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Hello everyone I'm trying to find a safe way to upload a video I dowloaded so other people can download it too. (Without torrent preferably) Does anyone know any safe sites to upload a complete film? It's 1,07 GB, so DropBox and MediaFire won't support it. Thanks in advance

Frances Solara Lisbeth Trinity Camilla

1-2 Adriana Lima 3-4 Ana Beatriz Barros 5-6 Alessandra Ambrosio 7-8 Bar Refaeli 9-10 Barbara Palvin 11-12 Marloes Horst 13-14 Alyssa Miller 15-16 Michea Crawford

Erin Heatherton [0] Fan Bingbing [2] Kate Moss [3] Keira Knightley [4] Mila De Wit [2]

Joseph Gordon-Levitt and Dania Ramirez talk 'Premium Rush' What's scarier than being chased by a dirty cop with money on his mind? Try riding a bike through the streets of New York. Luckily the stars of "Premium Rush" had enough guts, Hollywood magic and stunt doubles to pull it off. Stars Joseph Gordon-Levitt and Dania Ramireztook a moment to speak about the film, their thoughts on the bike messengers they portray and how it's changed them as artists. Billy Tatum: The work you did in this film looked pretty dangerous. Did you get hurt at all? Joseph Gordon-Levitt: There was a bit of an accident. I should start by saying that everyone was very safety conscious. It was a perfect storm of a lot of things going wrong all at once. To make a long story short, a diplomat broke through our lockup. In New York City, you have the United Nations, so you have a lot of diplomats driving around. Dania Ramirez: There's no rules for diplomats. Joseph Gordon-Levitt: Yeah, so they can break the law. Basically, I ended up going through the rear window of a taxi cab and getting thirty-one stitches. Everyone was worried that it happened. I'm flooded with adrenaline right when it happened. You dont feel any pain right when your arm breaks open so I'm like "Whoa, geez, I'm sorry. I'm ok." Dave's ran up saying "Are you ok?" He was terrified. I was like "You gotta record this, man. Look at this. This is crazy." I convinced him to, so he pulled out his phone and recorded some video. I was stoked that he actually put it into the movie." Billy Tatum: Did it force you to miss any days of shooting? Joseph Gordon-Levitt: Well, it was towards the end of the day. Dania Ramirez: He was at work the next day with a smile on his face. It was a good reminder that we're not really these people riding these bikes. We were like "Oh, we have stunt people that can do these things." Billy Tatum: Did you do your own stunts? Joseph Gordon-Levitt: Certainly not. (laughs). The character of Wilee was played by five of us. Me and four other guys. Everyone had their own specialties. One was an actual bike messenger. One was a Hollywood stunt man that gets hit by cars. One's really good at trials bike riding, which is the chase towards the end of the movie where he's on a different bike. That's the kind of bike that's particularly conducive to jumping and stuff. Then, there was a guy that was really good at doing tricks on a track bike. If you look on youtube for Danny Macaskill. He does insane things on his bike. Dania Ramirez: That's the cool thing about the movie. There is no CGI. The stunts are actually real, so we were lucky enough to have great stunt people come in and do stunts. Billy Tatum: How would you compare this to some of the other action films you've done like "Inception" or the upcoming "Looper"? Joseph Gordon-Levitt: As far as the physical challenge, I'd have to say this is the hardest one. "Inception" would come in with a close second. I was on a bike every day, all day. The whole movie is on a bike. "Inception" has some cool action sequences, but this is the entire movie. Billy Tatum: Tell me about the research you did and interacting with the real bike messengers in New York? Dania Ramirez: It's a really tight community. One thing we found out about the bike messaging community is that they are really caring and thoughtful people. It's almost like they're playing a character when they get on their bikes and they have to ride around. It's like they have to put on this badass persona, but when they get back behind closed doors, they're really a tight-knit group. Billy Tatum: Did you pick up any tricks on not getting killed riding a bike in NYC? Dania Ramirez: Pay attention (laughs). Listen. You're riding a bike through New York City. I'm from the east coast, originally. Pedestrians kind of rule New York and they're way more dangerous than riding alongside the taxicab drivers. At least you're going in the same direction. Pedestrians are in their own world. We had to become really aware of what was around us. Plus, you don't tell a New Yorker "Hey, you can't cross the street right now. We're shooting". They don't care. Joseph Gordon-Levitt: I thought a cool kernel of wisdom that I learned from multiple people was "If you want to avoid hitting something, don't look at it." Look at where you're going. If you're trying to thread a needle and get between two cars, as soon as you start looking at where you don't want to go, you'll hit them. You have to have the confidence to stay straight and go forward. I think there's something allegorical with that with life in general. That's part of the movie, too. Wilee, the character I play, he is that kind of confident guy that has no hesitation to make a split second decision. There's a lot of virtue in that. Dania Ramirez: He's riding a bike with no breaks. He lives his life like that. Billy Tatum: How was it working with Michael Shannon and what did you think of his performance? Joseph Gordon-Levitt: Shannon's the (expletive)! There's a tradition, it seems, of really, really fine actors playing villains in a big chase movie, whether it's Dennis Hopper in "Speed" or Alan Rickman in "Die Hard" and I think Shannon really fits into that tradition. I think he's one of the best alive and he's so good in this movie. Dania Ramirez: He's brilliant. He plays that villain role amazingly. He's so charismatic while he's doing it. You want to hate him because he's after the good guy, but you can't help but to smile and laugh at him. Joseph Gordon-Levitt: The funny thing is he's actually a very gentle, sweet guy with a dry sense of humor. He's nothing like the character he plays in this movie. Billy Tatum: Were the bike messenger community skeptical about the way you were going to portray them? Joseph Gordon-Levitt: Yeah, and they have a right to be skeptical. Like I said, it's not a documentary about bike culture. It's a Hollywood chase movie that does glorify the hell out of bikes and I think it'll be a rocking good time for anybody who loves to ride bikes or whose never been on a bike. Dania Ramirez: Also, it's not that many times that the bike messenger community gets to be represented, so in my experience, they were really excited. They were excited that, as actors, we were genuinely interested in finding out about their lives and the way that they see the world and the city. That's something that you get when you see the movie. It's a gritty, very specific look at New York City. Billy Tatum: Did this movie change any notions you had of bike messengers? Dania Ramirez: I have so much more respect for bike messengers, in general. It's a very hard profession and they have to be incredibly fit. You really have to learn how to manage your time, because you do have a job where you have to get a package to a certain place by a certain time. Billy Tatum: Who's the bigger daredevil between the two of you? Joseph Gordon-Levitt: Uh... Dania Ramirez: Me (laughs)!! Billy Tatum: After you trained here for six weeks, did you notice the difference in the way people treat cyclists out here versus New York? Joseph Gordon-Levitt: Yeah, there was a big difference. New York drivers are more used to it, because Manhattan is a city that's more conducive to riding a bike. You have to be pretty good cyclist if you're going to use a bike as your main mode of transportation In L.A. It's rare, but in New York, you can really do it. But there's a real bike culture here in L.A, which is so car-centric, especially on the east side of town. If you go to the west side of town, there's a thriving bike culture. Billy Tatum: Much of your relationship takes place over the phone while riding? Did you two do those scenes first? Joseph Gordon-Levitt: We'd already gotten to know each other really well. Dania Ramirez: Yeah, we had trained for six weeks, so we had already known each other and gotten to ride bikes together. We were already solid and knew what the relationship would be and how to play it out. My first scene was riding through Park Avenue when I'm having a real intense conversation with him about our relationship. It did help that we knew each other and spent a lot of time together outside of filming. By the time we filmed, It just felt kind of natural. Billy Tatum: You're also putting on the director's hat. Tell me a little about that. Joseph Gordon-Levitt: I wrote a movie that I'm directing called "Don Jon's Addiction". I learned so much from working with so many great directors that it allowed me to do it. I'm stoked to talk to you about it once it's closer. I had a blast. Scarlett Johanssonread it and liked it and is starring in it. Julianne Moore is also starring in it. We had a great time. Dania Ramirez: Some little names (laughs). Billy Tatum: Now that you've directed, do you ever go into director's mode when someone is directing you? Joseph Gordon-Levitt: As an actor, it's important to try to always understand what the director is after. That's my job when I'm acting. I like to ask a lot of questions. I like to understand why the director is doing what he's doing so I can provide him or her with the ingredients that they need to get the scene that they want. You can ask Dave. I asked a lot of questions, because I want to understand where they're coming from. It's not to challenge them in any way. It's so I can do the best job. I can't wait to act again and not direct. They're two very different creative challenges. Billy Tatum: Dania, did you cycle across the plank and did you nail it on the first take? Dania Ramirez: Yes, I cycled across the plank. It was nerve-wracking, because I'm scared of heights. I had to go over the Hudson River on a plank. For a while there, I was like "Oh." My doubles are there and were willing to do it. I'm like "I'm Vanessa. I'm a bike messenger. I can totally do this." Billy Tatum: Were there any other uniquely New York experiences you had? Dania Ramirez: Yeah. We were written up in the Post a few times. It was just hard to tell a New Yorker "You can't cross the street. We're rolling right now." They have a place to get to and that's their main concern. One guy head butted one of our PAs because he was trying to stop him from crossing the street. It's just classic New York behavior. I'm from New York and I love it. I thrive on that. Part of the movie, as well, is the adrenaline that keeps you going and the New York vibe. People don't take anything. Joseph Gordon-Levitt: We're also locking down big swaths of street. Normally to lock up a location to shoot in New York City, that's a street corner or outside a doorway or something like that, but we're locking up 6th Avenue between 32nd Street and 39th Street because we do a whole scene, but it takes seven blocks of distance. It was very impressive. We had a really skilled crew of people. Billy Tatum: What do you guys do for fun? Is cycling your way to blow off steam? Dania Ramirez: I love it. One of the things I want people to take from the movie is to pick up a bike afterwards. I got inspired to do so. I'm actually training to do the Malibu triathlon. I'm going to do the biking section on September 16th. Joseph Gordon-Levitt: Hell yeah! I'm going to...cheer her on. Billy Tatum: What's the latest on HitRecord? Joseph Gordon-Levitt: We're releasing a final record right now. We spent the summer putting together a bunch of collaboratively made music. HitRecord is a production company I run. We use the internet to collaborate so artists of all kinds can contribute to our projects. We do music, films, writing, and things like that. We're about to put out two 12" records. It's 78 different artists out of thousands. Thousands of people contributed to all these songs, but we curated it down to the collaborative work of 78 different artists. I have a song on there that I wrote. I'm so proud of it. We keep getting better and better as a community. As it sticks around and continues to grow, the level of artistry keeps going up and up. The quality of music on this release called "Move on the Sun" blows my mind. I'm so proud of it. Billy Tatum: How many tracks did those 78 artists create? Joseph Gordon-Levitt: I forget the exact number, but it's two 12" vinyl records. I think there's twelve because there's three songs on a side. Billy Tatum: The pacing definitely qualifies as "edge of your seat". Did the fact that it was made practically in real time change the way you approached the role? Joseph Gordon-Levitt: Yes. It's a pacey film. It's not a film where you take a long pause. You've got to learn your lines real good. You can't do that BS move where you pretend like you're thinking of what to say when actually you're trying to think of the line you didnt learn well enough. And Dave Koepp writes in a really crisp fashion. He writes great dialogue. Dania Ramirez: I think the fact that it's 90 minutes and he has to get the package to a certain place in 90 minutes is challenging for an audience and really exciting. You have to really pay attention and find out what's really going on and what the package is all about. The little times where you actually get a flashback in the story, you have to make sure that you're paying attention. The title of the film is "Premium Rush". We're in a rush. Ninety minutes. http://www.examiner.com/article/joseph-gordon-levitt-and-dania-ramirez-talk-premium-rush

Premium Rush Video interview: 'It was tougher training than Batman' http://www.ontheredc...e-video/8787251

'The Words' screening at Goose Creek in East Hampton, NY - August 25, 2012

Tom Hardy ‘Lawless’ Interview Acclaimed director John Hillcoat (The Road, The Proposition) delivers a thrillingly vivid slice of American outlaw history in his epic gangster tale, ‘Lawless.’ ‘Lawless’ is the true story of the infamous Bondurant Brothers: three bootlegging siblings who made a run for the American Dream in Prohibition-era Virginia. Based on author Matt Bondurant’s fictionalized account of his family, “The Wettest County in the World,” the film gathers an ensemble of gifted, dynamic new-generation stars – Shia LaBeouf, Tom Hardy, Jessica Chastain, Jason Clarke, Mia Wasikowska, Dane DeHaan – alongside two of the finest actors of their generations, Guy Pearce and Gary Oldman. A riveting, intense story of crime and corruption, loyalty and love, brutality and tenderness, ‘Lawless’ is a rich addition to the American gangster canon. Look out for the film in cinemas August 29th in the US and September 7th in the UK. What was it about this role that appealed to you? There’s some interesting dichotomies in him, he’s fearsome and fearless, but then at the same time there’s incredible vulnerability in him with Maggie? Tom Hardy: Yeah. I take characters as they come, characters that interest me, that have scope. And also, a diversity of different ranges and colours and characteristics that are interesting in finding paradox’s and dichotomies of man. Like, “How can somebody be so violent, yet at the same time be such a little boy?” Someone intrinsically innocent and naive and have such a heart, but then he’d do something on the other side that was so incredibly, horrifically horrible. And yet where the fulcrum is in the middle, someone that by the end of the film I want the audience to have the ability to care about that person. The ensemble cast for ‘Lawless’ is quite spectacular, how was the experience for you on the film? Tom Hardy: Every single one of those people and those artists have incredible sensibility, ability, talent and discipline. Each person was obviously different, and the combination of that kind of ensemble was electric and exciting. It was without ego….I mean, not completely without ego, we’ve all got ego because you need it to carve your way through certain situations – it’s actually imperative that you have it. But everyone distinctively put their ego down and was like, “OK, how can we join forces to create something that is clearly fabulous?” (Laughs). You were surrounded by quality and humility, and that sounds really cliché, but genuinely it was a working set (laughs). And with John Hillcoat at the helm, how did he help that creativity with his direction? Tom Hardy: John Hillcoat, he really encourages the creativity and then at the same time he has a natural strategy to create a safe place, but also a disciplined four walls of containment, whereby we’re not just anarchic, you know? We’re not going off the rails – where nothing gets done, but we’re trying to swing for the fences with what we have. It was the bread and butter doing a film like this. It was a great time to train and workout at what we do, practise. The process of working on ‘Lawless’ was such a pleasure. Working with Gary Oldman in ‘Tinker Tailor Soldier Spy,’ ‘The Dark Knight Rises‘ and with this, ‘Lawless.’ How has that experience been? Tom Hardy: With ‘Tinker Tailor Soldier Spy,’ the first time I worked with Gary Oldman, I had to watch him because we had to re-shoot….because my beard fell off while I was talking (laughs). So we had to go back and re-shoot the entire scene that I had with him in that, in ‘Tinker Tailor Soldier Spy.’ Which is good because I spent my entire experience with Gary staring at him, and not returning any lines, because I think he’s basically God, you know? The second time, on ‘The Dark Knight Rises‘ as Bane, I was kind of playing God, so I kind of ignored him, kicked him a bit, that kind of thing (laughs). But Gary Oldman is one of my heroes, completely. I did nothing but gleam from him. What’s the process of getting the accent right for Forrest, what sort of work did you do for that? He has this distinctive, quiet growl in ‘Lawless’…. Tom Hardy: I’ve only ever done two American accents really, and a couple of not so good ones. So I’m still a bit nervous about the American accent. But this one is so specific, and such a strong colour that there’s a little bit more mask work to be done for me. So it’s a little bit easier to hide behind an accent like this. Which was not necessarily an accent but more of a personality and a character. So I didn’t feel like I was doing….it was funny, it felt like more of a voice that came from a centre than an accent. And it was the same with ‘Warrior,’ I had a very similar monocephalic, central character to come from. So I wasn’t so caught up with dialect – as soon as that happens I panic and….I’m not Australian in ‘Tinker Tailor Soldier Spy’ for a reason. It wasn’t a choice (laughs). That’s not true, I chose to be British (laughs). But my accent work isn’t always amazing.

3 new Lawless clips: http://tvfilmnews.com/3-new-clip-from-lawless-featuring-tom-hardy-guy-pearce/

Won't give up http://www.bellazon.com/main/topic/44643-watch-ted-online-download-ted-movie-watch-2016-obamas-america-online/#entry2970768

She must have heard you

+1

Eric Bana (5) Chris Evans (0) Tom Brady (6) Francisco Lachowski (1) Christian Bale (4)

Christine Cleopatra Louise Versper Sweet Pea

Barbara Palvin [7] Agam Rodberg [4]

Anna Maria Jagodzinska (7) Anna Speckhart (9) Cameron Russell (6) Emily Didonato (10) Hailey Clauson (9) Isla Dowling (8) Janeta Samp (6) Josie Maran (8) Kim Cloutier (2) Michea Crawford (10) Sandra Kubicka (2)

EU - 2

Premium Rush

Carrera Eyewear & Fiji Water Present a Special Hamptons Screening of CBS Films’ “The Words” - After Party

Eric Bana (1) Chris Evans (0) Tom Brady (2) Francisco Lachowski (0) Christian Bale (2)

Thanks TSIKO, but it was actually a bit of a rhetorical question Indeed, you can either open it with something like uTorrent, if you know how to. Otherwise I need to find a way to email etc.