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Good Movies That Aren't Popular But Are Must-Sees


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Eyes of Laura Mars (1978) :heart:

american movie directed by Irvin Kershner

plot :

Laura Mars (Faye Dunaway) is a glamorous fashion photographer who specializes in stylized violence. Amid controversy over whether her photographs glorify violence and are demeaning to women, Laura begins seeing, in first person through the eyes of the killer, real-time visions of the murders of her friends and colleagues.

John Neville (Tommy Lee Jones), the lieutenant in charge of the case, shows Laura unpublished police photographs of unsolved murders that very closely mirror Laura's fashion shoots. Laura's visions continue, including visions of the killer stalking her and continuing to murder those around her. In the interim, Laura and Neville inexplicably fall in love. The murders continue as Laura's various colleagues, acquaintances and past romantic interests come in and out of focus as potential suspects or victims, until a final confrontation between Laura and the killer occurs.

At her apartment, Laura is affected by one last vision of the killer, who has now come for her. The killer attempts to break in through her front door, but Laura deadbolts it before he/she can gain entry. Upon hearing her distress, Neville (who had been on his way to meet her) breaks through her balcony window. Neville then precedes to tell Laura they have caught the killer, a troubled colleague of hers named Tommy, and also begins detailing an elaborate explanation of Tommy's motivations and back story. Knowing Tommy well, Laura recognizes this as a lie and that Neville himself is, in fact, the killer. As Neville details more of his own story, it is implied that he may have multiple personalities. Because of this, and his love for her, he cannot bring himself to murder her and instead asks that she end his life. She shoots him dead, calling the police as we close in on her eyes-- the eyes of Laura Mars.

Eyes of Laura Mars.jpg
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The Wicker Man (1973)

british movie directed by Robin Hardy

plot :

A police sergeant is called to an island village in search of a missing girl whom the locals claim never existed. Stranger still, however, are the rituals that take place there.

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Paperhouse (1988)

british movie directed by Bernard Rose

plot :

While suffering from glandular fever, 11-year-old Anna Madden draws a house. When she falls asleep, she has disturbing dreams in which she finds herself inside the house she has drawn. After she draws a face at the window, in her next dream she finds a disabled boy named Marc living in the house. She learns from her doctor that Marc is a real person.

Anna sketches her father into the drawing so that he can help carry Marc away, but she inadvertently gives him an angry expression which she then crosses out, and the father (who has been away a lot and has a drinking problem, putting a strain on his marriage) appears in the dream as a furious, blinded ogre. Anna and Marc defeat the monster and shortly afterward Anna recovers, although the doctor reveals that Marc's condition is deteriorating.

Anna's father returns home and both parents seem determined to get over their marital difficulties. The family goes on holiday by the sea. Anna, who had drawn a lighthouse into her sketch as a refuge from the sinister house, and had also supplied a helicopter to rescue Marc, visits a lighthouse on the edge of a cliff at the seaside and sees a helicopter overhead while Marc's voice invites her to join him. A rope ladder dangles from the helicopter, drawing Anna dangerously close to the edge of the cliff. Anna's parents arrive in time to prevent her falling.

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The Boy Friend (1971)

british-american movie directed by Ken Russell

plot :

The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood director (Cecil B. DeThrill) is in the audience scouting for actors to be in his latest "all-talking, all-dancing, all-singing" extravaganza. Polly also happens to fall in love with the leading man (Tony) and imagines several fabulous fantasy sequences in which the director is free to exercise his capacity for over-the-top visuals in this charming 1920's era flick.

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Last Year at Marienbad (1961)

french movie directed by Alain Resnais

plot :

At a social gathering at a château or baroque hotel, a man approaches a woman. He claims they met the year before at Marienbad and is convinced that she is waiting there for him. The woman insists they have never met. A second man, who may be the woman's husband, repeatedly asserts his dominance over the first man, including beating him several times at a mathematical game (a version of Nim). Through ambiguous flashbacks and disorienting shifts of time and location, the film explores the relationships among the characters. Conversations and events are repeated in several places in the château and grounds, and there are numerous tracking shots of the château's corridors, with ambiguous voiceovers. The characters are unnamed in the film; in the published screenplay, the woman is referred to as "A", the first man is "X", and the man who may be her husband is "M".

L'Année dernière
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The Hypothesis of the Stolen Painting (1979)

french movie directed by Raúl Ruiz

plot : Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

no trailer, so here the 10 first minutes.

http://www.youtube.com/watch?v=cYSQa76sxsw

The Hypothesis of the Stolen Painting.jpg
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The Ballad of Narayama (1958)

 

japanese movie directed by Keisuke Kinoshita

 

 

 

plot :

 

In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who's girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin's loving and accepting spirit teach and ennoble her family?

 

 

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thank to the forum for this doublepost...

 

The Ballad of Narayama (1958)

 

japanese movie directed by Keisuke Kinoshita

 

 

plot :

 

In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who's girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin's loving and accepting spirit teach and ennoble her family?

 

 

post-31230-0-72548500-1377115411_thumb.j

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God Speed You! Black Emperor (1976)

 

japanese movie directed by Mitsuo Yanagimachi

 

 

plot :

the movie follows the exploits of young Japanese motorcyclists, the "Black Emperors". The 1970s in Japan saw the rise of a motorcycling movement called the bōsōzoku, which drew the interest of the media. The movie follows a member of the "Black Emperors" motorcycle club and his interaction with his parents after he gets in trouble with the police.

 

 

 

 

God Speed You Black Emperor - 001.jpg God Speed You Black Emperor - 002.jpg
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