akatosh

At least somebody appreciates Leo's talent in KOTFM:

I think it's dissapointing Leo gets overlooked at some critics nominations. But at least he got in at the important ones. Here's a video about the visual effects in KOTFM. Very interesting and well done because I never noticed that it wasn't real.

The answer to the second question is quite interesting. Sitting at the fire and sharing a smoke.😊 And them putting that in their scene too. Also good for them to stop smoking. Though I think Leo is still vaping. Lily Gladstone on Killers of the Flower Moon: ‘It’s paramount Native stories are told by indigenous film-makers’ Her performance in Martin Scorsese’s Killers of the Flower Moon has made her an Oscar favourite. She talks about nerves, Native American representation and bonding over cigarettes with DiCaprio Were you at all fazed by working with legends such as Martin Scorsese, Leonardo DiCaprio and Robert De Niro? I don’t know that I was fazed, but I was definitely intimidated at first. With a role as big as Molly, you’ve just got to get through that quickly. But my hands were shaking the first day with Leo, and the same with Robert. Is there anything you did to break the ice with DiCaprio, your on-screen husband? He invited me over to dinner. We were sitting outside at his place with a fire going, and just talking. He pulled out a packet of cigarettes, and I hadn’t brought mine with me. So I was like: “Oh, I’m sorry. Can I bum one?” So it was the two of us sharing a few cigarettes over the fire and just getting to know each other that really broke the ice. And then he said: “This feels good. We need to put this in the film somehow. I think Ernest and Molly should smoke together.” I was like: “Yeah, that sounds great.” A lot of ladies would have their little pipes – tobacco was very much a thing. So we enjoyed that. It’s funny, as since then both of us have quit. Your character is so central to the movie, I wanted to see more of her, and yet the emphasis is still on the white men. Is that just the reality of the movie industry? You’re definitely not alone in thinking that. And I think it’s great that there’s been so much call to see more of a Native perspective and more of Native characters. Marty understood that it wasn’t his place to be that film-maker. While there’s definitely a need for more Native stories to be out there, it’s paramount they be told by indigenous film-makers. It doesn’t mean that there’s not a very important place that films like this hold, to make general audiences care about these stories and characters more. Your character Molly spends quite a bit of time suffering, grieving and being ill. Was that harrowing to play? Yeah, and sometimes I did need to have time to myself, just in my trailer. But ultimately, there was such a strong Native presence on that set – the cast, the crew, the extras. And when you get a lot of Natives together in any one space, it’s just laughter all the time. So I felt like that was one way I was able to sustain a sense of self and take myself away from this traumatic story for a time. It must feel good to be getting this recognition, but this story also stirs up painful memories for Native Americans. Is that a contradictory feeling? The way that we deal with it is by celebrating; counteracting it with humour – they’ve always kind of gone in tandem for me. I think that’s one thing that people really note about our style of storytelling. Just to reference Reservation Dogs, Sterling Harjo’s show, people are always remarking how in one episode, you’re crying and laughing – those two things together. So I don’t know if “contradict” is the right word; it feels more like balance. https://www.theguardian.com/film/2023/dec/20/lily-gladstone-on-killers-of-the-flower-moon-its-paramount-native-stories-are-told-by-indigenous-film-makers?CMP=share_btn_tw

Full interview in high quality:

Leo making Lily laugh and Lily talking about Leo being the most generous person. This time in better quality than a few days ago:

Satellite Award nominatins: MOTION PICTURE ACTRESS IN A MOTION PICTURE DRAMA Natalie Portman May December (Netflix) Carey Mulligan Maestro (Netflix) Lily Gladstone Killers of the Flower Moon (Paramount Pictures) Greta Lee Past Lives (A24) Penélope Cruz Ferrari (Neon) Sandra Hüller Anatomy of a Fall (Neon) ACTOR IN A MOTION PICTURE DRAMA Andrew Scott All of Us Strangers (Searchlight Pictures) Bradley Cooper Maestro (Netflix) Cillian Murphy Oppenheimer (Universal Pictures) Leonardo DiCaprio Killers of the Flower Moon (Paramount Pictures) Colman Domingo Rustin (Netflix) Franz Rogowski Passages (MUBI) ACTOR IN A SUPPORTING ROLE Ryan Gosling Barbie (Warner Bros) Robert Downey Jr. Oppenheimer (Universal Pictures) Robert DeNiro Killers of the Flower Moon (Paramount Pictures) Mark Ruffalo Poor Things (Searchlight Pictures) Charles Melton May December (Netflix) Dominic Sessa The Holdovers (Focus Features) MOTION PICTURE, DRAMA Killers of the Flower Moon (Paramount Pictures) Maestro (Netflix) May December (Netflix) Oppenheimer (Universal Pictures) Past Lives (A24) Ferrari (Neon) DIRECTOR Martin Scorsese Killers of the Flower Moon (Paramount Pictures) Christopher Nolan Oppenheimer (Universal Pictures) Yorgos Lanthimos Poor Things (Searchlight Pictures) Jonathan Glazer The Zone of Interest (A24) Alexander Payne The Holdovers (Focus Features) Greta Gerwig Barbie (Warner Bros) SCREENPLAY, ADAPTED Cord Jefferson (screenplay) Percival Everett (novel) American Fiction (MGM) Eric Roth, Martin Scorsese (screenplay) David Grann (book) Killers of the Flower Moon (Paramount Pictures) Christopher Nolan (screenplay) Kai Bird, Martin Sherwin (book) Oppenheimer (Universal Pictures) Tony McNamara (screenplay) Alasdair Gray (novel) Poor Things (Searchlight Pictures) Jonathan Glazer (screenplay) Martin Amis (novel) The Zone of Interest (A24) Andrew Haigh (screenplay) Taichi Yamada (novel) All of Us Strangers (Searchlight Pictures) ORIGINAL SCORE Daniel Pemberton Spider-Man: Across the Spider-Verse (Columbia / Sony Pictures ) Ludwig Göransson Oppenheimer (Universal Pictures) Robbie Robertson Killers of the Flower Moon (Paramount Pictures) Jerskin Fendrix Poor Things (Searchlight Pictures) Michael Giacchino Society of the Snow (Netflix) Laura Karpman American Fiction (MGM) CINEMATOGRAPHY Rodrigo Prieto Killers of the Flower Moon (Paramount Pictures) Linus Sandgren Saltburn (Amazon Studios) Hoyte van Hoytema Oppenheimer (Universal Pictures) Matthew Libatique Maestro (Netflix) Erik Messerschmidt Ferrari (Neon) Dariusz Wolski Napoleon (Columbia Pictures) Fraser Taggart Mission: Impossible – Dead Reckoning Part One (Paramount Pictures) FILM EDITING Thelma Schoonmaker Killers of the Flower Moon (Paramount Pictures) Nick Houy Barbie (Warner Bros) Kevin Tent The Holdovers (Focus Features) Jennifer Lame Oppenheimer (Universal Pictures) Michelle Tesoro Maestro (Netflix) Yorgos Mavropsaridis Poor Things (Searchlight Pictures) SOUND (EDITING AND MIXING) Oppenheimer (Universal Pictures) Maestro (Netflix) Killers of the Flower Moon (Paramount Pictures) Napoleon (Columbia Pictures) American Symphony (Netflix) Ferrari (Neon) PRODUCTION DESIGN Maria Djurkovic, Sophie Phillips (Set Decorator) Ferrari (Neon) Jack Fisk, Adam Willis (Set Decorator) Killers of the Flower Moon (Paramount Pictures) Kevin Thompson, Rena DeAngelo (Set Decorator) Maestro (Netflix) Ruth De Jong, Claire Kaufman (Set Decorator) Oppenheimer (Universal Pictures) Sarah Greenwood, Katie Spencer (Set Decorator) Barbie (Warner Bros) Arthur Max Napoleon (Columbia Pictures) COSTUME DESIGN David Crossman, Janty Yates Napoleon (Columbia Pictures) Jacqueline West Killers of the Flower Moon (Paramount Pictures) Jacqueline Durran Barbie (Warner Bros) Holly Waddington Poor Things (Searchlight Pictures) Francine Jamison-Tanchuck The Color Purple (Warner Bros) Ellen Mirojnick Oppenheimer (Universal Pictures) https://www.pressacademy.com/news/ipa-reveals-nominations-for-the-28th-satellite-awards/

Boston Online Film Critics Association Winners https://twitter.com/BOFCA Best Picture: KILLERS OF THE FLOWER MOON Best Actress: Lily Gladstone, KILLERS OF THE FLOWER MOON

I just watched the Interview with Leo's Make Up Artist Sian Grigg. She talked about Leo and their work process together. Quite interesting. She said a lot of nice things about him. https://fycextras.com/killers-of-the-flower-moon/extras

I came across lots of HQ videos of cast and crew interviews including some of the latest Q&As with Leo and Lily: https://fycextras.com/killers-of-the-flower-moon/11-17

Special Screening Of The Apple Original Film “KILLERS OF THE FLOWER MOON" PARIS, FRANCE - DECEMBER 13: (EDITOR’S NOTE: Image has been retouched at the request of the client.) (L-R) Leonardo DiCaprio, Isabelle Huppert and Lily Gladstone celebrate a Special Screening of the Apple Original Film "KILLERS OF THE FLOWER MOON" on December 13, 2023 in Paris, France. (Photo by Marc Piasecki/Getty Images for Apple TV)

New York Film Critics Online (NYFCO) Awards: ‘Killers of the Flower Moon’ Named Best Film https://awardswatch.com/new-york-film-critics-online-nyfco-awards-killers-of-the-flower-moon-named-best-film/ And I found this nice pic:

That are cute words from Rita Ora. Let's hope everybody wants him to win for KOTFM as well😊 Welcome @Pami

AACTA International Awards Nominations for Leo, Lily, De Niro, Marty and Film https://www.aacta.org/aacta-awards/aacta-international-awards/13th-aacta-international-awards/

Fantasia and the Color Purple girls about Leo: (at 2:30)🤭

Looks like they were doing interviews for the european press. Hopefully we will get the videos soon. And the first video arrived

‘Killers of the Flower Moon’ stars Leonardo DiCaprio and Lily Gladstone praise the film’s historical accuracy and each other in passionate Wednesday chat In an online interview/webinar designed to spark awards momentum with members of the entertainment media on Wednesday, “Killers of the Flower Moon” stars Lily Gladstone and Leonardo DiCaprio discussed the importance of maintaining the historical accuracy of director Martin Scorsese’s epic while at the same time praising the work and humanity of one another. DiCaprio portrays Ernest Burkhart and Gladstone his wife Mollie – a member of the Osage Nation – in telling the real-life story of a series of brutal murders of the Osage people fueled by oil and greed in early 1920s Oklahoma. “Speaking specifically about working with Mr. Scorsese, we’ve done a few biopics together based in real history,” DiCaprio says. “This had a whole new level of responsibility in my opinion. A lot of things could have been up for our own interpretation, or our own viewpoint, on how to tell this story. But we knew based on how important this was historically, and this was a sort of lost, very dark chapter in American history that we needed to tell correctly. And that meant we needed to listen. That was our responsibility, not only after reading the book and delving into all of the great research that (author) David Grann did. We needed to go to the Osage community and hear their perspective on this story. SEELily Gladstone dethrones Emma Stone as Oscar Experts’ front-runner for Best Actress Gladstone, who is herself of indigenous heritage, shared that she and DiCaprio “took several community meetings together” on location in Oklahoma. “It was really incredible actually walking into a community that had no idea of who we were as individuals but knew who we were there to play,” she said. “And immediately, the community kind of started treating us and regarding us as those characters…Just taking these meetings together, hearing about who these people (we were playing) were, and hearing it from Osage in meeting after meeting…So I think as we were building our characters individually, we were also taking these meetings together, building what the dynamic may have been as this couple.” She adds that it wasn’t at all clear at the outset that the dynamic of hers and DiCaprio’s characters was going to function onscreen the way that it did between the actual Ernest and Mollie in reality. “It was a really fun acting exercise in those early weeks and reminded me of just being in school again where you’re just given lines and text without any context.” DiCaprio wasn’t at all surprised that his director was even more tied to delivering the authenticity of the story than he and Gladstone were. “There were moments with Marty on the set where I looked at him and he said, ‘I feel this story in my bones. I feel this incredible responsibility to tell this correctly’,” he recalls. “And especially after doing research and looking back at history from a Native (American) perspective, how Hollywood has portrayed these stories in the past, this was an incredibly sensitive one. It’s generational. The Osage are still affected by this moment in history, ad we just knew it was our job to listen and get their perspective. A lot of those meetings and working with Lily really shaped (the film).” In terms of how well the actors got along during the shoot, well, it was clearly the mutual admiration society. Asked about something unexpected she learned about DiCaprio as they worked together, Gladstone responds, “How incredibly generous he is – I mean, as a human being, as an actor.” She admits it was intimidating being the new kid on the block who hadn’t worked at this level before. “The imposter syndrome feelings, the feeling that you’re not going to get it right. All of that was just so easy to get around because (DiCaprio is) so patient. he’s so generous, he’s so committed to this film. I mean, he told me the first week how much this film meant to him, and I could see that immediately. And just the amount of space I was given, the amount of encouragement I was given. And that continues. He’s one of the most generous people I’ve met in my life.” DiCaprio was equally taken with his co-star. “I knew after our initial meeting how incredibly intelligent she was,” he emphasizes, “(and) she really inhabited the soul of Mollie. Oftentimes, she came on set and it felt like the presence of Mollie was there. She came up with so many amazing moments and dynamics. The whole notion of me being the trickster, the coyote, which was a prevalent theme and something that really shaped the entire relationship between these two characters was all her idea…I mean, it was amazing the amount of texture she brought to not only her performance, but the entire structure of the movie and shaping the movie that you see today.” Both Gladstone and DiCaprio are among the frontrunners in this year’s Oscar race for Best Actress and Best Actor, respectively. In fact, Gladstone this week overtook Emma Stone (“Poor Things”) for first place among the expert journalists weighing in at Gold Derby. DiCaprio remains locked in the fourth position behind Cillian Murphy (“Oppenheimer”), Bradley Cooper (“Maestro”) and Paul Giamatti (“The Holdovers”). https://www.goldderby.com/article/2023/killer-of-the-flower-moon-leonardo-dicaprio-lily-gladstone-interview/

Oh I would love for Leo to work with Greta. Greta would definitely be willing because she loves/loved Leo. About the new project: I wouldn't mind if Leo did two movies back to back again. The Wager seems unlikely because I think they need time for pre production and for the script. I'm happy when he's on set again early next year. Then we maybe have a finished movie by december🙏

New pic of Leo, Lily and Marty and I think the one of Leo below is also new:

A long interviews with Lily:

In an interview from e news with Leo she already talked about this project and that she had Leo's immense support for it. Maybe he is producing this?

😍 Source: https://www.instagram.com/p/C0wxihcoLUb/

HAIR! Special Screening And Luncheon Of "Killers Of The Flower Moon" And another Screening:

So interesting. I could watch these behind the scenes videos for hours.

They just can't keep their hands off each other: 🤭 A new Leo project is mentioned but he wasn't allowed to talk about it: Breaking Baz: Playful Leonardo DiCaprio Joins ‘Killers Of The Flower Moon’ Co-Star Lily Gladstone In London – And Cate Blanchett Came Too EXCLUSIVE: Leonardo DiCaprio was in a playful mood when he and Lily Gladstone, his co-star in Martin Scorsese’s disturbingly thrilling American history lesson Killers of the Flower Moon, were at the center of a small gathering at the Odeon Luxe in London’s Leicester Square. DiCaprio ridiculed a suggestion that players for English Premier League teams were better athletes than U.S. basketball players. “Better than Michael Jordan?” he scoffed. “The greatest basketball player ever!” Grinning, he conceded that he doesn’t follow soccer teams. “What’s Arsenal?” he demanded, going for the jugular. Sport wasn’t really on the agenda but it usually helps to encourage banter at these events. DiCaprio and Gladstone were in the West End Monday night for an awards screening of Killers of the Flower Moon. DiCaprio’s friend, Cate Blanchett, was also in attendance, ready to introduce the actors at the screening. “We didn’t get to talk or promote for the longest time because of the strike,” Leo said. “We’re making up for lost time,” he added. They were off to Paris on Tuesday. “Short visits. In, then out,” Leo explained. The Oscar winner has made six films with Scorsese: Gangs of New York, The Aviator, The Departed, Shutter Island, The Wolf of Wall Street, and now Apple Studios picture, Killers of the Flower Moon. Does he figure he’ll do another movie with Scorsese? His eyes widened. “This one took seven years of development and production. It would be great but any film takes time to develop. There’s rights to get right. We went up for this a couple of times.” Well then, what’s his next project? “I have one but I don’t think I’m allowed to discuss it. I want to but I don’t think I’m allowed. I would love to give you a scoop, but I can’t,” he pleaded sheepishly. Now, 1,101 actors and filmmakers have given me the exact same lament over the years but, hey, this was Leonardo DiCaprio being utterly charming and giving naught away. We were having a laugh, though. The fact that he was even exchanging banter, was in itself an occurrence rarer than hen’s teeth. There can never be substantial conversations at such occasions but even having him take the piss out of my sporting favorites brightened up what could have been a dull Monday night. His good cheer had something to do with the seven Golden Globe Awards nominations Killers of the Flower Moon had received earlier in the day, including both he and Gladstone being cited for their performances. Full disclosure: I’m a Golden Globe Awards voter, one of 300 from 75 countries. I should note that I did not have as much as a sip of water at the reception. Zero. Nothing. Not even a humble peanut. Wait. There weren’t any peanuts. Nothing to eat at all, actually. But plenty of booze and plenty of water. I had none of it. Bit extreme. But there are practical reasons for not indulging at these soirées but now’s not the time. I have thought about Lily Gladstone a lot since we met at Cannes where Killers of the Flower Moon had its world premiere. At the heart of the movie is a love story of Ernest Burkhart, a blundering bounder who, with an unfriendly shove from his malevolent uncle, played by Robert DeNiro, woos Gladstone’s Mollie, because as a member of the Osage Nation, she’s heir to oil rights under Osage County in Oklahoma. Even though Mollie’s hurled through hell, Gladstone gave her a calmness that’s utterly beguiling. Gladstone said she remembers watching the film at Cannes and seeing members of the Osage community up on the screen riding around in their finest clothes in swanky cars. And hearing the score from Robbie Roberson, who died in August, was poignant because “my dad was a huge fan.” The important point though, she noted, was that “Native people are really proud. We’re very clean, we’re well conducted, we have a regality about our tradition and our ways that people just don’t realize. “Seeing Indian wealth represented on screen with Robbie Robertson’s score over the top of it was like, this is real. This is happening. This is the way it should be and I got emotional because it’s like, it should have stayed that way.” Upcoming, after next March when awards season’s over, Gladstone has a movie project in development and she’s executive producing, plus a television drama, but, alas, “I can’t talk about them.” But she was able to share details about a beloved project concerning a biopic of Mildred Bailey. Another example “of excellent Natives through history that we don’t ever see.” A film about Bailey, ”the first woman to sing in front of a big band, she got Bing Crosby’s career going, and she gave a job to Billie Holiday’s mom when Billie was trying to break through,” is being developed with Erica Tremblay (Reservation Dogs), who directed Gladstone in the feature, Fancy Dance. “A lot of people say Mildred Bailey was Billie Holiday before Billie Holiday was, and she sang in this very similar style,” Gladstone revealed. Bailey’s singing, Gladstone noted, was “actually very influenced by where she grew up. She’s from Coeur d’Alene people from Idaho.” During World War II, Bailey was a radio fixture. ”She had everybody on her radio show, she was a big deal at the time, but history erased her.” Bailey was mixed Coeur d’Alene and Scandinavian but her record labels didn’t know how to present her. ”They tried to label her the Great White jazz singer and when she pushed back on that then they started writing about her as a Black jazz singer, and she’s like, neither,” Gladstone says. “So they clearly erased her Indigeneity while she was famous and then since she passed away she got erased from history,” Gladstone sighed. The Mildred Bailey film’s way off in the future, she and Tremblay are focussing on getting Fancy Dance sold. Mildred Bailey’s turn will come though. Already Gladstone’s linked up with Stella Heath, an actor and singer who’s acting as her vocal coach and guide to all things concerning Mildred Bailey. ”She has the whole arsenal of Mildred’s history,” she said admiringly. Turning, Gladstone looked over at Leo. “I’m so happy for him,” she beamed. https://deadline.com/2023/12/leonardo-dicaprio-lily-gladstone-london-screening-killers-of-the-flower-moon-1235662842/

Screening and Q&A in London: