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Loretta Young (born Gretchen Young; January 6, 1913 – August 12, 2000) was an American actress. Starting as a child actress, she had a long and varied career in film from 1917 to 1953. She won the Academy Award for Best Actress for her role in the film The Farmer's Daughter (1947), and received her second Academy Award nomination for her role in Come to the Stable (1949). Young moved to the relatively new medium of television, where she had a dramatic anthology series, The Loretta Young Show, from 1953 to 1961. The series earned three Emmy Awards, and was re-run successfully on daytime TV and later in syndication. In the 1980s, Young returned to the small screen and won a Golden Globe for her role in Christmas Eve in 1986. She was born Gretchen Young in Salt Lake City, Utah, the daughter of Gladys (née Royal) and John Earle Young. At confirmation, she took the name Michaela. When she was two years old, her parents separated, and when she was three, her mother moved the family to Hollywood. She and her sisters Polly Ann and Elizabeth Jane (better known as Sally Blane) all worked as child actresses, but of the three, Gretchen was the most successful. Young's first role was at the age of two or three in the silent film Sweet Kitty Bellairs. During her high-school years she was educated at Ramona Convent Secondary School. She was signed to a contract by John McCormick, husband and manager of actress Colleen Moore, who saw the young girl's potential. Moore gave her the name Loretta, explaining that it was the name of her favorite doll. From the time of Young's retirement in the 1960s until not long before her death, she devoted herself to volunteer work for charities and churches with her friends of many years: Jane Wyman, Irene Dunne, and Rosalind Russell. She was a member of the Church of the Good Shepherd in Beverly Hills and the Catholic Motion Picture Guild in Beverly Hills, California. Young, a devout Catholic, also worked with various Catholic charities after her acting career. Young briefly came out of retirement to star in two television films: Christmas Eve (1986) and Lady in the Corner (1989). She won a Golden Globe Award for the former and was nominated for the latter. In 1972, a jury in Los Angeles awarded Young $550,000 in a lawsuit against NBC for breach of contract. Filed in 1966, the suit contended that NBC had allowed foreign television outlets to re-run old episodes of The Loretta Young Show without excluding, as agreed by the parties, the opening segment in which Young made her entrance. Young testified that her image had been damaged by portraying her in "outdated gowns". She had sought damages of $1.9 million. Young died of ovarian cancer on August 12, 2000, at the home of her maternal half-sister, Georgiana Montalbán (the wife of actor Ricardo Montalban) in Santa Monica, California. She was interred in the family plot in Holy Cross Cemetery in Culver City, California. Her ashes were buried in the grave of her mother, Gladys Belzer.

Veronica Lake (born Constance Frances Marie Ockelman; November 14, 1922 – July 7, 1973) was an American film, stage, and television actor. Lake was best known for her femme fatale roles in film noirs with Alan Ladd during the 1940s and her peek-a-boo hairstyle. By the late 1940s, Lake's career began to decline, due in part to her alcoholism. She made only one film in the 1950s, but made several guest appearances on television. She returned to the big screen in 1966 in the film Footsteps in the Snow (1966), but the role failed to revitalize her career. Lake's memoir, Veronica: The Autobiography of Veronica Lake, was published in 1970. Her final screen role was in a low-budget horror film, Flesh Feast (1970). Lake died in July 1973 from hepatitis and acute kidney injury at the age of 50. After her third divorce, Lake drifted between cheap hotels in New York City, and was arrested several times for public drunkenness and disorderly conduct. In 1962, a New York Post reporter found her living at the all-women's Martha Washington Hotel in Manhattan, working as a waitress downstairs in the cocktail lounge. She was working under the name "Connie de Toth". Lake said she took the job in part because "I like people. I like to talk to them". The reporter's widely distributed story led to speculation that Lake was destitute. After the story ran, fans of Lake sent her money which she returned as "a matter of pride". Lake vehemently denied that she was destitute and stated, "It's as though people were making me out to be down-and-out. I wasn't. I was paying $190 a month rent then, and that's a long way from being broke". The story did revive some interest in Lake and led to some television and stage appearances, most notably in the 1963 off-Broadway revival of the musical Best Foot Forward. In 1966, she had a brief stint as a television hostess in Baltimore, Maryland, along with a largely ignored film role in Footsteps in the Snow. She also continued appearing in stage roles. She went to Freeport in the Bahamas to visit a friend and ended up living there for a few years. Lake's memoirs, Veronica: The Autobiography of Veronica Lake, which she dictated to the writer Donald Bain, were published in the United Kingdom in 1969, and in the United States the following year. In the book, Lake discusses her career, her failed marriages, her romances with Howard Hughes, Tommy Manville and Aristotle Onassis, her alcoholism, and her guilt over not spending enough time with her children. In the book, Lake stated to Bain that her mother pushed her into a career as an actress. Bain quoted Lake, looking back at her career, as saying, "I never did cheesecake like Ann Sheridan or Betty Grable. I just used my hair". She also laughed off the term "sex symbol" and instead referred to herself as a "sex zombie". Lake in trailer for her final film Flesh Feast (1970) When she went to the UK to promote her book in 1969 she received an offer to appear on stage in Madam Chairman. Also in 1969, Lake essayed the role of Blanche DuBois in a revival of A Streetcar Named Desire on the English stage; her performance won rave reviews. With the proceeds from her autobiography, after she had divided them with Bain, she co-produced and starred in her final film, Flesh Feast (1970), a low-budget horror movie with a Nazi-myth storyline.

Louise was born on January 9, 1915, in New York City, the daughter of Louis Fremault and Ann Fremault. She attended the Professional Children's School. She made her acting debut on Broadway at the age of seven, in Peter Ibbetson. Within a year, she was appearing regularly in Hollywood films. By her late teens, she was cast in leading and supporting roles in major productions and highly regarded for her delicate features and blonde hair. An actress from the age of 6, Anita appeared with Walter Hampden in the Broadway production of Peter Ibbetson. As a juvenile actor, Anita used the name Louise Fremault and made her film debut at 9 in the film The Sixth Commandment (1924). She continued to make films as a child actor, and in 1929, Anita dropped her "Fremault" surname, billing herself by her first and second names only. Unlike many child actors, her film career continued as a teenager, and as a blue-eyed blonde, Anita became a star in Warner Brothers costume dramas such as Madame Du Barry (1934), A Midsummer Night's Dream (1935), The Story of Louis Pasteur (1936), and Marie Antoinette (1938). Anita complained that her looks often interfered with her chances to obtain serious roles. With her ethereal beauty, she continued to appear in ingénue roles into the 1940s as she played girlfriends, sisters, and daughters. By 1940, Anita was only in her mid 20s, but her career had turned to 'B' movies, and her time on the big screen ended with the rehashed Bulldog Drummond at Bay (1947) in 1947. In 1956, Anita was cast as Johnny Washbrook's mother, Nell McLaughin, on the Television series My Friend Flicka (1955), the story of a boy and his black horse. Anita was also the substitute host of The Loretta Young Show (1953) when Loretta Young was recuperating from surgery. Other shows Anita hosted included Theater of Time (1957) and Spotlight Playhouse (1958). Her Television guest roles have included Mannix (1967) and Mod Squad (1968). Anita devoted her final years to various philanthropic causes. Louise virtually retired after My Friend Flicka, which was rebroadcast thereafter for a generation. Her husband, film producer Buddy Adler, whom she married on May 18, 1940, died in 1960. They had two children. She married Henry Berger in 1962. Louise died of a stroke on April 25, 1970, in West Los Angeles, California. She was buried next to Adler at the Forest Lawn Memorial Park in Glendale, California. She was 55 years old. Louise has a star at 6821 Hollywood Boulevard in the Motion Pictures section of the Hollywood Walk of Fame in recognition of her contribution to films.