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spades24

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  1. spades24 replied to spades24's post in a topic in Actresses
    With Linda Darnell
  2. spades24 posted a post in a topic in Actresses
    April 12, 1923 – January 22, 2004 Early life Miller was born in Chireno, Texas to Clara Emma (née Birdwell) and John Alfred Collier, a criminal lawyer who represented the Barrow Gang, Machine Gun Kelly, and Baby Face Nelson, among others. Miller's maternal grandmother was Cherokee. Miller's father insisted on the name Johnnie because he had wanted a boy, but she was often called Annie. She took up dancing to exercise her legs to help her rickets. She was considered a child dance prodigy. In an interview featured in a "behind the scenes" documentary on the making of the compilation That's Entertainment III, she said that Eleanor Powell was an early inspiration Career At the age of 13 Miller had been hired as a dancer in the "Black Cat Club" in San Francisco (she reportedly told them she was 18). It was there she was discovered by Lucille Ball and talent scout/comic Benny Rubin. This led Miller to be given a contract with RKO in 1936 at the age of 13 (she had also told them she was 18) and she remained there until 1940. The following year, Miller was offered a contract at Columbia Pictures. She finally hit her mark (starting in the late 1940s and Early 1950s ) in her roles in MGM musicals such as Kiss Me Kate, Easter Parade, and On the Town. Miller popularized pantyhose in the 1940s as a solution to the problem of continual torn stockings during the filming of dance production numbers. The common practice had been to sew hosiery to briefs worn by Miller. If torn, the entire garment had to be removed and resewn with a new pair. At Miller's request, hosiery was manufactured for her as a single pantyhose. Miller was famed for her speed in tap dancing. Studio publicists concocted press releases claiming she could tap 500 times per minute, but in truth, the sound of ultra-fast "500" taps was looped in later. Because the stage floors were slick and slippery, she actually danced in shoes with rubber soles. Later she would loop the sound of the taps while watching the film and actually dancing on a "tap board" to match her steps in the film. In 1970, satirist Stan Freberg, father of the funny commercial, used Miller and her tap-dancing skills in a television commercial for "Great American Soups." Miller initially plays a housewife asked by her "husband" (Dave Willock) what she's prepared for dinner. She throws off her house frock to reveal a sequined dance outfit, and the kitchen set splits open to reveal a huge Hollywood stage, showcasing a giant can of soup, atop which Miller sings and dances, accompanied by a double chorus line. At the end of the commercial, she returns to the kitchen set, where the husband character exclaims, "Why do you have to make such a big 'production' out of everything?" According to Freberg, the commercial cost so much to produce that little money was left in the advertising budget to purchase airtime for it. The commercial can be seen on the video accompanying Freberg's boxed set release, "The Tip of the Freberg". She was known, especially later in her career, for her distinctive appearance, which reflected a studio-era ideal of glamor: massive black bouffant hair, heavy makeup with a slash of crimson lipstick, and fashions that emphasized her lithe figure and long dancer's legs. Her film career effectively ended in 1956 as the studio system lost steam to television, but she remained active in the theatre and on television. She starred on Broadway in the musical "Mame" in 1969, in which she wowed the audience in a tap number created just for her. In 1979 she astounded audiences in the Broadway show Sugar Babies with fellow MGM veteran Mickey Rooney, which toured the United States extensively after its Broadway run. In 1983 she won the Sarah Siddons Award for her work in Chicago theatre. She appeared in a special 1982 episode of The Love Boat, joined by fellow showbiz legends Ethel Merman, Carol Channing, Della Reese, Van Johnson, and Cab Calloway in a storyline that cast them as older relatives of the show's regular characters. In 2001 she took her last role, playing Coco in auteur director David Lynch's critically acclaimed Mulholland Drive. Her last stage performance was a 1998 production of Stephen Sondheim's Follies, in which she played the hardboiled survivor Carlotta Campion and received rave reviews for her rendition of the song, "I'm Still Here". [citation needed] Miller also performed a guest appearance on Home Improvement as a dance instructor to Tim and Jill. For her contribution to the motion picture industry, Ann Miller has a star on the Hollywood Walk of Fame at 6914 Hollywood Blvd. Miller was parodied on Saturday Night Live by Molly Shannon. She died, aged 80, from cancer, which had metastasized to her lungs, and was interred in the Holy Cross Cemetery in Culver City, California.
  3. spades24 replied to spades24's post in a topic in Actresses
    With Ann Miller
  4. spades24 replied to COP11's post in a topic in Actresses
    Here is an HQ pic of Ann
  5. spades24 replied to spades24's post in a topic in Actresses
    Photos with Betty Grable
  6. spades24 replied to spades24's post in a topic in Actresses
    Photos with Carole Landis
  7. spades24 replied to spades24's post in a topic in Male Actors
    With Betty Grable
  8. spades24 replied to LITTLE MISS SUNSHINE's post in a topic in Male Actors
    Gene was my first crush too! I cried when he passed away! I agree there really is no one like him today!
  9. spades24 replied to spades24's post in a topic in Actresses
    With Tyrone Power
  10. spades24 replied to PrettyDeadThings's post in a topic in Babe Polls
    Flavia x3 Candice x2
  11. spades24 posted a post in a topic in Actresses
    December 18, 1916 – July 2, 1973 Her iconic bathing suit photo made her the number-one pin-up girl of the World War II era. It was later included in the Life magazine project "100 Photos that Changed the World". Grable was particularly noted for having the most beautiful legs in Hollywood and studio publicity widely dispersed photos featuring them. Hosiery specialists of the era often noted the ideal proportions of her legs as: thigh (18.5") calf (12"), and ankle (7.5"). Grable's legs were famously insured by her studio for $1,000,000 with Lloyds of London. Early Life She was born Elizabeth Ruth Grable in St. Louis, Missouri to John Conn Grable (1883-1954) and Lillian Rose Hofmann (1889-1964). She was the youngest of three children. Most of Grable's immediate ancestors were American, but her distant heritage was of Dutch, Irish, German and English stock. She was propelled into the acting profession by her mother. For her first role, as a chorus girl in the film Happy Days (1929), Grable was only 12 years old (legally underage for acting), but, because the chorus line performed in blackface, it was impossible to tell how old she was. Her mother soon gave her a make-over which included dyeing her hair platinum blonde. Career For her next film, her mother got her a contract using a false identification. When this deception was discovered, however, Grable was fired. Grable finally obtained a role as a 'Goldwyn Girl' in Whoopee! (1930), starring Eddie Cantor. Though Grable received no billing, she led the opening number, "Cowboys." Grable then worked in small roles at different studios for the rest of the decade, including the Academy Award-winning The Gay Divorcee (1934), starring Fred Astaire and Ginger Rogers, where she was prominently featured in the number "Let's K-nock K-nees". In the late 1930s, Grable signed a contract with Paramount Pictures, starring in several B movies, mostly portraying co-eds. Despite playing leads, the typecasting proved to hurt her career more than it was helpful. In 1939, Grable appeared with her then husband, Jackie Coogan (married in 1937), in Million Dollar Legs, from which her nickname is taken. They divorced later that same year (October 1939). After small parts in over 50 Hollywood movies through the 1930s, Grable finally gained national attention for her stage role in the Cole Porter Broadway hit Du Barry Was a Lady (1939). When her contract at Paramount expired, Grable decided to quit acting, being fed up with appearing in college films. In a 1940 interview, she said: "I was sick and tired of it. I'd made up my mind to leave show business altogether. So I retired - and then came an offer, unsolicited, to go on a personal appearance tour. I went. Next thing I knew, Mr. Zanuck had seen my picture in the paper and offered me a contract at a lot more money. I took it. Then came Buddy DeSylva with a part in his Broadway show Du Barry Was a Lady. Mr. Zanuck said I could take it if I wanted to. I did. The show was successful. Then as if all this weren't enough, Alice Faye fell ill just before [Down Argentine Way] was to start and I was drafted to fill her shoes. If that's not luck I don't know what you'd call it. But that's how it's been all my life. I've had contracts with four studios in 10 years and each time I left one or was dropped. I stepped into something better." Grable became 20th Century Fox's top star during the decade. She appeared in Technicolor movies such as Down Argentine Way (1940), Moon Over Miami (1941) (both with Don Ameche), Springtime in The Rockies (1942), Coney Island (1943) with George Montgomery, Sweet Rosie O'Grady (1943) with Robert Young, Pin Up Girl (1944), Diamond Horseshoe (1945) with Dick Haymes, The Dolly Sisters (1945) with John Payne and June Haver. Mother Wore Tights (1947), her most popular film, was with her favorite costar, Dan Dailey. It was during her reign as box office queen (in 1943) that Grable posed for her famous pinup photo, which (along with her movies) soon became escapist fare among GIs fighting in World War II. The image was taken by studio photographer Frank Powolny. It was rumored that the particular pose and angle were chosen to hide the fact that Grable was pregnant at the time of the photo. Starting in 1942, Grable was named in the top 10 box office draws for 10 consecutive years. For seven of those ten years, she was top female-box office star. In 1943, she was named the #1 movie box office attraction. By the end of the 1940s Grable was the highest-paid female star in Hollywood, receiving $300,000 a year. Grable was even the heroine of a novel, Betty Grable and the House with the Iron Shutters, written by Kathryn Heisenfelt, published by Whitman Publishing Company in 1943. While the heroine is identified as the famous actress, the stories are entirely fictitious. The story was probably written for a young teenage audience and is reminiscent of the adventures of Nancy Drew. It is part of a series known as "Whitman Authorized Editions", 16 books published between 1941-1947 that featured a film actress as heroine. Her postwar musicals included: That Lady in Ermine (1948) with Douglas Fairbanks Jr., When My Baby Smiles at Me (1948) again with Dailey, Wabash Avenue (1950) (a remake of Grable's own Coney Island) with Victor Mature, My Blue Heaven (1950), and Meet Me After the Show (1951). Studio chief Darryl F. Zanuck lavished his star with expensive Technicolor films, but also kept her busy — Grable made nearly 25 musicals and comedies in 13 years. Her last big hit for Fox was How to Marry a Millionaire (1953) with Lauren Bacall and Marilyn Monroe. Grable next starred in Three for the Show (1955) with Jack Lemmon; this film was one of her last musicals. Grable's later career was marked by feuds with studio heads. At one point, in the middle of a fight with Zanuck, she tore up her contract and stormed out of his office. By 1953, Zanuck was grooming Marilyn Monroe to replace Grable as the Fox's resident sex symbol. Far from feeling threatened, on the set of How to Marry a Millionaire Grable famously said to Monroe, "go and get yours, honey! I've had mine". It was at this point that Grable lost her father 'Conn' Grable in 1954, at age 71. Grable returned to the studio for one last film, How to Be Very, Very Popular (1955) with Sheree North. Following this, Grable hoped to secure the role of Miss Adelaide in the film version of the musical Guys and Dolls. However, when producer Samuel Goldwyn learned that Grable skipped a meeting with him because one of her dogs had taken ill, he became incensed and removed her from consideration. Vivian Blaine, who had originated the role on Broadway, was ultimately cast. Having left movies entirely, she made the transition to television and starred in Las Vegas. It was in these transition years to stage, when Betty lost her mother Lillian in 1964, at age 75. By 1967, she took over the lead in the touring company of Hello, Dolly!. She starred in a 1969 musical called Belle Starr in London, but it was savaged by critics and soon folded. Grable's last role was Billie Dawn in Born Yesterday, at the Alhambra Dinner Theatre in Jacksonville, Florida in February 1973. Personal life In 1937, Grable married another famous former child actor, Jackie Coogan. He was under considerable stress from a lawsuit against his parents over his childhood earnings and the couple divorced in 1939. In 1943, she married trumpeter Harry James. The couple had two daughters, Victoria and Jessica. They endured a tumultuous 22-year marriage that was plagued by alcoholism and infidelity. The couple divorced in 1965. Grable entered into a relationship with a dancer, Bob Remick, several years her junior. Though they did not marry, their romance lasted until the end of Grable's life. Death Grable died July 2, 1973, of lung cancer at age 56 in Santa Monica, California. Her funeral was held July 5, 1973, 30 years to the day after her marriage to Harry James — who, in turn, died on what would have been his and Grable's 40th anniversary, July 5, 1983. She was interred in Inglewood Park Cemetery, Inglewood, California, in the Mausoleum of the Golden West, Sanctuary of Dawn section, with her mother Lillian, alongside her father 'Conn' Grable. Sister Marjorie Grable-Arnold joined them in their family crypt upon her death at 71, in 1980. Among the Who's Who of Hollywood attending her funeral were Harry James, Dorothy Lamour, Shirley Booth, Mitzi Gaynor, Johnnie Ray, Cesar Romero, George Raft, Alice Faye and Dan Dailey. "I Had the Craziest Dream," the haunting ballad Betty introduced in "Springtime in the Rockies," was played on the church organ. Posthumous recognition Grable has a star on the Hollywood Walk of Fame at 6525 Hollywood Boulevard. She also has a star on the St. Louis Walk of Fame, and was inducted into the Hall of Famous Missourians in 2009. Hugh Hefner, founder of Playboy noted on National Public Radio's Morning Edition on April 23, 2007, in an interview with Terry Gross that Grable was his inspiration for founding the Playboy empire.
  12. spades24 replied to spades24's post in a topic in Actresses
    More pictures of Carole!
  13. Zoe Saldana Kate Winslet Rose Byrne Piper Perabo Arielle Kebbel Nina Dobrev Emmy Rossum Julianne Moore
  14. 2. Hilary Duff (5) 3. Willa Holland (8) 4. Taylor Momsen (1) 5. Leighton Meester (9) 6. Blake Lively (9) 7. Jessica Szohr (5) 8. Kristen Bell (4) 9. Amanda Setton (8)
  15. Power and Darnell x4 Russell and Monroe x1 Fun Fact- Linda Darnell was under the age of 18 in every movie she made with Tyrone Power.
  16. Tyrone Power and Linda Darnell vs. Jane Russell and Marilyn Monroe Playlists http://www.youtube.com/user/DuduTheFlapper#grid/user/FC6270F70C8CE286 (Gentlemen prefer Blondes) http://www.youtube.com/user/classicscreengems#grid/user/20D2611C856B7433 (Day Time Wife) http://www.youtube.com/user/13ladivina13 (The mark of Zorro) The guy who uploaded "The Mark of Zorro" doesn't have it on a playlist, but he does have the movie uploaded in parts.
  17. Sami Frey and Brigitte Bardot-16 James Dean and Natalie Wood-34 I got ten votes! YAY! Anyway next round will be up shortly. Meanwhile enjoy "Blame it on the Boogie."
  18. spades24 replied to gigiriva's post in a topic in Babe Polls
    Anna Maria Jagodzinska x1 Mona Johannesson x2 Mini Anden x3 Sylwia Sucharska x1 Klara Wester x2
  19. spades24 replied to Nine's post in a topic in MODEL ID [help]
    Who's the girl in the blue top?
  20. Diane Lane Hilary Duff Isabel Lucas Sara Paxton Jessica Biel Naomi Watts Mary Elizabeth Winstead Keira Knightley
  21. James Dean and Natalie Wood x5
  22. Sami Frey and Brigitte Bardot vs. James Dean and Natalie Wood
  23. Robert Cummings and Deanna Durbin-21 Tyrone Power and Alice Faye-24 Robert Cummings and Deanna Durbin did three movies together. Three smart girls grow up, spring parade, and It all started with Eve. I only like it all started with Eve. Anyway, here are the playlists for all three if you want to watch them. If you you do watch "Three smart girls grow up." I suggest you watch "Three smart girls." and the last of the three "Hers to hold." I wil give you the link for those too. Spring Parade http://www.youtube.com/user/gingerrogersfan#grid/user/F9F996B46254F49F It All Started With Eve http://www.youtube.com/user/classicsaryt56#grid/user/A5E1BCC8A6E80EA2 Three Smart Girls http://www.youtube.com/user/classicsaryt56#grid/user/D08328A6B8AFD9A5 Three Smart Girls Grow Up http://www.youtube.com/user/ddurbinfan#grid/user/97A81560E7F78C22 Hers to Hold http://www.youtube.com/user/classicsaryt56#grid/user/EA10C1313CA43782
  24. Best Direction-Eighth Wonder Best Singer-Robyn Best Song-Robyn