YouNoMe

From my point-of-view, so it seems. Change is inevitable, and each character of Quentin's lens, so I have concluded, are symbols of that change. OUATIH is fairytale version of true events. Of involuntary movement...irrefutable alteration. But in reality, perhaps arguably, societal influence--socialites for society--operates in phases. That is Merriam Webster's depiction of phase. Rick near surely was a guest and Cliff, a guest of a guest. But, if I may say, movies fall under entertainment, not analysis. Every angle imprisons a different view, right? Yeah?

a). I'm pleased you think so, believing my perception was nicely put. b). Transformation complete. Transformations never stop. The hosts are often halted. Change is antipathetic to same. Sharon as the hostess, Charles as the halt. Hollywood as the transformation, and OUATIH as the recount/memories/recordings of the metamorphosis. Or so the old man desires.

1). No reason. I just didn't get around to listening to the old man. 2). Sharon...too good to be true...maybe. What I know is she was the face of metamorphosis, and due to corruptible will that transaction was not completed. As an American, she embodies American fragility. To wherever God keeps her I pray is peaceful. P.S. Thanks @Jade Bahr hugs and kisses! My favourite pic:

Mirella, I didn't watch the interview you posted, but from what I think I learned from other OUATIH press junkets, Sharon (Tate) is the body of transition for that era of Hollywood. She encapsulated a budding flower 🌸 on untrenched territory. OUATIH forced me to investigate Sharon the person, rather than settle for remnants of hearsay about Sharon the victim. Because someone decided to share their space and gift to reiterate the significance of being, a human, regardless of status is gone, as the rhythm of life goes, but unforgotten, just as the responsibility of generations demands. That, I believe, is the duty of memory, of recounts, of presence, of being, of film making and Quentin (Tarantino) is one of few who has satisfied that demand.