wendylorene Posted November 29, 2012 Share Posted November 29, 2012 Model Memorable Moments Manon Leloup (Wilhelmina New York)HOMETOWN: Paris WHERE YOU SAW HER THIS SEASON: Calvin Klein, The Row, Prada, Jil Sander, Missoni, Balmain, John Galliano, Celine, Stella McCartney, Valentino, McQueen, Miu Miu MANON’S MEMORABLE MOMENT: There were two moments, of course Calvin Klein because that was the first one and the music was nice, I realized that maybe this wasn’t so scary! The music was peaceful and calming. We went straight to the airport afterwards and it was nice to travel to Paris for a little while and get to spend some time there. I really liked the intimacy of the backstage at Balmain as well, it was wonderful. Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 1, 2012 Share Posted December 1, 2012 Céline - S/S 2013 Paris Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 3, 2012 Share Posted December 3, 2012 themodelfactor.com Quote Link to comment Share on other sites More sharing options...
FashionDream Posted December 3, 2012 Share Posted December 3, 2012 John Galliano Details Quote Link to comment Share on other sites More sharing options...
FashionDream Posted December 3, 2012 Share Posted December 3, 2012 It’s an irritatingly clichéd moniker, especially in the fashion business, but there’s nothing else to call Manon Leloup but a bona-fide “It” girl. Perhaps it’s her long, swanlike neck or maybe her bushy, albeit perfectly groomed, brows. Or maybe it’s that arresting French gamine mystique she radiates that has designers mad for Leloup. Signing with Wilhelmina mere weeks before the most recent New York collections castings, the Croix native’s rise was fast and furious, making her one of the most talked about faces of the spring season almost instantly. With 20 shows under her belt (nearly all on the ultraelite, ultraexclusive end of the spectrum — Celine, Jil Sander, Alexander McQueen, etc.), Leloup is no doubt destined for impressive editorial work and then, campaigns.But enough about her modeling career. Leloup has another talent (some girls have all the luck). As it turns out, the 20-year-old is proving herself quite the accomplished photographer. During the spring collections her favorite accessory was an old-school Nikon FM, which she wore slung around her neck as she ran from show to show, where she documented her backstage journey from New York through Paris. Here, she shares her pictures with WWD.WWD: How long have you had that camera?Manon Leloup: I actually got this from my grandma. It’s a hand-me-down. It’s very, very old. This camera has been around the world like two times already. It’s manual, which is what I like and I just use the simple Kodak film that everybody was using before [everything] was digitized.WWD: When did you first get into photography?M.L.: Well, my grandma gave me this camera when I was 11 and I’m 20 now, so nine years ago. I have digital cameras, too, but they’re bigger and during fashion week you don’t want to carry around any extra weight. I’m also more partial to analogue because everybody’s doing digital.WWD: Another obvious difference is that with digital you have unlimited takes.M.L.: Exactly. When you’re shooting analogue, you can’t do “click, click, click, click.” You think about what you’re shooting more. Also, in New York, I only had two rolls that I bought before I came here so I used those in New York and Milan. Then when I got back to my apartment in Paris, I looked everywhere for more film. I practically ransacked the place and found two more rolls. I definitely think the pictures are more thought-through with film because it’s so much more precious than digital.WWD: And you have the suspense of not seeing the result instantly.M.L.: Yes, I was so excited to get them developed. That’s the magic of analogue, you discover later. I remember when I got the pictures back, I was sitting on my sofa with my boyfriend and I was like, ‘I’m looking first.’ I wanted to make sure they looked good before he could see.WWD: What made you think of taking photos to chronicle your fashion season?M.L.: For me, it seems natural to take pictures. I don’t understand why more models don’t take them during fashion week. I was having my first experience of fashion week and I was like, maybe this will never happen again so I want to capture everything I can.wwd.com Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 9, 2012 Share Posted December 9, 2012 Calvin Klein Pre-Fall 2013 Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 9, 2012 Share Posted December 9, 2012 Donna Karan Pre-Fall 2013 Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 9, 2012 Share Posted December 9, 2012 Stella McCartney Show in October 2012 tfs Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 9, 2012 Share Posted December 9, 2012 Manon Leloup Shines Behind The Lens Too It’s an irritatingly clichéd moniker, especially in the fashion business, but there’s nothing else to call Manon Leloup but a bona-fide “It” girl. Perhaps it’s her long, swanlike neck or maybe her bushy, albeit perfectly groomed, brows. Or maybe it’s that arresting French gamine mystique she radiates that has designers mad for Leloup. Signing with Wilhelmina mere weeks before the most recent New York collections castings, the Croix native’s rise was fast and furious, making her one of the most talked about faces of the spring season almost instantly. With 20 shows under her belt (nearly all on the ultraelite, ultraexclusive end of the spectrum — Celine, Jil Sander, Alexander McQueen, etc.), Leloup is no doubt destined for impressive editorial work and then, campaigns. But enough about her modeling career. Leloup has another talent (some girls have all the luck). As it turns out, the 20-year-old is proving herself quite the accomplished photographer. During the spring collections her favorite accessory was an old-school Nikon FM, which she wore slung around her neck as she ran from show to show, where she documented her backstage journey from New York through Paris. Here, she shares her pictures with WWD. WWD: How long have you had that camera? Manon Leloup: I actually got this from my grandma. It’s a hand-me-down. It’s very, very old. This camera has been around the world like two times already. It’s manual, which is what I like and I just use the simple Kodak film that everybody was using before [everything] was digitized. WWD: When did you first get into photography? M.L.: Well, my grandma gave me this camera when I was 11 and I’m 20 now, so nine years ago. I have digital cameras, too, but they’re bigger and during fashion week you don’t want to carry around any extra weight. I’m also more partial to analogue because everybody’s doing digital. WWD: Another obvious difference is that with digital you have unlimited takes. M.L.: Exactly. When you’re shooting analogue, you can’t do “click, click, click, click.” You think about what you’re shooting more. Also, in New York, I only had two rolls that I bought before I came here so I used those in New York and Milan. Then when I got back to my apartment in Paris, I looked everywhere for more film. I practically ransacked the place and found two more rolls. I definitely think the pictures are more thought-through with film because it’s so much more precious than digital. WWD: And you have the suspense of not seeing the result instantly. M.L.: Yes, I was so excited to get them developed. That’s the magic of analogue, you discover later. I remember when I got the pictures back, I was sitting on my sofa with my boyfriend and I was like, ‘I’m looking first.’ I wanted to make sure they looked good before he could see. WWD: What made you think of taking photos to chronicle your fashion season? M.L.: For me, it seems natural to take pictures. I don’t understand why more models don’t take them during fashion week. I was having my first experience of fashion week and I was like, maybe this will never happen again so I want to capture everything I can. Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 9, 2012 Share Posted December 9, 2012 Stella McCartney - S/S 2013 Paris Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 9, 2012 Share Posted December 9, 2012 Donna Karan Pre-Fall 2013 Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 11, 2012 Share Posted December 11, 2012 Oscar de la Renta Pre-Fall 2013 Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 11, 2012 Share Posted December 11, 2012 Oscar De La Renta Pre-Fall 2013 style.com Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 11, 2012 Share Posted December 11, 2012 Valentino - S/S 2013 Paris Quote Link to comment Share on other sites More sharing options...
Mahi Posted December 11, 2012 Share Posted December 11, 2012 Calvin Klein Pre-Fall 2013 HQ style.com Quote Link to comment Share on other sites More sharing options...
Mahi Posted December 12, 2012 Share Posted December 12, 2012 [HQs] Donna Karan Pre Fall 2013/14 style.com Quote Link to comment Share on other sites More sharing options...
wendylorene Posted December 22, 2012 Share Posted December 22, 2012 waynetippetts.com Quote Link to comment Share on other sites More sharing options...
wendylorene Posted January 9, 2013 Share Posted January 9, 2013 Lanvin Pre-Fall 2013 (Behind The Scenes) twitter.com/EricWilsonNYT Quote Link to comment Share on other sites More sharing options...
wendylorene Posted January 9, 2013 Share Posted January 9, 2013 Sonia Rykiel Pre-Fall 2013 wwd.com Quote Link to comment Share on other sites More sharing options...
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