrit Corbijn van Willenswaard (born 20 May 1955) is a Dutch photographer, film director and music video director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both bands over three decades. Some of his works include music videos for Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (version 1) (1991), Bryan Adams' "Do I Have to Say the Words?", Nirvana's "Heart-Shaped Box" (1993) and Coldplay’s "Talk" (2005) and "Viva la Vida" (2008), as well as the Ian Curtis biographical film Control (2007), The American (2010) and A Most Wanted Man (2014), based on John le Carré's 2008 novel of the same name. Photography Corbijn began his career as a music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photographs of the band Herman Brood & His Wild Romance and these led to a rise in fame for Brood and in exposure for Corbijn. From the late 1970s the London-based New Musical Express (NME), a weekly music paper, featured his work on a regular basis and would often have a photograph by him on the front page. One such occasion was a portrait of David Bowie wearing a loincloth backstage in New York when starring in The Elephant Man. In the early years of London-based The Face, a glossy monthly post-punk life style / music magazine, Corbijn was a regular contributor. He made his name photographing in black-and-white but in May 1989 he began taking pictures in colour using filters. His first venture in this medium was for Siouxsie Sioux. Between 1998–2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings. Corbijn has photographed Bob Dylan, Joy Division, Tom Waits, Bruce Springsteen, Prāta Vētra, Peter Hammill, Miles Davis, Kate Bush, Björk, Captain Beefheart, Kim Wilde, Marc Almond, Robert De Niro, Stephen Hawking, Elvis Costello, Siouxsie and the Banshees, Morrissey, Peter Murphy, Simple Minds, Clint Eastwood, The Cramps, Roxette, Herbert Grönemeyer, Annie Lennox, and Eurythmics, amongst others. Perhaps his most famous and longest standing associations are with Depeche Mode and U2. Corbijn's work relationship with Depeche Mode began with the filming of a music video for their 1986 A Question of Time single. Corbijn says that he soon "started to realise that [his] visuals and their music went really well together. Then [he] did some live photos, and it eventually turned into designing the whole live set. That's what [he's] been doing for them since 1993." Corbijn has directed 20 of the bands music videos, the most recent of his works being Depeche Mode's 2017 Where's the Revolution. He has also designed most of the covers for Depeche Mode's albums and singles from 1990's Violator album and onwards. Corbijn's work with U2 includes taking pictures of the band on their first US tour, taking pictures for their albums The Joshua Tree and Achtung Baby albums (et al.), and directing a number of accompanying videos. Other album covers featuring work by Corbijn include those for Springsteen, Nick Cave, Siouxsie's second band The Creatures, Bryan Adams, Metallica, Therapy?, The Rolling Stones, Bon Jovi, The Killers, Simple Minds, R.E.M., The Bee Gees, Saybia, Clannad and Moke. Film directing Corbijn began his music video directing career when Palais Schaumburg asked him to direct a video. After seeing the resulting video for Hockey, the band Propaganda had Corbijn direct Dr. Mabuse. After that he directed videos for David Sylvian, Echo & the Bunnymen, Golden Earring, Front 242, Depeche Mode, Roxette and U2. His first video in colour was made for U2 in 1984 for their single "Pride (In the Name of Love)". In 2005 Palm Pictures released a DVD collection of Corbijn's music video output as part of the Director's Label series. In 1994 Corbijn directed a short film about Captain Beefheart/Don Van Vliet for the BBC called Some Yoyo Stuff. He made his feature film debut with Control, a film about the life of Joy Division frontman Ian Curtis. It premiered to rave reviews at the Cannes Film Festival on 17 May 2007. The film is based on Deborah Curtis' book Touching from a Distance about her late husband and the biography Torn Apart by Lindsay Reade (Tony Wilson's ex-wife) and Mick Middles. Although shown outside the Palme d'Or competition, Control was the big winner of the Director's Fortnight winning the CICAE Art & Essai prize for best film, the "Regards Jeunes" Prize award for best first or second directed feature film and the Europa Cinemas Label prize for best European film in the sidebar. It also won the Michael Powell award for best new British feature at the Edinburgh International Film Festival. In 2010, Corbijn returned as a director with the character-based thriller The American, starring George Clooney. On 26 October 2011, Corbijn directed a webcast by Coldplay from the Plaza de Toros de Las Ventas in Madrid, Spain. His film A Most Wanted Man was released in 2014. The John le Carré novel of the same name, which is loosely based on the true War on Terror story of Murat Kurnaz, was set in part in Hamburg, as parts of the movie were. In February 2014, he started filming his next project Life about James Dean and photographer Dennis Stock. In 23 and 25 July 2018, Corbijn filmed the last two concerts of Depeche Mode's Global Spirit Tour at the Waldbühne in Berlin. Some of this footage, intertwined with the stories of six life-long fans in the audience, became the film Spirits in the Forest, which was released in theaters worldwide on 21 November 2019. In Corbijn's interview with NME he spoke about the origins behind the idea of this movie and said that they (him and Depeche Mode) "decided to look at the reason for why Depeche Mode was still growing...they’re the biggest cult band in the world. It’s unbelievable.” He further adds that "it’s in the DNA of Depeche to have these connection to their fans...there's something unusual about it and the fans go to great lengths", which inspired him to make the film in the style that he did. en.wikipedia.org

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EMMY AWARD NOMINATED DIRECTOR FRANCESCO CARROZZINI IS ALSO INTERNATIONALLY KNOWN FOR HIS PORTRAIT PHOTOGRAPHY. HE HAS DIRECTED MUSIC VIDEOS FOR ARTISTS JAY-Z, BEYONCÉ AND LENNY KRAVITZ, AND COMMERCIALS FOR BRANDS SUCH AS APPLE AND FIAT. IN 2016, FRANCESCO HAD HIS FEATURE FILM DEBUT AT THE VENICE FILM FESTIVAL WITH THE DOCUMENTARY “FRANCA: CHAOS AND CREATION”, WHICH WENT ON TO PLAY IN OVER TWENTY FESTIVALS AROUND THE WORLD INCLUDING AFI AT THE AMERICAN CINEMATHEQUE. HIS PHOTOGRAPHS HAVE APPEARED ON THE COVERS AND PAGES OF VANITY FAIR, L’UOMO VOGUE, THE NEW YORKER, W, ROLLING STONE, NEW YORK MAGAZINE AND VOGUE ITALIA, AMONGST OTHERS. HE HAS PHOTOGRAPHED PERSONALITIES AS DIVERSE AS ROBERT DE NIRO, KANYE WEST, NAOMI CAMPBELL, ANGELINA JOLIE, KEITH RICHARDS AND JEFF KOONS, TO NAME A FEW. IN THE SUMMER OF 2021 FRANCESCO DIRECTED “THE HANGING SUN”, AN ADAPTATION OF THE NOVEL “MIDNIGHT SUN” BY JO NESBO. THE MOVIE STARS CHARLES DANCE, PETER MULLAN, JESSICA BROWN FINDLAY AND ALESSANDRO BORGHI AND IS SET TO BE RELEASED IN THE FALL OF 2022. FILMOGRAPHY “THE HANGING SUN”, FEATURE FILM, TO BE RELEASED IN 2022 “FRANCA: CHAOS AND CREATION”, FEATURE DOCUMENTARY, INTERNATIONAL VENICE FILM FESTIVAL, OFFICIAL SELECTION, 2016 “THE NEW YORK TIMES SCREEN TESTS”, EMMY AWARD NOMINATION, 2008 “1937”, INTERNATIONAL VENICE FILM FESTIVAL, SHORT FILM COMPETITION, 2008 “WIERSZALIN”, SHORT DOCUMENTARY, INTERNATIONAL LOCARNO FILM FESTIVAL, OFFICIAL SELECTION, 2007 VIDEOGRAPHY YEBBA: “BOOMERANG”, 2021 JAY-Z: “MANYFACEDGOD”, 2017 MARILYN MANSON: “THE MEPHISTOPHELES OF LOS ANGELES”, 2015 NICKI MINAJ: “I LIED”, 2014 DAMIAN MARLEY: “IS IT WORTH IT?”, 2014 LENNY KRAVITZ: “NEW YORK CITY”, 2014 LANA DEL REY: “ULTRAVIOLENCE”, 2014 BEYONCÉ: “JEALOUS”, 2013 A$AP ROCKY: “PHOENIX”, 2013 francescocarrozzini.com

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Ever since the poster and advertising assumed a major part in our culture in the twentieth century, great creative artists have made a huge visual impact on the feeling of every era that they have filtered and formulated. The most outstanding graphic artists gave life and expression to their epoch, making an indelible mark on our memories. For more than thirty years, through drawing, poster design, photography, cinema, video and event design, Jean-Paul Goude has made an impression, in every sense, on our imagination. From the tops of the 60’s to the legendary Esquire magazine of the following decade, from the New York of Andy Warhol and mixed cultures, to Grace Jones, for whom he was Pygmalion, from the spectacular Bicentennial Parade in Paris in 1989 to the celebration of ‘Style Beur’ (Arab Style), from ads for Kodak and Chanel to working with the latest supermodels – Goude has triumphantly captured, time after time, the spirit of his age. What is perhaps less well known is that this ‘made to order’ work is merely the flipside of Goude’s profoundly individual adventure, a journey (marked in particular by his celebration of a number of remarkable women) transformed into a sort of personal mythology. Life and work for Goude are inextricably linked, and this gives his work a particularly oblique personal cachet, and lifts it above mere images. jeanpaulgoude.com

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