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Lana Turner was born Julia Jean Mildred Francis Turner in Wallace, Idaho. There is some discrepancy as to whether her birth date is February 8, 1920 or 1921. Lana herself said in her autobiography that she was one year younger (1921) than the records showed, but then this was a time where women, especially actresses, tended to "fib" a bit about their age. Most sources agree that 1920 is the correct year of birth. Her parents were Mildred Frances (Cowan) and John Virgil Turner, a miner, both still in their teens when she was born. In 1929, her father was murdered and it was shortly thereafter her mother moved her and the family to California where jobs were "plentiful". Once she matured into a beautiful young woman, she went after something that would last forever: stardom. She wasn't found at a drug store counter, like some would have you believe, but that legend persists. She pounded the pavement as other would-be actors and actresses have done, are doing and will continue to do in search of movie roles. Without a doubt her private life was a threat to her public career. She was married eight times, twice to Stephen Crane. She also married Ronald Dante, Robert Eaton, Fred May, Lex Barker, Henry Topping and bandleader Artie Shaw. She also battled alcoholism. In yet another scandal, her daughter by Crane, Cheryl Crane, fatally stabbed Lana's boyfriend, gangster Johnny Stompanato, in 1958. It was a case that would have rivaled the O.J. Simpson murder case. Cheryl was acquitted of the murder charge, with the jury finding that she had been protecting her mother from Stompanato, who was savagely beating her, and ruled it justifiable homicide. These and other incidents interfered with Lana's career, but she persevered. The release of Imitation of Life (1959), a remake of a 1934 film (Imitation of Life (1934)), was Lana's comeback vehicle. Her performance as Lora Meredith was flawless as an actress struggling to make it in show business with a young daughter, her housekeeper and the housekeeper's rebellious daughter. The film was a box-office success and proved beyond a doubt that Lana had not lost her edge. Her final film work came in the acclaimed TV series Falcon Crest (1981) in which she played Jacqueline Perrault from 1982-1983. After all those years as a sex symbol, nothing had changed--Lana was still as beautiful as ever. She died June 25, 1995, in Culver City, California, after a long bout with cancer. She was 75 years old.

Michelle Morgan (born July 16, 1981) is a Canadian actress and singer. She is the fourth of six children. On June 30, 2012 she married Derek Tisdelle. They have two children: a daughter, Mara Carmen, who was born on 1 April 2011] and a son, Noah Santiago, who was born on 30 September 2013.

Born on December 27, 1901, in Berlin, Germany, Marlene Dietrich had the given name Maria Magdalene Dietrich. In her teens, she gave up music to explore acting. She appeared in her first film, Tragedy of Love, in 1923. She explored notions of feminism with her femme fatale roles in films, such as in the film Morocco. She died on May 6, 1992, in Paris, France. Actress and singer Marlene Dietrich was born Maria Magdalene Dietrich on December 27, 1901, in Berlin, Germany. One of the most glamorous leading ladies of the 1930s and 1940s, Marlene Dietrich is remembered for her smoldering sex appeal, distinctive voice, and unusual personal style. Her police officer father died when she was young, and her mother later married Edouard von Losch, a cavalry officer. Growing up, Dietrich studied French and English at her private school. She also took violin lessons with the hopes of becoming a professional violinist. While in her late teens, Dietrich gave up music to explore acting. She attended Max Reinhardt’s drama school and soon started to land small parts on stage and in German films. Because of her family’s disapproval of her career choice, Dietrich chose to use a combination of her first and middle name professionally. In 1923, Dietrich married Rudolf Sieber, a film professional who helped her land a part in Tragedy of Love (1923). The couple welcomed their only child, Maria, the following year. They later separated, but never divorced. Dietrich’s career in Germany began to take off in the late 1920s. Making film history, she was cast in Germany’s first talking picture Der Blaue Engel (1930) by Hollywood director Josef von Sternberg. An English language version, The Blue Angel, was also filmed using the same cast. With her sultry good looks and sophisticated manner, Dietrich was a natural for the role of Lola Lola, a nightclub dancer. The film follows the decline of a local professor who gives up everything to have a relationship with her character. A big hit, the film helped make Dietrich a star in the United States. In April 1930, shortly after the premiere of Der Blaue Engel in Berlin, Dietrich moved to America. Again working with von Sternberg, Dietrich starred in Morocco (1930) with Gary Cooper. She played Amy Jolly, a lounge singer, who gets entangled in a love triangle with a member of the Foreign Legion (Cooper) and a wealthy playboy (Adolphe Menjou). For her work on the film, Dietrich received her one and only Academy Award nomination. Continuing to play the femme fatale, Dietrich challenged accepted notions of feminity. She often wore pants and more masculine fashions on- and off-screen, which added to her unique allure and created new trends. Dietrich made several more films with von Sternberg, including Dishonored (1931), Shanghai Express (1932) and The Scarlet Empress (1934), in which she played the famed member of Russian royalty, Catherine the Great. Their last film together was The Devil Is a Woman (1935)—reportedly her personal favorite film. Considered by many to her most ultimate portrayal of a vamp, Dietrich played a cold-hearted temptress who captivates several men during the Spanish revolution. Dietrich later softened her image somewhat by taking on lighter fare. Starring opposite Jimmy Stewart, she played a saloon gal in western comedy Destry Rides Again (1939). Around this time, Dietrich also made several films with John Wayne, including Seven Sinners (1940), The Spoilers (1942) and Pittsburgh (1942). The two were said to have had a romantic relationship, which later turned into a strong friendship. In her personal life, Dietrich was a strong opponent of the Nazi government in Germany. She had been asked to return to Germany by people associated with Adolf Hitler in the late 1930s to make films there, but she turned them down. As a result, her films were banned in her native land. She made her new country her official home by becoming a U.S. citizen in 1939. During World War II, Dietrich traveled extensively to entertain the allied troops, singing such songs as "Lili Marlene" and others that would later become staples in her cabaret act. She also worked on war-bond drives and recorded anti-Nazi messages in German for broadcast. After the war, Dietrich made several more successful films. Two films directed by Billy Wilder, A Foreign Affair (1948) and Witness for the Prosecution (1957) with Tyrone Power, were among the most notable from this period. She also turned in two strong supporting performances in Orson Welles’ Touch of Evil (1958) and Judgment at Nuremberg (1961). As her film career faded, Dietrich began a thriving singing career in the mid-1950s. She performed her act around the world, from Las Vegas to Paris, to the delight of her fans. In 1960, Dietrich performed in Germany, her first visit there since before the war. She encountered some opposition to her return, but she received a warm reception overall. That same year, her autobiography, Dietrich's ABC, was published. By the mid-1970s, Dietrich had given up performing. She moved to Paris where she lived out the remainder of her life in near-seclusion. In the mid-1980s, she did provide some audio commentary for Maximillian Schell’s documentary film on her, Marlene (1984), but she refused to appear on camera. Dietrich died on May 6, 1992, in her Paris home. After her funeral, she was buried next to her mother in Berlin. Dietrich was survived by her daughter Maria and her four grandchildren. Her daughter later wrote her own biography of her famous mother, Marlene Dietrich, in the mid-1990s.

Actress, producer and screenwriter Gladys Mary Smith was born on April 8, 1892, in Toronto, Ontario, Canada. Known as "America’s Sweetheart," Mary Pickford was a legendary film actress during the age of silent pictures. She often appeared on screen in young girl roles, even when she was an adult. Pickford began performing at the age of five on the stage and was known for a time as "Baby Gladys." After touring in different shows and productions for more than nine years, she went to New York to conquer Broadway. Taking the stage name, Mary Pickford, she made her Broadway debut in The Warrens of Virginia. Soon after the show’s run, Mary Pickford got into film, working for D. W. Griffith, a director and head of American Biography Company. At the time, most films were short and she appeared in more than 40 movies in 1909. When Griffith moved his operation to California the following year, Pickford went with him. Over the years, her fame grew as well as her salary. She became an international star, beloved for her beauty and charm. Some of Mary Pickford’s greatest films were a collaborative effort with friend and writer-director Frances Marion. Together they worked on such hits as Rebecca of Sunnybrook Farm (1917) and Poor Little Rich Girl (1917). Pickford also worked behind the scenes as a producer and founded the United Artists (UA), a film company, in 1919, with D. W. Griffith, Charlie Chaplin, and Douglas Fairbanks, Sr., who would become her second husband. She had been married to actor Owen Moore and divorced him to be with Fairbanks. Mary Pickford and Douglas Fairbanks married in 1920, becoming one of Hollywood’s earliest super couples. Fans adored the pairing, and the couple were known to host fabulous events at their home, called Pickfair, which were attended by many of the leading figures in film. In the 1920s, Mary Pickford continued to score more box-office hits with Polyanna (1920) and Little Lord Fauntleroy (1922). She went on to help establish the Academy of Motion Picture Arts and Sciences in 1927. Around this time, the film industry was changing and talking pictures were on the rise. In 1929, Pickford starred in her first talkie Coquette, which explored the dark side of a wealthy family. She won an Academy Award for her work on the film. Still she was never quite able to recreate the phenomenal success she had in silent pictures with the sound films. Her last film was 1933’s Secrets. After retiring from the screen, Mary Pickford continued to be involved in filmmaking. She worked as a producer on such films as One Rainy Afternoon (1936), Susie Steps Out (1946) and Sleep, My Love (1948). She also was on the board of directors for UA for many years. She married her third husband, Charles “Buddy” Rogers, in 1937. They adopted two children and stayed together until her death. In her final years, Mary Pickford became reclusive. She largely stayed home at Pickfair and choosing to only see a select few friends. She died on May 29, 1979, in Santa Monica, California.